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Ann (or Anne) Brunton was born 30 May 1769<ref>Born 30 March 1769, baptized at St Martin-In-The-Fields, 23 April 1769, daughter of John and Elizabeth</ref> in [[Covent Garden]], England, one of 14 children of [[John Brunton (actor, born 1741)|John Brunton]], an actor and [[theatre manager|manager]] of the [[Theatre Royal, Norwich]].<ref>{{citenews|title=John Brunton|newspaper=Bury and Norwich Post|date=21 May 1788|page=3}}</ref> In February 1785, she first appeared at the theatre in Bath as Euphrasia in ''The Grecian Daughter'', which was followed by other leading parts, and on 17 October of the same year she made her debut at [[Royal Opera House|Covent Garden]] theatre in London as Horatia in ''The Roman Father''.<ref name=":0">{{Cite web|url=http://garrick.ssl.co.uk/names/SBR013|title=CollectionsOnline {{!}} Name|website=garrick.ssl.co.uk|language=en|access-date=2018-07-12}}</ref> Here she attained great distinction, and by many was rated second only to [[Sarah Siddons]]. An illustration of her in the role of Horatia appeared in the July 1787 edition of Walker's Hibernian magazine.<ref>{{citeweb|title=Miss Brunton|url=https://babel.hathitrust.org/cgi/pt?id=nyp.33433081671749&view=1up&seq=351&q1=Brunton|website=www.hathitrust.org|accessdate=16 July 2020}}</ref>
Ann (or Anne) Brunton was born 30 May 1769<ref>Born 30 March 1769, baptized at St Martin-In-The-Fields, 23 April 1769, daughter of John and Elizabeth</ref> in [[Covent Garden]], England, one of 14 children of [[John Brunton (actor, born 1741)|John Brunton]], an actor and [[theatre manager|manager]] of the [[Theatre Royal, Norwich]].<ref>{{citenews|title=John Brunton|newspaper=Bury and Norwich Post|date=21 May 1788|page=3}}</ref> In February 1785, she first appeared at the theatre in Bath as Euphrasia in ''The Grecian Daughter'', which was followed by other leading parts, and on 17 October of the same year she made her debut at [[Royal Opera House|Covent Garden]] theatre in London as Horatia in ''The Roman Father''.<ref name=":0">{{Cite web|url=http://garrick.ssl.co.uk/names/SBR013|title=CollectionsOnline {{!}} Name|website=garrick.ssl.co.uk|language=en|access-date=2018-07-12}}</ref> Here she attained great distinction, and by many was rated second only to [[Sarah Siddons]]. An illustration of her in the role of Horatia appeared in the July 1787 edition of Walker's Hibernian magazine.<ref>{{citeweb|title=Miss Brunton|url=https://babel.hathitrust.org/cgi/pt?id=nyp.33433081671749&view=1up&seq=351&q1=Brunton|website=www.hathitrust.org|accessdate=16 July 2020}}</ref>
[[File:Ann Brunton Merry.jpg|left|thumb|Ann Brunton Merry]]
[[File:Ann Brunton Merry.jpg|left|thumb|Ann Brunton Merry]]
In 1791<ref>Married 26 August 1791, parish register Saint Martin in the Fields,Westminster,London</ref> Brunton married [[Robert Merry]], a poet and playwright known by his pen-name "Della Crusca". He had run through his patrimony, but at that time still figured in fashionable circles. She at once retired from the theatre, and went with her husband to Paris. They returned in 1792 and it was reported she performed the character Juliet, for the Benefit of her sister at Yarmouth theatre, and as Donna Violante in ''The Wonder'' for Mr. Waddy's Benefit, when she took her final leave of the stage.<ref>{{citenews|title=Mrs Merry|newspaper=Bury and Norwich Post| date=12 September 1792|page=3}}</ref>
In 1791<ref>Married 26 August 1791, parish register Saint Martin in the Fields,Westminster,London</ref> Brunton married [[Robert Merry]], a poet and playwright known by his pen-name "Della Crusca". He had run through his patrimony, but at that time still figured in fashionable circles. She at once retired from the theatre, and went with her husband to Paris. They returned in 1792 and her husband's comic opera ''The Magician no Conjuror'' at Covent Garden was not a success.<ref>{{citenews|title=Thursday Evening|newspaper=Derby Mercury|date=9 February 1792|page=2}}</ref> She performed the character Juliet, for the Benefit of her sister at Yarmouth theatre, and as Donna Violante in ''The Wonder'' for Mr. Waddy's Benefit, when she took her leave of the stage.<ref>{{citenews|title=Mrs Merry|newspaper=Bury and Norwich Post| date=12 September 1792|page=3}}</ref>
Mr Kemble was reported to wish to engage her for the Theatre-Royal, Newcastle in 1795.<ref>{{citenews|title=Theatre-Royal, Newcastle|newspaper=Newcastle Courant|date=22 August 1795|page=1}}</ref>
Mr Kemble was reported to wish to engage her for the Theatre-Royal, Newcastle in 1795.<ref>{{citenews|title=Theatre-Royal, Newcastle|newspaper=Newcastle Courant|date=22 August 1795|page=1}}</ref>
When their means were entirely exhausted she wished to return to her former occupation. Family considerations on the part of Mr. Merry prevented her return to the London stage, but an offer that was made through [[Thomas Wignell]], of the [[Chestnut Street Theatre|New Theatre, Philadelphia]], was readily accepted.
When their means were entirely exhausted she wished to return to her former occupation. Family considerations on the part of Mr. Merry forced her to leave the London stage, but an offer that was made through [[Thomas Wignell]], of the [[Chestnut Street Theatre|New Theatre, Philadelphia]], was readily accepted.


