Piano Sonata No. 3 (Schumann): Difference between revisions
No edit summary |
No edit summary |
||
Line 1: | Line 1: | ||
The '''Piano Sonata No. 3 in F minor, Op. 14''', called "Concerto for piano without orchestra" was composed by [[Robert Schumann]] in 1836 and dedicated to [[Ignaz Moscheles]], to whom in a letter he comments "what crazy inspirations one can have". [[Franz Liszt|Liszt]] believed that the work was rich and powerful. In 1853 Schumann revised the work and added a Scherzo as a second movement, which the performer could choose to play, or not play. In 1861 it was released into the hands of his student Johannes Brahms. |
The '''Piano Sonata No. 3 in F minor, Op. 14''', called "Concerto for piano without orchestra" was composed by [[Robert Schumann]] in 1836 and dedicated to [[Ignaz Moscheles]], to whom in a letter he comments "what crazy inspirations one can have". [[Franz Liszt|Liszt]] believed that the work was rich and powerful. In 1853 Schumann revised the work and added a [[Scherzo]] as a second movement, which the performer could choose to play, or not play. In 1861 it was released into the hands of his student [[Johannes Brahms|Johannes Brahms.]] |
||
==Movements== |
==Movements== |
Revision as of 06:14, 27 May 2021
The Piano Sonata No. 3 in F minor, Op. 14, called "Concerto for piano without orchestra" was composed by Robert Schumann in 1836 and dedicated to Ignaz Moscheles, to whom in a letter he comments "what crazy inspirations one can have". Liszt believed that the work was rich and powerful. In 1853 Schumann revised the work and added a Scherzo as a second movement, which the performer could choose to play, or not play. In 1861 it was released into the hands of his student Johannes Brahms.
Movements
- Allegro brillante (F minor)
- Scherzo. Molto commodo (D-flat major)
- Quasi variazioni. Andantino de Clara Wieck (F minor)
- Prestissimo possible (F minor, ends in F major)
The work, in general, is a typical sonata with some surprises such as Clara Schumann's andantino. The final movement is reminiscent of his Kreisleriana, op. 16. This movement ends with a coda in F major concluding the work in a brilliant and powerful way. Many pianists such as Vladimir Horowitz, Grigory Sokolov, and Maurizio Pollini have interpreted it.
References
- Sources
- Anderson, Keith (2002). Robert Schumann Piano Sonatas No.1 & 3 (CD). Naxos Records. 8.554275.
{{cite AV media notes}}
: CS1 maint: ref duplicates default (link) - Donat, Mischa (1996). Robert Schumann: Piano Sonatas (PDF) (CD). Hyperion Records. CDH55300.
{{cite AV media notes}}
: CS1 maint: ref duplicates default (link) - Haywood, Tony (2002). "Review: Robert Schuman Piano Sonatas No. 1 & 3 (Naxos 8.554275)". Musicweb International.
{{cite web}}
: CS1 maint: ref duplicates default (link)
External links
- Piano Sonata No. 3, Op. 14: Scores at the International Music Score Library Project
- Schumann: Piano Sonata No.3, Op. 14 on YouTube performed by Friedrich Wührer