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Her first [[self-portrait]], painted in [[1649 in art|1649]], was long mistakenly associated with the Italian painter [[Artemisia Gentileschi]]. It remains one of Wautier's most famous paintings.<ref>{{Cite news|url=https://news.artnet.com/exhibitions/female-flemish-painter-first-exhibition-834764|title=Female Old Master Painter Gets Her First Big Show {{!}} artnet News|date=2017-01-27|work=artnet News|access-date=2018-05-01|language=en-US}}</ref> The painting is included in the 1905 book ''[[Women Painters of the World]]''.<ref>{{Cite book|title=Women painters of the world: from the time of Caterina Vigri, 1413–1463, to Rosa Bonheur and the present day|last=Shaw Sparrow|first=Walter|publisher=University of Michigan Library|year=1905|pages=352}}</ref> It was not until [[1672 in art|1672]] that the painter [[Elisabeth-Sophie Chéron]] produced what is considered the first female self-portrait in France.<ref name=":9">{{Cite web|url=http://www.wukali.com/Michaelina-Wautier-1617-1689-une-femme-peintre-tombee-dans-l-oubli-3219#.WuinxS5ubIV|title=Michaelina Wautier (1617–1689), une femme peintre tombée dans l'oubli|last=Dambrine|first=Pierre|website=www.wukali.com|language=fr|access-date=2018-05-01}}</ref>
Her first [[self-portrait]], painted in [[1649 in art|1649]], was long mistakenly associated with the Italian painter [[Artemisia Gentileschi]]. It remains one of Wautier's most famous paintings.<ref>{{Cite news|url=https://news.artnet.com/exhibitions/female-flemish-painter-first-exhibition-834764|title=Female Old Master Painter Gets Her First Big Show {{!}} artnet News|date=2017-01-27|work=artnet News|access-date=2018-05-01|language=en-US}}</ref> The painting is included in the 1905 book ''[[Women Painters of the World]]''.<ref>{{Cite book|title=Women painters of the world: from the time of Caterina Vigri, 1413–1463, to Rosa Bonheur and the present day|last=Shaw Sparrow|first=Walter|publisher=University of Michigan Library|year=1905|pages=352}}</ref> It was not until [[1672 in art|1672]] that the painter [[Elisabeth-Sophie Chéron]] produced what is considered the first female self-portrait in France.<ref name=":9">{{Cite web|url=http://www.wukali.com/Michaelina-Wautier-1617-1689-une-femme-peintre-tombee-dans-l-oubli-3219#.WuinxS5ubIV|title=Michaelina Wautier (1617–1689), une femme peintre tombée dans l'oubli|last=Dambrine|first=Pierre|website=www.wukali.com|language=fr|access-date=2018-05-01}}</ref>


The painting named ''The Triumph of Bacchus'' (1650, [[Kunsthistorisches Museum]] in [[Vienna]]) is often cited as one of the most representative of her works. She was familiar with masculine anatomy and painted it without shame, becoming one of the first female painters to expose a naked man.<ref name=":9" /> The artist depicted herself in the middle of the colourful crowd. She is the only character to look at the viewer.
The painting named ''The Triumph of Bacchus'' (1650, [[Kunsthistorisches Museum]] in [[Vienna]]) is often cited as one of the most representative of her works. She was familiar with masculine anatomy and painted it without shame, becoming one of the first female painters to expose a naked man.<ref name=":9" /> The artist depicted herself in the middle of the colourful crowd. She is the only character to look at the viewer. Further, the large scale of the painting was notable for a female artist of the time for, as McCouat says, "women were patronisingly regarded as not being capable of such large-scale complex works". <ref name=":1">{{Cite web|url=https://www.artinsociety.com/forgotten-women-artists-4-michaelina-wautier-entering-the-limelight-after-300-years.html|title=MICHAELINA WAUTIER: ENTERING THE LIMELIGHT AFTER 300 YEARS}}</ref>