The couple arrived in New York City, 19 October 1796. Ann renewed her career at the playhouse in Philadelphia on 5 December of the same year as Juliet in ''[[Romeo and Juliet]]''. From 1797 until 1808 she performed with undiminished success in the large cities of the United States. Robert Merry died in 1798, and in 1803 Ann married [[Thomas Wignell]], who died three weeks later from an infection on his arm.<ref name=":0" /> From 1803 to 1805, she was the co-manager of her late husband's theatre company.<ref>Jane Kathleen Curry: ''[https://books.google.se/books?id=1GPiQjAnv6IC&pg=PA36&lpg=PA36&dq=Sarah+kirby+Stark+actress&source=bl&ots=xzwRCFDlGU&sig=ACfU3U3CXm0TC-MN_h-vAzODe9r0YyNLHQ&hl=sv&sa=X&ved=2ahUKEwjj9uLkv_bkAhUQyaYKHcyhC00Q6AEwEnoECAcQAQ#v=onepage&q=Sarah%20kirby%20Stark%20actress&f=false Nineteenth-century American Women Theatre Managers]''</ref> In 1806 she became the wife of [[William Warren (elder actor)|William Warren]].<ref name=":0" /> Among her important roles were Calista in ''The Fair Penitent'', Alica in ''Jane Shore'', Isabella in ''The Fatal Dowry'', and Monominia in ''The Orphan''. She was the first actress of eminence that crossed the Atlantic, and easily held her own against all rivalry. Her sister, [[Louisa Brunton]], with whom she is sometimes confused, was a distinguished performer on the London stage in later years, and became Countess of Craven.<ref>{{Citation|title=Brunton, Louisa [married name Louisa Craven, countess of Craven] (1782x5–1860), actress {{!}} Oxford Dictionary of National Biography|work=The Oxford Dictionary of National Biography|publisher=Oxford University Press|language=en|doi=10.1093/ref:odnb/6633|year=2004}}</ref> Anne died in [[Alexandria, Virginia]], 28 June 1808.
The couple arrived in New York City, 19 October 1796. Ann renewed her career at the [[Chestnut Street Theatre]] in Philadelphia on 5 December of the same year as Juliet in ''[[Romeo and Juliet]]''. From 1797 until 1808 she performed with undiminished success in the large cities of the United States. Robert Merry died in 1798, and in 1803 Ann married [[Thomas Wignell]], who died three weeks later from an infection on his arm.<ref name=":0" /> From 1803 to 1805, she was the co-manager of her late husband's theatre company.<ref>Jane Kathleen Curry: ''[https://books.google.se/books?id=1GPiQjAnv6IC&pg=PA36&lpg=PA36&dq=Sarah+kirby+Stark+actress&source=bl&ots=xzwRCFDlGU&sig=ACfU3U3CXm0TC-MN_h-vAzODe9r0YyNLHQ&hl=sv&sa=X&ved=2ahUKEwjj9uLkv_bkAhUQyaYKHcyhC00Q6AEwEnoECAcQAQ#v=onepage&q=Sarah%20kirby%20Stark%20actress&f=false Nineteenth-century American Women Theatre Managers]''</ref> In 1806 she became the wife of [[William Warren (elder actor)|William Warren]].<ref name=":0" /> Among her important roles were Calista in ''The Fair Penitent'', Alica in ''Jane Shore'', Isabella in ''The Fatal Dowry'', and Monominia in ''The Orphan''. She was the first actress of eminence that crossed the Atlantic, and easily held her own against all rivalry. Her sister, [[Louisa Brunton]], with whom she is sometimes confused, was a distinguished performer on the London stage in later years, and became Countess of Craven.<ref>{{Citation|title=Brunton, Louisa [married name Louisa Craven, countess of Craven] (1782x5–1860), actress {{!}} Oxford Dictionary of National Biography|work=The Oxford Dictionary of National Biography|publisher=Oxford University Press|language=en|doi=10.1093/ref:odnb/6633|year=2004}}</ref> Anne died in [[Alexandria, Virginia]], 28 June 1808.


