Celempungan: Difference between revisions
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{{Music of Indonesia}} |
{{Music of Indonesia}} |
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'''Celempungan''' is a [[Sundanese people|Sundanese]] musical genre that includes several musical instruments such as [[ |
'''Celempungan''' is a [[Sundanese people|Sundanese]] musical genre that includes several musical instruments such as [[kacapi]], [[kendang]], [[Đàn goong|goong]]/[[gong]], and [[suling]] or [[rebab]] (optional), and [[Juru Kawih]] (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter. |
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Celempungan is named for the [[celempung]], a bamboo tube zither from [[West Java]].<ref name="Spiller"/> Celempungan ensembles had their golden era from 1935 to 1945.<ref>{{cite book |last1=Koizumi |first1=Fumio |last2=Tokumaru |first2=Yoshihiko |last3=Yamaguchi |first3=Osamu |title=Asian Musics in an Asian Perspective: Report of [Asian Traditional Performing Arts 1976] |date=1977 |publisher=Heibonsha |url=https://books.google.co.uk/books?id=FO3ZAAAAMAAJ&q=Celempungan&dq=Celempungan&hl=en&sa=X&ved=0ahUKEwj0j-2Sg7LqAhVNQEEAHTafBCMQ6AEIVzAH |language=en|page=32}}</ref> In modern celempungan ensembles, the celempung may be replaced by the siter, kacapi, and kendang.<ref name="Spiller"/> Troupes' musical repertoires include [[gamelan salendro]] [[kliningan]].<ref>{{cite book |last1=Spiller |first1=Henry |title=Focus: Gamelan Music of Indonesia |date=2010 |publisher=Routledge |isbn=978-1-135-90190-5 |page=246 |url=https://www.google.com/books/edition/Focus_Gamelan_Music_of_Indonesia/9cGSAgAAQBAJ?hl=en&gbpv=1&dq=%22celempungan%22&pg=PA246&printsec=frontcover |language=en}}</ref> Dutch ethnomusicologist [[Jaap Kunst]] described celempungan in his 1973 book ''Music in Java'': |
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{{quote|"The ''chelempung''-orchestra (ill. 131) is fortunate in being widely-spread. The name is derived from the [[idiochord]] bamboo instruments, which are found in it in two different functions, i.e., as kendang and as [[ketuk]]. The other instruments in this combination—another essential element of which seems to be a female voice—are: rebab, suling, goong awi, and—not always, however—a kachapi."<ref name="Spiller">{{cite book |last1=Spiller |first1=Henry |editor1-last=Strohm |editor1-first=Reinhard |title=Studies on a Global History of Music: A Balzan Musicology Project |date=2018 |publisher=Routledge |isbn=978-1-351-67274-0 |url=https://books.google.com/books?id=bMhUDwAAQBAJ&lpg=PP1&pg=PT287#v=onepage&q&f=false |language=en |chapter=Heavy Metal Bamboo: How Archaic Bamboo Instruments became Modern in Bandung, Indonesia}}</ref>}} |
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==See also== |
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*[[Karinding]] |
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==References== |
==References== |
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==Further reading== |
==Further reading== |
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*{{cite book |last1=Atmadibrata |first1=Enoch |last2=Danumiharja |first2=Nang Hendi K. |last3=Sunarya |first3=Yuli |title=Khazanah seni pertunjukan Jawa Barat |date=2006 |publisher=Dinas Kebudayaan dan Pariwisata Jawa Barat |url=https://books.google.co.uk/books?id=PvJkAAAAMAAJ&q=Celempungan&dq=Celempungan&hl=en&sa=X&ved=0ahUKEwj0j-2Sg7LqAhVNQEEAHTafBCMQ6AEIMjAC |language=id}} |
*{{cite book |last1=Atmadibrata |first1=Enoch |last2=Danumiharja |first2=Nang Hendi K. |last3=Sunarya |first3=Yuli |title=Khazanah seni pertunjukan Jawa Barat |date=2006 |publisher=Dinas Kebudayaan dan Pariwisata Jawa Barat |url=https://books.google.co.uk/books?id=PvJkAAAAMAAJ&q=Celempungan&dq=Celempungan&hl=en&sa=X&ved=0ahUKEwj0j-2Sg7LqAhVNQEEAHTafBCMQ6AEIMjAC |language=id}} |
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| ⚫ | *{{cite book |last1=Spiller |first1=Henry |title= |
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*{{cite book |last1=Spiller |first1=Henry |title=Gamelan: The Traditional Sounds of Indonesia |date=2004 |publisher=ABC-CLIO |isbn=978-1-85109-506-3 |url=https://books.google.co.uk/books?id=7-_Lj-RKFkcC&pg=PA312&dq=Celempungan&hl=en&sa=X&ved=0ahUKEwj0j-2Sg7LqAhVNQEEAHTafBCMQ6AEITzAG#v=onepage&q=Celempungan&f=false |language=en}} |
