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* ''El lugar del otro'', microstories, Asterión, Santiago, 2010
* ''El lugar del otro'', microstories, Asterión, Santiago, 2010
* ''Las tristes'', microstories, Asterión, Santiago, 2015
* ''Las tristes'', microstories, Asterión, Santiago, 2015
* ''Hebras'', microstories, Asterión, Santiago, 2020


===Stories in anthologies===
===Stories in anthologies===

Revision as of 11:55, 26 June 2021

Pía Barros
At the 2015 Moscow International Non-Fiction Fair
Born
Pía Barros Bravo

(1956-01-20) 20 January 1956 (age 68)
Melipilla, Chile
OccupationWriter
SpouseJorge Montealegre [es]
AwardsAltazor Award (2011)

Pía Barros Bravo (born 20 January 1956) is a Chilean writer, best known for her short stories. She is associated with her country's literary Generation of '80.

Biography

Pía Barros left Melipilla, the city where she grew up, "without sorrow", together with "a good girl's destiny and the memory of the mare to which, from the age of seven, she told her poems."[1] She moved to Santiago to study pedagogy in Spanish.[2] There she also attended the workshop of Carlos Ruiz-Tagle (later, she herself would hold a famous workshop), who recommended that she stop "perpetrating poems on defenseless people" and devote herself to narrative.[1] In 1989 she was a visiting professor at the University of Oregon, United States.[2]

Pía Barros, who declares herself "a very honored feminist",[3] has stood out for her short stories, although she has also written some novels. In addition, she has published some 30 object books with literary material illustrated by prominent Chilean graphic artists, which have earned her the Fondart (National Fund for Cultural Development and the Arts [es]) fellowship on two occasions. She also received a fellowship from the Andes Foundation, with which she wrote the first digitally distributed novel in Chile, Lo que ya nos encontró, and also a writer's fellowship from the National Book and Reading Council [es].

Her stories have been published in more than 30 anthologies, from countries such as Chile, Germany, Costa Rica, Ecuador, the United States (some translated by Martha Manier, Diane Russell, Analisa Taylor, Amanda Powell, Jacquline Nanfito, Resha Cardone, and Jane Griffin), France, Italy, Russia, and Venezuela. In Chile, they share a publication with stories by writers such as Roberto Bolaño, Alberto Fuguet, Antonio Skarmeta, Diamela Eltit, and Isabel Allende.

Barros has directed the literary workshop Ergo Sum since 1986.[4] She is also the director of Ediciones Asterión.

She is married to the poet and journalist Jorge Montealegre [es]. They have been a couple since the early 1980s and have two daughters: Abril, a textile artist,[5] and Miranda, a writer.[6]

Works

  • Miedos transitorios (de a uno, de a dos, de a todos), short stories, Ediciones Ergo Sum, 1985 (bilingual English-Spanish edition, 1993)
  • A horcajadas, Mosquito Editores, Santiago, 1990 (bilingual English-Spanish edition, 1992). Contains 14 stories:
    • "Prefiguración de una huella", "Iniciaciones", "Conmiseración", "Olor a madera y a silencio", "Mordaza", "Desfiladero de Iguanas", "Diccionarios", "Duerme", "Artemisa", "Lo había odiado con pulcritud", "Navegaciones", "Trece", "Deshabitados ante la ventana", and "Los pequeños papeles"
  • El tono menor del deseo, novel, Editorial Cuarto Propio, Santiago, 1991[7]
  • Astride, novel (bilingual edition by Analissa Taylor, 1992)
  • Signos bajo la piel, stories, editorial Grijalbo, Santiago, 1994
  • Ropa usada, stories, Ediciones Asterión, Santiago, 2000
  • Lo que ya nos encontró, digital novel, Chilelibro.com, 2001
  • Los que sobran, stories, Asterión, Santiago, 2002
  • Llamadas perdidas, minifictions, Thule Ediciones, Barcelona, 2006
  • La Grandmother y otros, microstories, Asterión, Santiago, 2008
  • El lugar del otro, microstories, Asterión, Santiago, 2010
  • Las tristes, microstories, Asterión, Santiago, 2015
  • Hebras, microstories, Asterión, Santiago, 2020

