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'''Trixie's Big Red Motorbike''' is an indiepop band formed in the Isle of Wight, United Kingdom, in 1981.
'''Trixie's Big Red Motorbike''' is an indiepop band formed in the Isle of Wight, United Kingdom, in 1981.


They released two singles, one e.p. and one flexidisc. A vinyl compilation album of their music was released by Accident Records in 1995.

The influential British DJ John Peel said Trixie's Big Red Motorbike "wipe the floor with the competition"<ref>John Peel Show 25 August 1983.</ref>

A retrospective album was released on Lobby Lud Records in February 2012<ref>[http://trixiesbigredmotorbike.bandcamp.com/album/all-day-long-in-bliss "All Day Long In Bliss" L100003]</ref> and the group will tour in summer 2012.


==Formation and early recordings==
==Formation and early recordings==

Revision as of 13:40, 10 June 2013

Trixie's Big Red Motorbike is an indiepop band formed in the Isle of Wight, United Kingdom, in 1981.


Formation and early recordings

In 1981 Telephone Technician Mark Litten and his sixth-former sister Melanie began performing cover versions of songs by The Undertones and Marine Girls. At this time they were known as "Pocket Money". These early recordings are now lost. Their first original song was "Invisible Boyfriend", and this became their first single under the name Trixie's Big Red Motorbike.[1] This was recorded at "Trixieland"-a box-room in their house on the Isle of Wight. The recording equipment was very primitive, and the single was one of the first "lo-fi" releases in the UK. Only 100 copies were pressed, and the record came with photocopied sleeves and no labels.

A copy of the single was sent to BBC Radio 1 DJ John Peel, who played it on his show and invited the band to record a session. On 28 July 1982 they recorded four songs, and these were broadcast on 24 August.[2]

Their second record was the e.p. "Five Songs", recorded in Portsmouth.[3] 500 copies were pressed, and this also came with photocopied sleeves.

Jane Fox

By this time TBRM had become friendly with Jane Fox of Marine Girls, and she was invited to join them for their second John Peel session, recorded 17 August 1983.[4] She also joined them for a recording session at Rod Gammons Sound Studio on the Isle of Wight. At this session three songs were recorded: "That's the End of That", which was released as a 7" flexidisc,[5]"Norman and Narcissus" and "In Timbuktu". Their next single release was "Norman and Narcissus" (Lobby Lud Records).[6] This was the band's first and only entry in the UK Indie Chart, peaking at number 29.[7]

TBRM rehearsing, 1983

Later work

In 1984 a compilation album of Isle of Wight bands was released.[8][9] TBRM contributed two tracks: "When He's by my Side" and "Fairytales". These were the last studio recordings by the band. In 1986 a compilation cassette of various indie bands was released by In Der Tat, a German record company. TBRM contributed two tracks: "That's Quite a Lot" and "I'm Gonna Ride Away", both recorded at Trixieland. Around this time Melanie moved off of the Isle of Wight, and TBRM disbanded. Mark contributed one song "Once I've Seen Him", and played guitars on an e.p. by Sarah Goes Shopping,[10][11][12] a band formed by Twa Toots[13] leader Sarah Brown. The TBRM song "That's the End of That" was covered by the New York band The Poconos.[14][15][16]

Trixieland

Trixieland was a 7'x7'x7' box-room in the Littens' house in Shanklin, Isle of Wight. It was used for recording TBRM's first single and demos. It was also Mark's bedroom.

Mark Litten at Trixieland, 1982

Recording equipment consisted of a TEAC 1/4" reel to reel tape recorder and an Aiwa tape to tape cassette recorder. There were no mixing facilities. The microphone stands were handmade from broom handles. Most tracks were created by first recording the drum machine, guitar and vocal together, then adding instruments one by one; bouncing between the two machines. The instruments were very inexpensive: a simple drum machine, a Westbury electric guitar, a non-Fender precision bass, and various percussion instruments. The sound resulting from this set-up was variable in quality, and should probably be described as lo-fi.

