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She was part of the production of [[En la ardiente oscuridad]] by [[Antonio Buero Vallejo]], which had its triumphant premier in December 1950 at the [[Teatro María Guerrero]]. There were other successes during the early 1950s in the theatre that still bore her grandmother's name, including "[[:es:María Antonieta (obra de teatro)|María Antonieta]]" (1952) and "[[:es:El jefe (obra de teatro)|El jefe]]" (1953) by {{ill|es|Joaquín Calvo Sotelo}},<ref name=abc19530306>{{cite web |url= http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1953/03/06/029.html|title=Anoche fue estrenada en el Teatro María Guerrero la comedia dramática de Joaquín Calvo Sotelo "El jefe"|publisher= [[Diario ABC]] |date= 6 March 1953|accessdate= 11 January 2016}}</ref> "[[Berkeley Square (play)|Berkeley Square]]" (1952) by [[John L. Balderston]] and "Recién llegada" (1953), by Keith Winter.<ref name=abc19530514>{{cite web |url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1953/05/14/043.html |title=Anoche se estrenó en el María Guerrero ''Recién llegada'', de Keith Winter. |publisher=[[Diario ABC]] |date=14 May 1953|accessdate=11 January 2016}}</ref>
She was part of the production of [[En la ardiente oscuridad]] by [[Antonio Buero Vallejo]], which had its triumphant premier in December 1950 at the [[Teatro María Guerrero]]. There were other successes during the early 1950s in the theatre that still bore her grandmother's name, including "[[:es:María Antonieta (obra de teatro)|María Antonieta]]" (1952) and "[[:es:El jefe (obra de teatro)|El jefe]]" (1953) by {{ill|es|Joaquín Calvo Sotelo}},<ref name=abc19530306>{{cite web |url= http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1953/03/06/029.html|title=Anoche fue estrenada en el Teatro María Guerrero la comedia dramática de Joaquín Calvo Sotelo "El jefe"|publisher= [[Diario ABC]] |date= 6 March 1953|accessdate= 11 January 2016}}</ref> "[[Berkeley Square (play)|Berkeley Square]]" (1952) by [[John L. Balderston]] and "Recién llegada" (1953), by Keith Winter.<ref name=abc19530514>{{cite web |url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1953/05/14/043.html |title=Anoche se estrenó en el María Guerrero ''Recién llegada'', de Keith Winter. |publisher=[[Diario ABC]] |date=14 May 1953|accessdate=11 January 2016}}</ref>


Later in the decade Díaz de Mendoza switched to [[Madrid]]'s [[:es:Teatro de la Comedia|Teatro de la Comedia]] where she shared the stage with [[Alberto Closas]] in "[[:es:¿De acuerdo, Susana?|¿De acuerdo, Susana?]]" (1955)<ref>{{cite web |url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1955/04/10/040.html |title=Crítica del estreno de ''¿De acuerdo, Susana?'' |publisher= [[Diario ABC]] |date=10 April 1955 |accessdate=11 January 2016}}</ref> and "[[:es:Mi adorado Juan|Mi adorado Juan]]" (1956) by [[Miguel Mihura]],<ref>{{cite web |url=http://hemeroteca.lavanguardia.es/preview/1935/06/18/pagina-7/32772379/pdf.html |title=Crítica del estreno de ''Mi adorado Juan'' |work=[[el Diario]] ''La Vanguardia'' |date= 12 January 1956|accessdate=11 January 2016}}</ref> with [[Ismael Merlo]].
Later in the decade Díaz de Mendoza switched to [[Madrid]]'s [[:es:Teatro de la Comedia|Teatro de la Comedia]] where she shared the stage with [[Alberto Closas]] in "[[:es:¿De acuerdo, Susana?|¿De acuerdo, Susana?]]" (1955)<ref>{{cite web |url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1955/04/10/040.html |title=Crítica del estreno de ''¿De acuerdo, Susana?'' |publisher= [[Diario ABC]] |date=10 April 1955 |accessdate=11 January 2016}}</ref> and appeared in "[[:es:Mi adorado Juan|Mi adorado Juan]]" (1956) by [[Miguel Mihura]],<ref>{{cite web |url=http://hemeroteca.lavanguardia.es/preview/1935/06/18/pagina-7/32772379/pdf.html |title=Crítica del estreno de ''Mi adorado Juan'' |work=[[el Diario]] ''La Vanguardia'' |date= 12 January 1956|accessdate=11 January 2016}}</ref> with [[Ismael Merlo]].


