Arcadi Volodos: Difference between revisions
No edit summary |
No edit summary |
||
| Line 13: | Line 13: | ||
=== Noted transcriptions === |
=== Noted transcriptions === |
||
Volodos has been called a modern-day [[Vladimir Horowitz|Horowitz]],{{citation needed|date=January 2012}} with his flawless technical ability and his renditions of notoriously difficult arrangements of pieces. A particular example was of his arrangement of [[Wolfgang Amadeus Mozart|Mozart]]'s [[Rondo Alla Turca]] in which he paraphrased the movement to produce considerable demands on the performer; playing a [[melody]] and a counter melody with the right hand, and large chords and rapid leaps with the left. Another notable transcription written by Volodos was his arrangement of Polka Italienne, a lesser known duet by [[Sergei Rachmaninoff]] which is a commonly requested encore piece at his recitals. Despite the fact that this piece is a duet, he is more than capable of playing both parts at an extremely rapid pace. He is also known for reviving [[Vladimir Horowitz|Horowitz]]'s transcriptions of Carmen - from the opera by [[Georges Bizet|Bizet]] - and of [[Liszt]]'s [[Hungarian Rhapsodies]] Nos. 2 and 15 ("Rákóczi March"). |
Volodos has been called a modern-day [[Vladimir Horowitz|Horowitz]],{{citation needed|date=January 2012}} with his flawless technical ability and his renditions of notoriously difficult arrangements of pieces. A particular example was of his arrangement of [[Wolfgang Amadeus Mozart|Mozart]]'s [[Rondo Alla Turca]] in which he paraphrased the movement to produce considerable demands on the performer; playing a [[melody]] and a counter melody with the right hand, and large chords and rapid leaps with the left. Another notable transcription written by Volodos was his arrangement of Polka Italienne, a lesser known duet by [[Sergei Rachmaninoff]] which is a commonly requested encore piece at his recitals. Despite the fact that this piece is a duet, he is more than capable of playing both parts at an extremely rapid pace. He is also known for reviving [[Vladimir Horowitz|Horowitz]]'s transcriptions of Carmen - from the opera by [[Georges Bizet|Bizet]] - and of [[Liszt]]'s [[Hungarian Rhapsodies]] Nos. 2 and 15 ("Rákóczi March"). |
||
| ⚫ | |||
| ⚫ | |||
===Recordings=== |
===Recordings=== |
||
| Line 22: | Line 24: | ||
*Volodos plays Liszt (2007) |
*Volodos plays Liszt (2007) |
||
*Volodos in Vienna (2010) Recorded live on March 1, 2009 (works of Skryabin, Ravel, Schumann and Liszt). |
*Volodos in Vienna (2010) Recorded live on March 1, 2009 (works of Skryabin, Ravel, Schumann and Liszt). |
||
| ⚫ | |||
| ⚫ | |||
{{Accademia Musicale Chigiana International Prize laureates}} |
{{Accademia Musicale Chigiana International Prize laureates}} |
||
Revision as of 14:14, 17 April 2012
 |
Arcadi Volodos (Template:Lang-ru, Arcadij Volodos) (born February 24, 1972) is a Russian pianist. His first name is sometimes transliterated Arcady or Arkady. Volodos is renowned both for his technical mastery of the instrument's virtuosic repertoire (particularly that of Rachmaninoff, Liszt and his recordings of transcriptions by Vladimir Horowitz) and for his notoriously technically difficult arrangements of various classical pieces, such as Mozart's Rondo Alla Turka.
Biography
Born in Leningrad in 1972, he began his musical training studying voice, following the example of his parents, who were singers, and later shifted his emphasis to conducting while a student at the Capilla M. Glinka School and the St. Petersburg Conservatory. Though he had played the piano from the age of eight, he did not devote himself to serious study of the instrument until 1987. His formal piano training took place at the Moscow Conservatory with Galina Eguiazarova. Volodos also studied at the Paris Conservatory with Jacques Rouvier. In Madrid, he studied at the Escuela Superior de Música Reina Sofía with Dimitri Bashkirow.
Despite the relative brevity of his formal studies, Volodos has been naturally and rapidly propelled into the elite pantheon of the world's most important pianists. Thomas Frost, the producer of many of Horowitz's recordings, and producer of Volodos' recordings for Sony Classical, has said that Volodos "has everything: imagination, colour, passion and a phenomenal technique to carry out his ideas."
Volodos received the German award "ECHO Klassik" as the best instrumentalist of 2003 and also the Gramophone Award 2010 for Best instrumental recording of the year for his CD "Volodos in Vienna".
Noted transcriptions
Volodos has been called a modern-day Horowitz,[citation needed] with his flawless technical ability and his renditions of notoriously difficult arrangements of pieces. A particular example was of his arrangement of Mozart's Rondo Alla Turca in which he paraphrased the movement to produce considerable demands on the performer; playing a melody and a counter melody with the right hand, and large chords and rapid leaps with the left. Another notable transcription written by Volodos was his arrangement of Polka Italienne, a lesser known duet by Sergei Rachmaninoff which is a commonly requested encore piece at his recitals. Despite the fact that this piece is a duet, he is more than capable of playing both parts at an extremely rapid pace. He is also known for reviving Horowitz's transcriptions of Carmen - from the opera by Bizet - and of Liszt's Hungarian Rhapsodies Nos. 2 and 15 ("Rákóczi March").
Audio Sample
Recordings
- Volodos: Piano Transcriptions (1997)
- Volodos, Live at Carnegie Hall (Recorded October 21, 1998, released 1999)
- Rachmaninoff - Piano Concerto No. 3 & Solo Piano Works (2000)
- Schubert - Piano Sonatas (2002)
- Tchaikovsky - Piano Concerto No. 1 / Rachmaninoff - Solo Piano Works (2003)
- Volodos plays Liszt (2007)
- Volodos in Vienna (2010) Recorded live on March 1, 2009 (works of Skryabin, Ravel, Schumann and Liszt).