Jump to content

What Maisie Knew (film): Difference between revisions

This is a good article. Click here for more information.
From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
No edit summary
Citation bot (talk | contribs)
Bots
5,393,663 edits
Alter: title. | You can use this bot yourself. Report bugs here. | Suggested by Abductive | via #UCB_webform 806/999
Line 34: Line 34:
| country = United States<br>Canada<br>Netherlands
| country = United States<br>Canada<br>Netherlands
| language = English
| language = English
| budget = $5 million<ref name=city>{{cite web|url=http://moviecitynews.com/2013/06/an-interview-with-what-maisie-knews-scott-mcgehee-and-david-siegel/|title=An interview with WHAT MAISIE KNEW’s Scott McGehee and David Siegel|date=June 10, 2013|first=Andrea|last=Gronvall|publisher=Movie City News|accessdate=October 11, 2015}}</ref>
| budget = $5 million<ref name=city>{{cite web|url=http://moviecitynews.com/2013/06/an-interview-with-what-maisie-knews-scott-mcgehee-and-david-siegel/|title=An interview with WHAT MAISIE KNEW's Scott McGehee and David Siegel|date=June 10, 2013|first=Andrea|last=Gronvall|publisher=Movie City News|access-date=October 11, 2015}}</ref>
| gross = $2.7 million
| gross = $2.7 million
}}
}}
Line 62: Line 62:


===Development===
===Development===
''What Maisie Knew'' was written by Carroll Cartwright and Nancy Doyne in 1995, based on the 1897 novel ''[[What Maisie Knew]]'' by [[Henry James]]. At the time, Cartwright was involved in a legal dispute over the custody of his daughter.<ref name=indie>{{cite web|url=http://blogs.indiewire.com/thompsononhollywood/what-maisie-knew-writer-waited-18-years-to-make-his-adaptation-of-henry-james|publisher=[[Indiewire]]|date=May 1, 2013|title='What Maisie Knew' Writer Waited 18 Years to Make Film Adaptation of Henry James|first=Anne|last=Thompson|accessdate=October 11, 2015}}</ref> Director [[Scott McGehee]] later said that Cartwright had used James' novel "as a lens" through which to write about his own divorce and raising his daughter.<ref name=collider>{{cite web|url=http://collider.com/onata-aprile-what-maisie-knew-interview/|publisher=[[Collider (website)|Collider]]|title=Star Onata Aprile and Directors Scott McGehee & David Siegel Talk WHAT MAISIE KNEW and the Challenges of Adapting the Late-19th Century Henry James Novel|first=Sheila|last=Roberts|date=May 21, 2013|accessdate=October 11, 2015}}</ref> According to Cartwright, he and Doyne struggled to find producers, financiers and directors interested in making the film because of the challenges of working with a young child at its center. Producer Charles Weinstock was involved in the project for a number of years and was eventually responsible for obtaining financing from Red Crown Productions and hiring McGehee and [[David Siegel (screenwriter)|David Siegel]] as directors.<ref name=indie/> McGehee and Siegel were initially apprehensive about the script but decided to read it after hearing from their agent that actress [[Julianne Moore]] was interested in playing one of the roles; they accepted the directing job after talking to Moore about the story.<ref>{{cite web|url=http://www.agendamagazine.be/en/blog/mcgehee-siegel-what-maisie-knew|title=McGehee & Siegel: What Maisie Knew|work=Agenda Magazine|last=Ruëll|first=Niels|date=December 4, 2013|accessdate=October 11, 2015}}</ref> Although McGehee and Siegel were reluctant to make a film about divorce, they liked that the script focused on Maisie's perspective, noting that it was unusual for a film aimed at adults to have a story told from the perspective of a child.<ref name=latimes>{{cite web|url=http://articles.latimes.com/2013/may/11/entertainment/la-et-mn-ca-maisie-knew-indie-focus-20130512|work=[[Los Angeles Times]]|date=May 11, 2013|title=Indie Focus: 'What Maisie Knew' an education for Julianne Moore|first=Mark|last=Olsen|accessdate=October 11, 2015}}</ref>
''What Maisie Knew'' was written by Carroll Cartwright and Nancy Doyne in 1995, based on the 1897 novel ''[[What Maisie Knew]]'' by [[Henry James]]. At the time, Cartwright was involved in a legal dispute over the custody of his daughter.<ref name=indie>{{cite web|url=http://blogs.indiewire.com/thompsononhollywood/what-maisie-knew-writer-waited-18-years-to-make-his-adaptation-of-henry-james|publisher=[[Indiewire]]|date=May 1, 2013|title='What Maisie Knew' Writer Waited 18 Years to Make Film Adaptation of Henry James|first=Anne|last=Thompson|access-date=October 11, 2015}}</ref> Director [[Scott McGehee]] later said that Cartwright had used James' novel "as a lens" through which to write about his own divorce and raising his daughter.<ref name=collider>{{cite web|url=http://collider.com/onata-aprile-what-maisie-knew-interview/|publisher=[[Collider (website)|Collider]]|title=Star Onata Aprile and Directors Scott McGehee & David Siegel Talk WHAT MAISIE KNEW and the Challenges of Adapting the Late-19th Century Henry James Novel|first=Sheila|last=Roberts|date=May 21, 2013|access-date=October 11, 2015}}</ref> According to Cartwright, he and Doyne struggled to find producers, financiers and directors interested in making the film because of the challenges of working with a young child at its center. Producer Charles Weinstock was involved in the project for a number of years and was eventually responsible for obtaining financing from Red Crown Productions and hiring McGehee and [[David Siegel (screenwriter)|David Siegel]] as directors.<ref name=indie/> McGehee and Siegel were initially apprehensive about the script but decided to read it after hearing from their agent that actress [[Julianne Moore]] was interested in playing one of the roles; they accepted the directing job after talking to Moore about the story.<ref>{{cite web|url=http://www.agendamagazine.be/en/blog/mcgehee-siegel-what-maisie-knew|title=McGehee & Siegel: What Maisie Knew|work=Agenda Magazine|last=Ruëll|first=Niels|date=December 4, 2013|access-date=October 11, 2015}}</ref> Although McGehee and Siegel were reluctant to make a film about divorce, they liked that the script focused on Maisie's perspective, noting that it was unusual for a film aimed at adults to have a story told from the perspective of a child.<ref name=latimes>{{cite web|url=http://articles.latimes.com/2013/may/11/entertainment/la-et-mn-ca-maisie-knew-indie-focus-20130512|work=[[Los Angeles Times]]|date=May 11, 2013|title=Indie Focus: 'What Maisie Knew' an education for Julianne Moore|first=Mark|last=Olsen|access-date=October 11, 2015}}</ref>


