Print (magazine): Difference between revisions
Print has ceased publication; noting reference, and changing verbs to past tense. |
|||
Line 13: | Line 13: | ||
|category=[[Graphic design]] |
|category=[[Graphic design]] |
||
|firstdate= June 1940 |
|firstdate= June 1940 |
||
|finaldate= |
|finaldate= December 2017 |
||
|country=[[United States]] |
|country=[[United States]] |
||
|based= |
|based= |
||
Line 19: | Line 19: | ||
|issn= |
|issn= |
||
}} |
}} |
||
'''''Print, A Quarterly Journal of the Graphic Arts''''' was a limited edition quarterly [[periodical]] begun in 1940<ref>{{cite news|title=14 Essential Magazines for Graphic Designers|url=http://www.webdesignerdepot.com/2009/01/14-essential-magazines-for-graphic-designers/|accessdate=22 August 2016|work=Web Designer Depot|date=14 January 2009}}</ref> and continued under different names |
'''''Print, A Quarterly Journal of the Graphic Arts''''' was a limited edition quarterly [[periodical]] begun in 1940<ref>{{cite news|title=14 Essential Magazines for Graphic Designers|url=http://www.webdesignerdepot.com/2009/01/14-essential-magazines-for-graphic-designers/|accessdate=22 August 2016|work=Web Designer Depot|date=14 January 2009}}</ref> and continued under different names through the end of 2017 as '''''Print''''', a bimonthly [[United States|American]] magazine about visual culture and design. |
||
In its |
In its final format, ''Print'' documented and critiqued commercial, social, and environmental design from every angle: the good (how New York’s public-school libraries are being reinvented through bold graphics), the bad (how Tylenol flubbed its disastrous ad campaign for suspicious hipsters{{clarify|reason=only clear Americans, probably|date=September 2015}}), and the ugly (how Russia relies on Soviet symbolism to promote sausage and real estate). |
||
''Print'' |
''Print'' was a general-interest magazine, written by cultural reporters and critics who look at design in its social, political, and historical contexts. From newspapers and book covers to Web-based motion graphics, from corporate branding to indie-rock posters, from exhibitions to cars to monuments, ''Print'' showed its audience of designers, art directors, illustrators, photographers, educators, students, and enthusiasts of popular culture why our world looks the way it looks, and why the way it looks matters. ''Print'' underwent a complete redesign in 2005, and ceased publication in 2017, with a promise to focus the brand on "a robust and thriving online community." <ref>http://www.printmag.com/regional-design-annual/print-magazine-winter-2017-2018-regional-design-awards/</ref> |
||
==Nature of the Journal Initially== |
==Nature of the Journal Initially== |
Revision as of 19:42, 29 December 2017
This article needs additional citations for verification. (April 2007) |
Categories | Graphic design |
---|---|
First issue | June 1940 |
Final issue | December 2017 |
Company | F+W Media |
Country | United States |
Language | English |
Website | printmag |
Print, A Quarterly Journal of the Graphic Arts was a limited edition quarterly periodical begun in 1940[1] and continued under different names through the end of 2017 as Print, a bimonthly American magazine about visual culture and design.
In its final format, Print documented and critiqued commercial, social, and environmental design from every angle: the good (how New York’s public-school libraries are being reinvented through bold graphics), the bad (how Tylenol flubbed its disastrous ad campaign for suspicious hipsters[clarification needed]), and the ugly (how Russia relies on Soviet symbolism to promote sausage and real estate).
Print was a general-interest magazine, written by cultural reporters and critics who look at design in its social, political, and historical contexts. From newspapers and book covers to Web-based motion graphics, from corporate branding to indie-rock posters, from exhibitions to cars to monuments, Print showed its audience of designers, art directors, illustrators, photographers, educators, students, and enthusiasts of popular culture why our world looks the way it looks, and why the way it looks matters. Print underwent a complete redesign in 2005, and ceased publication in 2017, with a promise to focus the brand on "a robust and thriving online community." [2]
Nature of the Journal Initially
The journal was founded by William Edwin Rudge to demonstrate “the far reaching importance of the graphic arts” including art prints, commercial printing, wallpaper, etc. Contents were eclectic covering typography, book making, book printing, fine prints as well as the trade journal aspects of printing candy bar wrappers.[3]
Initially the publication included original prints such as the frontispiece for Vol 1, #1 (Jun 1940) a two color woodcut by Hans Alexander Mueller and Vol 1, #3 (December 1940) a black and white wood engraving by Paul Landacre.
By Volume 8 (1953) the focus of the periodical had shifted to a trade journal.
Name Changes
- Vol 1, #1 (Jun 1940) Print: A Quarterly Journal of the Graphic Arts
- Vol 3, #2 (Summer 1942) combined with The Printing Art. An Illustrated Monthly Magazine of the Art of Printing and of the Allied Arts but continued under Print: A Quarterly Journal of the Graphic Arts
Until
- Vol 7, #1 (Aug 1951) Print: combining: Print, A Quarterly Journal of Graphic Arts, Vol. VII, Number 1 and The Print Collector's Quarterly, Volume XXX, Number 4.
- Vol 7, #2 (Jan 1952) Print, The Magazine of the Graphic Arts - until
- Vol 9, #2 (Oct/Nov 1954) Print - until
- Vol 11, #4 (Jan/Feb 1958) Print, The Magazine of Visual Communication - until
- Vol 12, #1 (July/Aug 1958) Print, America's Graphic Design Magazine at least until May/June 2005 Vol 59, #3.
References
- ^ "14 Essential Magazines for Graphic Designers". Web Designer Depot. 14 January 2009. Retrieved 22 August 2016.
- ^ http://www.printmag.com/regional-design-annual/print-magazine-winter-2017-2018-regional-design-awards/
- ^ Editor’s forward Vol 1, #1 (Jun 1940)
External links