Mara G. Haseltine: Difference between revisions
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== Early life and family == |
== Early life and family == |
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Mara G. Haseltine was born in Boston and grew up in Cambridge, Massachusetts. She is the daughter of American geneticist Dr. [[William A. Haseltine]],<ref>{{Cite web|url=https://www.the-scientist.com/daily-news/from-father-to-daughter-46314|title=From father to daughter|website=The Scientist Magazine®|access-date=13 November 2018}}</ref> a Professor of [[bio chemistry]] at [[Harvard University]] known for his work on [[HIV/AIDS]] and on the [[Human Genome Project]], and Patricia E. Gercik Haseltine,<ref>{{Cite news|url=https://news.mit.edu/2015/patricia-gercik-returns-misti-the-outsider-0501|title=Patricia Gercik returns to MIT to discuss her latest novel|work=MIT News|access-date=13 November 2018}}</ref> a novelist, educator and managing director of the [[MIT]] Japan Program. She has one younger brother, Alex G. Haseltine and is related to [[William Stanley Haseltine]], a well-known 18th century landscape painter. |
Mara G. Haseltine was born in Boston and grew up in Cambridge, Massachusetts. She is the daughter of American geneticist Dr. [[William A. Haseltine]],<ref name=":1">{{Cite web|url=https://www.the-scientist.com/daily-news/from-father-to-daughter-46314|title=From father to daughter|website=The Scientist Magazine®|access-date=13 November 2018}}</ref> a Professor of [[bio chemistry]] at [[Harvard University]] known for his work on [[HIV/AIDS]] and on the [[Human Genome Project]], and Patricia E. Gercik Haseltine,<ref>{{Cite news|url=https://news.mit.edu/2015/patricia-gercik-returns-misti-the-outsider-0501|title=Patricia Gercik returns to MIT to discuss her latest novel|work=MIT News|access-date=13 November 2018}}</ref> a novelist, educator and managing director of the [[MIT]] Japan Program. She has one younger brother, Alex G. Haseltine and is related to [[William Stanley Haseltine]], a well-known 18th century landscape painter. |
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=== Education and teaching === |
=== Education and teaching === |
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At the age of eighteen she worked for feminist French-American artist Niki de Saint Phalle to create elaborate mosaics in [[Normandy]], France and build large-scale public sculpture the [[Tarot Garden]] in [[Tuscany, Italy]]. She was influenced by Niki's large scale often playful work and has been called "the Nicki de Saint Phalle of Genomic Art".<ref>http://www.michaelrees.com/CV/bio03192004.rtf</ref> After college, she worked with the [[Smithsonian]] and the Museum of [[Trinidad and Tobago]] to create natural history displays in the [[Port of Spain]] Trinidad. She continued her work with the Museum of Trinidad and Tobago under the directorship of Dr. Claire Broadridge throughout her graduate studies. |
At the age of eighteen she worked for feminist French-American artist Niki de Saint Phalle to create elaborate mosaics in [[Normandy]], France and build large-scale public sculpture the [[Tarot Garden]] in [[Tuscany, Italy]]. She was influenced by Niki's large scale often playful work and has been called "the Nicki de Saint Phalle of Genomic Art".<ref>http://www.michaelrees.com/CV/bio03192004.rtf</ref> After college, she worked with the [[Smithsonian]] and the Museum of [[Trinidad and Tobago]] to create natural history displays in the [[Port of Spain]] Trinidad. She continued her work with the Museum of Trinidad and Tobago under the directorship of Dr. Claire Broadridge throughout her graduate studies. |
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== Career == |
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<br /> |
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Haseltine has worked internationally and collaborated with [[Scientist|scientists]] and [[Engineer|engineers]] to focus on the link between human's shared cultural and biological evolution.<ref name=":1" /><ref name=":2">{{Cite web|title=Proteic grace|url=http://www.proteinspotlight.org/spotlight/back_issues/077/|access-date=2021-03-26|website=Protein Spotlight|language=en}}</ref> |
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=== Artist === |