===Casting===
===Casting===
Line 74: Line 74:
| alt2 = Steve Coogan
| alt2 = Steve Coogan
}}
}}
Casting for the role of Maisie took eight weeks.<ref>{{cite web|url=http://www.openlettersmonthly.com/interview-what-maisie-knew-co-directors-scott-mcgehee-and-david-siegel/|title=Interview: What Maisie Knew Co-directors Scott McGehee and David Siegel|first=Locke|last=Peterseim|work=Open Letters Monthly|accessdate=October 11, 2015}}</ref> Casting director [[Avy Kaufman]] suggested about 100 young girls to McGehee and Siegel while the directors independently visited New York elementary schools to hold auditions.<ref name=collider/> Six-year-old [[Onata Aprile]] auditioned relatively late, and was cast three weeks before production started.<ref name=collider/><ref name=latimes/><ref name=timeout>{{cite web|url=http://www.timeout.com/newyork/film/tony-q-a-what-maisie-knews-scott-mcgehee-and-david-siegel|title=TONY Q&A: ''What Maisie Knew''{{'}}s Scott McGehee and David Siegel|first=David|last=Fear|date=April 29, 2013|work=[[Time Out (magazine)|Time Out New York]]|accessdate=October 11, 2015}}</ref> She met with two of her adult co-stars, Julianne Moore and [[Alexander Skarsgård]], for a brief rehearsal period before filming began.<ref name=timeout/> Moore, who had read the film's script before directors McGehee and Siegel,<ref name=collider/> was anxious about having to sing as part of her role. She prepared by meeting with music producer Peter Nashel, singer Elaine Caswell, and [[Alison Mosshart]], the lead singer of [[The Kills]], whose songs Moore performed in the film.<ref name=latimes/><ref>{{cite web|url=http://www.indiewire.com/article/julianne-moore-on-playing-a-troubled-rockstar-in-what-maisie-knew-and-why-acting-doesnt-scare-her|title=Julianne Moore On Playing a Troubled Rock Star in ''What Maisie Knew'' and Why Acting Doesn't Scare Her|first=Nigel M.|last=Smith|date=May 6, 2013|publisher=[[Indiewire]]|accessdate=October 11, 2015}}</ref>
Casting for the role of Maisie took eight weeks.<ref>{{cite web|url=http://www.openlettersmonthly.com/interview-what-maisie-knew-co-directors-scott-mcgehee-and-david-siegel/|title=Interview: What Maisie Knew Co-directors Scott McGehee and David Siegel|first=Locke|last=Peterseim|work=Open Letters Monthly|access-date=October 11, 2015}}</ref> Casting director [[Avy Kaufman]] suggested about 100 young girls to McGehee and Siegel while the directors independently visited New York elementary schools to hold auditions.<ref name=collider/> Six-year-old [[Onata Aprile]] auditioned relatively late, and was cast three weeks before production started.<ref name=collider/><ref name=latimes/><ref name=timeout>{{cite web|url=http://www.timeout.com/newyork/film/tony-q-a-what-maisie-knews-scott-mcgehee-and-david-siegel|title=TONY Q&A: ''What Maisie Knew''{{'}}s Scott McGehee and David Siegel|first=David|last=Fear|date=April 29, 2013|work=[[Time Out (magazine)|Time Out New York]]|access-date=October 11, 2015}}</ref> She met with two of her adult co-stars, Julianne Moore and [[Alexander Skarsgård]], for a brief rehearsal period before filming began.<ref name=timeout/> Moore, who had read the film's script before directors McGehee and Siegel,<ref name=collider/> was anxious about having to sing as part of her role. She prepared by meeting with music producer Peter Nashel, singer Elaine Caswell, and [[Alison Mosshart]], the lead singer of [[The Kills]], whose songs Moore performed in the film.<ref name=latimes/><ref>{{cite web|url=http://www.indiewire.com/article/julianne-moore-on-playing-a-troubled-rockstar-in-what-maisie-knew-and-why-acting-doesnt-scare-her|title=Julianne Moore On Playing a Troubled Rock Star in ''What Maisie Knew'' and Why Acting Doesn't Scare Her|first=Nigel M.|last=Smith|date=May 6, 2013|publisher=[[Indiewire]]|access-date=October 11, 2015}}</ref>


[[Steve Coogan]] was the directors' first choice to play Beale, although the film's producers wanted to cast another English actor. McGehee and Siegel felt Coogan was suited to the role because "no matter what awful things he does and says, somehow there's something sympathetic about him".<ref name=collider/> [[Joanna Vanderham]], the last actor to be cast in the film, secured her role two weeks before production started after talking with McGehee, Siegel and Kaufman on [[Skype]] from Glasgow.<ref>{{cite web|url=http://www.viewlondon.co.uk/cinemas/joanna-vanderham-interview-feature-interview-4844.html|work=View London|title= Joanna Vanderham Interview |accessdate=October 11, 2015}}</ref>
[[Steve Coogan]] was the directors' first choice to play Beale, although the film's producers wanted to cast another English actor. McGehee and Siegel felt Coogan was suited to the role because "no matter what awful things he does and says, somehow there's something sympathetic about him".<ref name=collider/> [[Joanna Vanderham]], the last actor to be cast in the film, secured her role two weeks before production started after talking with McGehee, Siegel and Kaufman on [[Skype]] from Glasgow.<ref>{{cite web|url=http://www.viewlondon.co.uk/cinemas/joanna-vanderham-interview-feature-interview-4844.html|work=View London|title= Joanna Vanderham Interview |access-date=October 11, 2015}}</ref>


===Filming===
===Filming===
''What Maisie Knew'' was filmed in New York for 35 days over seven weeks in the summer of 2011.<ref name=latimes/><ref>{{cite web|url=http://www.ew.com/article/2012/09/12/toronto-film-festival-what-maisie-knew-7-year-old-onata-aprile-and-costar-alexander-skarsgard-on-being-7-weird-fame|title=Toronto Film Festival: 'What Maisie Knew' 7-year-old Onata Aprile, and costar Alexander Skarsgard, on being 7, 'weird' fame|first=Solvej|last=Schou|date=September 12, 2012|work=[[Entertainment Weekly]]|accessdate=June 16, 2016}}</ref> It was shot on [[35mm movie film|35mm film]] using an [[Arri]] camera.<ref name=city/> Filming took place in mainly [[Lower Manhattan]], and scenes at the beach house were shot on [[Long Island]].<ref name=fandor>{{cite web|url=https://www.fandor.com/keyframe/siegel-mcgehee-aprile-what-maisie-knew|publisher=[[Fandor (film site)|Fandor]]|title=Siegel, McGehee, Aprile: WHAT MAISIE KNEW|date=May 23, 2013|first=Ryan|last=Prendiville|accessdate=October 11, 2015}}</ref> One scene featuring Maisie and Lincoln taking a day trip together was shot on the [[High Line]].<ref name=boston>{{cite web|url=https://www.bostonglobe.com/arts/movies/2013/05/23/movie-review-what-maisie-knew/ZoKdWOxMNe4Me071pBzJdM/story.html|title=‘What Maisie Knew’ invites us to see the world through her eyes|date=May 23, 2013|first=Ty|last=Burr|work=[[The Boston Globe]]|accessdate=April 12, 2016}}</ref> A scene in which Susanna performs at a concert was filmed at [[Webster Hall]] using a pre-recorded vocal track, a backing band and a small audience.<ref name=latimes/> According to McGehee and Siegel, a significant challenge during filming was the limited time with which they were able to work with Aprile each day due to her early bedtime.<ref name=fandor/><ref>{{cite web|url=http://austin.culturemap.com/news/entertainment/07-16-13-a-conversation-with-scott-mcgehee-and-david-siegel-directors-of-what-maisie-knew/|publisher=CultureMap Austin|title=A conversation with What Maisie Knew directors Scott McGehee and David Siegel|first=Deborah|last=Toodle|date=July 16, 2013|accessdate=October 11, 2015}}</ref> While shooting one of the film's final scenes wherein Susanna arrives at the beach house at night to pick up Maisie, Aprile fell asleep and could not be woken up; the shoot had to be postponed until two weeks later.<ref name=fandor/>
''What Maisie Knew'' was filmed in New York for 35 days over seven weeks in the summer of 2011.<ref name=latimes/><ref>{{cite web|url=http://www.ew.com/article/2012/09/12/toronto-film-festival-what-maisie-knew-7-year-old-onata-aprile-and-costar-alexander-skarsgard-on-being-7-weird-fame|title=Toronto Film Festival: 'What Maisie Knew' 7-year-old Onata Aprile, and costar Alexander Skarsgard, on being 7, 'weird' fame|first=Solvej|last=Schou|date=September 12, 2012|work=[[Entertainment Weekly]]|access-date=June 16, 2016}}</ref> It was shot on [[35mm movie film|35mm film]] using an [[Arri]] camera.<ref name=city/> Filming took place in mainly [[Lower Manhattan]], and scenes at the beach house were shot on [[Long Island]].<ref name=fandor>{{cite web|url=https://www.fandor.com/keyframe/siegel-mcgehee-aprile-what-maisie-knew|publisher=[[Fandor (film site)|Fandor]]|title=Siegel, McGehee, Aprile: WHAT MAISIE KNEW|date=May 23, 2013|first=Ryan|last=Prendiville|access-date=October 11, 2015}}</ref> One scene featuring Maisie and Lincoln taking a day trip together was shot on the [[High Line]].<ref name=boston>{{cite web|url=https://www.bostonglobe.com/arts/movies/2013/05/23/movie-review-what-maisie-knew/ZoKdWOxMNe4Me071pBzJdM/story.html|title='What Maisie Knew' invites us to see the world through her eyes|date=May 23, 2013|first=Ty|last=Burr|work=[[The Boston Globe]]|access-date=April 12, 2016}}</ref> A scene in which Susanna performs at a concert was filmed at [[Webster Hall]] using a pre-recorded vocal track, a backing band and a small audience.<ref name=latimes/> According to McGehee and Siegel, a significant challenge during filming was the limited time with which they were able to work with Aprile each day due to her early bedtime.<ref name=fandor/><ref>{{cite web|url=http://austin.culturemap.com/news/entertainment/07-16-13-a-conversation-with-scott-mcgehee-and-david-siegel-directors-of-what-maisie-knew/|publisher=CultureMap Austin|title=A conversation with What Maisie Knew directors Scott McGehee and David Siegel|first=Deborah|last=Toodle|date=July 16, 2013|access-date=October 11, 2015}}</ref> While shooting one of the film's final scenes wherein Susanna arrives at the beach house at night to pick up Maisie, Aprile fell asleep and could not be woken up; the shoot had to be postponed until two weeks later.<ref name=fandor/>


