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==Biography==
==Biography==
Jost was born in 1889 to a bookbinder father in [[Magdeburg]], where he attended the {{ill|de|Kunstgewerbe- und Handwerkerschule Magdeburg}} and trained as a bookseller. In 1908 he moved to [[Munich]] and began studying book production at the {{ill|de|Debschitz-Schule}} in 1911 under the tutelage of [[Paul Renner]] and [[Emil Preetorius]].<ref name=lino>{{cite web|url=http://www.linotype.com/722/heinrichjost.html|title=Font Designer – Heinrich Jost|publisher=[[Mergenthaler Linotype Company|Linotype]]|accessdate=7 May 2015}}</ref><ref name=az>{{cite book|url=http://books.google.com/books?id=jxV4qEolEo8C&pg=PA116|title=An A-Z of Type Designers|page=116|publisher=[[Yale University Press]]|first=Neil|last=Macmillan|year=2006| isbn=9780300111514}}</ref> He worked as a freelance [[type designer]] from 1914 onwards; his clients included the newspaper ''{{ill|de|Münchner Neueste Nachrichten}}'' and other publications.<ref name=az/><ref name=typo>{{cite web|url=http://www.typolexikon.de/j/jost-heinrich.html|title=Jost, Heinrich|work=Typolexicon|date=8 August 2006|first=Wolfgang|last=Beinert|language=German|accessdate=7 May 2015}}</ref>
Jost was born in 1889 to a bookbinder father in [[Magdeburg]], where he attended the {{ill|de|Kunstgewerbe- und Handwerkerschule Magdeburg}} and trained as a bookseller. In 1908 he moved to [[Munich]] and began studying book production at the {{ill|de|Debschitz-Schule}} in 1911 under the tutelage of [[Paul Renner]] and [[Emil Preetorius]].<ref name=lino>{{cite web|url=http://www.linotype.com/722/heinrichjost.html|title=Font Designer – Heinrich Jost|publisher=[[Mergenthaler Linotype Company|Linotype]]|accessdate=7 May 2015}}</ref><ref name=az>{{cite book|url=https://books.google.com/books?id=jxV4qEolEo8C&pg=PA116|title=An A-Z of Type Designers|page=116|publisher=[[Yale University Press]]|first=Neil|last=Macmillan|year=2006| isbn=9780300111514}}</ref> He worked as a freelance [[type designer]] from 1914 onwards; his clients included the newspaper ''{{ill|de|Münchner Neueste Nachrichten}}'' and other publications.<ref name=az/><ref name=typo>{{cite web|url=http://www.typolexikon.de/j/jost-heinrich.html|title=Jost, Heinrich|work=Typolexicon|date=8 August 2006|first=Wolfgang|last=Beinert|language=German|accessdate=7 May 2015}}</ref>


