Jump to content

Bob Andrews (guitarist): Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
→Moondogg: no need for "quotes"
Line 38: Line 38:


==Empire==
==Empire==
In early 1980, Andrews and Laff recorded as [[session musician]]s on [[Jimmy Pursey|Jimmy Pursey's]] first solo album ''Imagination Camouflage'' (1980) (Andrews receiving co-writing credit for two of the LP's songs, ''Freak Show'' and ''Situation's Vacant''),<ref>Entry for 'Imagination Camouflage' (1980) in Discogs website (2019).</ref> before in mid-1980 Andrews and Laff with the bassist Simon Bernal formed the three man [[post-punk]] band [[Empire (English band)|Empire]], with Andrews as the act's lead vocalist.<ref>{{cite web|url=https://books.google.com/books?id=4WM6Cb1z-PwC&pg=PA313&dq=%22Empire%22&hl=en&sa=X&ei=kjPtVL_-C5fjoATE7oHICA&ved=0CB0Q6AEwAA#v=onepage&q=%22Empire%22&f=false|title=Punk Diary|publisher=|accessdate=26 March 2016}}</ref> Empire commercially released via the new label Dinosaur Discs, backed by a record shop of the same name at No. 17 Barons Court Road in [[West Kensington]], the song "Hot Seat" (1981), with a B-side entitled "All These Things", which failed to enter the UK Singles Chart. A long-player entitled ''Expensive Sound'' (1981), recorded without a producer at Alvic Studios in [[Barons Court]], also failed to enter the UK Album Chart. The band played a handful of gigs around London before Bernal left. After an unstable line-up and some more gigging in 1981-1982, Laff left the act in February 1983 in frustration with its lack of apparent commercial development.<ref>Website dedicated to the band Empire. http://empire-expensivesound.blogspot.co.uk/p/band.html</ref>
In early 1980, Andrews and Laff recorded as [[session musician]]s on [[Jimmy Pursey|Jimmy Pursey's]] first solo album ''Imagination Camouflage'' (1980) (Andrews receiving co-writing credit for two of the LP's songs, ''Freak Show'' and ''Situation's Vacant''),{{cn}} before in mid-1980 Andrews and Laff with the bassist Simon Bernal formed the three man [[post-punk]] band [[Empire (English band)|Empire]], with Andrews as the act's lead vocalist.<ref>{{cite web|url=https://books.google.com/books?id=4WM6Cb1z-PwC&pg=PA313&dq=%22Empire%22&hl=en&sa=X&ei=kjPtVL_-C5fjoATE7oHICA&ved=0CB0Q6AEwAA#v=onepage&q=%22Empire%22&f=false|title=Punk Diary|publisher=|accessdate=26 March 2016}}</ref> Empire commercially released via the new label Dinosaur Discs, backed by a record shop of the same name at No. 17 Barons Court Road in [[West Kensington]], the song "Hot Seat" (1981), with a B-side entitled "All These Things", which failed to enter the UK Singles Chart. A long-player entitled ''Expensive Sound'' (1981), recorded without a producer at Alvic Studios in [[Barons Court]], also failed to enter the UK Album Chart. The band played a handful of gigs around London before Bernal left. After an unstable line-up and some more gigging in 1981-1982, Laff left the act in February 1983 in frustration with its lack of apparent commercial development.<ref>Website dedicated to the band Empire. http://empire-expensivesound.blogspot.co.uk/p/band.html</ref>