===Music===
===Music===
The film's score was composed by Nick Urata of the musical group [[DeVotchKa]].<ref>{{cite news |author=Jagernauth, Kevin |url=http://blogs.indiewire.com/theplaylist/tiff-scores-danny-elfman-takes-silver-linings-playbook-bright-eyes-collaborators-score-writers-devotchka-frontman-writes-music-for-maisie-arthur-newman-20120815|title=TIFF Scores: Danny Elfman Takes 'Silver Linings Playbook'; Bright Eyes Players Score 'Writers'; DeVotchKa Tunes Up 'Maisie' & 'Arthur Newman' And More |publisher=[[Indiewire]] |date=August 25, 2012 |accessdate=February 13, 2013}}</ref> It was inspired by [[rock music]], to which McGehee and Siegel thought Maisie would have been exposed with a musician mother. McGehee described Urata's score as "us[ing] rock language but in a more childlike way".<ref name=collider/> Julianne Moore's character sings two songs in the film, "Night Train" and "Hook and Line", both written and originally recorded by The Kills.<ref>http://www.indiewire.com/2013/05/julianne-moore-on-playing-a-troubled-rock-star-in-what-maisie-knew-and-why-acting-doesnt-scare-her-38698/</ref>
The film's score was composed by Nick Urata of the musical group [[DeVotchKa]].<ref>{{cite news |author=Jagernauth, Kevin |url=http://blogs.indiewire.com/theplaylist/tiff-scores-danny-elfman-takes-silver-linings-playbook-bright-eyes-collaborators-score-writers-devotchka-frontman-writes-music-for-maisie-arthur-newman-20120815|title=TIFF Scores: Danny Elfman Takes 'Silver Linings Playbook'; Bright Eyes Players Score 'Writers'; DeVotchKa Tunes Up 'Maisie' & 'Arthur Newman' And More |publisher=[[Indiewire]] |date=August 25, 2012 |access-date=February 13, 2013}}</ref> It was inspired by [[rock music]], to which McGehee and Siegel thought Maisie would have been exposed with a musician mother. McGehee described Urata's score as "us[ing] rock language but in a more childlike way".<ref name=collider/> Julianne Moore's character sings two songs in the film, "Night Train" and "Hook and Line", both written and originally recorded by The Kills.<ref>http://www.indiewire.com/2013/05/julianne-moore-on-playing-a-troubled-rock-star-in-what-maisie-knew-and-why-acting-doesnt-scare-her-38698/</ref>


==Release==
==Release==


===Box office===
===Box office===
''What Maisie Knew'' premiered at the [[2012 Toronto Film Festival]] on September 7, 2012.<ref>{{cite web|url=http://www.ew.com/article/2012/09/08/toronto-film-festival-what-maisie-knew-premiere-shows-off-julianne-moore-alexander-skarsgard-little-onata-aprile|title=Toronto Film Festival: 'What Maisie Knew' premiere shows off Julianne Moore, Alexander Skarsgard, little Onata Aprile |work=[[Entertainment Weekly]]|date=September 8, 2012|first=Solvej|last=Schou|accessdate=October 11, 2015}}</ref> Millennium Films purchased the film's U.S. distribution rights soon after its premiere.<ref>{{cite web|url=http://articles.latimes.com/2012/sep/12/entertainment/la-et-mn-alexander-skarsgard-seeks-out-his-softer-side-in-what-maisie-knew-20120912|work=[[Los Angeles Times]]|first=Nicole|last=Sperling|title=Alexander Skarsgard finds his softer side in 'What Maisie Knew'|date=September 12, 2012|accessdate=October 11, 2015}}</ref> The film was released in the United States on May 3, 2013.<ref name=bom>{{cite web|url=http://www.boxofficemojo.com/movies/?page=main&id=whatmaisieknew.htm|title=What Maisie Knew|publisher=[[Box Office Mojo]]|accessdate=October 14, 2015}}</ref> Opening in a single theater in New York,<ref>{{cite web|url=http://www.thewrap.com/independent-box-office-iceman-maise-click-millennium-89476/|publisher=[[TheWrap]]|title=Independent Box Office: ‘Iceman,’ ‘Maisie’ Click for Millennium|first=Todd|last=Cunningham|date=May 5, 2013|accessdate=October 14, 2015}}</ref> it earned $21,480 on its opening weekend and $31,152 by the end of its first week.<ref name=bom/><ref name=weekly>{{cite web|url=http://www.boxofficemojo.com/movies/?page=weekly&id=whatmaisieknew.htm|title=What Maisie Knew – Weekly|publisher=Box Office Mojo|accessdate=October 14, 2015}}</ref> It expanded to three theaters in its second week of release, was playing in 27 theaters by its fourth week, and reached its widest release of 122 theaters in its sixth week.<ref name=weekly/> It was in release for a total of thirteen weeks and grossed $1,066,471 in that time.<ref name=bom/> In the United Kingdom, the film was released by Curzon Film World in cinemas and through [[video on demand]] (VOD) services on August 23, 2013, with £150,000 pledged by the [[British Film Institute]] towards the film's £244,000 marketing budget. It earned £330,186 in box office revenue from four weeks of release and £65,832 from VOD rentals in the first six weeks it was available.<ref>{{cite web|url=http://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-insight-what-maisie-knew-2013-10.pdf|title=Insight Report: What Maisie Knew|date=October 2013|publisher=[[British Film Institute]]|first1=Michael|last1=Gubbins|first2=Peter|last2=Buckingham|accessdate=October 14, 2015|pages=2, 3, 9}}</ref> In other territories, the film performed best in Australia (grossing US$334,651), Spain ($196,668), New Zealand ($140,696) and Brazil ($100,453).<ref name=foreign>{{cite web|url=http://www.boxofficemojo.com/movies/?page=intl&id=whatmaisieknew.htm|title=What Maisie Knew – Foreign|publisher=Box Office Mojo|accessdate=October 14, 2015}}</ref> It earned a total of $1,644,908 outside of the U.S. for a total worldwide gross of $2,711,379.<ref name=foreign/>
''What Maisie Knew'' premiered at the [[2012 Toronto Film Festival]] on September 7, 2012.<ref>{{cite web|url=http://www.ew.com/article/2012/09/08/toronto-film-festival-what-maisie-knew-premiere-shows-off-julianne-moore-alexander-skarsgard-little-onata-aprile|title=Toronto Film Festival: 'What Maisie Knew' premiere shows off Julianne Moore, Alexander Skarsgard, little Onata Aprile |work=[[Entertainment Weekly]]|date=September 8, 2012|first=Solvej|last=Schou|access-date=October 11, 2015}}</ref> Millennium Films purchased the film's U.S. distribution rights soon after its premiere.<ref>{{cite web|url=http://articles.latimes.com/2012/sep/12/entertainment/la-et-mn-alexander-skarsgard-seeks-out-his-softer-side-in-what-maisie-knew-20120912|work=[[Los Angeles Times]]|first=Nicole|last=Sperling|title=Alexander Skarsgard finds his softer side in 'What Maisie Knew'|date=September 12, 2012|access-date=October 11, 2015}}</ref> The film was released in the United States on May 3, 2013.<ref name=bom>{{cite web|url=http://www.boxofficemojo.com/movies/?page=main&id=whatmaisieknew.htm|title=What Maisie Knew|publisher=[[Box Office Mojo]]|access-date=October 14, 2015}}</ref> Opening in a single theater in New York,<ref>{{cite web|url=http://www.thewrap.com/independent-box-office-iceman-maise-click-millennium-89476/|publisher=[[TheWrap]]|title=Independent Box Office: 'Iceman,' 'Maisie' Click for Millennium|first=Todd|last=Cunningham|date=May 5, 2013|access-date=October 14, 2015}}</ref> it earned $21,480 on its opening weekend and $31,152 by the end of its first week.<ref name=bom/><ref name=weekly>{{cite web|url=http://www.boxofficemojo.com/movies/?page=weekly&id=whatmaisieknew.htm|title=What Maisie Knew – Weekly|publisher=Box Office Mojo|access-date=October 14, 2015}}</ref> It expanded to three theaters in its second week of release, was playing in 27 theaters by its fourth week, and reached its widest release of 122 theaters in its sixth week.<ref name=weekly/> It was in release for a total of thirteen weeks and grossed $1,066,471 in that time.<ref name=bom/> In the United Kingdom, the film was released by Curzon Film World in cinemas and through [[video on demand]] (VOD) services on August 23, 2013, with £150,000 pledged by the [[British Film Institute]] towards the film's £244,000 marketing budget. It earned £330,186 in box office revenue from four weeks of release and £65,832 from VOD rentals in the first six weeks it was available.<ref>{{cite web|url=http://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-insight-what-maisie-knew-2013-10.pdf|title=Insight Report: What Maisie Knew|date=October 2013|publisher=[[British Film Institute]]|first1=Michael|last1=Gubbins|first2=Peter|last2=Buckingham|access-date=October 14, 2015|pages=2, 3, 9}}</ref> In other territories, the film performed best in Australia (grossing US$334,651), Spain ($196,668), New Zealand ($140,696) and Brazil ($100,453).<ref name=foreign>{{cite web|url=http://www.boxofficemojo.com/movies/?page=intl&id=whatmaisieknew.htm|title=What Maisie Knew – Foreign|publisher=Box Office Mojo|access-date=October 14, 2015}}</ref> It earned a total of $1,644,908 outside of the U.S. for a total worldwide gross of $2,711,379.<ref name=foreign/>