Unlike many other women painters of this period, Wautier received recognition while alive. In particular, she sold four paintings to [[Archduke Leopold Wilhelm of Austria]] for his painting gallery. The paintings are mentioned in the inventory of the collection drawn up in 1659.<ref>[https://rkd.nl/explore/artists/85684 Michaelina Wautier] in the [[RKD]]. Accessed 10 May 2018.</ref> However, her work fell into oblivion after her death. Some [[art historians]] link this absence to the attribution of her paintings to [[Thomas Willeboirts Bosschaert]], [[Jacob van Oost]] or her brother Charles Wautier.<ref>{{Cite news|url=http://observer.com/2017/04/michaelina-wautiers-tefaf-2017/|title=Michaelina Wautiers' Paintings Were Attributed to Her Brother for Hundreds of Years|date=2017-04-06|work=Observer|access-date=2018-05-01|language=en-US}}</ref> Additionally, art scholar Katlijne van der Stighelen notes that there was a long period between her last painting (believed to be in 1659) and her death in 1689, at the advanced age of 85, during which she was not producing paintings or staying in the public eye. Further, unlike some of her female contemporaries, including the Italians Gentileschi and [[Elisabetta Sirani]], her self-portrait was never issued as a print to perpetuate her memory. In fact, eventually that self-portrait itself was later attributed to Gentileschi.<ref name=":1">{{Cite web|url=https://www.artinsociety.com/forgotten-women-artists-4-michaelina-wautier-entering-the-limelight-after-300-years.html|title=MICHAELINA WAUTIER: ENTERING THE LIMELIGHT AFTER 300 YEARS}}</ref>
Unlike many other women painters of this period, Wautier received recognition while alive. In particular, she sold four paintings to [[Archduke Leopold Wilhelm of Austria]] for his painting gallery. The paintings are mentioned in the inventory of the collection drawn up in 1659.<ref>[https://rkd.nl/explore/artists/85684 Michaelina Wautier] in the [[RKD]]. Accessed 10 May 2018.</ref> However, her work fell into oblivion after her death. Some [[art historians]] link this absence to the attribution of her paintings to [[Thomas Willeboirts Bosschaert]], [[Jacob van Oost]] or her brother Charles Wautier.<ref>{{Cite news|url=http://observer.com/2017/04/michaelina-wautiers-tefaf-2017/|title=Michaelina Wautiers' Paintings Were Attributed to Her Brother for Hundreds of Years|date=2017-04-06|work=Observer|access-date=2018-05-01|language=en-US}}</ref> Additionally, art scholar Katlijne van der Stighelen notes that there was a long period between her last painting (believed to be in 1659) and her death in 1689, at the advanced age of 85, during which she was not producing paintings or staying in the public eye. Further, unlike some of her female contemporaries, including the Italians Gentileschi and [[Elisabetta Sirani]], her self-portrait was never issued as a print to perpetuate her memory. In fact, eventually that self-portrait itself was later attributed to Gentileschi.<ref name=":1">{{Cite web|url=https://www.artinsociety.com/forgotten-women-artists-4-michaelina-wautier-entering-the-limelight-after-300-years.html|title=MICHAELINA WAUTIER: ENTERING THE LIMELIGHT AFTER 300 YEARS}}</ref>

Revision as of 02:00, 8 March 2021

Michaelina Wautier
Self-portrait, 1649
Born1604
Mons, County of Hainaut, Habsburg Netherlands
Died1689(1689-00-00) (aged 84–85)
Brussels, Duchy of Brabant, Habsburg Netherlands
NationalityFlemish
Notable workThe Triumph of Bacchus (1650)
MovementBaroque painting
FamilyCharles Wautier (brother)

Michaelina Wautier, also Woutiers (1604–1689), was a painter from the Southern Netherlands. Only since the turn of the 21st century has her work been recognized as that of an outstanding female Baroque artist, her works having been previously attributed to male artists, especially her brother Charles.[1]

Biography

Born in 1604 in Mons, Belgium, Michaelina Wautier was the only daughter in a family of nine children. She appears to have begun her artistic career later in life, around the age of 39. Her brother Charles was also a painter, and the two moved to Brussels in 1645, where they both remained unmarried and shared a studio. [2] After arriving in Brussels, they settled in a mansion near the Chapel Church.[3]

​Both Michaelina and Charles evidently were active in business, particularly in real estate. Both also were almost certainly well-trained in art, but it is not known where or with whom. [4]