In early 1983, Andrews renamed the act New Empire after recruiting the vocalist Babel Wallace, Mike Gregovich (one of the sound engineers at Alvic Studios who had recorded the band's ''Expensive Sound'' LP) playing bass, and Crispin Taylor on the drums. The new line-up released a [[white label]] 12" titled "Inside You", and toured in the UK in 1983 as a support act to [[John Miles (musician)|John Miles]] and [[Roman Holliday]], and also in [[Spain]], where it found some unanticipated and mysteriously caused popularity with well attended shows. However, without a record label's support, New Empire's increasingly adverse financial circumstances led to Andrews ending it in February 1984 at a gig at the Thames Hall in [[Slough]], [[Berkshire]]; Andrews signaling the defeat by wrecking his [[guitar amplifier|amp]] with his guitar in the band's final performance. (A retrospective album of New Empire material would be released in the United States 24 years later entitled ''Expansive Sound'' (2009)).<ref>'Expansive Sound' L.P. entry in 'Empire: The Expensive Sound' website (2018). http://empire-expensivesound.blogspot.co.uk/p/releases.html</ref>
In early 1983, Andrews renamed the act New Empire after recruiting the vocalist Babel Wallace, Mike Gregovich (one of the sound engineers at Alvic Studios who had recorded the band's ''Expensive Sound'' LP) playing bass, and Crispin Taylor on the drums. The new line-up released a [[white label]] 12" titled "Inside You", and toured in the UK in 1983 as a support act to [[John Miles (musician)|John Miles]] and [[Roman Holliday]], and also in [[Spain]], where it found some unanticipated and mysteriously caused popularity with well attended shows. However, without a record label's support, New Empire's increasingly adverse financial circumstances led to Andrews ending it in February 1984 at a gig at the Thames Hall in [[Slough]], [[Berkshire]]; Andrews signaling the defeat by wrecking his [[guitar amplifier|amp]] with his guitar in the band's final performance. (A retrospective album of New Empire material would be released in the United States 24 years later entitled ''Expansive Sound'' (2009)).<ref>'Expansive Sound' L.P. entry in 'Empire: The Expensive Sound' website (2018). http://empire-expensivesound.blogspot.co.uk/p/releases.html</ref>
Line 61: Line 61:


==Moondogg==
==Moondogg==
In 1994 Andrews with Elizabeth Westwood came back to live in London from the U.S. and set up a new experimental [[Electronic pop]]/rock act entitled 'Moondogg', working in collaboration with [[Martin Lee Stephenson]] in a [[Hoxton]] recording studio.<ref>{{cite web|url=http://www.allmusic.com/artist/moondogg-mn0000496553|title=Moondogg|work=AllMusic|accessdate=26 March 2016}}</ref> The act released several records over the next decade, published by varying small labels in the United Kingdom, U.S. and Japan without impacting any commercial charts. A single entitled 'Wonderfool' (1995) was first released, followed by a long-player entitled ''Fat Lot of Good'' (1996) carrying a commercially counterintuitive cover art image. The album was supported by the release of an [[Extended-play|E.P.]] titled 'Silver Lining', and the singles 'Black Pain' (1996), and 'Nothing's Sacred' (1996). Another L.P. entitled ''God's Wallop'' was recorded in London in the mid-1990's (before Andrews and Westwood quit London and returned to the U.S.), with [[Rat Scabies]] playing the drum tracks, produced by Martin Lee Stephenson, but it wasn't commercially released until 2001. A third LP, entitled ''All the Love in the World'' (2004), self-produced by Andrews, was recorded by the act at Studio Dee in [[Los Angeles]] with a session drummer, and was commercially released in the U.S.<ref>Entry for the discography of 'Moondogg' in the 'Discogs' website (2019).</ref>
In 1994 Andrews with Elizabeth Westwood came back to live in London from the U.S. and set up a new experimental [[Electronic pop]]/rock act entitled 'Moondogg', working in collaboration with [[Martin Lee Stephenson]] in a [[Hoxton]] recording studio.<ref>{{cite web|url=http://www.allmusic.com/artist/moondogg-mn0000496553|title=Moondogg|work=AllMusic|accessdate=26 March 2016}}</ref> The act released several records over the next decade, published by varying small labels in the United Kingdom, U.S. and Japan without impacting any commercial charts. A single entitled 'Wonderfool' (1995) was first released, followed by a long-player entitled ''Fat Lot of Good'' (1996) carrying a commercially counterintuitive cover art image. The album was supported by the release of an [[Extended-play|E.P.]] titled 'Silver Lining', and the singles 'Black Pain' (1996), and 'Nothing's Sacred' (1996). Another L.P. entitled ''God's Wallop'' was recorded in London in the mid-1990's (before Andrews and Westwood quit London and returned to the U.S.), with [[Rat Scabies]] playing the drum tracks, produced by Martin Lee Stephenson, but it wasn't commercially released until 2001. A third LP, entitled ''All the Love in the World'' (2004), self-produced by Andrews, was recorded by the act at Studio Dee in [[Los Angeles]] with a session drummer, and was commercially released in the U.S.{{cn}}


