Goat Island (performance group): Difference between revisions
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* Goulish, Matthew. 2000. ''39 Microlectures: In Proximity of Performance''. London and New York: Routledge. {{ISBN|978-0-415-21393-6}}. |
* Goulish, Matthew. 2000. ''39 Microlectures: In Proximity of Performance''. London and New York: Routledge. {{ISBN|978-0-415-21393-6}}. |
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* Hixson, Lin and Goulish, Matthew. 2007. "A Lasting Provocation". ''TDR: The Drama Review'' 51.4 (T 196 Winter): 2-3. |
* Hixson, Lin and Goulish, Matthew. 2007. "A Lasting Provocation". ''TDR: The Drama Review'' 51.4 (T 196 Winter): 2-3. |
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* Lowe, Nicholas, and Sarah |
* Lowe, Nicholas, and Skaggs, Sarah, 2020 (editor Mike Vanden Heuvel) "Goat Island". American Theatre Ensembles Volume 1. Post-1970: Theatre X, Mabou Mines, Goat Island, Lookingglass Theatre, Elevator Repair Service, and SITI Company. Methuen Drama/Bloomsbury Press, London, UK. {ISBN: 9781350051546} 129-221. |
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==External links== |
==External links== |
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Revision as of 22:41, 4 February 2021
 | This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. (July 2017) |
Goat Island was a collaborative performance group based in Chicago, Illinois, U.S., and founded in 1987.[1] In 2006, Goat Island announced that their ninth performance, The Lastmaker (2007), would be the last work that they would create as a company. Goat Island ended with final performances of The Lastmaker at Swain Hall, University of North Carolina, Chapel Hill, in February 2009. As their final project, they created a film based on The Lastmaker, published under the title A Last, A Quartet a collection of films,[2] which also contained previous films made by Goat Island. Goat Island members have included, Karen Christopher (1990-2009), Joan Dickinson (1988-90), Matthew Goulish (1987-2009), Lin Hixson (director, 1997-2009), Mark Jeffery (1996-2009), Greg McCain (1987-95), Timothy McCain (1987-95), Antonio Poppe (1995-1996), Bryan Saner (1995-2009), Charissa Tolentino (2008) and Litó Walkey (2002-9).
Performances
- Soldier, Child, Tortured Man (1987)
- We Got A Date (1989)
- Can't Take Johnny to the Funeral (1991)
- It's Shifting, Hank (1993)
- How Dear To Me the Hour When Daylight Dies (1996)
- The Sea & Poison (1998)
- It's an Earthquake in My Heart (2001)
- When will the September roses bloom? Last night was only a comedy (2004)
- The Lastmaker (2007)
References
- ^ Cull (2009, 133).
- ^ Unbound. "Unbound - Live Art - Books, DVDs and Editions". Unbound. Retrieved 2016-12-02.
Sources
- Bottoms, Stephen J., and Matthew Goulish, eds. 2007. Small Acts of Repair: Performance, Ecology, and Goat Island. London and New York: Routledge. ISBN 978-0-415-36515-4.
- Cull, Laura. 2009. "Goat Island, Deleuze's Bergonism and the Experience of Duration." In Deleuze and Performance. Ed. Laura Cull. Deleuze Connections ser. Edinburgh: Edinburgh UP. ISBN 978-0-7486-3504-7. 132-146.
- Goat Island, 2000. "School Book 2: Goat Island. Chicago: Goat Island and The School of the Art Institute of Chicago.
- Goulish, Matthew. 2000. 39 Microlectures: In Proximity of Performance. London and New York: Routledge. ISBN 978-0-415-21393-6.
- Hixson, Lin and Goulish, Matthew. 2007. "A Lasting Provocation". TDR: The Drama Review 51.4 (T 196 Winter): 2-3.
- Lowe, Nicholas, and Skaggs, Sarah, 2020 (editor Mike Vanden Heuvel) "Goat Island". American Theatre Ensembles Volume 1. Post-1970: Theatre X, Mabou Mines, Goat Island, Lookingglass Theatre, Elevator Repair Service, and SITI Company. Methuen Drama/Bloomsbury Press, London, UK. {ISBN: 9781350051546} 129-221.
