Arthur Pond: Difference between revisions
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==Life== |
==Life== |
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Born about 1705, was educated in London, and stayed for a time in Rome studying art, in company with the sculptor [[Roubiliac]]. He became a successful portrait-painter. |
Born about 1705, was educated in London, and stayed for a time in Rome studying art, in company with the sculptor [[Roubiliac]]. He became a successful portrait-painter. |
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He was elected a [[Fellow of the Royal Society]] in 1752, and died in [[Great Queen Street]], [[Lincoln's Inn Fields]], 9 September 1758. His collection of old master drawings was sold the following year, and realised over £1400. |
He was elected a [[Fellow of the Royal Society]] in 1752, and died in [[Great Queen Street]], [[Lincoln's Inn Fields]], 9 September 1758. His collection of old master drawings was sold the following year, and realised over £1400. |
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==Works== |
==Works== |
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[[File:Rhoda Astley (née Delaval) by Arthur Pond.jpg|thumb|180px|Portrait of [[Rhoda Astley]], c.1750.]] |
[[File:Rhoda Astley (née Delaval) by Arthur Pond.jpg|thumb|180px|Portrait of [[Rhoda Astley]], c.1750.]] |
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His numerous original portraits include [[Alexander Pope]], [[William, Duke of Cumberland]], and [[Peg Woffington]]. Pond was also a prolific etcher, and used various mixed processes of engraving by means of which he imitated or reproduced the works of masters such as [[Rembrandt]], [[Raphael]], [[Salvator Rosa]], [[Parmigiano]], [[Caravaggio]], and the Poussins. |
His numerous original portraits include [[Alexander Pope]], [[William, Duke of Cumberland]], and [[Peg Woffington]]. Pond was also a prolific etcher, and used various mixed processes of engraving by means of which he imitated or reproduced the works of masters such as [[Rembrandt]], [[Raphael]], [[Salvator Rosa]], [[Parmigiano]], [[Caravaggio]], and the Poussins. |
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In 1734–5 he published a series of his plates under the title ''Imitations of the Italian Masters''. He also collaborated with [[George Knapton]] in the publication of the ''Heads of Illustrious Persons'', after [[Jacobus Houbraken]] and [[George Vertue]], with lives by [[Thomas Birch]] (London, 1743–52); and engraved sixty-eight plates for a collection of ninety-five reproductions from drawings by famous masters, in which Knapton was again his colleague. Another of his productions was a series of twenty-five caricatures after [[Pier Leone Ghezzi]], republished in 1823 and 1832 as ''Eccentric Characters''. |
In 1734–5 he published a series of his plates under the title ''Imitations of the Italian Masters''. He also collaborated with [[George Knapton]] in the publication of the ''Heads of Illustrious Persons'', after [[Jacobus Houbraken]] and [[George Vertue]], with lives by [[Thomas Birch]] (London, 1743–52); and engraved sixty-eight plates for a collection of ninety-five reproductions from drawings by famous masters, in which Knapton was again his colleague. Another of his productions was a series of twenty-five caricatures after [[Pier Leone Ghezzi]], republished in 1823 and 1832 as ''Eccentric Characters''. |
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==References== |
==References== |
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*{{cite DNB|wstitle=Pond, Arthur}} |
*{{cite DNB|wstitle=Pond, Arthur}} |
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{{commons category|Arthur Pond}} |
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;Attribution |
;Attribution |
Revision as of 03:05, 22 March 2014
Arthur Pond (1705?–1758) was an English painter and engraver.
Life
Born about 1705, was educated in London, and stayed for a time in Rome studying art, in company with the sculptor Roubiliac. He became a successful portrait-painter.
He was elected a Fellow of the Royal Society in 1752, and died in Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His collection of old master drawings was sold the following year, and realised over £1400.
Works
His numerous original portraits include Alexander Pope, William, Duke of Cumberland, and Peg Woffington. Pond was also a prolific etcher, and used various mixed processes of engraving by means of which he imitated or reproduced the works of masters such as Rembrandt, Raphael, Salvator Rosa, Parmigiano, Caravaggio, and the Poussins.
In 1734–5 he published a series of his plates under the title Imitations of the Italian Masters. He also collaborated with George Knapton in the publication of the Heads of Illustrious Persons, after Jacobus Houbraken and George Vertue, with lives by Thomas Birch (London, 1743–52); and engraved sixty-eight plates for a collection of ninety-five reproductions from drawings by famous masters, in which Knapton was again his colleague. Another of his productions was a series of twenty-five caricatures after Pier Leone Ghezzi, republished in 1823 and 1832 as Eccentric Characters.
References
- Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900. .
- Attribution
This article incorporates text from a publication now in the public domain: "Pond, Arthur". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.