===Critical response===
===Critical response===
''What Maisie Knew'' received generally positive reviews from critics. On [[Rotten Tomatoes]], the film holds a rating of 86%, based on 108 reviews, with an average rating of 7.7/10. The site's consensus states: "It's undeniably difficult to watch at times, but ''What Maisie Knew'' ultimately rises on the strength of its solidly sourced script, powerful performances, and empathetic direction."<ref>{{cite web|url=http://www.rottentomatoes.com/m/what_maisie_knew_2012/|accessdate=April 29, 2020|publisher=[[Rotten Tomatoes]]|title=What Maisie Knew (2013)}}</ref> On [[Metacritic]], the film has a score of 74 out of 100, based on reviews from 32 critics, indicating "generally favorable reviews".<ref>{{cite web|url=http://www.metacritic.com/movie/what-maisie-knew|accessdate=April 12, 2016|publisher=[[Metacritic]]|title=What Maisie Knew}}</ref>
''What Maisie Knew'' received generally positive reviews from critics. On [[Rotten Tomatoes]], the film holds a rating of 86%, based on 108 reviews, with an average rating of 7.7/10. The site's consensus states: "It's undeniably difficult to watch at times, but ''What Maisie Knew'' ultimately rises on the strength of its solidly sourced script, powerful performances, and empathetic direction."<ref>{{cite web|url=http://www.rottentomatoes.com/m/what_maisie_knew_2012/|access-date=April 29, 2020|publisher=[[Rotten Tomatoes]]|title=What Maisie Knew (2013)}}</ref> On [[Metacritic]], the film has a score of 74 out of 100, based on reviews from 32 critics, indicating "generally favorable reviews".<ref>{{cite web|url=http://www.metacritic.com/movie/what-maisie-knew|access-date=April 12, 2016|publisher=[[Metacritic]]|title=What Maisie Knew}}</ref>