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Haseltine worked for feminist French-American artist [[Niki de Saint Phalle]] and created mosaics in [[Normandy]] and [[France]]. She has built the 'Waltz of the Polypeptides,' 'SARS Inhibited.' <ref name=":2" /><ref name=":3">{{Cite web|last=user|date=2014-11-27|title=The Source {{!}}Mara G. Haseltine Presents Her 'Portrait of Our Oceans in Peril' Exhibition|url=https://thesource.com/2014/11/26/mara-g-haseltine-presents-her-portrait-of-our-oceans-in-peril-exhibition/|access-date=2021-03-26|website=The Source|language=en-US}}</ref> |
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[[File:Waltz of the Polypeptides.jpg|left|thumb|Waltz of the Polypeptides sculpture on the Cold Spring Harbor Laboratory campus in Long Island, New York]] |
[[File:Waltz of the Polypeptides.jpg|left|thumb|Waltz of the Polypeptides sculpture on the Cold Spring Harbor Laboratory campus in Long Island, New York]] |
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In 2003 Haseltine created the ‘[[Waltz of the Polypeptides]]’, a large-scale sculpture inspired by the biological process undergone during construction of proteins within a [[Cell (biology)|cell]].<ref>{{Cite web|url=http://pubs.acs.org/cen/coverstory/8130/aboutcover.html|title=ABOUT THE COVER – July 28, 2003|website=pubs.acs.org|access-date=11 December 2018}}</ref><ref>{{Cite news|url=https://www.cshl.edu/waltz-of-the-polypeptides-joins-cshls-art-of-science-collection|title=Waltz of the Polypeptides joins CSHL's Art of Science collection – Cold Spring Harbor Laboratory|date=November 21, 2006|work=Cold Spring Harbor Laboratory|access-date=13 November 2018}}</ref> The artwork stretches eighty-four-foot across an outdoor space on the [[Cold Spring Harbor Laboratory]] campus in [[Long Island]].<ref>{{Cite web|url=https://boingboing.net/2006/11/29/waltz-of-the-polypep.html|title=Waltz of the Polypeptides sculpture / Boing Boing|website=boingboing.net|access-date=13 November 2018}}</ref><ref>{{Cite news|url=https://www.cshl.edu/waltz-of-the-polypeptides-joins-cshls-art-of-science-collection/|title=Waltz of the Polypeptides joins CSHL's Art of Science collection – Cold Spring Harbor Laboratory|date=November 21, 2006|work=Cold Spring Harbor Laboratory|access-date=13 November 2018}}</ref> During the undertaking Haseltine developed a novel technique for taking sub-molecular data, used in [[bioinformatics]], and massaging it through a series of computer programs to produce a usable form that could be milled or [[Rapid prototyping|rapidly-prototyped]]. She went on to use this process repeatedly in her work, combining scientific data from the microscopic world and transposing it into three-dimensional sculptures.<ref>{{Cite web|title='A Sculpture for the Age of Corona Virus: Dancing on the Line Between Art and Scientific Discovery' by Mara G. Haseltine {{!}} CLOT Magazine|url=https://www.clotmag.com/oped/a-sculpture-for-the-age-of-corona-virus-dancing-on-the-line-between-art-and-scientific-discovery-by-mara-g-haseltine|access-date=2020-08-19|language=en-GB}}</ref> |
In 2003 Haseltine created the ‘[[Waltz of the Polypeptides]]’, a large-scale sculpture inspired by the biological process undergone during construction of proteins within a [[Cell (biology)|cell]].<ref>{{Cite web|url=http://pubs.acs.org/cen/coverstory/8130/aboutcover.html|title=ABOUT THE COVER – July 28, 2003|website=pubs.acs.org|access-date=11 December 2018}}</ref><ref>{{Cite news|url=https://www.cshl.edu/waltz-of-the-polypeptides-joins-cshls-art-of-science-collection|title=Waltz of the Polypeptides joins CSHL's Art of Science collection – Cold Spring Harbor Laboratory|date=November 21, 2006|work=Cold Spring Harbor Laboratory|access-date=13 November 2018}}</ref> The artwork stretches eighty-four-foot across an outdoor space on the [[Cold Spring Harbor Laboratory]] campus in [[Long Island]].