==Speedtwinn==
==Speedtwinn==

Revision as of 16:46, 6 November 2019

Bob Andrews
Birth nameRobert Ian Andrews
Also known asDerwood, Bob Derwood Andrews
Born (1959-06-17) 17 June 1959 (age 65)
Fulham, London, England
GenresRock, punk rock, pop punk, post-punk, indie rock, rockabilly, blues, alternative country
Occupation(s)Musician, guitarist
InstrumentGuitar
Years active1976–present

Robert Ian Andrews (born 17 June 1959) is a British rock guitarist, and former member of the bands Generation X, Empire and Westworld.

Early life

Andrews was born in Fulham, England, on 17 June 1959,[1] the son of a mother who was a secretary, and a West London cobbler father.[2] He began to play the guitar at the age of 10, being musically influenced particularly by the work of the British blues rock guitarists Paul Kossoff[3] and Rory Gallagher,[4] and in his youth also rode in junior Motorcycle Speedway competitions in West London.[5] On leaving school at 16, he spent a year as an assistant gardener at Kensington Palace.[6]

Generation X

In late 1976, Andrews was playing lead guitar, his preferred instrument being the Fender stratocaster,[7] with an amateur rocker band entitled Paradox.[8] Whilst performing at a gig at the Fulham Arts Centre he was talent-spotted by the punk-rocker Billy Idol, who was at that time looking for a guitar player to complete the line-up of a new band that he had just formed that would be named Generation X.[9] Andrews was recruited to be its lead guitarist, in the process freeing Idol from the band's guitar role which he held at that moment to become its frontman/singer.[10] Andrews was subsequently christened with the punk pseudonym "Derwood" by the band, a name invented on the spur of the moment by a friend of his whilst under interrogation from Tony James, the band's strategist, about school nicknames that Andrews had in search of a punk stage-name, to avoid James discovering and using the name "Dobbin", which Andrews' prominent front teeth in his school years had attracted.[11] After less than a week in the new band and a handful of rehearsals, Andrews took the stage with it for its first gig at the Central London College of Art & Design on 10 December 1976.[12]

The band subsequently signed a recording contract with Chrysalis Records and released its first single, "Your Generation",[13] in September 1977, which went to #36 in the United Kingdom's Singles Chart. Andrews remained with the band through their two long-players, the self-titled Generation X (1978), which reached #29 in the U.K. Albums Chart, followed by Valley of the Dolls (1979).[13]

After two propitious opening years, with a hectic touring schedule and record releases entering the charts, the release of the Valley of the Dolls LP at the start of 1979, although being marked simultaneously by their highest chart hit with the single "King Rocker" achieving #11 in the UK Singles Chart, initiated the beginning of a deterioration in the success of the band's commercial output, and differences began to surface within it between Andrews and Billy Idol and the bass player Tony James as to its future musical direction. The disagreement about direction was augmented by Idol and James' refusal to allow Andrews to contribute to their songwriting partnership, and an increasing personal antipathy that had developed in Andrews towards Idol.[14] In May 1979, Andrews warned them that he was increasingly feeling like leaving Generation X, which was avoided by focusing on the band's first international tour in Japan mid-year, but on returning to England, during the recording sessions for the band's abortive third album (which would be released retrospectively 20 years later, by Andrews in the face of opposition from Idol, under the title K.M.D. - Sweet Revenge) internal disputes came to a head, and Andrews quit the band just before Christmas.[15][16] He would be joined by the band's drummer Mark Laff a month later, who Idol and James asked to leave over another disagreement.