In a review for ''[[Variety (magazine)|Variety]]'' magazine, Justin Chang summarized ''What Maisie Knew'' as a "beautifully observed drama" and wrote that, although the plot was consistently dark, it contained "enough sensitivity and emotional variation to make the experience cumulatively heartrending".<ref>{{cite news |url=https://variety.com/review/VE1117948246/ |title=Review: "What Maisie Knew" |magazine=[[Variety (magazine)|Variety]] |date=September 8, 2012 |first=Justin |last=Chang |accessdate=April 12, 2016}}</ref> ''[[New York (magazine)|New York]]'' magazine's [[David Edelstein]] praised the subtleties in the writing and performances of the adult characters and opined that the cinematography was "as open and graceful as any [he had] seen all year".<ref>{{cite web|url=http://www.vulture.com/2013/05/movie-review-what-maisie-knew.html|work=[[New York (magazine)|New York]]|first=David|last=Edelstein|title=Edelstein on What Maisie Knew: Henry James, Modern and Wrenching|date=May 3, 2013|accessdate=April 12, 2016}}</ref> [[A. O. Scott]] of ''[[The New York Times]]'' described the film as a "brilliant, haunting adaptation" of Henry James' novel, praising Aprile's performance as Maisie in particular.<ref>{{cite news |url=http://movies.nytimes.com/2013/05/03/movies/what-maisie-knew-stars-julianne-moore-and-steve-coogan.html |title=Adult Head Games, Focused on a Child |newspaper=[[The New York Times]] |date=May 2, 2013 |first=A. O. |last=Scott |accessdate=April 12, 2016}}</ref> The ''[[Los Angeles Times]]'' critic Betsy Sharkey also commended Aprile, Moore and Coogan's acting and felt that the "beautifully rendered film" was able to achieve emotional resonance without becoming melodramatic.<ref>{{cite news |url=http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-what-maisie-knew-20130517,0,1242810.story? |title=Movie review: 'What Maisie Knew' gives a child's eye view of divorce |newspaper=[[Los Angeles Times]] |date=May 16, 2013 |first=Betsy |last=Sharkey |accessdate=April 12, 2016}}</ref> ''[[The Boston Globe]]''{{`s}} [[Ty Burr]], who awarded the film 3.5 out of 4 stars, opined that its success was largely attributable to Aprile's performance.<ref name=boston/> John DeFore of ''[[The Hollywood Reporter]]'' noted the film's "uniformly strong performances" and praised McGehee and Siegel for maintaining a sense of plausibility in spite of the melodramatic plot.<ref>{{cite web |url=http://www.hollywoodreporter.com/review/what-maisie-knew-toronto-review-julianne-moore-368852 |title=Toronto Review: What Maisie Knew |work=[[The Hollywood Reporter]] |date=September 8, 2012 |first=John |last=DeFore |accessdate=April 12, 2016}}</ref> For the ''[[New York Observer]]'', [[Rex Reed]] wrote of the film's "warmth, intelligence and grace" and concluded his review: "poignant and exemplary, this is one of the best films of 2013".<ref>{{cite web|url=http://observer.com/2013/04/childs-play-a-graceful-and-intelligent-take-on-henry-jamess-1897-novel/|title=What Maisie Knew Is a Graceful and Intelligent Take on Henry James’s 1897 Novel|date=April 30, 2013|first=Rex|last=Reed|work=[[New York Observer]]|accessdate=April 12, 2016}}</ref>
In a review for ''[[Variety (magazine)|Variety]]'' magazine, Justin Chang summarized ''What Maisie Knew'' as a "beautifully observed drama" and wrote that, although the plot was consistently dark, it contained "enough sensitivity and emotional variation to make the experience cumulatively heartrending".<ref>{{cite news |url=https://variety.com/review/VE1117948246/ |title=Review: "What Maisie Knew" |magazine=[[Variety (magazine)|Variety]] |date=September 8, 2012 |first=Justin |last=Chang |access-date=April 12, 2016}}</ref> ''[[New York (magazine)|New York]]'' magazine's [[David Edelstein]] praised the subtleties in the writing and performances of the adult characters and opined that the cinematography was "as open and graceful as any [he had] seen all year".<ref>{{cite web|url=http://www.vulture.com/2013/05/movie-review-what-maisie-knew.html|work=[[New York (magazine)|New York]]|first=David|last=Edelstein|title=Edelstein on What Maisie Knew: Henry James, Modern and Wrenching|date=May 3, 2013|access-date=April 12, 2016}}</ref> [[A. O. Scott]] of ''[[The New York Times]]'' described the film as a "brilliant, haunting adaptation" of Henry James' novel, praising Aprile's performance as Maisie in particular.<ref>{{cite news |url=http://movies.nytimes.com/2013/05/03/movies/what-maisie-knew-stars-julianne-moore-and-steve-coogan.html |title=Adult Head Games, Focused on a Child |newspaper=[[The New York Times]] |date=May 2, 2013 |first=A. O. |last=Scott |access-date=April 12, 2016}}</ref> The ''[[Los Angeles Times]]'' critic Betsy Sharkey also commended Aprile, Moore and Coogan's acting and felt that the "beautifully rendered film" was able to achieve emotional resonance without becoming melodramatic.<ref>{{cite news |url=http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-what-maisie-knew-20130517,0,1242810.story? |title=Movie review: 'What Maisie Knew' gives a child's eye view of divorce |newspaper=[[Los Angeles Times]] |date=May 16, 2013 |first=Betsy |last=Sharkey |access-date=April 12, 2016}}</ref> ''[[The Boston Globe]]''{{`s}} [[Ty Burr]], who awarded the film 3.5 out of 4 stars, opined that its success was largely attributable to Aprile's performance.<ref name=boston/> John DeFore of ''[[The Hollywood Reporter]]'' noted the film's "uniformly strong performances" and praised McGehee and Siegel for maintaining a sense of plausibility in spite of the melodramatic plot.<ref>{{cite web |url=http://www.hollywoodreporter.com/review/what-maisie-knew-toronto-review-julianne-moore-368852 |title=Toronto Review: What Maisie Knew |work=[[The Hollywood Reporter]] |date=September 8, 2012 |first=John |last=DeFore |access-date=April 12, 2016}}</ref> For the ''[[New York Observer]]'', [[Rex Reed]] wrote of the film's "warmth, intelligence and grace" and concluded his review: "poignant and exemplary, this is one of the best films of 2013".<ref>{{cite web|url=http://observer.com/2013/04/childs-play-a-graceful-and-intelligent-take-on-henry-jamess-1897-novel/|title=What Maisie Knew Is a Graceful and Intelligent Take on Henry James's 1897 Novel|date=April 30, 2013|first=Rex|last=Reed|work=[[New York Observer]]|access-date=April 12, 2016}}</ref>


The ''[[New York Post]]''{{'}}s Kyle Smith likened ''What Maisie Knew'' to a [[public service announcement]] about parenting and divorce and felt that the presentation of the story from Maisie's perspective was a "gimmick" (although it is true to James's novel).<ref>{{cite web|url=https://nypost.com/2013/05/03/what-maisie-knew-review/|work=[[New York Post]]|title=‘What Maisie Knew’ review|date=May 3, 2013|first=Kyle|last=Smith|accessdate=April 12, 2016}}</ref> Chris Nashawaty of ''[[Entertainment Weekly]]'' found the film unoriginal, "pointless and inert" and awarded it a C grade.<ref>{{cite web|url=http://www.ew.com/article/2013/05/10/what-maisie-knew-movie-review|title=What Maisie Knew|date=May 10, 2013|work=[[Entertainment Weekly]]|first=Chris|last=Nashawty|accessdate=April 12, 2016}}</ref> ''[[Slant Magazine]]''{{`s}} Chris Cabin felt that the characters were one-dimensional and stereotypical, and described the film as "an abhorrent slice of tasteless familial drama".<ref>{{cite web|url=http://www.slantmagazine.com/film/review/what-maisie-knew|first=Chris|last=Cabin|date=April 27, 2013|title= What Maisie Knew |accessdate=April 12, 2016|work=[[Slant Magazine]]}}</ref>
The ''[[New York Post]]''{{'}}s Kyle Smith likened ''What Maisie Knew'' to a [[public service announcement]] about parenting and divorce and felt that the presentation of the story from Maisie's perspective was a "gimmick" (although it is true to James's novel).<ref>{{cite web|url=https://nypost.com/2013/05/03/what-maisie-knew-review/|work=[[New York Post]]|title='What Maisie Knew' review|date=May 3, 2013|first=Kyle|last=Smith|access-date=April 12, 2016}}</ref> Chris Nashawaty of ''[[Entertainment Weekly]]'' found the film unoriginal, "pointless and inert" and awarded it a C grade.<ref>{{cite web|url=http://www.ew.com/article/2013/05/10/what-maisie-knew-movie-review|title=What Maisie Knew|date=May 10, 2013|work=[[Entertainment Weekly]]|first=Chris|last=Nashawty|access-date=April 12, 2016}}</ref> ''[[Slant Magazine]]''{{`s}} Chris Cabin felt that the characters were one-dimensional and stereotypical, and described the film as "an abhorrent slice of tasteless familial drama".<ref>{{cite web|url=http://www.slantmagazine.com/film/review/what-maisie-knew|first=Chris|last=Cabin|date=April 27, 2013|title= What Maisie Knew |access-date=April 12, 2016|work=[[Slant Magazine]]}}</ref>