<ref>{{Cite web|url=https://boingboing.net/2006/11/29/waltz-of-the-polypep.html|title=Waltz of the Polypeptides sculpture / Boing Boing|website=boingboing.net|access-date=13 November 2018}}</ref><ref>{{Cite news|url=https://www.cshl.edu/waltz-of-the-polypeptides-joins-cshls-art-of-science-collection/|title=Waltz of the Polypeptides joins CSHL's Art of Science collection – Cold Spring Harbor Laboratory|date=November 21, 2006|work=Cold Spring Harbor Laboratory|access-date=13 November 2018}}</ref> During the undertaking Haseltine developed a novel technique for taking sub-molecular data, used in [[bioinformatics]], and massaging it through a series of computer programs to produce a usable form that could be milled or [[Rapid prototyping|rapidly-prototyped]]. She went on to use this process repeatedly in her work, combining scientific data from the microscopic world and transposing it into three-dimensional sculptures.<ref>{{Cite web|title='A Sculpture for the Age of Corona Virus: Dancing on the Line Between Art and Scientific Discovery' by Mara G. Haseltine {{!}} CLOT Magazine|url=https://www.clotmag.com/oped/a-sculpture-for-the-age-of-corona-virus-dancing-on-the-line-between-art-and-scientific-discovery-by-mara-g-haseltine|access-date=2020-08-19|language=en-GB}}</ref> |
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Inspired by [[Microplastics|microplastic]] strands mixed with delicate planktonic forms in samples ascertained aboard the [[Tara expedition]], Haseltine created a mixed-media performance entitled "La Bohème: A Portrait of Today Oceans in Peril.”<ref>{{Cite web|url=https://thamesandhudsonusa.com/books/bio-art-altered-realities-hardcover|title=Bio Art: Altered Realities|website=Thames & Hudson USA|access-date=13 November 2018}}</ref> The central sculpture in this work was a [[Tintinnid]] [[plankton]] fashioned from [[uranium]]-infused glass ensnared in a piece of [[Microplastics|micro-degraded plastic]] to which a live opera performance occurred and a Rodolfo sang to his "sick love".<ref>{{Cite web|url=https://www.the-scientist.com/daily-news/love-song-for-an-ailing-planet-39617|title=Love Song for an Ailing Planet|website=The Scientist Magazine®|access-date=13 November 2018}}</ref> The installation debuted at the Explorers Club headquarters in New York on the Tara Expedition in 2012 and was shown at the [[Agnès b.|Agnes b]]. Gallery and Boutique in New York City<ref>{{Cite web|url=https://www.smithsonianmag.com/smart-news/an-artists-ode-to-plankton-set-to-puccinis-la-boheme-10031948/|title=An Artist's Ode to Plankton, Set to Puccini's 'La Boheme'|last=Nuwer|first=Rachel|website=Smithsonian|access-date=11 December 2018}}</ref> as well as parts of it being shown at the [[Oceanographic Museum]] in Monaco at the Blue Ocean Film Festival and at the Oceans Pavilion in Paris for the [[COP21]] in 2015 during the [[Paris Agreement|Paris Climate Accords]].<ref>{{Cite news|url=https://www.sciencefriday.com/articles/the-perils-of-plankton/|title=The Perils of Plankton |work=Science Friday|access-date=13 November 2018}}</ref><ref>{{Cite web|url=http://www.invisibleoceanmovie.com|title=Invisible Ocean: Plankton and Plastic|last=Basis|first=Stavros|website=invisibleoceanmovie.com|access-date=13 November 2018}}</ref> |
Inspired by [[Microplastics|microplastic]] strands mixed with delicate planktonic forms in samples ascertained aboard the [[Tara expedition]], Haseltine created a mixed-media performance entitled "La Bohème: A Portrait of Today Oceans in Peril.”<ref>{{Cite web|url=https://thamesandhudsonusa.com/books/bio-art-altered-realities-hardcover|title=Bio Art: Altered Realities|website=Thames & Hudson USA|access-date=13 November 2018}}</ref> The central sculpture in this work was a [[Tintinnid]] [[plankton]] fashioned from [[uranium]]-infused glass ensnared in a piece of [[Microplastics|micro-degraded plastic]] to which a live opera performance occurred and a Rodolfo sang to his "sick love".<ref>{{Cite web|url=https://www.the-scientist.com/daily-news/love-song-for-an-ailing-planet-39617|title=Love Song for an Ailing Planet|website=The Scientist Magazine®|access-date=13 November 2018}}</ref> The installation debuted at the Explorers Club headquarters in New York on the Tara Expedition in 2012 and was shown at the [[Agnès b.|Agnes b]]. Gallery and Boutique in New York City<ref>{{Cite web|url=https://www.smithsonianmag.com/smart-news/an-artists-ode-to-plankton-set-to-puccinis-la-boheme-10031948/|title=An Artist's Ode to Plankton, Set to Puccini's 'La Boheme'|last=Nuwer|first=Rachel|website=Smithsonian|access-date=11 December 2018}}</ref> as well as parts of it being shown at the [[Oceanographic Museum]] in Monaco at the Blue Ocean Film Festival and at the Oceans Pavilion in Paris for the [[COP21]] in 2015 during the [[Paris Agreement|Paris Climate Accords]].<ref>{{Cite news|url=https://www.sciencefriday.com/articles/the-perils-of-plankton/|title=The Perils of Plankton |work=Science Friday|access-date=13 November 2018}}</ref><ref>{{Cite web|url=http://www.invisibleoceanmovie.com|title=Invisible Ocean: Plankton and Plastic|last=Basis|first=Stavros|website=invisibleoceanmovie.com|access-date=13 November 2018}}</ref> |
