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== Life and career ==
== Life and career ==


She took evening sketching classes in [[Todros Geller]]'s studio and studied oil painting with Geller. [[Rudolph Weisenborn]] was another early influence. Working with both of these artists Berkman was introduced to Cubism and Expressionism and her work became more political in nature. She also studied briefly in New York at [[Hunter College]] and at [[The New School for Social Research]] under [[Stuart Davis]].<ref>{{cite book|last1=Stearns|first1=Robert|title=Illusions of Eden: Visions of the American Heartland|date=2000|publisher=Arts Midwest|location=Minneapolis, MN|isbn=0918881404|page=252}}</ref>
She took evening sketching classes in [[Todros Geller]]'s studio and studied oil painting with Geller. [[Rudolph Weisenborn]] was another early influence. Working with both of these artists Berkman was introduced to Cubism and Expressionism and her work became more political in nature. She also studied briefly in New York at [[Hunter College]] and at [[The New School for Social Research]] under [[Stuart Davis (painter)|Stuart Davis]].<ref>{{cite book|last1=Stearns|first1=Robert|title=Illusions of Eden: Visions of the American Heartland|date=2000|publisher=Arts Midwest|location=Minneapolis, MN|isbn=0918881404|page=252}}</ref>


In 1934 Berkman's work was exhibited for the first time in a group show of Jewish artists at the Palmer House in Chicago.<ref>{{cite web|last1=Weininger|first1=Susan|title=Bernece Berkman|url=http://www.chicagomodern.org/artists/bernece_berkman/|website=Modernism in the City: Chicago Artists 1920-1950|accessdate=22 May 2016}}</ref> In 1939 she exhibited a painting at the [[New York World’s Fair]].
In 1934 Berkman's work was exhibited for the first time in a group show of Jewish artists at the Palmer House in Chicago.<ref>{{cite web|last1=Weininger|first1=Susan|title=Bernece Berkman|url=http://www.chicagomodern.org/artists/bernece_berkman/|website=Modernism in the City: Chicago Artists 1920-1950|accessdate=22 May 2016}}</ref> In 1939 she exhibited a painting at the [[1939 New York World's Fair|New York World’s Fair]].


She married Oscar H. Hunter, an African American writer, in 1946. Together they founded a wallpaper company, Berk-Hunter Associates, in 1949. They divorced in 1976.<ref>{{cite web|last1=Weininger|first1=Susan|title=Bernece Berkman|url=http://www.chicagomodern.org/artists/bernece_berkman/|website=Modernism in the City: Chicago Artists 1920-1950|accessdate=22 May 2016}}</ref>
She married Oscar H. Hunter, an African American writer, in 1946. Together they founded a wallpaper company, Berk-Hunter Associates, in 1949. They divorced in 1976.<ref>{{cite web|last1=Weininger|first1=Susan|title=Bernece Berkman|url=http://www.chicagomodern.org/artists/bernece_berkman/|website=Modernism in the City: Chicago Artists 1920-1950|accessdate=22 May 2016}}</ref>

Revision as of 10:45, 23 May 2016

Bernece Berkman
Born(1911-01-06)January 6, 1911
Died1988
NationalityAmerican
EducationSchool of the Art Institute of Chicago (SAIC)
Known forPainter, graphic artist, designer, screenprinter, lithographer, teacher
MovementRegionalism

Bernece Berkman (known as Bernece Berkman-Hunter after marriage) (1911-1988) was an American painter born in Chicago, Illinois. She was inspired by what she saw in urban Chicago during the Great Depression and is best known for paintings depicting the plight of industrial workers and the poor.[1]

Life and career

She took evening sketching classes in Todros Geller's studio and studied oil painting with Geller. Rudolph Weisenborn was another early influence. Working with both of these artists Berkman was introduced to Cubism and Expressionism and her work became more political in nature. She also studied briefly in New York at Hunter College and at The New School for Social Research under Stuart Davis.[2]

In 1934 Berkman's work was exhibited for the first time in a group show of Jewish artists at the Palmer House in Chicago.[3] In 1939 she exhibited a painting at the New York World’s Fair.

She married Oscar H. Hunter, an African American writer, in 1946. Together they founded a wallpaper company, Berk-Hunter Associates, in 1949. They divorced in 1976.[4]

In 1972 she traveled to France and Italy. Her travel diary is housed at the Library of Congress.[5]

She was an active member of the artist community in Chicago and New York and belonged to the Chicago Society of Artists and the Chicago Women's Salon.

Exhibitions

  • American Artists Congress, 1937
  • Denver Art Museum, 1938
  • Springfield (MA) Museum of Fine Art
  • WPA Exhibition, Art Institute of Chicago, 1938
  • World's Fair, NYC, 1939
  • International Water Color Exhibition, AIC, 1940
  • Chicago and Vicinity Exhibit, Art Institute of Chicago, 1940, 41
  • After the Great Crash: New Deal Art in Illinois, Illinois State Museum, Springfield (IL), 1983

Selected Works

Collections

References

  1. ^ Stearns, Robert (2000). Illusions of Eden: Visions of the American Heartland. Minneapolis, MN: Arts Midwest. p. 252. ISBN 0918881404.
  2. ^ Stearns, Robert (2000). Illusions of Eden: Visions of the American Heartland. Minneapolis, MN: Arts Midwest. p. 252. ISBN 0918881404.
  3. ^ Weininger, Susan. "Bernece Berkman". Modernism in the City: Chicago Artists 1920-1950. Retrieved 22 May 2016.
  4. ^ Weininger, Susan. "Bernece Berkman". Modernism in the City: Chicago Artists 1920-1950. Retrieved 22 May 2016.
  5. ^ Friend, Melinda K. "Bernece Berkman-Hunter Papers: A Finding Aid to the Collection in the Library of Congress". Library of Congress. Retrieved 22 May 2016.
  6. ^ "Collections". Art Institute of Chicago. Retrieved 22 May 2016.
  7. ^ Stearns, Robert (2000). Illusions of Eden: Visions of the American Heartland. Minneapolis, MN: Arts Midwest. p. 253. ISBN 0918881404.
  8. ^ "Bernece BERKMAN-HUNTER (1911-1988)". artprice. Retrieved 22 May 2016.
  9. ^ "Bernece Berkman". Illinois Women Artists Project.
  10. ^ "OH, BUT THERE WERE THREE WISE MEN". Seattle Art Museum.
  11. ^ Stearns, Robert (2000). Illusions of Eden: Visions of the American Heartland. Minneapolis, MN: Arts Midwest. p. 253. ISBN 0918881404.
  12. ^ Stearns, Robert (2000). Illusions of Eden: Visions of the American Heartland. Minneapolis, MN: Arts Midwest. p. 253. ISBN 0918881404.
  13. ^ Stearns, Robert (2000). Illusions of Eden: Visions of the American Heartland. Minneapolis, MN: Arts Midwest. p. 253. ISBN 0918881404.