Empire

In early 1980, Andrews and Laff recorded as session musicians on Jimmy Pursey's first solo album Imagination Camouflage (1980) (Andrews receiving co-writing credit for two of the LP's songs, Freak Show and Situation's Vacant),[citation needed] before in mid-1980 Andrews and Laff with the bassist Simon Bernal formed the three man post-punk band Empire, with Andrews as the act's lead vocalist.[17] Empire commercially released via the new label Dinosaur Discs, backed by a record shop of the same name at No. 17 Barons Court Road in West Kensington, the song "Hot Seat" (1981), with a B-side entitled "All These Things", which failed to enter the UK Singles Chart. A long-player entitled Expensive Sound (1981), recorded without a producer at Alvic Studios in Barons Court, also failed to enter the UK Album Chart. The band played a handful of gigs around London before Bernal left. After an unstable line-up and some more gigging in 1981-1982, Laff left the act in February 1983 in frustration with its lack of apparent commercial development.[18]

In early 1983, Andrews renamed the act New Empire after recruiting the vocalist Babel Wallace, Mike Gregovich (one of the sound engineers at Alvic Studios who had recorded the band's Expensive Sound LP) playing bass, and Crispin Taylor on the drums. The new line-up released a white label 12" titled "Inside You", and toured in the UK in 1983 as a support act to John Miles and Roman Holliday, and also in Spain, where it found some unanticipated and mysteriously caused popularity with well attended shows. However, without a record label's support, New Empire's increasingly adverse financial circumstances led to Andrews ending it in February 1984 at a gig at the Thames Hall in Slough, Berkshire; Andrews signaling the defeat by wrecking his amp with his guitar in the band's final performance. (A retrospective album of New Empire material would be released in the United States 24 years later entitled Expansive Sound (2009)).[19]

Despite its lack of commercial success, Empire was an influential band in the development of the emo music genre in the United States,[20][21] and an acknowledged key influence via songs such as "Him or Me" (1981) on the development of the sound of The Stone Roses from the Manchester scene of the late 1980s.[22]

The Expensive Sound LP was commercially re-issued in the United Kingdom in 1986. In the United States, it was re-issued in 2003 by the label Poorly Packaged Products as a double album containing seven previously unreleased studio recordings by the band and live performance material, and in 2014 a limited run collector's edition of the original record and sleeve artwork was released by Drastic Plastic Records.

Westworld

In 1986 Andrews formed a retro-1950s Americana style "beatbox rock'n'roll"/rockabilly band called Westworld,[23] with the singer Elizabeth Westwood and the guitarist/drummer Nick Burton. It had an early hit with its debut single "Sonic Boom Boy", which reached #11 in the UK Singles Chart in February 1987,[24] which was subsequently commercially used as a backing music track by Sony for one of its television product advertising campaigns.[23]

Between 1986-1990 the band performed as a trio utilizing a drum machine and sequencers with two guitarists, Andrews (lead), Burton (rhythm), fronted by Westwood as the singer, and commercially released in the United Kingdom via R.C.A. six singles, five of which entered the top 80 of the UK Singles Chart: Sonic Boom Boy (1987), Ba-Na-Na-Bam-Boo (1987), Where the Action Is (1987), Silvermac (1987), and Everything Good is Bad (1988).[25] A long-player entitled 'Where the Action Is' reached #49 in the UK Albums Chart in September 1987.[26] Due to the band's declining chart success R.C.A. dropped its contract, with the band's final U.K. release, the rip-roaring Dance On (which would be Andrews' career parting shot to the United Kingdom's commercial charts) reaching #92 in the U.K. Singles Chart in June 1989.[25] Andrews departed from England with Westwood to live in the United States in 1992, where they released two further singles and two long-players in the U.S. market via an independent label, but without commercial success, and they ended the Westworld act in 1994. A retrospective LP of material from Westworld, entitled Sick Cool, recorded between 1992-1994, was released commercially in the United States in 2018.[27]

