Malcontent: Difference between revisions
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The '''malcontent''' is a character type that often appeared in [[English Renaissance theatre|early modern]] [[drama]]. The character is discontent with the social structure and other characters in the play—and is often an outsider who observes and comments on the action, and may even acknowledge they are in a play. [[Shakespeare]]'s [[Richard III (play)|Richard III]] |
The '''malcontent''' is a character type that often appeared in [[English Renaissance theatre|early modern]] [[drama]]. The character is discontent with the social structure and other characters in the play—and is often an outsider who observes and comments on the action, and may even acknowledge they are in a play. [[Shakespeare]]'s [[Richard III (play)|Richard III]], [[Iago]] in ''[[Othello]]'', and [[Jaques (As You Like It)|Jaques]] in ''[[As You Like It]]'' are typical malcontents. |
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The role is usually both political and dramatic, with the malcontent voicing dissatisfaction with the usually |
The role is usually both political and dramatic, with the malcontent voicing dissatisfaction with the usually [[Machiavellian]] political atmosphere and often using [[asides]] to build up a kind of self-consciousness and awareness of the text itself that other characters in the play lack.{{sfn|Stoll|1906|p=282}} |
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Important malcontents include Bosola in Webster's ''[[The Duchess of Malfi]]'', Vindice in Middleton's ''[[The Revenger's Tragedy]]'', Malevole in Marston's ''[[The Malcontent]]'', and Hamlet in Shakespeare's ''[[Hamlet]]''. |
Important malcontents include Bosola in Webster's ''[[The Duchess of Malfi]]'', Vindice in Middleton's ''[[The Revenger's Tragedy]]'', Malevole in Marston's ''[[The Malcontent]]'', and Hamlet in Shakespeare's ''[[Hamlet]]''. |
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The morality and sympathy of the malcontent is highly variable, as in the examples above. Sometimes, as in ''Hamlet'' and ''The Malcontent'', they are the sympathetic centre of the play, whereas Iago is a very unsympathetic character. The most important thing about the malcontent is that the character is malcontent—unhappy, unsettled, displeased with the world of the play, eager to change it somehow, or to dispute with it. |
The morality and sympathy of the malcontent is highly variable, as in the examples above. Sometimes, as in ''Hamlet'' and ''The Malcontent'', they are the sympathetic centre of the play, whereas Iago is a very unsympathetic character. The most important thing about the malcontent is that the character is malcontent—unhappy, unsettled, displeased with the world of the play, eager to change it somehow, or to dispute with it.{{sfn|Spencer|1948|pp=529–535}} |
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The malcontent is an objective or quasi-objective voice that comments on the play's concerns as though somehow above or beyond them.{{cn|date=January 2018}} The concept has much to do with the Renaissance idea of [[humorism]] and a surfeit of "[[bile|black bile]]" which caused [[melancholia|melancholy]].{{sfn|Stoll|1906|p=281}} |
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There is an ontological argument regarding Iago: if a malcontent is dissatisfied due to a displacement from their place in the social order, then Iago does not fit. His scheming and disaffection is not clearly motivated by resentment stemming from an injustice done to him.{{sfn|Stoll|1952}} |
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==References== |
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{{reflist|20em}} |
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==Sources== |
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{{refbegin|30em}} |
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*{{cite book |
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|chapter = The Elizabethan Malcontent |
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|last = Spencer |
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|first = Theodore |
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|authorlink = Theodore Spencer |
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|pages = 523–535 |
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|title = Joseph Quincy Adams Memorial Studies |
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|editor1-last = McManaway |
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|editor1-first = James G. |
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|editor2-last = Dawson |
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|editor2-first = Giles E. |
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|editor3-last = Willoughby |
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|editor3-first = Edwin E. |
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|series = Folger Publications |
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|publisher = [[Folger Shakespeare Library]] |
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|location = Washington |
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|year = 1948 |
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|oclc = 316743 |
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|ref = harv |
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}} |
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*{{cite journal |
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|title = Shakspere, Marston, and the Malcontent Type |
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|last = Stoll |
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|first = Elmer Edgar |
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|authorlink = Elmer Edgar Stoll |
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|journal = [[Modern Philology]] |
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|publisher = [[The University of Chicago Press]] |
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|issn = 0026-8232 |
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|eissn = 1545-6951 |
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|volume = 3 |
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|issue = 3 |
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|year = 1906 |
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|pages = 281–303 |
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|jstor = 432651 |
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|via = [[JSTOR]] |
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|subscription = y |