Stories in anthologies

  • "Artemisa", in Andar con cuentos: nueva narrativa chilena 1948-1962, Mosquito Editores, Santiago, 1992
  • "Baldosas", in Bajo techo, Ministry of Housing and Urbanism, Santiago, 1995
  • "Muertes", in Salidas de madre, Planeta Chile, Santiago, 1996
  • "Puertas", in Cuentos: Taller Soffia '84 (Chile, Arcilla, 1984)
  • "El orden de las cosas", in Cuentos chilenos contemporáneos 2000, (LOM Ediciones, Santiago, 2001)

Awards and distinctions

  • Finalist for the 2003 Altazor Award with Los que sobran[8]
  • Finalist for the 2008 Altazor Award with La Grandmother y otros[9]
  • 2011 Altazor Award for El lugar del otro[10]
  • 2015 Lygia Fagundes Telles Award, given during the 8th Conference of Women Writers of Brazil[11]
  • Fellowships from Fondart, Andes Foundation, and National Book and Reading Council

References

  1. ^ a b Araya Basualto, Rebeca (2 August 2014). "Pía Barros: 'Es indigno cómo se asigna el Premio Nacional de Literatura'" [Pía Barros: 'It is Unworthy How the National Prize for Literature is Awarded']. La Segunda (in Spanish). Retrieved 29 January 2018.
  2. ^ a b Gómez López, Ricardo (October 1995). "Pía Barros: Fémina erótica en la literatura chilena" [Pía Barros: Feminine Erotica in Chilean Literature]. Rayentru (in Spanish) (9). Retrieved 29 January 2018.
  3. ^ Lavquen, Alejandro (23 July 2004). "Pía Barros: 'Soy feminista a mucha honra'" [Pía Barros: 'I am a Very Honored Feminist']. Punto Final (in Spanish). No. 572. Archived from the original on 21 April 2014. Retrieved 29 January 2018.
  4. ^ Trevizán, Liliana (1994). "Pía Barros (1956)". In Rubio de Lértora, Patricia (ed.). Escritoras chilenas [Chilean Women Writers] (in Spanish). Editorial Cuarto Propio. pp. 579–590. ISBN 9789562601627. Retrieved 29 January 2018 – via Google Books.
  5. ^ "Títulos Profesionales y Grados de Licenciado – Año 2013" [2003 Professional and Bachelor's Degrees] (in Spanish). University of Chile. Retrieved 29 January 2018.
  6. ^ "Transgénero" [Transgender]. Encuentos (in Spanish). 21 April 2013. Retrieved 29 January 2018.
  7. ^ Cortínez, Verónica (2000). "Retazos de mujeres en El tono menor del deseo de Pía Barros" [Scraps of Women in El tono menor del deseo by Pía Barros]. Albricia: la novela chilena del fin de siglo [Albricia: The Chilean Novel of the End of the Century] (in Spanish). Editorial Cuarto Propio. p. 127. ISBN 9789562602075. Retrieved 29 January 2018 – via Google Books.
  8. ^ Asensio-Sierra, Isabel (9 January 2014). André, María Claudia; Paulino Bueno, Eva (eds.). Latin American Women Writers: An Encyclopedia. Routledge. ISBN 9781317726340. Retrieved 29 January 2018 – via Google Books.
  9. ^ "'Héroes' y 'Alguien te mira' están entre los nominados a los Altazor" ['Héroes' and 'Alguien te mira' are Among the Altazor Nominees] (in Spanish). Radio Cooperativa. 17 January 2008. Retrieved 29 January 2018.
  10. ^ Carlos, Henry (14 February 2012). "Pia Barros presentó 'El Lugar del Otro'" [Pia Barros presents 'El Lugar del Otro']. El Observatodo (in Spanish). Retrieved 29 January 2018.
  11. ^ "Angolana é destaque da 8ª Jornada de Escritoras" [Angolana is the Highlight of the 8th Writers' Conference]. Diário da Região (in Portuguese). 18 August 2015. Retrieved 29 January 2018.
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