Moondogg

In 1994 Andrews with Elizabeth Westwood came back to live in London from the U.S. and set up a new experimental Electronic pop/rock act entitled 'Moondogg', working in collaboration with Martin Lee Stephenson in a Hoxton recording studio.[28] The act released several records over the next decade, published by varying small labels in the United Kingdom, U.S. and Japan without impacting any commercial charts. A single entitled 'Wonderfool' (1995) was first released, followed by a long-player entitled Fat Lot of Good (1996) carrying a commercially counterintuitive cover art image. The album was supported by the release of an E.P. titled 'Silver Lining', and the singles 'Black Pain' (1996), and 'Nothing's Sacred' (1996). Another L.P. entitled God's Wallop was recorded in London in the mid-1990's (before Andrews and Westwood quit London and returned to the U.S.), with Rat Scabies playing the drum tracks, produced by Martin Lee Stephenson, but it wasn't commercially released until 2001. A third LP, entitled All the Love in the World (2004), self-produced by Andrews, was recorded by the act at Studio Dee in Los Angeles with a session drummer, and was commercially released in the U.S.[citation needed]

Speedtwinn

In 1996 Andrews joined a provisional new London band consisting of Glenn Matlock, "Rat Scabies" and Gary Twinn called Dead Horse, but the act failed to develop beyond some rehearsals and a demo recording session,[29] after Matlock abandoned it to join the reformation of the Sex Pistols. From this line-up, Andrews and the vocalist Gary Twinn formed a hybrid British-American alternative country act entitled Speedtwinn, which they relocated to Joshua Tree, California in 1998, combining British rock music from the 1970s with American country music.[30] After gigging in small venues in the area, and recording music videos of cover songs ranging from T-Rex to Johnny Cash, they wrote and commercially released in the United States a self-produced album entitled California (2003), which failed to enter the U.S. charts. Speedtwinn disbanded soon afterwards.[31][32]

Solo works - Tone Poet

In 2007, Andrews released a solo rock music album entitled Tone Poet (2007).[33] He subsequently recorded and released Cover Yer Arse (2010), a compilation album of cover songs. In 2013, he released a downloadable song, "Sleeping Beauty" from Tone Poet Vol. I.

In 2013, Andrews switched from the electric guitar to playing the lap steel guitar,[34] and subsequently released an American blues album entitled Tone Poet, Vol. II (2014),[35] and toured the British Isles performing music from it in 2015, with 'Sean & Zander' as co-headliners. He also released a song entitled "Winter Pt 1", which was part of an unreleased album entitled Mojave Full Circle. He released two more American blues albums in 2016-2018, entitled Tone Poet Vol. 3 (2016) and Tone Poet Vol.4 (2018).[36] In 2019 Andrews released a compilation long-player of the Tone Poet series, paradoxically entitled Smash Hits (2019), with an introduction to the material written by Henry Rollins.[37]

Reunions

On 20 September 1993, Andrews performed in a late-1970s Generation X line-up reunion at the Astoria Theatre in London's West End.

In 2006, Andrews and Laff re-recorded the Empire single "Hot Seat" for the 25th anniversary of the release of Expensive Sound LP, which was commercially released on the Expansive Sound Volume II (2009) compilation. In 2011, Andrews played again with New Empire's ex-singer Babel Wallace for the recording of a song called "Bed Head" for Wallace's solo album, Good Things Can Happen.[38]

Influence

Andrews has been cited as an influence by guitarists Johnny Marr of The Smiths, and John Squire of The Stone Roses,[39] and his song back-catalogue has been covered by a diverse range of bands, including the U.S. Bombs and the L.A. Guns.