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[[File:Supernatural 1.jpg|thumb|Supernatural 1 sculpture, 2014]] |
[[File:Supernatural 1.jpg|thumb|Supernatural 1 sculpture, 2014]] |
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In 2012, Haseltine participated in a show entitled "Earth Consciousness" curated by the Japanese futuristic artist [[Mariko Mori]] in the tropical islands of [[Okinawa Island|Okinawa]] Japan where she debuted her plans for a coral reef entitled "Enchanted Star Sand" based on a [[Ctenophora|ctenophore]] plankton and local mythology.<ref>{{Citation|last=Biorock Video|title=Enchanted Star Sand: An Amphibious Habitat for Future Life|url=https://www.youtube.com/watch?v=EfBoSs-mnj4|access-date=11 December 2018}}</ref> Upon meeting and interacting with the female Japanese Shamans of Okinawa, Haseltine's early interest in [[Shintoism]], the original nature worshipping religion of Japan, was re-kindled. She created a body of work entitled Supernatural and Futurenatural in 2015 consisting of photography and sculpture within which there is a moment of awareness called Chikon where the spirit of the rocks or nature reveals itself.<ref>{{Cite news|url=https://www.prweb.com/releases/2015/08/prweb12899253.htm|title=Futurenatural-Supernatural: "The Essence of Nature's Life Force Revealed" Opens September 9th By Mara G. Haseltine at Tatiana Pagés Gallery, Harlem, NYC|work=PRWeb|access-date=13 November 2018}}</ref> |
In 2012, Haseltine participated in a show entitled "Earth Consciousness" curated by the Japanese futuristic artist [[Mariko Mori]] in the tropical islands of [[Okinawa Island|Okinawa]] Japan where she debuted her plans for a coral reef entitled "Enchanted Star Sand" based on a [[Ctenophora|ctenophore]] plankton and local mythology.<ref>{{Citation|last=Biorock Video|title=Enchanted Star Sand: An Amphibious Habitat for Future Life|url=https://www.youtube.com/watch?v=EfBoSs-mnj4|access-date=11 December 2018}}</ref> Upon meeting and interacting with the female Japanese Shamans of Okinawa, Haseltine's early interest in [[Shintoism]], the original nature worshipping religion of Japan, was re-kindled. She created a body of work entitled Supernatural and Futurenatural in 2015 consisting of photography and sculpture within which there is a moment of awareness called Chikon where the spirit of the rocks or nature reveals itself.<ref>{{Cite news|url=https://www.prweb.com/releases/2015/08/prweb12899253.htm|title=Futurenatural-Supernatural: "The Essence of Nature's Life Force Revealed" Opens September 9th By Mara G. Haseltine at Tatiana Pagés Gallery, Harlem, NYC|work=PRWeb|access-date=13 November 2018}}</ref>Since 2008, Haseltine has been the Art Director of G.A.I.A. or [[Geotherapy]] Art Institute Associates.<ref>{{Cite web|last=scientificinquirer|date=2019-09-02|title=Mara G. Haseltine: Environmentally conscious art driven by form and function|url=https://scientificinquirer.com/2019/09/02/mara-haseltine-environmentally-conscious-art-that-driven-by-form-and-function/|access-date=2020-08-19|website=Scientific Inquirer|language=en}}</ref><ref>{{Citation|last=Haseltine|first=Mara|title=Vive La Haute Mer! (Long Live the High Seas!)|date=June 5, 2013|url=https://vimeo.com/67703544|access-date=14 November 2018}}</ref><ref>{{Cite web|url=https://www.labocine.com/spotlight/88|title=Microscopic Melodramas, A Surrealistic look at Our Oceans in Peril {{!}} by Mara G. Haseltine|website=Labocine|access-date=11 December 2018}}</ref><ref>{{Cite book|last=Posokhova|first=Elena|url=https://www.maritima01.com/|title=Maritima 01 Book|year=2020}}</ref> |
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=== Environmental activist === |
