Sequence (filmmaking): Difference between revisions
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The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity. Analysed this way, a film is composed of one or more [[Act (theater)|acts]]; acts include one or more sequences; sequences comprise one or more scenes; and scenes may be thought of as being built out of [[Shot (film)|shots]] (if one is thinking visually) or ''beats'' (if one is thinking in narrative terms). |
The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity. Analysed this way, a film is composed of one or more [[Act (theater)|acts]]; acts include one or more sequences; sequences comprise one or more scenes; and scenes may be thought of as being built out of [[Shot (film)|shots]] (if one is thinking visually) or ''beats'' (if one is thinking in narrative terms). |
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See also |
==See also== |
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[[Category:Film theory]] |
[[Category:Film theory]] |
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Revision as of 09:26, 6 June 2006
In film, a sequence is a series of scenes which form a distinct narrative unit, usually connected either by unity of location or unity of time. For example a heist film might include an extended recruitment sequence in which the leader of the gang collects together the co-conspirators, a robbery sequence, an escape sequence, and so on. Each of these sequences might further contain sub-sequences; for example the robbery sequence might consist of an entry sequence, a safe-cracking sequence, and so on.
The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity. Analysed this way, a film is composed of one or more acts; acts include one or more sequences; sequences comprise one or more scenes; and scenes may be thought of as being built out of shots (if one is thinking visually) or beats (if one is thinking in narrative terms).