===Accolades===
===Accolades===
Line 110: Line 110:
|
|
| {{nom}}
| {{nom}}
| rowspan="3" | <ref>{{cite web|url=http://www.irishtimes.com/blogs/screenwriter/2013/12/18/the-dublin-film-critics-circle-plumps-for-gravity/|title=The Dublin Film Critics Circle plumps for Gravity|work=[[The Irish Times]]|first=Donald|last=Clarke|date=December 18, 2013|accessdate=October 11, 2015}}</ref>
| rowspan="3" | <ref>{{cite web|url=http://www.irishtimes.com/blogs/screenwriter/2013/12/18/the-dublin-film-critics-circle-plumps-for-gravity/|title=The Dublin Film Critics Circle plumps for Gravity|work=[[The Irish Times]]|first=Donald|last=Clarke|date=December 18, 2013|access-date=October 11, 2015}}</ref>
|-
|-
| Best Actress
| Best Actress
Line 124: Line 124:
| Steve Coogan <small>(also for ''[[Alan Partridge: Alpha Papa]]'', ''[[The Look of Love (film)|The Look of Love]]'' and ''[[Philomena (film)|Philomena]]'')</small>
| Steve Coogan <small>(also for ''[[Alan Partridge: Alpha Papa]]'', ''[[The Look of Love (film)|The Look of Love]]'' and ''[[Philomena (film)|Philomena]]'')</small>
| {{nom}}
| {{nom}}
| <ref>{{cite web|url=https://www.telegraph.co.uk/culture/film/film-news/10614013/12-Years-a-Slave-dominates-London-Critics-Circle-Film-Awards.html|work=[[The Daily Telegraph]]|title='12 Years a Slave' dominates London Critics' Circle Film Awards|date=February 3, 2014|accessdate=October 11, 2015}}</ref>
| <ref>{{cite web|url=https://www.telegraph.co.uk/culture/film/film-news/10614013/12-Years-a-Slave-dominates-London-Critics-Circle-Film-Awards.html|work=[[The Daily Telegraph]]|title='12 Years a Slave' dominates London Critics' Circle Film Awards|date=February 3, 2014|access-date=October 11, 2015}}</ref>
|-
|-
| [[Newport Beach Film Festival]]
| [[Newport Beach Film Festival]]
Line 130: Line 130:
| Onata Aprile
| Onata Aprile
| {{won}}
| {{won}}
| <ref>{{cite web|url=http://articles.dailypilot.com/2013-05-03/entertainment/tn-dpt-0504-newport-beach-film-festival-awards-20130503_1_achievement-newport-beach-film-festival-moon|work=[[Daily Pilot]]|title='Moon' lands the top prizes at film festival|date=May 3, 2013|accessdate=October 11, 2015}}</ref>
| <ref>{{cite web|url=http://articles.dailypilot.com/2013-05-03/entertainment/tn-dpt-0504-newport-beach-film-festival-awards-20130503_1_achievement-newport-beach-film-festival-moon|work=[[Daily Pilot]]|title='Moon' lands the top prizes at film festival|date=May 3, 2013|access-date=October 11, 2015}}</ref>
|-
|-
| [[Seattle International Film Festival]]
| [[Seattle International Film Festival]]
Line 136: Line 136:
| Onata Aprile
| Onata Aprile
| {{no|2nd place}}
| {{no|2nd place}}
| <ref>{{cite web|url=http://www.hollywoodreporter.com/news/cog-named-best-new-american-565286|title='C.O.G.' Named Best New American Cinema at Seattle Film Festival|first=Gregg|last=Kilday|date=June 9, 2013|work=[[The Hollywood Reporter]]|accessdate=October 11, 2015}}</ref>
| <ref>{{cite web|url=http://www.hollywoodreporter.com/news/cog-named-best-new-american-565286|title='C.O.G.' Named Best New American Cinema at Seattle Film Festival|first=Gregg|last=Kilday|date=June 9, 2013|work=[[The Hollywood Reporter]]|access-date=October 11, 2015}}</ref>
|-
|-
| colspan="2" | [[USC Scripter Award]]
| colspan="2" | [[USC Scripter Award]]
| Carroll Cartwright (screenwriter), Nancy Doyne (screenwriter), [[Henry James]] (author)
| Carroll Cartwright (screenwriter), Nancy Doyne (screenwriter), [[Henry James]] (author)
| {{nom}}
| {{nom}}
| <ref>{{cite web|url=http://www.indiewire.com/article/usc-scripter-goes-for-what-maisie-knew-and-spectacular-now-over-wolf-of-wall-street|publisher=[[Indiewire]]|title=USC Scripter Goes For 'What Maisie Knew' and 'Spectacular Now' Over 'Wolf of Wall Street'|date=January 9, 2014|first=Peter|last=Knegt|accessdate=October 11, 2015}}</ref>
| <ref>{{cite web|url=http://www.indiewire.com/article/usc-scripter-goes-for-what-maisie-knew-and-spectacular-now-over-wolf-of-wall-street|publisher=[[Indiewire]]|title=USC Scripter Goes For 'What Maisie Knew' and 'Spectacular Now' Over 'Wolf of Wall Street'|date=January 9, 2014|first=Peter|last=Knegt|access-date=October 11, 2015}}</ref>
|-
|-
| [[Women Film Critics Circle|Women Film Critics Circle Awards]]
| [[Women Film Critics Circle|Women Film Critics Circle Awards]]
Line 147: Line 147:
| Onata Aprile
| Onata Aprile
| {{won}}
| {{won}}
| <ref>{{cite web|url=http://www.hitfix.com/in-contention/2013-women-film-critics-circle-winners|publisher=[[HitFix]]|title=2013 Women Film Critics Circle winners|date=December 16, 2013|first=Kristopher|last=Tapley|accessdate=October 11, 2015}}</ref>
| <ref>{{cite web|url=http://www.hitfix.com/in-contention/2013-women-film-critics-circle-winners|publisher=[[HitFix]]|title=2013 Women Film Critics Circle winners|date=December 16, 2013|first=Kristopher|last=Tapley|access-date=October 11, 2015}}</ref>
|}
|}


===Home media===
===Home media===
''What Maisie Knew'' was released on DVD and Blu-ray on August 13, 2013. Both editions include an [[audio commentary]] with the directors and a selection of deleted scenes.<ref>{{cite web|url=http://acedmagazine.com/what-maisie-knew-a-touching-struggle-for-love/|work=ACED Magazine|first=John|last=Delia|year=2013|accessdate=April 12, 2016|title=What Maisie Knew, A Touching Struggle for Love}}</ref>
''What Maisie Knew'' was released on DVD and Blu-ray on August 13, 2013. Both editions include an [[audio commentary]] with the directors and a selection of deleted scenes.<ref>{{cite web|url=http://acedmagazine.com/what-maisie-knew-a-touching-struggle-for-love/|work=ACED Magazine|first=John|last=Delia|year=2013|access-date=April 12, 2016|title=What Maisie Knew, A Touching Struggle for Love}}</ref>


==References==
==References==

Revision as of 09:39, 14 January 2021

What Maisie Knew
Theatrical release poster
Directed by
Screenplay by
  • Carroll Cartwright
  • Nancy Doyne
Based onWhat Maisie Knew
by Henry James
Produced by
Starring
CinematographyGiles Nuttgens
Edited byMadeleine Gavin
Music byNick Urata
Production
companies
Red Crown Productions
Dreambridge Films
Fortissimo Films
Prospero Pictures
Distributed byMillennium Entertainment
Release dates
  • September 7, 2012 (2012-09-07) (TIFF)
  • May 3, 2013 (2013-05-03)
Running time
99 minutes
CountriesUnited States
Canada
Netherlands
LanguageEnglish
Budget$5 million[1]
Box office$2.7 million

What Maisie Knew is a 2012 American drama film directed by Scott McGehee and David Siegel and written by Carroll Cartwright and Nancy Doyne. Starring Julianne Moore, Alexander Skarsgård, Onata Aprile, Joanna Vanderham and Steve Coogan, it is a modern adaptation of Henry James' 1897 novel What Maisie Knew. The film finds six-year-old Maisie in the middle of a custody battle between her neglectful parents and their new partners.

Cartwright and Doyne wrote the film's script in 1995 but the project languished in development hell until McGehee and Siegel were hired as directors. It was filmed in New York over seven weeks in 2011 with music scored by DeVotchKa's Nick Urata. The film premiered at the 2012 Toronto International Film Festival, and was theatrically released on May 3, 2013, by Millennium Entertainment. It earned $2.7 million at the global box office and received positive reviews from critics.

Plot

Six-year-old Maisie (Onata Aprile) lives in a New York apartment with her parents, Susanna (Julianne Moore), a singer in a rock band, and Beale (Steve Coogan), an international art dealer. Susanna and Beale argue with each other viciously and constantly, often ignoring Maisie and leaving her in the care of their nanny, Margo (Joanna Vanderham). Maisie does not always understand her parents' actions, such as when Susanna hires a locksmith to change the lock on the apartment's front door to keep Beale out. When they decide to separate, her parents are granted joint custody of Maisie.

After the separation, Margo moves into Beale's apartment and they get married soon afterwards. In response to the marriage, Susanna impulsively marries Lincoln (Alexander Skarsgård), a bartender whom she barely knows. Maisie bonds with Lincoln, but Susanna quickly grows resentful of how much Maisie warms to him.