In 1923 Jost was invited by Georg Hartmann<ref name=az/> to become the art director of the [[Bauer Type Foundry]] in [[Frankfurt am Main]].<ref name=lino/> He directed Bauer during its most successful period, until 1948.<ref name=typo/> At Bauer, he oversaw the work of designers such as Paul Renner, [[Lucian Bernhard]] and {{ill|de|Imre Reiner}}.<ref name=myfonts>{{cite web|url=https://www.myfonts.com/person/Heinrich_Jost/|title=Heinrich Jost|publisher=[[MyFonts]]|accessdate=7 May 2015}}</ref> Jost personally designed several typefaces for Bauer: Atrax (1926), Bauer [[Bodoni]] (1926), and [[Beton (typeface)|Beton]] (c. 1931–1936). He also designed Jost Mediaeval for [[Ludwig & Mayer]] (1927–1929) and a revival of [[Fraktur]] for [[Monotype]] (1938).<ref name=az/> Beton was popular among advertisers, while Bauer Bodoni, which was created as a rival to [[Morris Fuller Benton]]'s ATF Bodoni, is generally regarded by typographers as the most faithful revival of [[Giambattista Bodoni]]'s original typeface.<ref name=az/><ref name=typo/> His other designs include Aeterna (1927) and Georg Hartmann [[Antiqua (typeface class)|Antiqua]] (1948).<ref name=typo/>
In 1923 Jost was invited by Georg Hartmann<ref name=az/> to become the art director of the [[Bauer Type Foundry]] in [[Frankfurt am Main]].<ref name=lino/> He directed Bauer during its most successful period, until 1948.<ref name=typo/> At Bauer, he oversaw the work of designers such as Paul Renner, [[Lucian Bernhard]] and {{ill|de|Imre Reiner}}.<ref name=myfonts>{{cite web|url=https://www.myfonts.com/person/Heinrich_Jost/|title=Heinrich Jost|publisher=[[MyFonts]]|accessdate=7 May 2015}}</ref> Jost personally designed several typefaces for Bauer: Atrax (1926), Bauer [[Bodoni]] (1926), and [[Beton (typeface)|Beton]] (c. 1931–1936). He also designed Jost Mediaeval for [[Ludwig & Mayer]] (1927–1929) and a revival of [[Fraktur]] for [[Monotype]] (1938).<ref name=az/> Beton was popular among advertisers, while Bauer Bodoni, which was created as a rival to [[Morris Fuller Benton]]'s ATF Bodoni, is generally regarded by typographers as the most faithful revival of [[Giambattista Bodoni]]'s original typeface.<ref name=az/><ref name=typo/> His other designs include Aeterna (1927) and Georg Hartmann [[Antiqua (typeface class)|Antiqua]] (1948).<ref name=typo/>

Revision as of 07:27, 30 October 2016

Bauer Bodoni, one of the best-known typefaces designed by Jost

Heinrich Jost (13 October 1889 – 27 September 1948) was a German typographer and graphic designer. He was the art director of the Bauer Type Foundry from 1923 until 1948.

Biography

Jost was born in 1889 to a bookbinder father in Magdeburg, where he attended the de [Kunstgewerbe- und Handwerkerschule Magdeburg] and trained as a bookseller. In 1908 he moved to Munich and began studying book production at the de [Debschitz-Schule] in 1911 under the tutelage of Paul Renner and Emil Preetorius.[1][2] He worked as a freelance type designer from 1914 onwards; his clients included the newspaper de [Münchner Neueste Nachrichten] and other publications.[2][3]

In 1923 Jost was invited by Georg Hartmann[2] to become the art director of the Bauer Type Foundry in Frankfurt am Main.[1] He directed Bauer during its most successful period, until 1948.[3] At Bauer, he oversaw the work of designers such as Paul Renner, Lucian Bernhard and de [Imre Reiner].[4] Jost personally designed several typefaces for Bauer: Atrax (1926), Bauer Bodoni (1926), and Beton (c. 1931–1936). He also designed Jost Mediaeval for Ludwig & Mayer (1927–1929) and a revival of Fraktur for Monotype (1938).[2] Beton was popular among advertisers, while Bauer Bodoni, which was created as a rival to Morris Fuller Benton's ATF Bodoni, is generally regarded by typographers as the most faithful revival of Giambattista Bodoni's original typeface.[2][3] His other designs include Aeterna (1927) and Georg Hartmann Antiqua (1948).[3]

Jost died in 1948 in Frankfurt am Main.[1] A collection of his work has since been displayed at Klingspor Museum in Offenbach am Main.[4]

References

  1. ^ a b c "Font Designer – Heinrich Jost". Linotype. Retrieved 7 May 2015.
  2. ^ a b c d e Macmillan, Neil (2006). An A-Z of Type Designers. Yale University Press. p. 116. ISBN 9780300111514.
  3. ^ a b c d Beinert, Wolfgang (8 August 2006). "Jost, Heinrich". Typolexicon (in German). Retrieved 7 May 2015.
  4. ^ a b "Heinrich Jost". MyFonts. Retrieved 7 May 2015.