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*{{cite book |last1=Koizumi |first1=Fumio |last2=Tokumaru |first2=Yoshihiko |last3=Yamaguchi |first3=Osamu |title=Asian Musics in an Asian Perspective: Report of [Asian Traditional Performing Arts 1976] |date=1977 |publisher=Heibonsha |url=https://books.google.co.uk/books?id=FO3ZAAAAMAAJ&q=Celempungan&dq=Celempungan&hl=en&sa=X&ved=0ahUKEwj0j-2Sg7LqAhVNQEEAHTafBCMQ6AEIVzAH |language=en}} |
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*{{cite book |last1=Julia |first1=J. |title=Orientasi Estetik Gaya Pirigan Kacapi Indung dalam Kesenian Tembang Sunda Cianjuran di Jawa Barat |date=2018 |publisher=UPI Sumedang Press |isbn=978-602-6438-17-1 |url=https://books.google.co.uk/books?id=1qJLDwAAQBAJ&pg=PA101&dq=Celempungan&hl=en&sa=X&ved=2ahUKEwis6JDChLLqAhWxolwKHTwNBNA4ChDoATAAegQIARAC#v=onepage&q=Celempungan&f=false |language=id}} |
*{{cite book |last1=Julia |first1=J. |title=Orientasi Estetik Gaya Pirigan Kacapi Indung dalam Kesenian Tembang Sunda Cianjuran di Jawa Barat |date=2018 |publisher=UPI Sumedang Press |isbn=978-602-6438-17-1 |url=https://books.google.co.uk/books?id=1qJLDwAAQBAJ&pg=PA101&dq=Celempungan&hl=en&sa=X&ved=2ahUKEwis6JDChLLqAhWxolwKHTwNBNA4ChDoATAAegQIARAC#v=onepage&q=Celempungan&f=false |language=id}} |
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*{{cite book |last1= |
*{{cite book |last1=Koizumi |first1=Fumio |last2=Tokumaru |first2=Yoshihiko |last3=Yamaguchi |first3=Osamu |title=Asian Musics in an Asian Perspective: Report of [Asian Traditional Performing Arts 1976] |date=1977 |publisher=Heibonsha |url=https://books.google.co.uk/books?id=FO3ZAAAAMAAJ&q=Celempungan&dq=Celempungan&hl=en&sa=X&ved=0ahUKEwj0j-2Sg7LqAhVNQEEAHTafBCMQ6AEIVzAH |language=en}} |
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| ⚫ | *{{cite book |last1=Spiller |first1=Henry |title=Gamelan: The Traditional Sounds of Indonesia |date=2004 |publisher=ABC-CLIO |isbn=978-1-85109-506-3 |url=https://books.google.co.uk/books?id=7-_Lj-RKFkcC&pg=PA312&dq=Celempungan&hl=en&sa=X&ved=0ahUKEwj0j-2Sg7LqAhVNQEEAHTafBCMQ6AEITzAG#v=onepage&q=Celempungan&f=false |language=en}} |
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[[Category:Gong and chime music]] |
[[Category:Gong and chime music]] |
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Revision as of 11:29, 10 July 2020
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Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter.
Celempungan is named for the celempung, a bamboo tube zither from West Java.[1] Celempungan ensembles had their golden era from 1935 to 1945.[2] In modern celempungan ensembles, the celempung may be replaced by the siter, kacapi, and kendang.[1] Troupes' musical repertoires include gamelan salendro kliningan.[3] Dutch ethnomusicologist Jaap Kunst described celempungan in his 1973 book Music in Java:
"The chelempung-orchestra (ill. 131) is fortunate in being widely-spread. The name is derived from the idiochord bamboo instruments, which are found in it in two different functions, i.e., as kendang and as ketuk. The other instruments in this combination—another essential element of which seems to be a female voice—are: rebab, suling, goong awi, and—not always, however—a kachapi."[1]
See also
References
- ^ a b c Spiller, Henry (2018). "Heavy Metal Bamboo: How Archaic Bamboo Instruments became Modern in Bandung, Indonesia". In Strohm, Reinhard (ed.). Studies on a Global History of Music: A Balzan Musicology Project. Routledge. ISBN 978-1-351-67274-0.
- ^ Koizumi, Fumio; Tokumaru, Yoshihiko; Yamaguchi, Osamu (1977). Asian Musics in an Asian Perspective: Report of [Asian Traditional Performing Arts 1976]. Heibonsha. p. 32.
- ^ Spiller, Henry (2010). Focus: Gamelan Music of Indonesia. Routledge. p. 246. ISBN 978-1-135-90190-5.
Further reading
- Atmadibrata, Enoch; Danumiharja, Nang Hendi K.; Sunarya, Yuli (2006). Khazanah seni pertunjukan Jawa Barat (in Indonesian). Dinas Kebudayaan dan Pariwisata Jawa Barat.
- Julia, J. (2018). Orientasi Estetik Gaya Pirigan Kacapi Indung dalam Kesenian Tembang Sunda Cianjuran di Jawa Barat (in Indonesian). UPI Sumedang Press. ISBN 978-602-6438-17-1.
- Koizumi, Fumio; Tokumaru, Yoshihiko; Yamaguchi, Osamu (1977). Asian Musics in an Asian Perspective: Report of [Asian Traditional Performing Arts 1976]. Heibonsha.
- Spiller, Henry (2004). Gamelan: The Traditional Sounds of Indonesia. ABC-CLIO. ISBN 978-1-85109-506-3.
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