==References==
==References==

Revision as of 14:34, 15 August 2020

Anne Brunton Merry by Samuel De Wilde

Ann Brunton Merry (30 March 1769 – 28 June 1808) was an English actress popular in the United Kingdom and later America.

Life

Ann (or Anne) Brunton was born 30 May 1769[1] in Covent Garden, England, one of 14 children of John Brunton, an actor and manager of the Theatre Royal, Norwich.[2] In February 1785, she first appeared at the theatre in Bath as Euphrasia in The Grecian Daughter, which was followed by other leading parts, and on 17 October of the same year she made her debut at Covent Garden theatre in London as Horatia in The Roman Father.[3] Here she attained great distinction, and by many was rated second only to Sarah Siddons. An illustration of her in the role of Horatia appeared in the July 1787 edition of Walker's Hibernian magazine.[4]

Ann Brunton Merry

In 1791[5] Brunton married Robert Merry, a poet and playwright known by his pen-name "Della Crusca". He had run through his patrimony, but at that time still figured in fashionable circles. She at once retired from the theatre, and went with her husband to Paris. They returned in 1792 and her husband's comic opera The Magician no Conjuror at Covent Garden was not a success.[6] She performed the character Juliet, for the Benefit of her sister at Yarmouth theatre, and as Donna Violante in The Wonder for Mr. Waddy's Benefit, when she took her leave of the stage.[7] Mr Kemble was reported to wish to engage her for the Theatre-Royal, Newcastle in 1795.[8] When their means were entirely exhausted she wished to return to her former occupation. Family considerations on the part of Mr. Merry forced her to leave the London stage, but an offer that was made through Thomas Wignell, of the New Theatre, Philadelphia, was readily accepted.

The couple arrived in New York City, 19 October 1796. Ann renewed her career at the Chestnut Street Theatre in Philadelphia on 5 December of the same year as Juliet in Romeo and Juliet. From 1797 until 1808 she performed with undiminished success in the large cities of the United States. Robert Merry died in 1798, and in 1803 Ann married Thomas Wignell, who died three weeks later from an infection on his arm.[3] From 1803 to 1805, she was the co-manager of her late husband's theatre company.[9] In 1806 she became the wife of William Warren.[3] Among her important roles were Calista in The Fair Penitent, Alica in Jane Shore, Isabella in The Fatal Dowry, and Monominia in The Orphan. She was the first actress of eminence that crossed the Atlantic, and easily held her own against all rivalry. Her sister, Louisa Brunton, with whom she is sometimes confused, was a distinguished performer on the London stage in later years, and became Countess of Craven.[10] Anne died in Alexandria, Virginia, 28 June 1808.

References

  1. ^ Born 30 March 1769, baptized at St Martin-In-The-Fields, 23 April 1769, daughter of John and Elizabeth
  2. ^ "John Brunton". Bury and Norwich Post. 21 May 1788. p. 3.
  3. ^ a b c "CollectionsOnline | Name". garrick.ssl.co.uk. Retrieved 12 July 2018.
  4. ^ "Miss Brunton". www.hathitrust.org. Retrieved 16 July 2020.
  5. ^ Married 26 August 1791, parish register Saint Martin in the Fields,Westminster,London
  6. ^ "Thursday Evening". Derby Mercury. 9 February 1792. p. 2.
  7. ^ "Mrs Merry". Bury and Norwich Post. 12 September 1792. p. 3.
  8. ^ "Theatre-Royal, Newcastle". Newcastle Courant. 22 August 1795. p. 1.
  9. ^ Jane Kathleen Curry: Nineteenth-century American Women Theatre Managers
  10. ^ "Brunton, Louisa [married name Louisa Craven, countess of Craven] (1782x5–1860), actress | Oxford Dictionary of National Biography", The Oxford Dictionary of National Biography, Oxford University Press, 2004, doi:10.1093/ref:odnb/6633
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