Lucille Bremer: Difference between revisions
No edit summary |
m Minor documentation of early Copacabana, 1942, Commodore 1943, and "Lady in the Dark" on Broadway. |
||
| Line 20: | Line 20: | ||
Bremer was born in [[Amsterdam, New York]], but soon moved to Philadelphia, Pennsylvania, where she studied ballet. At age 12, she danced with the [[Philadelphia Opera Company]].<ref name="lat">{{cite news|last1=Oliver|first1=Myrna|title=Lucille Bremer; Film Actress, Astaire Dancing Partner|url=http://articles.latimes.com/1996-04-20/news/mn-60720_1_lucille-bremer|accessdate=31 August 2016|work=Los Angeles Times|date=April 20, 1996}}</ref> |
Bremer was born in [[Amsterdam, New York]], but soon moved to Philadelphia, Pennsylvania, where she studied ballet. At age 12, she danced with the [[Philadelphia Opera Company]].<ref name="lat">{{cite news|last1=Oliver|first1=Myrna|title=Lucille Bremer; Film Actress, Astaire Dancing Partner|url=http://articles.latimes.com/1996-04-20/news/mn-60720_1_lucille-bremer|accessdate=31 August 2016|work=Los Angeles Times|date=April 20, 1996}}</ref> |
||
Once in New York, she danced in various specialty acts, most notably in the [[1939 New York World's Fair]] "American Jubilee". She auditioned and began her career as a [[The Rockettes|Rockette]] at [[Radio City Music Hall]] in [[New York City]], at age 16.<ref name=lat/> She was voted as "most likely to succeed" by her Rockette peers.<ref name=aj/> She was also known as "5th from the right" in the Rockettes line up. Bremer also auditioned as a dancer for various Broadway shows, along with fellow stars [[Vera-Ellen]] and [[June Allyson]], appearing as a 'Pony Girl' in the Broadway musical ''[[Panama Hattie]]''. |
Once in New York, she danced in various specialty acts, most notably in the [[1939 New York World's Fair]] "American Jubilee". She auditioned and began her career as a [[The Rockettes|Rockette]] at [[Radio City Music Hall]] in [[New York City]], at age 16.<ref name=lat/> She was voted as "most likely to succeed" by her Rockette peers.<ref name=aj/> She was also known as "5th from the right" in the Rockettes line up. Bremer also auditioned as a dancer for various Broadway shows, along with fellow stars [[Vera-Ellen]] and [[June Allyson]], appearing as a 'Pony Girl' in the Broadway musical ''[[Panama Hattie]]'' and also in [[Lady in the Dark]].<ref> "Stage Dancer Signed." Rochester (NY) Times-Union, 20 July 1943.</ref> |
||
Bremer's first attempt for a career in films was unsuccessful. Her screen test with [[Warner Bros.]] was unsuccessful; "It was so bad I realized why nothing had happened," she said later.<ref name="aj">{{cite news|title=Flight of a Rocket|url=https://www.newspapers.com/clip/7532393/albuquerque_journal/|work=Albuquerque Journal|date=January 7, 1945|location=New Mexico, Albuquerque|page=26|via = [[Newspapers.com]]|accessdate = November 20, 2016}} {{Open access}}</ref> She returned to dancing, performing at the [[Copacabana (nightclub)|Copacabana]] nightclub in New York City and the Club Versailles, where she was spotted by [[Arthur Freed]], a producer at Metro Goldwyn Mayer.<ref name=aj/> |
Bremer's first attempt for a career in films was unsuccessful. Her screen test with [[Warner Bros.]] was unsuccessful; "It was so bad I realized why nothing had happened," she said later.<ref name="aj">{{cite news|title=Flight of a Rocket|url=https://www.newspapers.com/clip/7532393/albuquerque_journal/|work=Albuquerque Journal|date=January 7, 1945|location=New Mexico, Albuquerque|page=26|via = [[Newspapers.com]]|accessdate = November 20, 2016}} {{Open access}}</ref> She returned to dancing, performing at the [[Copacabana (nightclub)|Copacabana]] nightclub in New York City and the Club Versailles, where she was spotted by [[Arthur Freed]], a producer at Metro Goldwyn Mayer.<ref name=aj/> She is listed among six "Samba Sirens" for the Copacabana Revue's summer 1942 outing in Saratoga, NY<ref>"Monte Proser Presents the Copacabana Revue (advertisement)," The Saratogian (Saratoga Springs, NY), 27 July 1942.</ref> and as a singer-dancer as a Hotel Commodore "Commodorable" in 1943.<ref>Wilson, Earl. "It Happened Last Night," New York Evening Post, 22 January 1943.</ref> |
