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==Synopsis==
==Synopsis==
It is an absurdist family comedy/drama that tells a complex story of Mother, who has an intimate relationship with Doctor, and who has problems telling her 28-year-old sons apart. Part of the problem may be that she has named her two sons “OTTO” and “otto”. An example of what the Doctor calls “symmetry, yes, but not logic”.<ref>Albee, Edward. ‘’Me Myself and I’’. Dramatist Play Service 2011ISBN-10: 0822224992</ref> The play begins when OTTO tells his mother that he’s leaving home to become Chinese and that his brother no longer exists. This upsets otto, who has been searching for some kind of confirmation that he is alive. Maureen, otto’s girlfriend, becomes drawn into this.
It is an absurdist family comedy/drama that tells a complex story of Mother, who has an intimate relationship with Doctor, and who has problems telling her 28-year-old sons apart. Part of the problem may be that she has named her two sons “OTTO” and “otto”. An example of what the Doctor calls “symmetry, yes, but not logic”.<ref>Albee, Edward. ‘’Me Myself and I’’. Dramatist Play Service 2011ISBN-10: 0822224992</ref> The play begins when OTTO tells his mother that he’s leaving home to become Chinese and that his brother no longer exists. This upsets otto, who has been searching for some kind of confirmation that he is alive. Maureen, otto’s girlfriend, becomes drawn into this.
Word games and semantics, ideas about the various meanings and aspects of love, along with riffs on various cultural references, abound in this play.<ref>Goldberg, Isa. “Edward Albee on his new play” FT Magazine. 4 September 2010 [http://www.ft.com/cms/s/2/9d442662-b6e9-11df-b3dd-00144feabdc0.html#axzz2h8c14Rjk]</ref> <ref>Piepenburg, Erik. “But Can Their Moms Tell Them Apart?” New York Times. 15 September 2010[http://theater.nytimes.com/2010/09/19/theater/19twins.html?ref=erikpiepenburg&_r=0]</ref>
Word games and semantics, ideas about the various meanings and aspects of love, along with riffs on various cultural references, abound in this play.<ref>Goldberg, Isa. “Edward Albee on his new play” FT Magazine. 4 September 2010 [http://www.ft.com/cms/s/2/9d442662-b6e9-11df-b3dd-00144feabdc0.html#axzz2h8c14Rjk]</ref><ref>Piepenburg, Erik. “But Can Their Moms Tell Them Apart?” New York Times. 15 September 2010[http://theater.nytimes.com/2010/09/19/theater/19twins.html?ref=erikpiepenburg&_r=0]</ref>

==Production history==
==Production history==
The play premiered in New York at [[Playwrights Horizons]] in September 2010. Director: [[Emily Mann]], Set Designer: [[Thomas Lynch]], Costume Designer: [[Jennifer von Mayrhauser]]. The cast featured [[Elizabeth Ashley]] (Mother), [[Zachary Booth]] (OTTO), [[Brian Murray]] (Dr.), Natalia Payne (Maureen), [[Stephen Payne]] (the Man) and Preston Sadleir (otto).<ref>Albee, Edward. ‘’Me Myself and I’’. Dramatist Play Service 2011ISBN-10: 0822224992</ref>
The play premiered in New York at [[Playwrights Horizons]] in September 2010. Director: [[Emily Mann]], Set Designer: [[Thomas Lynch]], Costume Designer: [[Jennifer von Mayrhauser]]. The cast featured [[Elizabeth Ashley]] (Mother), [[Zachary Booth]] (OTTO), [[Brian Murray]] (Dr.), Natalia Payne (Maureen), [[Stephen Payne]] (the Man) and Preston Sadleir (otto).<ref>Albee, Edward. ‘’Me Myself and I’’. Dramatist Play Service 2011ISBN-10: 0822224992</ref>

Revision as of 16:44, 8 October 2013

Me Myself and I is a play written by Edward Albee.

Synopsis

It is an absurdist family comedy/drama that tells a complex story of Mother, who has an intimate relationship with Doctor, and who has problems telling her 28-year-old sons apart. Part of the problem may be that she has named her two sons “OTTO” and “otto”. An example of what the Doctor calls “symmetry, yes, but not logic”.[1] The play begins when OTTO tells his mother that he’s leaving home to become Chinese and that his brother no longer exists. This upsets otto, who has been searching for some kind of confirmation that he is alive. Maureen, otto’s girlfriend, becomes drawn into this. Word games and semantics, ideas about the various meanings and aspects of love, along with riffs on various cultural references, abound in this play.[2][3]

Production history

The play premiered in New York at Playwrights Horizons in September 2010. Director: Emily Mann, Set Designer: Thomas Lynch, Costume Designer: Jennifer von Mayrhauser. The cast featured Elizabeth Ashley (Mother), Zachary Booth (OTTO), Brian Murray (Dr.), Natalia Payne (Maureen), Stephen Payne (the Man) and Preston Sadleir (otto).[4]

This production was first produced in 2008 at the McCarter Theatre in Princeton, New Jersey, with the same director and designers. The cast at the McCarter Theatre featured Tyne Daly (Mother), Michael Esper (OTTO), Brian Murray (Dr.), Charlotte Parry (Maureen), Stephen Payne (the Man) and Colin Donnell (otto).[5]

Ben Brantley, in his review for The New York Times wrote that Me Myself and I is “in the tradition of Mr. Albee’s mid- and late-career works like The Marriage Play and The Play About the Baby: fragmented philosophical vaudevilles that turn the most fundamental questions of identity into verbal soft-shoes. It also harks back to his early exercises in absurdism (including the one-acters The Sandbox and The American Dream), coal-black comedies from a time when brash young writers reveled in toppling theatrical traditions."[6]

References

  1. ^ Albee, Edward. ‘’Me Myself and I’’. Dramatist Play Service 2011ISBN-10: 0822224992
  2. ^ Goldberg, Isa. “Edward Albee on his new play” FT Magazine. 4 September 2010 [1]
  3. ^ Piepenburg, Erik. “But Can Their Moms Tell Them Apart?” New York Times. 15 September 2010[2]
  4. ^ Albee, Edward. ‘’Me Myself and I’’. Dramatist Play Service 2011ISBN-10: 0822224992
  5. ^ Albee, Edward. ‘’Me Myself and I’’. Dramatist Play Service 2011ISBN-10: 0822224992
  6. ^ Brantley, Ben. “Ta-ta! Give ’Em the Old Existential Soft-Shoe”New York Times. 28 January 2008[3]