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Since 2008, Haseltine has been the Art Director of G.A.I.A. or [[Geotherapy]] Art Institute Associates.<ref>{{Cite web|last=scientificinquirer|date=2019-09-02|title=Mara G. Haseltine: Environmentally conscious art driven by form and function|url=https://scientificinquirer.com/2019/09/02/mara-haseltine-environmentally-conscious-art-that-driven-by-form-and-function/|access-date=2020-08-19|website=Scientific Inquirer|language=en}}</ref><ref>{{Citation|last=Haseltine|first=Mara|title=Vive La Haute Mer! (Long Live the High Seas!)|date=June 5, 2013|url=https://vimeo.com/67703544|access-date=14 November 2018}}</ref><ref>{{Cite web|url=https://www.labocine.com/spotlight/88|title=Microscopic Melodramas, A Surrealistic look at Our Oceans in Peril {{!}} by Mara G. Haseltine|website=Labocine|access-date=11 December 2018}}</ref><ref>{{Cite book|last=Posokhova|first=Elena|url=https://www.maritima01.com/|title=Maritima 01 Book|year=2020}}</ref> |
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She is the Art Director of Geotherapy Art Institute Associates.<ref name=":3" /> |
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== References == |
== References == |
Revision as of 13:28, 26 March 2021
A major contributor to this article appears to have a close connection with its subject. (November 2020) |
Mara G. Haseltine | |
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Born | February 22, 1971 |
Nationality | United States |
Alma mater | Oberlin College San Francisco Art Institute |
Notable work | Waltz of the Polypeptides, SARS inhibited, Homologous Hope, Transcriptease |
Movement | Sci-Art, Geotherapy, Environmental Art |
Awards | Scholarship Aspen Institute Leadership Program, 2012 Explorers, FLAG No. 75, 2011 Artist in Residency Imagine Science Films, 2012 Artist in Residency University of Dublin for Microscopy, 2011 |
Website | http://www.calamara.com |
Mara Gercik Haseltine (born 22 February 1971) is an American artist and environmental activist who has shown and worked internationally.[1] She collaborates with scientists and engineers to create her work, which focuses on the link between human's shared cultural and biological evolution.[2]
Early life and family
Mara G. Haseltine was born in Boston and grew up in Cambridge, Massachusetts. She is the daughter of American geneticist Dr. William A. Haseltine,[3] a Professor of bio chemistry at Harvard University known for his work on HIV/AIDS and on the Human Genome Project, and Patricia E. Gercik Haseltine,[4] a novelist, educator and managing director of the MIT Japan Program. She has one younger brother, Alex G. Haseltine and is related to William Stanley Haseltine, a well-known 18th century landscape painter.
Education and teaching
Haseltine attended the Commonwealth School in Boston, Massachusetts. She completed her undergraduate degree from Oberlin College with a double major in studio art and art history in 1992.[5] She was mentored there by Michael Rees, known for his work in digital fabrication methods. Mara received a scholarship to attend the San Francisco Art Institute in San Francisco, CA and graduated with two master's degrees in sculpture and new genres in 1997. She studied extensively with internet pioneer and video artist Sharon Grace and performance artist Tony Labat. In 1992, she was awarded a scholarship at the Pilchuck Glass School in Stanwood, Washington.[6]
Haseltine has taught as a visiting or adjunct professor at the Smithsonian , National Museum of Trinidad and Tabago , the Rhode Island School of Design, the Corcoran Museum of Art,the Eugene Lang College at the New School, and now teaches at Art Researchers Science (ARS) Collaborator and Contributor where she was involved in founding the International Art Degree.[7][8]
Early career and influences
At the age of eighteen she worked for feminist French-American artist Niki de Saint Phalle to create elaborate mosaics in Normandy, France and build large-scale public sculpture the Tarot Garden in Tuscany, Italy. She was influenced by Niki's large scale often playful work and has been called "the Nicki de Saint Phalle of Genomic Art".[9] After college, she worked with the Smithsonian and the Museum of Trinidad and Tobago to create natural history displays in the Port of Spain Trinidad. She continued her work with the Museum of Trinidad and Tobago under the directorship of Dr. Claire Broadridge throughout her graduate studies.