||
She was taken to Hollywood, where her screen test impressed [[Metro-Goldwyn-Mayer]] mogul [[Louis B. Mayer]]. An accomplished dancer, she was considered to display potential as a dramatic actress. She also screen-tested and was offered a contract with Goldwyn Studios, but decided on MGM studios to properly showcase her dancing talent. She studied acting at MGM with the great acting coach Lillian Burns, and was groomed for stardom as an important member of the legendary Freed Unit. |
She was taken to Hollywood, where her screen test impressed [[Metro-Goldwyn-Mayer]] mogul [[Louis B. Mayer]]. An accomplished dancer, she was considered to display potential as a dramatic actress. She also screen-tested and was offered a contract with Goldwyn Studios, but decided on MGM studios to properly showcase her dancing talent. She studied acting at MGM with the great acting coach Lillian Burns, and was groomed for stardom as an important member of the legendary Freed Unit. |
||
Revision as of 16:09, 14 March 2020
Lucille Bremer | |
|---|---|
 | |
| Born | February 21, 1917 Amsterdam, New York, U.S. |
| Died | April 16, 1996 (aged 79) La Jolla, California, U.S. |
| Occupations |
|
| Years active | 1942–1948 |
| Spouse |
Abelardo Louis Rodriguez
(m. 1948; div. 1963) |
| Children | 4 |
Lucille Bremer (February 21, 1917 – April 16, 1996) was an American film actress and dancer.
Biography
Bremer was born in Amsterdam, New York, but soon moved to Philadelphia, Pennsylvania, where she studied ballet. At age 12, she danced with the Philadelphia Opera Company.[1]
Once in New York, she danced in various specialty acts, most notably in the 1939 New York World's Fair "American Jubilee". She auditioned and began her career as a Rockette at Radio City Music Hall in New York City, at age 16.[1] She was voted as "most likely to succeed" by her Rockette peers.[2] She was also known as "5th from the right" in the Rockettes line up. Bremer also auditioned as a dancer for various Broadway shows, along with fellow stars Vera-Ellen and June Allyson, appearing as a 'Pony Girl' in the Broadway musical Panama Hattie and also in Lady in the Dark.[3]
Bremer's first attempt for a career in films was unsuccessful. Her screen test with Warner Bros. was unsuccessful; "It was so bad I realized why nothing had happened," she said later.[2] She returned to dancing, performing at the Copacabana nightclub in New York City and the Club Versailles, where she was spotted by Arthur Freed, a producer at Metro Goldwyn Mayer.[2] She is listed among six "Samba Sirens" for the Copacabana Revue's summer 1942 outing in Saratoga, NY[4] and as a singer-dancer as a Hotel Commodore "Commodorable" in 1943.[5]
She was taken to Hollywood, where her screen test impressed Metro-Goldwyn-Mayer mogul Louis B. Mayer. An accomplished dancer, she was considered to display potential as a dramatic actress. She also screen-tested and was offered a contract with Goldwyn Studios, but decided on MGM studios to properly showcase her dancing talent. She studied acting at MGM with the great acting coach Lillian Burns, and was groomed for stardom as an important member of the legendary Freed Unit.
