Volynka: Difference between revisions
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The '''volynka''' ({{lang-uk|волинка}}, {{lang-crh|tulup zurna}} – see also [[duda]], [[koza]]) is |
The '''volynka''' ({{lang-uk|волинка}}, {{lang-ru|волынка}}, {{lang-crh|tulup zurna}} – see also [[duda]], [[koza]], and [[kobza]]) is a [[Slavs|Slavic]] [[bagpipe]]. Its etymology comes from the region [[Volyn]], [[Ukraine]], where it was borrowed from Romania.<ref>{{Cite book|last = Vasmer|first=Max|authorlink=|coauthors=|title=Etymological dictionary of the Russian language|publisher=Progress|date=1986|location=Moscow|page=347|url=http://etymolog.ruslang.ru/vasmer.php?id=347&vol=1}}</ref> |
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The ''volynka'' is constructed around a [[goat skin]] air reservoir into which air is blown through a pipe with a valve to stop air escaping. (Modern concert instruments often have a reservoir made from a basketball bladder}. A number of playing pipes [two to four] extend from the reservoir holding the air. The main playing pipe on which the melody is played has five to seven, sometimes eight finger holes. The other pipes produce a drone. This is usually either a single tonic note or a perfect fifth. Each of these playing pipes has a double reed usually made from a goose quill. In the 20th century this instrument has lost the popularity it had previously, and is rarely used today in an authentic context. |
The ''volynka'' is constructed around a [[goat skin]] air reservoir into which air is blown through a pipe with a valve to stop air escaping. (Modern concert instruments often have a reservoir made from a basketball bladder}. A number of playing pipes [two to four] extend from the reservoir holding the air. The main playing pipe on which the melody is played has five to seven, sometimes eight finger holes. The other pipes produce a drone. This is usually either a single tonic note or a perfect fifth. Each of these playing pipes has a double reed usually made from a goose quill. In the 20th century this instrument has lost the popularity it had previously, and is rarely used today in an authentic context. |
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== Reference == |
== Reference == |
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[[Category: |
[[Category:Russian folk music]] |
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[[Category:Russian musical instruments]] |
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[[Category:Ukrainian musical instruments]] |
[[Category:Ukrainian musical instruments]] |
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[[Category:Crimean Tatars musical instruments]] |
[[Category:Crimean Tatars musical instruments]] |
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Revision as of 20:15, 29 October 2011
| File:UI-Volynka.jpg | |
| Other names | HS#:421.111-12 |
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The volynka (Template:Lang-uk, Template:Lang-ru, Template:Lang-crh – see also duda, koza, and kobza) is a Slavic bagpipe. Its etymology comes from the region Volyn, Ukraine, where it was borrowed from Romania.[1]
The volynka is constructed around a goat skin air reservoir into which air is blown through a pipe with a valve to stop air escaping. (Modern concert instruments often have a reservoir made from a basketball bladder}. A number of playing pipes [two to four] extend from the reservoir holding the air. The main playing pipe on which the melody is played has five to seven, sometimes eight finger holes. The other pipes produce a drone. This is usually either a single tonic note or a perfect fifth. Each of these playing pipes has a double reed usually made from a goose quill. In the 20th century this instrument has lost the popularity it had previously, and is rarely used today in an authentic context.
Modern usage
The instrument has gained popularity in stage performance. It has been used in a number of songs by Russian rock bands DDT, Aquarium, and Aria. It also appears more in Russian folk music and Ukrainian folk music ensembles.
See also
- List of bagpipes
- Pilai, a Finnish bagpipe described as similar to the volynka
Sources
- Humeniuk, A. - Ukrainski narodni muzychni instrumenty - Kiev: Naukova dumka, 1967
- Mizynec, V. - Ukrainian Folk Instruments - Melbourne: Bayda books, 1984
- Cherkasky, L. - Ukrainski narodni muzychni instrumenty // Tekhnika, Kiev, Ukraine, 2003 - 262 pages. ISBN 966-575-111-5
Reference
- ^ Vasmer, Max (1986). Etymological dictionary of the Russian language. Moscow: Progress. p. 347.
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