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Pasa luego al [[Teatro de la Comedia]], donde comparte escenario con [[Alberto Closas]] en ''[[¿De acuerdo, Susana?]]'' (1955)<ref>[http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1955/04/10/040.html Crítica del estreno de ''¿De acuerdo, Susana?'' en el ''Diario ABC'', de 10 de abril de 1955]. <small>Visto el 1 de abril de 2011 </small></ref> y en ''[[Mi adorado Juan]]'' (1956), de [[Miguel Mihura]],<ref>[http://hemeroteca.lavanguardia.es/preview/1935/06/18/pagina-7/32772379/pdf.html Crítica del estreno de ''Mi adorado Juan'' en el Diario ''La Vanguardia'' de 12 de enero de 1956]. <small>Visto el 1 de abril de 2011 </small></ref> con [[Ismael Merlo]] en ''En cualquier Puerta del Sol'' (1956) de [[Carlos Llopis]] y con [[Carlos Muñoz (actor español)|Carlos Muñoz]] en ''48 horas de felicidad'' (1956) de [[Alfonso Paso]]. En 1957 intervino en el montaje de ''[[La malquerida]]'', que había estrenado su abuela 45 años antes.
en ''En cualquier Puerta del Sol'' (1956) de [[Carlos Llopis]] y con [[Carlos Muñoz (actor español)|Carlos Muñoz]] en ''48 horas de felicidad'' (1956) de [[Alfonso Paso]]. En 1957 intervino en el montaje de ''[[La malquerida]]'', que había estrenado su abuela 45 años antes.


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Revision as of 14:39, 11 January 2016

Carmen Diaz de Mendoza with her parents

María Carmen Díaz de Mendoza Larrabeiti (born December 1927) is a Spanish theatre actress.[1]

Life

Mari Carmen Díaz de Mendoza was born in Madrid towards the end of 1927. Her parents, es [Carlos Díaz de Mendoza] and Carmen Larrabeiti, who were both actors, had married the previous year. He paternal grand parents were also theatre people.[1] Although Mari Carmen made one or two film appearances, the focus of her own acting career was the theatre.

She embarked on her stage career in the 1940s at the Theatre of María Guerrero, originally purchased by her grandfather, the theatrical impresario Fernando Díaz de Mendoza y Aguado, back in 1908. In 1944 she appeared in a play based on Dostoyevsky's "Demons", playing opposite es [Ricardo Calvo Agostí].[2] Another early role was in the Spanish translation of "Time and the Conways" by J. B. Priestley, in which she appeared with Guillermo Marín and es [Elvira Noriega].[3] A few months later she transferred to the Teatro Español, in June 1945 appearing in "Hamlet" with Marin and es [Mercedes Prendes].[4]

During the next few years she appeared in "Tres de madrugada" by Claudio de la Torre (1946), "Cuento de cuentos" by es [Joaquín Dicenta (the younger)] (1947) and after setting up her own theatre company, in "Víspera de bodas" by Eduardo Manzanos (1948), in which Milagros Leal and es [Salvador Soler Marí] also appeared.

She was part of the production of En la ardiente oscuridad by Antonio Buero Vallejo, which had its triumphant premier in December 1950 at the Teatro María Guerrero. There were other successes during the early 1950s in the theatre that still bore her grandmother's name, including "María Antonieta" (1952) and "El jefe" (1953) by es [Joaquín Calvo Sotelo],[5] "Berkeley Square" (1952) by John L. Balderston and "Recién llegada" (1953), by Keith Winter.[6]

Later in the decade Díaz de Mendoza switched to Madrid's Teatro de la Comedia where she shared the stage with Alberto Closas in "¿De acuerdo, Susana?" (1955)[7] and appeared in "Mi adorado Juan" (1956) by Miguel Mihura,[8] with Ismael Merlo.

References

  1. ^ a b "Biografía de Mari Carmen Díaz". Telfo Networks S.L., Pontevedra (Biograpfias.es). Retrieved 10 January 2016.
  2. ^ "Ricardo Calvo y Mari Carmen Díaz de Mendoza". Diario ABC. 28 January 1944. Retrieved 10 January 2016.
  3. ^ "El Teatro Nacional y el monumento a María Guerrero". Diario ABC. 25 April 1945. Retrieved 10 January 2016.
  4. ^ "Noticias teatrales". Diario ABC. 30 June 1945. Retrieved 10 January 2016.
  5. ^ "Anoche fue estrenada en el Teatro María Guerrero la comedia dramática de Joaquín Calvo Sotelo "El jefe"". Diario ABC. 6 March 1953. Retrieved 11 January 2016.
  6. ^ "Anoche se estrenó en el María Guerrero Recién llegada, de Keith Winter". Diario ABC. 14 May 1953. Retrieved 11 January 2016.
  7. ^ "Crítica del estreno de ¿De acuerdo, Susana?". Diario ABC. 10 April 1955. Retrieved 11 January 2016.
  8. ^ "Crítica del estreno de Mi adorado Juan". el Diario La Vanguardia. 12 January 1956. Retrieved 11 January 2016. {{cite web}}: Italic or bold markup not allowed in: |work= (help)
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