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The Siegestor (Template:Lang-en) in Munich is a three-arched triumphal arch crowned with a statue of Bavaria with a lion-quadriga.

The Siegestor is 21 meters high, 24 m wide, and 12 m deep. It is located between the Ludwig Maximilian University and the Ohmstraße, where the Ludwigstraße (south) ends and the Leopoldstraße (north) begins. It thus sits at the boundary between the two Munich districts of Maxvorstadt and Schwabing.

History

The gate was commissioned by King Ludwig I of Bavaria,^[1] designed by Friedrich von Gärtner^[1] and completed by Eduard Mezger in 1852. The big marble quadriga was sculpted by Johann Martin von Wagner,^[2] artistic advisor to Ludwig and a professor at the University of Würzburg.^[3] Lions were likely used in the quadriga, instead of the more usual horses, because the lion was a heraldic charge of the House of Wittelsbach, the ruling family of the Bavarian monarchy.

The gate was originally dedicated to the glory of the Bavarian army (dem bayerischen Heere zum Ruhme). Today, the Siegestor is a monument and reminder to peace. After sustaining heavy damage in World War II it was to be demolished in July 1945,^[1] however, the gate was reconstructed and restored only partially,^[4] in a manner similar to the conservation of the Kaiser-Wilhelm-Gedächtniskirche in Berlin. The new inscription on the back side by Wilhelm Hausenstein reads Dem Sieg geweiht, vom Krieg zerstört, zum Frieden mahnend, "Dedicated to victory, destroyed by war, urging peace". In the early 21st century, the remaining statues were meticulously cleaned and restored.

In popular culture

In the second of the German language film series, Die Zweite Heimat by Edgar Reitz, Evelyne and Ansgar meet and talk by the monument, on which the inscription honoring peace may be seen.

In Season 9 of the Amazing race, the final pit stop for leg 3 (a double length leg) was in front of the monument where the last team to arrive was eliminated from the race.

References

^ ^a ^b ^c Gavriel D. Rosenfeld, Munich and Memory: Architecture, Monuments, and the Legacy of the Third Reich, (University of California Press, 2000), 117
^ Hans A. Pohlsander, National Monuments and Nationalism in 19th Century Germany, (Paul Lang AG, 2008), 145.
^ Hans A. Pohlsander, National Monuments and Nationalism in 19th Century Germany, 136 note32.
^ Michael Brix, "Munich: Victory Arch (Siegestor)", in Regine Dölling, ed. The Conservation of Historical Monuments in the Federal Republic of Germany, 1974:39-40..

External links

Media related to Siegestor at Wikimedia Commons

48°09′08″N 11°34′55″E / 48.15222°N 11.58194°E / 48.15222; 11.58194

[Rosenfeld117-1] Gavriel D. Rosenfeld, Munich and Memory: Architecture, Monuments, and the Legacy of the Third Reich, (University of California Press, 2000), 117

[2] Hans A. Pohlsander, National Monuments and Nationalism in 19th Century Germany, (Paul Lang AG, 2008), 145.

[3] Hans A. Pohlsander, National Monuments and Nationalism in 19th Century Germany, 136 note32.

[4] Michael Brix, "Munich: Victory Arch (Siegestor)", in Regine Dölling, ed. The Conservation of Historical Monuments in the Federal Republic of Germany, 1974:39-40..

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 == History ==
 [[File:Munich Siegestor vor 1891.jpg|thumb|left|Siegestor, ca. 1875]]
-The gate was commissioned by King [[Ludwig I of Bavaria]],<ref name="Rosenfeld117">Gavriel D. Rosenfeld, ''Munich and Memory: Architecture, Monuments, and the Legacy of the Third Reich'', (University of California Press, 2000), 117</ref> designed by [[Friedrich von Gärtner]]<ref name="Rosenfeld117" /> and completed by [[Eduard Mezger]] in 1852. The marble [[quadriga]] was sculpted by [[Johann Martin von Wagner]],<ref>Hans A. Pohlsander, ''National Monuments and Nationalism in 19th Century Germany'', (Paul Lang AG, 2008), 145.</ref> artistic advisor to Ludwig and a professor at the University of Würzburg.<ref>Hans A. Pohlsander, ''National Monuments and Nationalism in 19th Century Germany'', 136 note32.</ref> Lions were likely used in the quadriga, instead of the more usual horses, because the lion was a heraldic charge of the [[House of Wittelsbach]], the ruling family of the Bavarian monarchy.
+The gate was commissioned by King [[Ludwig I of Bavaria]],<ref name="Rosenfeld117">Gavriel D. Rosenfeld, ''Munich and Memory: Architecture, Monuments, and the Legacy of the Third Reich'', (University of California Press, 2000), 117</ref> designed by [[Friedrich von Gärtner]]<ref name="Rosenfeld117" /> and completed by [[Eduard Mezger]] in 1852. The big marble [[quadriga]] was sculpted by [[Johann Martin von Wagner]],<ref>Hans A. Pohlsander, ''National Monuments and Nationalism in 19th Century Germany'', (Paul Lang AG, 2008), 145.</ref> artistic advisor to Ludwig and a professor at the University of Würzburg.<ref>Hans A. Pohlsander, ''National Monuments and Nationalism in 19th Century Germany'', 136 note32.</ref> Lions were likely used in the quadriga, instead of the more usual horses, because the lion was a heraldic charge of the [[House of Wittelsbach]], the ruling family of the Bavarian monarchy.
 The gate was originally dedicated to the glory of the Bavarian army (''dem bayerischen Heere zum Ruhme''). Today, the Siegestor is a [[monument]] and reminder to peace. After sustaining heavy damage in [[World War II]] it was to be demolished in July 1945,<ref name="Rosenfeld117" /> however, the gate was reconstructed and restored only partially,<ref>Michael Brix, "Munich: Victory Arch (Siegestor)", in Regine Dölling, ed. ''The Conservation of Historical Monuments in the Federal Republic of Germany'', 1974:39-40..</ref> in a manner similar to the conservation of the [[Kaiser-Wilhelm-Gedächtniskirche]] in Berlin. The new inscription on the back side by [[Wilhelm Hausenstein]] reads ''Dem Sieg geweiht, vom Krieg zerstört, zum Frieden mahnend'', "Dedicated to victory, destroyed by war, urging peace". In the early 21st century, the remaining statues were meticulously cleaned and restored.