Interviews and reviews

In 1982 TBRM were interviewed by BBC producer John Walters in Shanklin. Writing in Honey (magazine)[17] he said "Melanie sings as if doing her fingernails at the same time", and called them "talented". They were interviewed by Alvin Smith for the St Albans fanzine "Wally's Dog" in summer 1983.[18][19] Their flexidisc was issued with this fanzine.

"Walley's Dog" fanzine.

In "Caught In Flux" magazine Mike Appelstein wrote that TBRMs songs were "among the sweetest, breeziest songs I've ever heard, complete with minimal instrumentation, thin/understated vocals, and melodies to die for."[20][21]

In Plan B Magazine No. 40 (2008) the influential British music critic Everett True wrote:

Music That Time Forgot: Trixie’s Big Red Motorbike

More than Grab Grab The Haddock (whose singer Jane once sent me a couple of postcards from Brighton). More than the giggly, Doris Day-loving Chefs (whose singer Helen I had the most enormous schoolboy crush on). More than the Peel-championed, Scots girl band Sophisticated Boom Boom (a band so obscure, they never even got round to releasing a single). More than Clive Pig or Keen or Talulah Gosh, or even that first Marine Girls album recorded in a garden shed. Trixie’s Big Red Motorbike were so twee they were beyond twee.

I mean, we’re talking years before C86 here. We’re talking back at the dawn of the 80s when girls had the monopoly on twee (honourable exception, Dan Treacy) – C86 was merely the sound of the boys getting in on the act, late as ever, and nearly ruining it all for everyone (as ever).

The girl sounded like she was about seven and out-of-breath (but that was a pre-requisite). The music jangled and burbled away to itself, jazz-textured and occasionally mock-cowpoke country, full of holes and silences. Harmonies were crushingly obvious but gorgeous nonetheless. Of course, the music came in handmade sleeves and on flexi discs.

Here’s what LastFM has to say about it all: “Mark and Mel lived in Shanklin on the Isle Of Wight [actually the Littens, a brother and sister, who recorded songs in Trixieland – their bedroom]. Perhaps they still do. They did a couple of John Peel sessions. They got their records pressed privately and sent a photocopied sheet for the record labels and cover, which you had to stick on yourself. Some of their songs featured the recorder, played in real primary-school style.”

Similar artists on LastFM include The Chefs, The Smittens, Girls At Our Best!, The Happy Couple – who look anything but – and Melody Dog. [Swoon! at the last - Ed][22]

Career

TBRM signed a publishing deal with Twist and Shout Music, and received enquiries from several independent record companies. However, they never had a recording contract, a manager or an agent. A combination of shyness, lack of business acumen, and a determination to stick to the DIY punk ethos of the time caused them to miss opportunities again and again. Physical isolation from the centers of the music industry was also a problem. Their first two records were sold by mail order, and in the pre-internet early 1980s, most of their contact with the outside world was by post.

Guest members

1981-1982
  • Jim Bycroft (tenor saxophone, keyboards)
  • Kevin Sparrow (handclaps)
1983–1985
  • Jane Fox (vocals, celesta)
  • Nathan Thomas (speech, sneezing)

Discography

Vinyl

Title and Tracklist Release Date Label Catalogue Number
"Invisible Boyfriend / A Splash of Red" 1982 Chew Records CH 9271
"Five Songs e.p." "Hold Me", "Whatever Happened to the Treetops?", "You Took Him Away From Me", "Trixie's Groove", "One Nation Under a Brolly" 1983 - RAM 510
"That's the End of That" "That's the End of That", "As Soon as She's Gone" (by Clive Pig and Lee Valley[23]) 1984 Nathan Records NAT 001
"Norman and Narcissus / In Timbuktu" 1983 Lobby Lud Records L100001
"Feet on the Street" "When He's By My Side", "Fairytales" plus twelve tracks by other Isle of Wight artists. 1984 C-Side Records C-SIDE 1
"The Intimate Sound of Trixie's Big Red Motorbike" "Trixie's Big Red Motorbike", "Invisible Boyfriend", "A Splash of Red", "Hold Me", "Trixie's Groove", "One Nation Under A Brolly", "Whatever Happened to the Treetops?", You Took Him Away from Me", "That's the End of That", "Norman and Narcissus", "In Timbuktu", "When He's by My Side", "Fairytales", "Hold Me (Hands on mix)", "One Nation Under a Brolly (Long version)", "One Nation Under a Brolly (Longer version)", "You Took Him Away from Me (Tea-time mix)", "That's the End of That (Wight noise mix)", Norman and Narcissus (Shanklin version)", "I'm in Love with You (Norton version)". 1995 Accident Records DENT 1