Bremer made her screen debut to excellent notices in director Vincente Minnelli's smash hit Technicolor musical Meet Me in St. Louis (1944) as Rose Smith, Judy Garland's older sister, and followed this with a starring role opposite Fred Astaire in the musical fable Yolanda and the Thief (1945). Despite sumptuous production values and a staff of high-priced talent behind the scenes (directed again by Vincente Minnelli from a story by Ludwig Bemelmans, with an original score by Harry Warren and producer/songwriter Arthur Freed, and choreographed by Fred Astaire and Eugene Loring), it was a box-office failure. The film's ambitious surrealist fantasy theme was not popular with wartime audiences, and unfortunately Bremer, a newcomer in her first starring role, took most of the blame. Her career never recovered. She followed this disappointment with featured dance performances, once again with Astaire and directed by Minnelli, in two memorable sequences in the successful musical revue Ziegfeld Follies (released in 1946, but Bremer's numbers were filmed in 1945, before filming Yolanda and the Thief). Her last major film musical was the lavish Jerome Kern biopic Till the Clouds Roll By (1946), in which Bremer has some good dramatic scenes and dances with Van Johnson. After this, MGM began to lose interest in promoting her. After a minor dramatic film at MGM, Dark Delusion (1947), she was loaned to Eagle-Lion in 1948 for her final three films. Bremer played her last starring role in the film noir Behind Locked Doors (1948).
Reportedly disappointed with her Hollywood career, she elected not to renew her contract and left the film industry. She had met and fallen in love with the son of the former president of Mexico, Abelardo Luis Rodriguez,[6] who bore the same name as his father. She and Rod Rodriguez were married at Catalina Island in August 1948. She moved with him to Baja California Sur, Mexico, at the beginning of the Golden Age of Baja and started the private resort Rancho Las Cruces as well as the original Palmilla Hotel and the Hacienda Hotel. With her contacts in Hollywood and her husband "Rod" Rodriguez's influence, they drew people from Hollywood who sought to enjoy this newly found paradise. She and her husband were also business partners with Desi Arnaz, Lucille Ball, and Bing Crosby.
After her divorce (in 1963), Bremer settled in La Jolla, California, where she owned a children's clothing boutique. She continued to travel between La Jolla, California, and Baja California Mexico. She died in 1996 from a heart attack at age 79. Her ashes were scattered in the Sea of Cortez as well as scattered next to the church she and her husband had built on the Rancho Las Cruces resort property. A plaque bearing her name, as well as that of Desi Arnaz, was erected on the left side of the church in her honor. She left four children: Nicholas, Torre, Cristina, and Karen.
Filmography
| Year | Title | Role |
|---|---|---|
| 1942 | Penny Arcade (short film) | Woman |
| 1944 | This Love of Mine (short film) | Dancer |
| Meet Me in St. Louis | Rose Smith | |
| 1945 | Yolanda and the Thief | Yolanda |
| 1946 | Ziegfeld Follies | Princess ("This Heart of Mine") / Moy Ling ("Limehouse Blues") |
| Till the Clouds Roll By | Sally Hessler | |
| 1947 | Dark Delusion | Cynthia Grace |
| 1948 | Adventures of Casanova | Lady Bianca |
| Ruthless | Christa Mansfield | |
| Behind Locked Doors | Kathy Lawrence |
References
- ^ a b Oliver, Myrna (April 20, 1996). "Lucille Bremer; Film Actress, Astaire Dancing Partner". Los Angeles Times. Retrieved 31 August 2016.
- ^ a b c "Flight of a Rocket". Albuquerque Journal. New Mexico, Albuquerque. January 7, 1945. p. 26. Retrieved November 20, 2016 – via Newspapers.com.
- ^ "Stage Dancer Signed." Rochester (NY) Times-Union, 20 July 1943.
- ^ "Monte Proser Presents the Copacabana Revue (advertisement)," The Saratogian (Saratoga Springs, NY), 27 July 1942.
- ^ Wilson, Earl. "It Happened Last Night," New York Evening Post, 22 January 1943.
- ^ "Actress Lucille Bremer Marries". The Spokesman-Review. August 5, 1948. Retrieved August 30, 2016.
External links
- Lucille Bremer at IMDb
- Lucille Bremer at the Internet Broadway Database
- Lucille Bremer at AllMovie
- "Class Act - Lucille Bremer"
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |
- 1917 births
- 1996 deaths
- Actresses from San Diego
- American female dancers
- American dancers
- American film actresses
- Actresses from New York (state)
- People from Amsterdam, New York
- Radio City Music Hall Rockettes
- Metro-Goldwyn-Mayer contract players
- Musicians from New York (state)
- 20th-century American actresses
- 20th-century American musicians
- Dancers from New York (state)