Personal life

Andrews relocated from England to Cave Creek, Arizona, United States of America in 1992. He subsequently moved to Los Angeles, where he dropped out of professional music for a period and worked as a motorcycle courier in the mid-late 1990s, during which time he married Stephanie in Hollywood.[40] In the early 2000s, he moved to California's High Desert region.[41][42]

Discography

Studio albums

Generation X
Generation X Compilations
Empire
  • 1981 – Expensive Sound (Dinosaur Discs) (American reissue in 1986 by Highway 61 Records).
  • 2003 – Expensive Sound (Poorly Packaged Products Records) (Also featuring 7 previously unreleased songs and 4 live cuts).
  • 2009/2012 – Volume II – Expansive Sound (Poorly Packaged Products Records) (the never issued before New Empire tracks, plus covers and live cuts from 1983–84).
Westworld
  • 1987 – Where the Action Is (RCA Records) UK No. 49
  • 1987 – Rockulator (RCA Records) (US release of Where the Action Is with different track listing and artwork and some new mixes).
  • 1988 – Beatbox Rock 'N' Roll (RCA Records) (not released in the UK).
  • 1991 – Movers and Shakers (MCA Records) (not released in the UK).
  • 1997 – Beatbox Rock 'N' Roll (Camden Records) (Compilation album, not to be confused with the same-titled second album).
  • 2018 - Sick Cool (Rubbercheese Music) (retrospective release of material recorded in 1992-1994).
Moondogg
  • 1996 – Fat Lot of Good (Better Records)
  • 2001 – God's Wallop (D.O.R.)
  • 2004 – All the Love in the World (Rubbercheese Music)
Speedtwinn

Solo records

  • 2007 – Tone Poet, Vol. 1 (Rubbercheese Music) (Digital download only.)
  • 2010 – Cover Yer Arse (Main Man Records)
  • 2014 – Tone Poet, Vol. 2 (Rubbercheese Music)
  • 2016 – Tone Poet, Vol. 3 (Rubbercheese Music) (Digital download only.)
  • 2018 - Tone Poet, Vol. 4 (Rubbercheese Music) (Digital download only.)
  • 2019 - Smash Hits ('Tone Poet' compilation) (Rubbercheese Music).