Cassettes

Title and Tracklist Release Date Label Catalogue Number
"Adventures in Trixieland" "Fairytales", "I'm in Love with You", "Hold Me", "One Nation Under a Brolley", "That's the End of That", "Michael and Mandy", "Just a Minute", "Invisible Boyfriend", "Whatever Happened to the Treetops?", "You Took Him Away From Me", "A Splash of Red", "That's the End of That", "One Nation Under a Brolley", "Norman and Narcissus", "In Timbuktu". 1984 Lobby Lud Records LC100004
"Reynard the Fox" "That's Quite a Lot", "I'm Gonna Ride Away" plus twenty-one tracks by various other indie bands. 1986 In Der Tat tat 18

CDs

Title and Tracklist Release Date Label Catalogue Number
The Post-Punk Singles Volume 7 "Hold Me", "One Nation Under a Brolley", "You Took Him Away From Me", "Whatever Happened to the Treetops?", "Trixie's Groove" plus twenty tracks by other Post-Punk bands. 2000 - 07NW0109

References

  1. ^ Invisible Boyfriend/A Splash of Red. Chew Records. Cat.# CH9271. 1982
  2. ^ http://www.bbc.co.uk/radio1/johnpeel/sessions/1980s/1982/Jul28trixiesbigredmot/
  3. ^ Five Songs. Cat.#RAM 510
  4. ^ http://www.bbc.co.uk/radio1/johnpeel/sessions/1980s/1983/Aug17trixiesbigredmot/
  5. ^ Trixie's Big Red Motorbike/Clive Pig and Lee Valley. That's the End of That/As soon as She's Gone. Nathan Records Cat# NAT 001
  6. ^ Norman and Narcissus/In Timbuktu. Lobby Lud Records. Cat#L100001
  7. ^ Lazell, Barry (1998) Indie Hits 1980-1989, Cherry Red Books, ISBN 0-95172-069-4, p. 238
  8. ^ Feet on the Street. C-Side Records. Cat# C-SIDE 1
  9. ^ http://www.isleofwightmusic.com/fots.html
  10. ^ "Money Speaks Louder than Words" Sarah Goes Shopping, Crystal Clear Records. Cat# CC1002
  11. ^ http://www.last.fm/music/sarah+goes+shopping
  12. ^ http://www.discogs.com/viewimages?release=2888768
  13. ^ http://www.myspace.com/twatootspop
  14. ^ "Days are Getting Shorter" The Poconos. Jigsaw Records 1999 Cat# PZL007
  15. ^ http://jigsawrecords.bandcamp.com/album/poconos-days-are-getting-shorter-7
  16. ^ http://www.youtube.com/watch?v=opv0STjRG4M&feature=feedu
  17. ^ Honey Magazine January 1983
  18. ^ "A wee chat with Trixie's Big Red Motorbike" Wally's Dog 1984
  19. ^ "wally's Dog" © Alvin Smith 1984. Layout by Andrew Kingham.
  20. ^ Caught in Flux magazine No. 6 Summer 1997
  21. ^ http://www.appelstein.com/cif/
  22. ^ Plan B Magazine No. 40 (2008)
  23. ^ Lee Valley a.k.a. "Whistling Gez Sagar"
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