Mezhrabpomfilm: Difference between revisions
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[[File:Prometheus-Film promotion 1928.jpg|right|250px|thumb|1928 ad for the Prometheus production division]] |
[[File:Prometheus-Film promotion 1928.jpg|right|250px|thumb|1928 ad for the Prometheus production division]] |
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Its German branch '''''Prometheus Film''''', produced some of the "socially committed cinematic art of the late [[Weimar Republic]] [Red Dream Factory productions] such as [[Phil Jutzi]]'s work, [[Leo Mittler]]'s ''Harbor Drift'' (''Jenseits der Strasse'' 1929), [[Slatan Dudow]]'s ''Whither Germany'' (''Kuhle Wampe oder Wem gehört die Welt?'' 1932)[https://www.berlinale.de/en/archiv/jahresarchive/2012/08_pressemitteilungen_2012/08_pressemitteilungen_2012detail_11220.html] berlinale pressrelease], as well as two joint productions with Mezhrabpomfilm, before going bankrupt in 1932.{{ |
Its German branch '''''Prometheus Film''''', produced some of the "socially committed cinematic art of the late [[Weimar Republic]] [Red Dream Factory productions] such as [[Phil Jutzi]]'s work, [[Leo Mittler]]'s ''Harbor Drift'' (''Jenseits der Strasse'' 1929), [[Slatan Dudow]]'s ''Whither Germany'' (''Kuhle Wampe oder Wem gehört die Welt?'' 1932)[https://www.berlinale.de/en/archiv/jahresarchive/2012/08_pressemitteilungen_2012/08_pressemitteilungen_2012detail_11220.html] berlinale pressrelease], as well as two joint productions with Mezhrabpomfilm, before going bankrupt in 1932.<ref>{{Cite web|url=https://www.ejumpcut.org/archive/onlinessays/JC26folder/GermCPKinocult1.html|title=German communist Kinokultur, pt.1, by Jan-Christopher Horak|website=www.ejumpcut.org|access-date=2017-02-03}}</ref> |
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Berlin's ''Bertz + Fischer'' published a book for a Retrospective - a programme of films which were presented at the 2012 Berlin Film Festival - in which German and Russian authors look at the studio and the aesthetics of the films produced there (Günter Agde, Alexander Schwarz (ed.): ''Die rote Traumfabrik: Meschrabpom-Film und Prometheus (1921–1936)''. Berlin: Bertz + Fischer 2012). |
Berlin's ''Bertz + Fischer'' published a book for a Retrospective - a programme of films which were presented at the 2012 Berlin Film Festival - in which German and Russian authors look at the studio and the aesthetics of the films produced there (Günter Agde, Alexander Schwarz (ed.): ''Die rote Traumfabrik: Meschrabpom-Film und Prometheus (1921–1936)''. Berlin: Bertz + Fischer 2012). |
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Revision as of 19:32, 3 February 2017
Mezhrabpomfilm (Template:Lang-ru), from the word film, and the Russian acronym for Workers International Relief or Workers International Aid (Template:Lang-ru [citation needed]), was a German-Russian film studio, formerly Mezhrabpom-Rus, from 1922-1936. The studio was formed from the joining together in 1922 of Moisei Aleinikov, a Russian producer, and Willi Münzenberg, a German communist. The studio was set up in Moscow, with headquarters in Berlin. After producing around 600 films the "international experiment was brutally ended eleven and fourteen years later by Hitler's and Stalin's regimes."[1]
Classics of revolutionary cinema, such as Vsevolod Pudovkin's The End of St. Petersburg (Konez Sankt Peterburga (1927)) were made by Mezhrabpom-Film. Other significant films made by the studio include Storm over Asia (1928), Boris Barnet's The Girl with the Hat Box (Devushka s korobkoy (1927), Yakov Protazanov's Aelita (1924), Margarita Barskaya's Torn Shoes (Rvanye Bashmaki 1933), a drama about children set in Germany when the Nazis assumed power, and Aleksandr Andriyevsky's early science-fiction film Lost Sensation (Gibel Senstsii 1935). The Soviet Union's first animated films, and first sound film, Nikolai Ekk's Road to Life (1931) were made by the studio.
One of Mezhrabpomfilm's last films was Gustav von Wangenheim's Fighters (1936), about German workers fighting the Nazi Brownshirts and the SS in 1933. It was made by German filmmakers and actors who had fled to Moscow to avoid Hitler's terror. Ironically, 2 actors working on the set were arrested during the filming and by the end of 1938 (during Stalin's terror years) two thirds of the film crew were arrested.[2]
In 1936, the company was dissolved, as it was regarded too independent and too influenced by foreigners. Rot-Front Studio became its successor, but in the same 1936 its name was changed to Soyuzdetfilm (Template:Lang-ru), the world's first film company devoted to films for children and teenagers, which in 1948 was renamed Gorky Film Studio.[3]
Its German branch Prometheus Film, produced some of the "socially committed cinematic art of the late Weimar Republic [Red Dream Factory productions] such as Phil Jutzi's work, Leo Mittler's Harbor Drift (Jenseits der Strasse 1929), Slatan Dudow's Whither Germany (Kuhle Wampe oder Wem gehört die Welt? 1932)[2] berlinale pressrelease], as well as two joint productions with Mezhrabpomfilm, before going bankrupt in 1932.[4]
Berlin's Bertz + Fischer published a book for a Retrospective - a programme of films which were presented at the 2012 Berlin Film Festival - in which German and Russian authors look at the studio and the aesthetics of the films produced there (Günter Agde, Alexander Schwarz (ed.): Die rote Traumfabrik: Meschrabpom-Film und Prometheus (1921–1936). Berlin: Bertz + Fischer 2012).
See also
External links
References
- ^ Berlinale Retrospective 2012 The Red Dream Factory, press release October 24, 2011 [1]
- ^ Miller, Jamie (2009-12-18). Soviet Cinema: Politics and Persuasion Under Stalin. I.B.Tauris. ISBN 9780857716934.
- ^ Short, K.R.M. and Richard Taylor (1986). "Soviet cinema and the international menace, 1928–1939". Historical Journal of Film, Radio and Television. 6 iss. 2: 131–159.
- ^ "German communist Kinokultur, pt.1, by Jan-Christopher Horak". www.ejumpcut.org. Retrieved 2017-02-03.