Career
Haseltine has worked internationally and collaborated with scientists and engineers to focus on the link between human's shared cultural and biological evolution.[3][10]
Artist
Haseltine worked for feminist French-American artist Niki de Saint Phalle and created mosaics in Normandy and France. She has built the 'Waltz of the Polypeptides,' 'SARS Inhibited.' [10][11]
Mid-career and current work
In 2003 Haseltine created the ‘Waltz of the Polypeptides’, a large-scale sculpture inspired by the biological process undergone during construction of proteins within a cell.[12][13] The artwork stretches eighty-four-foot across an outdoor space on the Cold Spring Harbor Laboratory campus in Long Island.[14][15] During the undertaking Haseltine developed a novel technique for taking sub-molecular data, used in bioinformatics, and massaging it through a series of computer programs to produce a usable form that could be milled or rapidly-prototyped. She went on to use this process repeatedly in her work, combining scientific data from the microscopic world and transposing it into three-dimensional sculptures.[16]
Another of Haseltine's large-scale sculptures of note is "SARS Inhibited", which depicts the active cleft of the SARS Virus with a stone path that represents the protease halting catalyzation. "SARS Inhibited" was built in 2006 on the Biolpolis Biotech Mecca courtyard in Singapore.[17][18]
“Homologous Hope," built in 2014, is based on the BRCA2 protein, which, in a healthy cell, prevents breast, ovarian and prostate cancer. The sculpture hangs suspended from the ceiling of the Basser Research Center atrium with an LED display depicting homologous recombination, a process which broken strands of DNA. The project was designed by architect Rafael Viñoly at the University of Pennsylvania.[19][20]
Haseltine's later work addresses the growing threat the planet due to anthropogenic climate change.[21] In 2006, Along with artist, film maker and environmental activist Nora Maccoby she co-founded "The Green Salon," an environmental solutions-based think tank based in Washington D.C. devoted to developing relationships between policy makers and NGO's.[22] Concerned with water quality land habitat restoration in New York Harbor in 2007 she created a science-based sculpture and experiment "Transcriptease."[23] The project was New York City's first solar powered oyster reef and Spartina marsh.[24][25] Soon after, she created several "barefoot" experiments to test sustainable substrate for oysters in conjunction with the New School for Social Research, The NY/NJ Baykeepers and Cornell Marine Exchange in Long Island.[26][27]
In 2011 Mara did an artist in residency on the Tara Schooner of Tara expedition,[28] which was conducting a worldwide study of planktonic ecosystems and their relationship to atmospheric climate change.[29][30] The project was led by chief scientist Eric Karsenti, winner of "la médaille d'or du CNRS".[31][32] Mara was awarded the honor of "Return of the Flag" for this work by the Explorers Club.[33]
Inspired by microplastic strands mixed with delicate planktonic forms in samples ascertained aboard the Tara expedition, Haseltine created a mixed-media performance entitled "La Bohème: A Portrait of Today Oceans in Peril.”[34] The central sculpture in this work was a Tintinnid plankton fashioned from uranium-infused glass ensnared in a piece of micro-degraded plastic to which a live opera performance occurred and a Rodolfo sang to his "sick love".[35] The installation debuted at the Explorers Club headquarters in New York on the Tara Expedition in 2012 and was shown at the Agnes b. Gallery and Boutique in New York City[36] as well as parts of it being shown at the Oceanographic Museum in Monaco at the Blue Ocean Film Festival and at the Oceans Pavilion in Paris for the COP21 in 2015 during the Paris Climate Accords.[37][38]
In 2012, Haseltine participated in a show entitled "Earth Consciousness" curated by the Japanese futuristic artist Mariko Mori in the tropical islands of Okinawa Japan where she debuted her plans for a coral reef entitled "Enchanted Star Sand" based on a ctenophore plankton and local mythology.[39] Upon meeting and interacting with the female Japanese Shamans of Okinawa, Haseltine's early interest in Shintoism, the original nature worshipping religion of Japan, was re-kindled. She created a body of work entitled Supernatural and Futurenatural in 2015 consisting of photography and sculpture within which there is a moment of awareness called Chikon where the spirit of the rocks or nature reveals itself.[40]Since 2008, Haseltine has been the Art Director of G.A.I.A. or Geotherapy Art Institute Associates.[41][42][43][44]
Environmental activist
She is the Art Director of Geotherapy Art Institute Associates.[11]
References
- ^ "Mara Haseltine". fabrica-vitae.com. Retrieved 11 December 2018.