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|ref = harv |
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}} |
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*{{cite journal |
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|title = Iago Not a 'Malcontent' |
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|last = Stoll |
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|first = Elmer Edgar |
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|authorlink = Elmer Edgar Stoll |
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|journal = [[The Journal of English and Germanic Philology]] |
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|publisher = [[University of Illinois Press]] |
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|issn = 0363-6941 |
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|volume = 51 |
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|issue = 2 |
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|year = 1952 |
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|pages = 163–167 |
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|jstor = 27713401 |
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|via = [[JSTOR]] |
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|subscription = y |
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|ref = harv |
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}} |
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{{refend}} |
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==Further reading== |
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{{refbegin|30em}} |
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*{{cite book |
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|title = The Figure of the Malcontent in Shakespeare |
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|last = Bennett |
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|first = Robert Beale |
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|publisher = Department of English, [[Stanford University]] |
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|year = 1970 |
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|oclc = 753157563 |
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}} |
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*{{cite web |
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|title = Shakespeare's Use of the Melancholy Humor |
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|last = Choi |
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|first = Young Ju |
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|publisher = [[North Texas State University]] |
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|location = Denton, Texas |
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|year = 1968 |
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|accessdate = 6 January 2018 |
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|url = https://digital.library.unt.edu/ark%3A/67531/metadc130981/ |
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|via = [[University of North Texas Libraries]], Digital Library |
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}} |
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{{refend}} |
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[[Category:Shakespearean characters]] |
[[Category:Shakespearean characters]] |
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Revision as of 18:34, 6 January 2018
Look up malcontent in Wiktionary, the free dictionary.
The malcontent is a character type that often appeared in early modern drama. The character is discontent with the social structure and other characters in the play—and is often an outsider who observes and comments on the action, and may even acknowledge they are in a play. Shakespeare's Richard III, Iago in Othello, and Jaques in As You Like It are typical malcontents.
The role is usually both political and dramatic, with the malcontent voicing dissatisfaction with the usually Machiavellian political atmosphere and often using asides to build up a kind of self-consciousness and awareness of the text itself that other characters in the play lack.[1]
Important malcontents include Bosola in Webster's The Duchess of Malfi, Vindice in Middleton's The Revenger's Tragedy, Malevole in Marston's The Malcontent, and Hamlet in Shakespeare's Hamlet.
The morality and sympathy of the malcontent is highly variable, as in the examples above. Sometimes, as in Hamlet and The Malcontent, they are the sympathetic centre of the play, whereas Iago is a very unsympathetic character. The most important thing about the malcontent is that the character is malcontent—unhappy, unsettled, displeased with the world of the play, eager to change it somehow, or to dispute with it.[2]
The malcontent is an objective or quasi-objective voice that comments on the play's concerns as though somehow above or beyond them.[citation needed] The concept has much to do with the Renaissance idea of humorism and a surfeit of "black bile" which caused melancholy.[3]
There is an ontological argument regarding Iago: if a malcontent is dissatisfied due to a displacement from their place in the social order, then Iago does not fit. His scheming and disaffection is not clearly motivated by resentment stemming from an injustice done to him.[4]
References
- ^ Stoll 1906, p. 282.
- ^ Spencer 1948, pp. 529–535.
- ^ Stoll 1906, p. 281.
- ^ Stoll 1952.
Sources
- Spencer, Theodore (1948). "The Elizabethan Malcontent". In McManaway, James G.; Dawson, Giles E.; Willoughby, Edwin E. (eds.). Joseph Quincy Adams Memorial Studies. Folger Publications. Washington: Folger Shakespeare Library. pp. 523–535. OCLC 316743.
{{cite book}}: Invalid|ref=harv(help) - Stoll, Elmer Edgar (1906). "Shakspere, Marston, and the Malcontent Type". Modern Philology. 3 (3). The University of Chicago Press: 281–303. eISSN 1545-6951. ISSN 0026-8232. JSTOR 432651 – via JSTOR.
{{cite journal}}: Invalid|ref=harv(help); Unknown parameter|subscription=ignored (|url-access=suggested) (help) - Stoll, Elmer Edgar (1952). "Iago Not a 'Malcontent'". The Journal of English and Germanic Philology. 51 (2). University of Illinois Press: 163–167. ISSN 0363-6941. JSTOR 27713401 – via JSTOR.
{{cite journal}}: Invalid|ref=harv(help); Unknown parameter|subscription=ignored (|url-access=suggested) (help)
Further reading
- Bennett, Robert Beale (1970). The Figure of the Malcontent in Shakespeare. Department of English, Stanford University. OCLC 753157563.
- Choi, Young Ju (1968). "Shakespeare's Use of the Melancholy Humor". Denton, Texas: North Texas State University. Retrieved 6 January 2018 – via University of North Texas Libraries, Digital Library.