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{{notability|Films|date=August 2018}} |
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{{Infobox film |
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'''''A Wrong Way to Love''''' ({{lang-it|Amarsi male}}) is a 1969 Italian drama film. It was directed by [[Fernando Di Leo]]. It stars [[Nieves Navarro]], [[Gianni Macchia]], [[Micaela Pignatelli]], [[Lucio Dalla]], and [[Lea Lander]].<ref>[https://archive.is/20130706015057/http://cinema.theiapolis.com/movie-1M02/amarsi-male/quotes/ Cinema.theiapolis.com]</ref> |
'''''A Wrong Way to Love''''' ({{lang-it|Amarsi male}}) is a 1969 Italian drama film. It was directed by [[Fernando Di Leo]]. It stars [[Nieves Navarro]], [[Gianni Macchia]], [[Micaela Pignatelli]], [[Lucio Dalla]], and [[Lea Lander]].<ref>[https://archive.is/20130706015057/http://cinema.theiapolis.com/movie-1M02/amarsi-male/quotes/ Cinema.theiapolis.com]</ref> |
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==Production== |
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The female lead actress initially chosen was [[Lucia Bosè]], later replaced by [[Pier Angeli]] and ultimately by [[Nieves Navarro]].<ref>Manlio Gomarasca, ''Amarsi male'', in ''Calibro 9: Il cinema di Ferdinando Di Leo'', Nocturno Dossier, Cinemabis Communication, page 52.</ref> The singer-songwriter [[Lucio Dalla]] was given a comical sidekick role.<ref>Manlio Gomarasca, ''Amarsi male'', in ''Calibro 9: Il cinema di Ferdinando Di Leo'', Nocturno Dossier, Cinemabis Communication, page 52.</ref><ref>Paolo Mereghetti, ''Amarsi male'', in ''Il Mereghetti - Dizionario dei film 2006'', Baldini & Castoldi, page 112.</ref> The male protagonist's surname, Tessari, is a Di Leo's hommage to his real life friend [[Duccio Tessari]].<ref>Manlio Gomarasca, ''Amarsi male'', in ''Calibro 9: Il cinema di Ferdinando Di Leo'', Nocturno Dossier, Cinemabis Communication, page 52.</ref> |
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==Reception== |
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The film was a box office failure. In 1972 re-released under the title ''Brucia amore brucia'', a reference the previous Di Leo's film, ''[[Brucia, ragazzo, brucia]]'', which had been a hit, but still failed to be profitable.<ref>Manlio Gomarasca, ''Amarsi male'', in ''Calibro 9: Il cinema di Ferdinando Di Leo'', Nocturno Dossier, Cinemabis Communication, page 52.</ref><ref>Paolo Mereghetti, ''Amarsi male'', in ''Il Mereghetti - Dizionario dei film 2006'', Baldini & Castoldi, page 112.</ref> |
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The film has been generally badly received by critics. In his analysis of the film, [[Paolo Mereghetti]] described it as an attempt to describe the social turmoil of the late 1960s, which falls into "the clichés of melodrama".<ref>Paolo Mereghetti, ''Amarsi male'', in ''Il Mereghetti - Dizionario dei film 2006'', Baldini & Castoldi, page 112.</ref> According to Manlio Gomarasca, the film is a "soulless shell", formally very good, even exceeding the previous Di Leo's films, but empty in its contents.<ref>Manlio Gomarasca, ''Amarsi male'', in ''Calibro 9: Il cinema di Ferdinando Di Leo'', Nocturno Dossier, Cinemabis Communication, page 52.</ref> |
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==References== |
==References== |
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Revision as of 09:08, 26 September 2020
An editor has nominated this article for deletion. You are welcome to participate in the deletion discussion, which will decide whether or not to retain it. |
 | The topic of this article may not meet Wikipedia's notability guideline for films. (August 2018) |
| A Wrong Way to Love | |
|---|---|
| Directed by | Fernando Di Leo |
| Starring | Nieves Navarro Gianni Macchia Micaela Pignatelli |
Release date |
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| Country | Italy |
| Language | Italian |
A Wrong Way to Love (Template:Lang-it) is a 1969 Italian drama film. It was directed by Fernando Di Leo. It stars Nieves Navarro, Gianni Macchia, Micaela Pignatelli, Lucio Dalla, and Lea Lander.[1]
Production
The female lead actress initially chosen was Lucia Bosè, later replaced by Pier Angeli and ultimately by Nieves Navarro.[2] The singer-songwriter Lucio Dalla was given a comical sidekick role.[3][4] The male protagonist's surname, Tessari, is a Di Leo's hommage to his real life friend Duccio Tessari.[5]
Reception
The film was a box office failure. In 1972 re-released under the title Brucia amore brucia, a reference the previous Di Leo's film, Brucia, ragazzo, brucia, which had been a hit, but still failed to be profitable.[6][7]
The film has been generally badly received by critics. In his analysis of the film, Paolo Mereghetti described it as an attempt to describe the social turmoil of the late 1960s, which falls into "the clichés of melodrama".[8] According to Manlio Gomarasca, the film is a "soulless shell", formally very good, even exceeding the previous Di Leo's films, but empty in its contents.[9]
References
- ^ Cinema.theiapolis.com
- ^ Manlio Gomarasca, Amarsi male, in Calibro 9: Il cinema di Ferdinando Di Leo, Nocturno Dossier, Cinemabis Communication, page 52.
- ^ Manlio Gomarasca, Amarsi male, in Calibro 9: Il cinema di Ferdinando Di Leo, Nocturno Dossier, Cinemabis Communication, page 52.
- ^ Paolo Mereghetti, Amarsi male, in Il Mereghetti - Dizionario dei film 2006, Baldini & Castoldi, page 112.
- ^ Manlio Gomarasca, Amarsi male, in Calibro 9: Il cinema di Ferdinando Di Leo, Nocturno Dossier, Cinemabis Communication, page 52.
- ^ Manlio Gomarasca, Amarsi male, in Calibro 9: Il cinema di Ferdinando Di Leo, Nocturno Dossier, Cinemabis Communication, page 52.
- ^ Paolo Mereghetti, Amarsi male, in Il Mereghetti - Dizionario dei film 2006, Baldini & Castoldi, page 112.
- ^ Paolo Mereghetti, Amarsi male, in Il Mereghetti - Dizionario dei film 2006, Baldini & Castoldi, page 112.
- ^ Manlio Gomarasca, Amarsi male, in Calibro 9: Il cinema di Ferdinando Di Leo, Nocturno Dossier, Cinemabis Communication, page 52.
External links
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