- ^ "Our October Issue is Out!". SCIART MAGAZINE. Retrieved 13 November 2018.
- ^ a b "From father to daughter". The Scientist Magazine®. Retrieved 13 November 2018.
- ^ "Patricia Gercik returns to MIT to discuss her latest novel". MIT News. Retrieved 13 November 2018.
- ^ Pollier-Green, Pascale; Velde, Ann van de; Pollier, Chantal (2008). Confronting Mortality with Art and Science: Scientific and Artistic Impressions on what the Certainty of Death Says about Life. Asp / Vubpress / Upa. ISBN 9789054874430.
- ^ UrbanGlass (December 11, 2018). "UrbanGlass Celebrates 40th Anniversary in Characteristic…". UrbanGlass. Retrieved 11 December 2018.
- ^ "The New School Oyster Midden- Public Art Meets Environment and a Slice of New York's History". PRWeb. Retrieved 13 November 2018.
- ^ "The New School News Releases |". www.newschool.edu. Retrieved 13 November 2018.
- ^ http://www.michaelrees.com/CV/bio03192004.rtf
- ^ a b "Proteic grace". Protein Spotlight. Retrieved 2021-03-26.
- ^ a b user (2014-11-27). "The Source |Mara G. Haseltine Presents Her 'Portrait of Our Oceans in Peril' Exhibition". The Source. Retrieved 2021-03-26.
{{cite web}}
:|last=
has generic name (help) - ^ "ABOUT THE COVER – July 28, 2003". pubs.acs.org. Retrieved 11 December 2018.
- ^ "Waltz of the Polypeptides joins CSHL's Art of Science collection – Cold Spring Harbor Laboratory". Cold Spring Harbor Laboratory. November 21, 2006. Retrieved 13 November 2018.
- ^ "Waltz of the Polypeptides sculpture / Boing Boing". boingboing.net. Retrieved 13 November 2018.
- ^ "Waltz of the Polypeptides joins CSHL's Art of Science collection – Cold Spring Harbor Laboratory". Cold Spring Harbor Laboratory. November 21, 2006. Retrieved 13 November 2018.
- ^ "'A Sculpture for the Age of Corona Virus: Dancing on the Line Between Art and Scientific Discovery' by Mara G. Haseltine | CLOT Magazine". Retrieved 2020-08-19.
- ^ "Artnet News – artnet Magazine". artnet.com. Retrieved 13 November 2018.
- ^ "SARS Inhibited". Architizer. Retrieved 11 December 2018.
- ^ Wang, Brenda. "'Homologous Hope' sculpture combines art and science to celebrate cancer research". Retrieved 13 November 2018.
- ^ "Issue #1". esquaredmagazine.com. Retrieved 13 November 2018.
- ^ WorldChanging, From; Network, part of the Guardian Environment (May 15, 2009). "Environmentalist and sculptor Mara G. Haseltine on coral reefs, biomimicry and eco art". The Guardian. Retrieved 13 November 2018.
- ^ Haseltine, William (May 26, 2010). "The Green Salon: Water and Life". The Atlantic. Retrieved 13 November 2018.
- ^ SHELLSHOCKED: Saving Oysters to Save Ourselves, retrieved 13 November 2018 https://www.theguardian.com/environment/2009/may/15/network-coral
- ^ Beyer, Gregory. "A Taste of History, Poised for Revival". Retrieved 13 November 2018.
- ^ "Biotherapy: Technology Assisted Wetland Revival". State of the Planet. October 1, 2012. Retrieved 11 December 2018.
- ^ Haseltine, Mara (December 4, 2012), "Sustainable Reef Design to Optimize Habitat Restoration", Innovative Methods of Marine Ecosystem Restoration, CRC Press, pp. 245–261, doi:10.1201/b14314-19, ISBN 9781466557734
- ^ "Pearl River". Design Observer. Retrieved 11 December 2018.
- ^ soixanteseize. "Explore to understand, share to bring about change". oceans.taraexpeditions.org. Retrieved 13 November 2018.
- ^ "The Explorers Club – Events – NYC- Lecture Series: Tara Oceans". explorers.org. Retrieved 13 November 2018.
- ^ soixanteseize. "Explore to understand, share to bring about change". oceans.taraexpeditions.org. Retrieved 13 November 2018.
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