Although both Susanna and Beale think they deserve full custody, their desire to keep Maisie is primarily to spite each other, and they are quick to pawn her off onto the other parent when looking after her becomes inconvenient. Maisie's time is split between staying with each of her parents, though her primary caregivers become Lincoln and Margo as Susanna leaves on a tour and Beale disappears on business trips. With his relationship with Margo disintegrating, Beale eventually decides to move to the UK.

With Beale and Susanna gone, Margo, Lincoln, and Maisie begin to spend time together. While Susanna is supposedly on tour, the three run into her in New York. After an angry confrontation in which Susanna accuses Lincoln and Margo of stealing Maisie from her, Lincoln declares that their relationship is over, telling Susanna that she does not deserve Maisie.

When Susanna suddenly leaves the city, Maisie once again ends up in Margo's care. Margo takes Maisie to stay in her cousin's beach house and invites Lincoln to visit, much to Maisie's delight, and Lincoln and Margo kiss. One night, Susanna stops by the beach house unannounced in her tour bus to pick Maisie up, but Maisie chooses to stay with Margo and Lincoln instead. After shouting at her, Susanna realizes that Maisie is scared of her and that it is in Maisie's best interests to stay behind.

Cast

Production

Development

What Maisie Knew was written by Carroll Cartwright and Nancy Doyne in 1995, based on the 1897 novel What Maisie Knew by Henry James. At the time, Cartwright was involved in a legal dispute over the custody of his daughter.[2] Director Scott McGehee later said that Cartwright had used James' novel "as a lens" through which to write about his own divorce and raising his daughter.[3] According to Cartwright, he and Doyne struggled to find producers, financiers and directors interested in making the film because of the challenges of working with a young child at its center. Producer Charles Weinstock was involved in the project for a number of years and was eventually responsible for obtaining financing from Red Crown Productions and hiring McGehee and David Siegel as directors.[2] McGehee and Siegel were initially apprehensive about the script but decided to read it after hearing from their agent that actress Julianne Moore was interested in playing one of the roles; they accepted the directing job after talking to Moore about the story.[4] Although McGehee and Siegel were reluctant to make a film about divorce, they liked that the script focused on Maisie's perspective, noting that it was unusual for a film aimed at adults to have a story told from the perspective of a child.[5]

Casting

Julianne Moore
Steve Coogan
Julianne Moore and Steve Coogan play Maisie's parents.

Casting for the role of Maisie took eight weeks.[6] Casting director Avy Kaufman suggested about 100 young girls to McGehee and Siegel while the directors independently visited New York elementary schools to hold auditions.[3] Six-year-old Onata Aprile auditioned relatively late, and was cast three weeks before production started.[3][5][7] She met with two of her adult co-stars, Julianne Moore and Alexander Skarsgård, for a brief rehearsal period before filming began.[7] Moore, who had read the film's script before directors McGehee and Siegel,[3] was anxious about having to sing as part of her role. She prepared by meeting with music producer Peter Nashel, singer Elaine Caswell, and Alison Mosshart, the lead singer of The Kills, whose songs Moore performed in the film.[5][8]

Steve Coogan was the directors' first choice to play Beale, although the film's producers wanted to cast another English actor. McGehee and Siegel felt Coogan was suited to the role because "no matter what awful things he does and says, somehow there's something sympathetic about him".[3] Joanna Vanderham, the last actor to be cast in the film, secured her role two weeks before production started after talking with McGehee, Siegel and Kaufman on Skype from Glasgow.[9]

Filming

What Maisie Knew was filmed in New York for 35 days over seven weeks in the summer of 2011.[5][10] It was shot on 35mm film using an Arri camera.[1] Filming took place in mainly Lower Manhattan, and scenes at the beach house were shot on Long Island.[11] One scene featuring Maisie and Lincoln taking a day trip together was shot on the High Line.[12] A scene in which Susanna performs at a concert was filmed at Webster Hall using a pre-recorded vocal track, a backing band and a small audience.[5] According to McGehee and Siegel, a significant challenge during filming was the limited time with which they were able to work with Aprile each day due to her early bedtime.[11][13] While shooting one of the film's final scenes wherein Susanna arrives at the beach house at night to pick up Maisie, Aprile fell asleep and could not be woken up; the shoot had to be postponed until two weeks later.[11]

Music

The film's score was composed by Nick Urata of the musical group DeVotchKa.[14] It was inspired by rock music, to which McGehee and Siegel thought Maisie would have been exposed with a musician mother. McGehee described Urata's score as "us[ing] rock language but in a more childlike way".[3] Julianne Moore's character sings two songs in the film, "Night Train" and "Hook and Line", both written and originally recorded by The Kills.[15]

Release

Box office

What Maisie Knew premiered at the 2012 Toronto Film Festival on September 7, 2012.[16] Millennium Films purchased the film's U.S. distribution rights soon after its premiere.[17] The film was released in the United States on May 3, 2013.[18] Opening in a single theater in New York,[19] it earned $21,480 on its opening weekend and $31,152 by the end of its first week.[18][20] It expanded to three theaters in its second week of release, was playing in 27 theaters by its fourth week, and reached its widest release of 122 theaters in its sixth week.[20] It was in release for a total of thirteen weeks and grossed $1,066,471 in that time.[18] In the United Kingdom, the film was released by Curzon Film World in cinemas and through video on demand (VOD) services on August 23, 2013, with £150,000 pledged by the British Film Institute towards the film's £244,000 marketing budget. It earned £330,186 in box office revenue from four weeks of release and £65,832 from VOD rentals in the first six weeks it was available.[21] In other territories, the film performed best in Australia (grossing US$334,651), Spain ($196,668), New Zealand ($140,696) and Brazil ($100,453).[22] It earned a total of $1,644,908 outside of the U.S. for a total worldwide gross of $2,711,379.[22]

Critical response

What Maisie Knew received generally positive reviews from critics. On Rotten Tomatoes, the film holds a rating of 86%, based on 108 reviews, with an average rating of 7.7/10. The site's consensus states: "It's undeniably difficult to watch at times, but What Maisie Knew ultimately rises on the strength of its solidly sourced script, powerful performances, and empathetic direction."[23] On Metacritic, the film has a score of 74 out of 100, based on reviews from 32 critics, indicating "generally favorable reviews".[24]

In a review for Variety magazine, Justin Chang summarized What Maisie Knew as a "beautifully observed drama" and wrote that, although the plot was consistently dark, it contained "enough sensitivity and emotional variation to make the experience cumulatively heartrending".[25] New York magazine's David Edelstein praised the subtleties in the writing and performances of the adult characters and opined that the cinematography was "as open and graceful as any [he had] seen all year".[26] A. O. Scott of The New York Times described the film as a "brilliant, haunting adaptation" of Henry James' novel, praising Aprile's performance as Maisie in particular.[27] The Los Angeles Times critic Betsy Sharkey also commended Aprile, Moore and Coogan's acting and felt that the "beautifully rendered film" was able to achieve emotional resonance without becoming melodramatic.[28] The Boston Globe's Ty Burr, who awarded the film 3.5 out of 4 stars, opined that its success was largely attributable to Aprile's performance.[12] John DeFore of The Hollywood Reporter noted the film's "uniformly strong performances" and praised McGehee and Siegel for maintaining a sense of plausibility in spite of the melodramatic plot.[29] For the New York Observer, Rex Reed wrote of the film's "warmth, intelligence and grace" and concluded his review: "poignant and exemplary, this is one of the best films of 2013".[30]

The New York Post's Kyle Smith likened What Maisie Knew to a public service announcement about parenting and divorce and felt that the presentation of the story from Maisie's perspective was a "gimmick" (although it is true to James's novel).[31] Chris Nashawaty of Entertainment Weekly found the film unoriginal, "pointless and inert" and awarded it a C grade.[32] Slant Magazine's Chris Cabin felt that the characters were one-dimensional and stereotypical, and described the film as "an abhorrent slice of tasteless familial drama".[33]