Works

Main article: List of paintings by Michaelina Wautier

Michaelina Wautier painted in small formats as well as more ambitious canvases with as main subjects history, religion and mythology. At the time, large format paintings were still considered a preserve of male painters. Wautier multiplied representations of genre scenes, historical paintings, as well as more detailed representations of flower garlands.[5] Her works also include a series of portraits. She was distinguished from other painters by the diversity of her subjects and formats.[6]

Her first self-portrait, painted in 1649, was long mistakenly associated with the Italian painter Artemisia Gentileschi. It remains one of Wautier's most famous paintings.[7] The painting is included in the 1905 book Women Painters of the World.[8] It was not until 1672 that the painter Elisabeth-Sophie Chéron produced what is considered the first female self-portrait in France.[9]

The painting named The Triumph of Bacchus (1650, Kunsthistorisches Museum in Vienna) is often cited as one of the most representative of her works. She was familiar with masculine anatomy and painted it without shame, becoming one of the first female painters to expose a naked man.[9] The artist depicted herself in the middle of the colourful crowd. She is the only character to look at the viewer. Further, the large scale of the painting was notable for a female artist of the time for, as McCouat says, "women were patronisingly regarded as not being capable of such large-scale complex works". [4]

Unlike many other women painters of this period, Wautier received recognition while alive. In particular, she sold four paintings to Archduke Leopold Wilhelm of Austria for his painting gallery. The paintings are mentioned in the inventory of the collection drawn up in 1659.[10] However, her work fell into oblivion after her death. Some art historians link this absence to the attribution of her paintings to Thomas Willeboirts Bosschaert, Jacob van Oost or her brother Charles Wautier.[11] Additionally, art scholar Katlijne van der Stighelen notes that there was a long period between her last painting (believed to be in 1659) and her death in 1689, at the advanced age of 85, during which she was not producing paintings or staying in the public eye. Further, unlike some of her female contemporaries, including the Italians Gentileschi and Elisabetta Sirani, her self-portrait was never issued as a print to perpetuate her memory. In fact, eventually that self-portrait itself was later attributed to Gentileschi.[4]

Paintings

Retrospective

From June to September 2018, the first complete retrospective on Michaelina Wautier was shown at the Museum aan de Stroom in Antwerp (MAS) (who organised the exhibition along with the Rubenshuis). It was curated by the art historian Katlijne Van der Stighelen.[3][12]

References

  1. ^ Baumbardner, Julie (4 June 2017). "Michaelina Wautiers' Paintings Were Attributed to Her Brother for Hundreds of Years". The Observer. Retrieved 28 June 2018.
  2. ^ {{Cite web|url=https://www.sothebys.com/en/artists/michaelina-woutiers%7Ctitle=Michaelina Wautier's Biography]]
  3. ^ a b "Michaelina | MAS | Museum aan de Stroom". www.mas.be (in French). Retrieved 2018-05-01.
  4. ^ a b c "MICHAELINA WAUTIER: ENTERING THE LIMELIGHT AFTER 300 YEARS".
  5. ^ Sanzsalazar, Jahel (January 2014). "Michaelina Wautier et les fiançailles de son frère : histoire d'un portrait identifié". Tendencias del Mercado del Arte (in French): 90–94.
  6. ^ Magazine, Cheek (2018-04-30). "8 expos Cheek à voir en mai hors de Paris". ChEEk Magazine (in French). Retrieved 2018-05-01.
  7. ^ "Female Old Master Painter Gets Her First Big Show | artnet News". artnet News. 2017-01-27. Retrieved 2018-05-01.
  8. ^ Shaw Sparrow, Walter (1905). Women painters of the world: from the time of Caterina Vigri, 1413–1463, to Rosa Bonheur and the present day. University of Michigan Library. p. 352.
  9. ^ a b Dambrine, Pierre. "Michaelina Wautier (1617–1689), une femme peintre tombée dans l'oubli". www.wukali.com (in French). Retrieved 2018-05-01.
  10. ^ Michaelina Wautier in the RKD. Accessed 10 May 2018.
  11. ^ "Michaelina Wautiers' Paintings Were Attributed to Her Brother for Hundreds of Years". Observer. 2017-04-06. Retrieved 2018-05-01.
  12. ^ "Rubenshuis zoekt zes schilderijen van de 17de-eeuwse Michaelina Wautier". ATV – Antwerpse televisie (in Dutch). Retrieved 2018-05-01.
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