Alice Hinton-Bateup: Difference between revisions
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She trained in silk and fabric screen printing at Garage Graphics. In 1983 she began working for Garage Graphics.<ref name=":0" /> |
She trained in silk and fabric screen printing at Garage Graphics. In 1983 she began working for Garage Graphics.<ref name=":0" /> |
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She participated in four print exhibitions exhibitions in the 1980s<ref name=":0" /> and in 2020 was included in the exhibition Know |
She participated in four print exhibitions exhibitions in the 1980s<ref name=":0" /> and in 2020 was included in the exhibition ''Know My Name'' at the [[National Gallery of Australia]], an exhibition focused on female Australian Artists.<ref name=":0" /> |
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== Works == |
== Works == |
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In the 1980s, Hinton-Bateman produced posters with very specific political messages. |
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In 1986 she produced ''Dispossessed'' that included text and focuses on the forced relocation of Aboriginal people and their loss of connection to Country. That same year she printed ''Peace'' with images of three people above whom was a text that concludes there could be no peace without recognition of Aboriginal connection to land.<ref>{{Cite web|last=Printmaking|first=Prints and|title=Timeline · Explore · Australian Prints + Printmaking|url=http://www.printsandprintmaking.gov.au/explore/timeline/#/artist/1779|access-date=2021-03-15|website=www.printsandprintmaking.gov.au}}</ref> |
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== Collections == |
== Collections == |
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Revision as of 07:15, 15 March 2021
Alice Hinton-Bateup is an Australian artist and print-maker. In the 1980s was active in Garage Graphics[1], a print workshop in Mt. Druitt, Western Sydney which included a number of Aboriginal artists. They produced posters that became important in the struggle for Aboriginal rights in Australia.[2] Her works are included in the collections of
Early Life and Education
Hinton-Bateup was born in 1950 in Western Sydney[1] and identifies as an Aboriginal Woman of the Kamilaroi/Wonnarua peoples.[3]
She trained in silk and fabric screen printing at Garage Graphics. In 1983 she began working for Garage Graphics.[1]
She participated in four print exhibitions exhibitions in the 1980s[1] and in 2020 was included in the exhibition Know My Name at the National Gallery of Australia, an exhibition focused on female Australian Artists.[1]
Works
In the 1980s, Hinton-Bateman produced posters with very specific political messages.
In 1986 she produced Dispossessed that included text and focuses on the forced relocation of Aboriginal people and their loss of connection to Country. That same year she printed Peace with images of three people above whom was a text that concludes there could be no peace without recognition of Aboriginal connection to land.[4]
Collections
Hinton-Bateman's posters are included in the collections of:
National Gallery of Australia in Canberra,[5]
Flinders University Art Museum in Adelaide, [1]
Powerhouse Museum in Sydney[1]
Art Gallery of New South Wales in Sydney[6]
References
- ^ a b c d e f g "Alice Hinton-Bateup :: biography at :: at Design and Art Australia Online". www.daao.org.au. Retrieved 2021-03-15.
- ^ "Screen printed Garage Graphix posters". collection.maas.museum. Retrieved 2021-03-15.
- ^ Hinton-Bateup, Alice Garage Graphix. "Lost heritage". Item held by National Gallery of Australia. Retrieved 2021-03-15.
- ^ Printmaking, Prints and. "Timeline · Explore · Australian Prints + Printmaking". www.printsandprintmaking.gov.au. Retrieved 2021-03-15.
- ^ "NGA collection search results". artsearch.nga.gov.au. Retrieved 2021-03-15.
- ^ "Works by Alice Hinton-Bateup :: The Collection :: Art Gallery NSW". www.artgallery.nsw.gov.au. Retrieved 2021-03-15.
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