Accolades

List of accolades received by What Maisie Knew
Award Category Recipients Result Ref
Dublin Film Critics' Circle Awards Best Film Nominated [34]
Best Actress Julianne Moore Nominated
Best Actress Onata Aprile Nominated
London Film Critics Circle Awards British Actor of the Year Steve Coogan (also for Alan Partridge: Alpha Papa, The Look of Love and Philomena) Nominated [35]
Newport Beach Film Festival Outstanding Achievement (Acting) Onata Aprile Won [36]
Seattle International Film Festival Best Actress Onata Aprile 2nd place [37]
USC Scripter Award Carroll Cartwright (screenwriter), Nancy Doyne (screenwriter), Henry James (author) Nominated [38]
Women Film Critics Circle Awards Best Young Actress Onata Aprile Won [39]

Home media

What Maisie Knew was released on DVD and Blu-ray on August 13, 2013. Both editions include an audio commentary with the directors and a selection of deleted scenes.[40]

References

  1. ^ a b Gronvall, Andrea (June 10, 2013). "An interview with WHAT MAISIE KNEW's Scott McGehee and David Siegel". Movie City News. Retrieved October 11, 2015.
  2. ^ a b Thompson, Anne (May 1, 2013). "'What Maisie Knew' Writer Waited 18 Years to Make Film Adaptation of Henry James". Indiewire. Retrieved October 11, 2015.
  3. ^ a b c d e f Roberts, Sheila (May 21, 2013). "Star Onata Aprile and Directors Scott McGehee & David Siegel Talk WHAT MAISIE KNEW and the Challenges of Adapting the Late-19th Century Henry James Novel". Collider. Retrieved October 11, 2015.
  4. ^ Ruëll, Niels (December 4, 2013). "McGehee & Siegel: What Maisie Knew". Agenda Magazine. Retrieved October 11, 2015.
  5. ^ a b c d e Olsen, Mark (May 11, 2013). "Indie Focus: 'What Maisie Knew' an education for Julianne Moore". Los Angeles Times. Retrieved October 11, 2015.
  6. ^ Peterseim, Locke. "Interview: What Maisie Knew Co-directors Scott McGehee and David Siegel". Open Letters Monthly. Retrieved October 11, 2015.
  7. ^ a b Fear, David (April 29, 2013). "TONY Q&A: What Maisie Knew's Scott McGehee and David Siegel". Time Out New York. Retrieved October 11, 2015.
  8. ^ Smith, Nigel M. (May 6, 2013). "Julianne Moore On Playing a Troubled Rock Star in What Maisie Knew and Why Acting Doesn't Scare Her". Indiewire. Retrieved October 11, 2015.
  9. ^ "Joanna Vanderham Interview". View London. Retrieved October 11, 2015.
  10. ^ Schou, Solvej (September 12, 2012). "Toronto Film Festival: 'What Maisie Knew' 7-year-old Onata Aprile, and costar Alexander Skarsgard, on being 7, 'weird' fame". Entertainment Weekly. Retrieved June 16, 2016.
  11. ^ a b c Prendiville, Ryan (May 23, 2013). "Siegel, McGehee, Aprile: WHAT MAISIE KNEW". Fandor. Retrieved October 11, 2015.
  12. ^ a b Burr, Ty (May 23, 2013). "'What Maisie Knew' invites us to see the world through her eyes". The Boston Globe. Retrieved April 12, 2016.
  13. ^ Toodle, Deborah (July 16, 2013). "A conversation with What Maisie Knew directors Scott McGehee and David Siegel". CultureMap Austin. Retrieved October 11, 2015.
  14. ^ Jagernauth, Kevin (August 25, 2012). "TIFF Scores: Danny Elfman Takes 'Silver Linings Playbook'; Bright Eyes Players Score 'Writers'; DeVotchKa Tunes Up 'Maisie' & 'Arthur Newman' And More". Indiewire. Retrieved February 13, 2013.
  15. ^ http://www.indiewire.com/2013/05/julianne-moore-on-playing-a-troubled-rock-star-in-what-maisie-knew-and-why-acting-doesnt-scare-her-38698/
  16. ^ Schou, Solvej (September 8, 2012). "Toronto Film Festival: 'What Maisie Knew' premiere shows off Julianne Moore, Alexander Skarsgard, little Onata Aprile". Entertainment Weekly. Retrieved October 11, 2015.
  17. ^ Sperling, Nicole (September 12, 2012). "Alexander Skarsgard finds his softer side in 'What Maisie Knew'". Los Angeles Times. Retrieved October 11, 2015.
  18. ^ a b c "What Maisie Knew". Box Office Mojo. Retrieved October 14, 2015.
  19. ^ Cunningham, Todd (May 5, 2013). "Independent Box Office: 'Iceman,' 'Maisie' Click for Millennium". TheWrap. Retrieved October 14, 2015.
  20. ^ a b "What Maisie Knew – Weekly". Box Office Mojo. Retrieved October 14, 2015.
  21. ^ Gubbins, Michael; Buckingham, Peter (October 2013). "Insight Report: What Maisie Knew" (PDF). British Film Institute. pp. 2, 3, 9. Retrieved October 14, 2015.
  22. ^ a b "What Maisie Knew – Foreign". Box Office Mojo. Retrieved October 14, 2015.
  23. ^ "What Maisie Knew (2013)". Rotten Tomatoes. Retrieved April 29, 2020.
  24. ^ "What Maisie Knew". Metacritic. Retrieved April 12, 2016.
  25. ^ Chang, Justin (September 8, 2012). "Review: "What Maisie Knew"". Variety. Retrieved April 12, 2016.
  26. ^ Edelstein, David (May 3, 2013). "Edelstein on What Maisie Knew: Henry James, Modern and Wrenching". New York. Retrieved April 12, 2016.
  27. ^ Scott, A. O. (May 2, 2013). "Adult Head Games, Focused on a Child". The New York Times. Retrieved April 12, 2016.
  28. ^ Sharkey, Betsy (May 16, 2013). "Movie review: 'What Maisie Knew' gives a child's eye view of divorce". Los Angeles Times. Retrieved April 12, 2016.
  29. ^ DeFore, John (September 8, 2012). "Toronto Review: What Maisie Knew". The Hollywood Reporter. Retrieved April 12, 2016.
  30. ^ Reed, Rex (April 30, 2013). "What Maisie Knew Is a Graceful and Intelligent Take on Henry James's 1897 Novel". New York Observer. Retrieved April 12, 2016.
  31. ^ Smith, Kyle (May 3, 2013). "'What Maisie Knew' review". New York Post. Retrieved April 12, 2016.
  32. ^ Nashawty, Chris (May 10, 2013). "What Maisie Knew". Entertainment Weekly. Retrieved April 12, 2016.
  33. ^ Cabin, Chris (April 27, 2013). "What Maisie Knew". Slant Magazine. Retrieved April 12, 2016.
  34. ^ Clarke, Donald (December 18, 2013). "The Dublin Film Critics Circle plumps for Gravity". The Irish Times. Retrieved October 11, 2015.
  35. ^ "'12 Years a Slave' dominates London Critics' Circle Film Awards". The Daily Telegraph. February 3, 2014. Retrieved October 11, 2015.
  36. ^ "'Moon' lands the top prizes at film festival". Daily Pilot. May 3, 2013. Retrieved October 11, 2015.
  37. ^ Kilday, Gregg (June 9, 2013). "'C.O.G.' Named Best New American Cinema at Seattle Film Festival". The Hollywood Reporter. Retrieved October 11, 2015.
  38. ^ Knegt, Peter (January 9, 2014). "USC Scripter Goes For 'What Maisie Knew' and 'Spectacular Now' Over 'Wolf of Wall Street'". Indiewire. Retrieved October 11, 2015.
  39. ^ Tapley, Kristopher (December 16, 2013). "2013 Women Film Critics Circle winners". HitFix. Retrieved October 11, 2015.
  40. ^ Delia, John (2013). "What Maisie Knew, A Touching Struggle for Love". ACED Magazine. Retrieved April 12, 2016.
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=What_Maisie_Knew_(film)&oldid=1000250898"