Dub techno: Difference between revisions
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| stylistic_origins = [[Dub Music|Dub]], [[ |
| stylistic_origins = [[Dub Music|Dub]], [[techno]] |
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| cultural_origins = Mid-1990s |
| cultural_origins = Mid-1990s |
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| instruments = [[Synthesizer]], [[Keyboard instrument|keyboards]], [[Sampler (musical instrument)|sampler]], [[drum machine]], [[Music sequencer|sequencer]] |
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| other_topics = [[Electronic musical instrument]] – [[list of electronic music record labels|record labels]] |
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'''Dub techno''' is a subgenre of [[techno]]. [[Basic Channel]] are largely credited with defining the style.<ref>{{cite web|title=The Strange and Frightening World of... Basic Channel|url=http://thequietus.com/articles/02764-the-strange-and-frightening-world-of-basic-channel|publisher=The Quietus|accessdate=9 August 2012}}</ref> |
'''Dub techno''' is a subgenre of [[techno]]. [[Basic Channel]] are largely credited with defining the style.<ref>{{cite web|title=The Strange and Frightening World of... Basic Channel|url=http://thequietus.com/articles/02764-the-strange-and-frightening-world-of-basic-channel|publisher=The Quietus|accessdate=9 August 2012}}</ref> |
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Revision as of 05:32, 30 September 2015
| Dub techno | |
|---|---|
| Stylistic origins | Dub, techno |
| Cultural origins | Mid-1990s |
Dub techno is a subgenre of techno. Basic Channel are largely credited with defining the style.[1]
The origins of dub techno can be traced back to experimentation by Basic Channel in 1990s Berlin, as they sought to combine the rhythmic elements of stripped-down Detroit techno with the dub recording process and effects of Jamaican dub reggae.[citation needed]
Notable dub techno artists
- Andy Stott
- Basic Channel, also known as Maurizio and Rhythm & Sound
- Deepchord
- Deadbeat
- Echospace, also known as cv313
- Monolake
- Vladislav Delay
Dub techno in film
- Kvadrat — a documentary film about the realities of DJing, extensively featuring dub techno
References
- ^ "The Strange and Frightening World of... Basic Channel". The Quietus. Retrieved 9 August 2012.