References

  1. ^ International Who's Who in Popular Music 2006, p. 14. Routledge/Taylor and Francis, 2006 (ISBN 185743367X; ISBN 978-1-85743-367-8)
  2. ^ 'Loud Guitarist' by Derwood Andrews.
  3. ^ Interview with Andrews 'Fear & Loathing' online magazine, 2 December 2013
  4. ^ 'Bluesbreakers: Derwood Andrews', 'Louder' online magazine, 3 July 2015. https://www.loudersound.com/features/bluesbreakers-derwood-andrews
  5. ^ Interview with Derwood Andrews, 'Jones Goes One on One with Derwood from Generation X & Empire', 'Punk Globe Magazine', 2007. http://www.punkglobe.com/derwood.html
  6. ^ Interview with Andrews in the Yucca Valley 'Hi-Desert Star', 'A Song to Sing & Nowhere to Hide' 13 January 2015. http://www.hidesertstar.com/news/article_458049aa-9bab-11e4-914f-db1c05fbd3db.html
  7. ^ Interview with Andrews, 'Sugarbuzz magazine', 2010. http://www.sugarbuzzmagazine.com/bands/bobderwoodandrews/derwood.html
  8. ^ Photograph of 'Paradox' in 1976, 'Bored teenagers' website (2018). http://www.boredteenagers.co.uk/PARADOX.htm
  9. ^ 'A Song to Sing & Nowhere to Hide, interview with Andrews in the 'Hi-Desert Star', 13 January 2015.
  10. ^ "trakMARX - Generation X". Retrieved 26 March 2016.
  11. ^ Two Fingers Radio Show', Episode 1 (2013), hosted by Derwood Andrews
  12. ^ Review of Generation X at the Central London College of Art & Design, unknown newspaper, December 1976. http://www.boredteenagers.co.uk/GENERATIOXCUTTINGS1.htm
  13. ^ a b Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. p. 472. ISBN 1-84195-017-3.
  14. ^ Interview with Andrews, 'Fear & Loathing' website, 2 December 2013. http://www.longbeachloathing.blogspot.co.uk/2013/12/interviewgeneration-x-and-empire-s.html
  15. ^ "Generation X - Day by Day". Retrieved 26 March 2016.
  16. ^ http://www.mudkiss.com/derwood.htm
  17. ^ "Punk Diary". Retrieved 26 March 2016.
  18. ^ Website dedicated to the band Empire. http://empire-expensivesound.blogspot.co.uk/p/band.html
  19. ^ 'Expansive Sound' L.P. entry in 'Empire: The Expensive Sound' website (2018). http://empire-expensivesound.blogspot.co.uk/p/releases.html
  20. ^ 'Post', by Eric Grubbs (Pub. i-Universe, 2008), P.24.
  21. ^ 'Louder than War' website article on Andrews, 28 April 2015. http://www.louderthanwar.com/bob-derwood-andrews-top-ten-albums/
  22. ^ 'The Stone Roses: War & Peace' by Simon Spence (Pub. Penguin, 2013).
  23. ^ a b "Biography by John Bush". Allmusic.com. Retrieved 18 December 2008.
  24. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 597. ISBN 1-904994-10-5.
  25. ^ a b Singles releases in the U.K. by 'Westworld', 'Official Charts.com' (2019). https://www.officialcharts.com/artist/23959/westworld/
  26. ^ History of 'Westworld', cdbaby.com website (2019). https://store.cdbaby.com/artist/Westworld1
  27. ^ Sales entry for 'Sick Cool' LP on the 'cdbaby.com' website (2018). https://store.cdbaby.com/cd/westworld15
  28. ^ "Moondogg". AllMusic. Retrieved 26 March 2016.
  29. ^ 'What Do You Want', demo song by 'Dead Horse' (1996). Published on Youtube 4 December 2011. https://www.youtube.com/watch?v=5QQ0aGBW9fQ
  30. ^ Press release briefing note on 'Speedtwinn', produced by Orange Recordings for the commercial release of the long-player 'California', August 2003.
  31. ^ "Speedtwinn". AllMusic. Retrieved 26 March 2016.
  32. ^ "California". AllMusic. Retrieved 26 March 2016.
  33. ^ "TURNING HEADS by Derwood Andrews - Transcend Radio Single of the Day". Retrieved 26 March 2016.
  34. ^ 'UK punk cult hero returns with lap-steel & adose of the blues', 'Louder' magazine, 3 July 2015. https://www.loudersound.com/features/bluesbreakers-derwood-andrews
  35. ^ 'Derwood Andrews & the sound of a post-punk, post-blues Cactus Acid Milkshake', 'The Brooklyn Bugle', 16 December 2014.
  36. ^ Discography of Derwood Andrews, Apple itunes.com (2018). https://itunes.apple.com/gb/artist/derwood-andrews/293933090
  37. ^ Smash Hits LP by Andrews, cdbaby.com (2019). https://store.cdbaby.com/cd/derwoodandrews17
  38. ^ 'Empire: The Expansive Sound' website, 'Band History' (2018). http://empire-expensivesound.blogspot.com/p/band.html
  39. ^ 'The Stone Roses: War & Peace', by Simon Spence. (Pub. Penguin, 2013).
  40. ^ Interview with Andrews, 'A Song to Sing & Nowhere to Hide', 'Hi-Desert Star', 13 January 2015.
  41. ^ 'Louder than War' website article advertising an Andrews tour of Great Britain in 2015. http://www.louderthanwar.com/bob-derwood-andrews-top-ten-albums/
  42. ^ 'Rock Stars Guitars' website article for Andrews selling Generation X memorabilia from his desert residence. http://www.rockstarsguitars.com/billy-idol/billy-idol-bob-derwood-andrews-barry-mcgee-custom-guitar-used-in-chelsea-and-generation-x-2-1925/

Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Bob_Andrews_(guitarist)&oldid=924900680"