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Michael Peter Balzary (born October 16, 1962), better known by his nickname/stage name Flea, is the bassist for the alternative rock/funk rock band Red Hot Chili Peppers and a frequent session musician for other music acts. He has also acted in a number of movies.

Early life

Michael Balzary lived a relatively conventional childhood in Australia until his father Mick, a customs officer, was posted to New York in March 1967. Mick Balzary relocated his entire family to New York, including wife Patricia, his daughter Karen, and 5-year-old Michael.

In 1971, only four years after arriving in the U.S., Balzary's mother, Patricia, fell in love with jazz musician Walter Urban, Jr. and filed for divorce from Mick Balzary. Michael Balzary, his mother, sister, and soon-to-be-stepfather moved to Los Angeles in 1972. ^{[citation needed]}

Balzary developed an affinity for music at a very early age. He first played the drums, then he began the trumpet at age nine. Balzary displayed strong natural aptitude for the instrument and swiftly earned a place in the Los Angeles Junior Philharmonic Orchestra.

Watching his stepfather playing with his bebop jazz band profoundly effected the eleven-year-old Balzary. His stepfather's musicianship inspired a lifelong love of jazz and the leading exponents of the genre, such as Miles Davis, Dizzy Gillespie, and Ornette Coleman. On VH1's Behind the Music, Balzary confessed that he had no original interest in rock and roll, and that his initial ambition was to become a jazz musician like his stepfather.

Fairfax High School

Balzary was an avid trumpeteer and jazz fan when he began attending Fairfax High School in September 1976. On his first day at Fairfax, Balzary was antagonizing fellow tenth-grade student Tony Shurr in the quadrangle, when Balzary's future bandmate, Anthony Kiedis, came to Shurr's defense. Despite the initial enmity between the Balzary and Kiedis, the two swiftly became best friends. As their friendship grew, Balzary introduced Kiedis to the world of jazz.

Balzary continued to improve his trumpet skills, taking the rank of first trumpet in the Fairfax school orchestra. Kiedis admired Balzary for his constantly swollen lip (as noted in Kiedis's autobiography, Scar Tissue).

Through Kiedis, Balzary became friends with another Fairfax student and future bandmate, Hillel Slovak. Slovak played in a band called Anthym. Balzary's musical taste strayed from jazz when Slovak introduced him to rock music. Balzary soon became attuned to artists including Led Zeppelin, KISS, Queen, and Jimi Hendrix.

Spurred by his newfound interest in rock, Balzary allowed Slovak to tutor him in bass guitar. Slovak, in concurrence with Anthym's guitarist Alan Mishulsky and drummer Jack Irons, considered the band's existing bassist Todd Strassman to be of sub-standard skill, in contrast to the musical talent he perceived in the other members of the band. One morning Strassman walked into school to find Balzary playing bass using his equipment. Infuriated, Strassman took his equipment and left the band. Balzary officially replaced Strassman, with the encouragement of the band who valued his musical and technical skills.

During a ski trip with Anthony Kiedis and friend Keith Barry, Balzary earned his long-standing nickname "Flea," which has become the singular name associated with the musician. ^[1]

Life as a Professional Musician

While playing in Anthym, Flea's exeptional bass skills attracted attention from outside the band. In 1982, Flea received an offer to become the new bass player for Fear, an aggressive, punk band from the Los Angeles. He accepted the offer, playing for a short period with both bands.

In 1983, Flea, Kiedis, Slovak, and Irons formed the Red Hot Chili Peppers. They were signed with EMI within 6 months. Flea left Fear to concentrate on working with the Chili Peppers. Balzary also turned down an offer to play in the post-Sex Pistols band Public Image Ltd. with his longtime idol, John Lydon, because he preferred to stay with his friends.

Personal Life

Flea married Loesha Zeaviar in 1986, and their daughter Clara was born in 1988. Clara currently attends Bennington College and is expected to graduate in 2010. Flea and Zeaviar split up in 1990 but share joint custody of Clara. The two continue to be close friends, and Loesha's name remains tattoed on Flea's chest.

In 2005 Flea had a baby girl named Sunny Bebop Balzary with his new fiancee - Frankie Ryder. His bandmate John Frusciante is both Clara and Sunny Bebop's godfather.

Flea's style and influence

Flea's unique bass-slapping technique influenced several musicians even before the Red Hot Chili Peppers broke into the mainstream. On their breakthrough album Blood Sugar Sex Magik, he refused to use the technique, fearing it would be imitated (as stated personally by Flea in the documentary of Blood Sugar, "Funky Monks").

Flea's style is influenced by Bootsy Collins, funk music and by the energy of early punk rock bands such as Black Flag. Flea's slap funk technique is similar to that of Les Claypool of Primus.

Flea has also aided the careers of several prominent musicians, most notably Jewel. In 1993, Flea met the unknown local artist, after he saw her perform at a local cafe. He went back to her van where she was currently living, where she sang a few of her songs. He described her singing voice as being "beautiful" and "breathtaking". Two years after this encounter Jewel was signed to Atlantic Records and released her diamond record, Pieces of You.^[2]

Trumpet on the side

Flea still plays trumpet occasionally, for example, as part of a horn section on the second Jane's Addiction album, on Mike Watt's Ball Hog or Tug Boat?, on The Mars Volta's sophomore release Frances The Mute, and with Nirvana during a performance of Smells Like Teen Spirit at Hollywood Rock '93, a music festival in Brazil.

Most recently, he joined Incubus on "The Fourth Movement of the Odyssey" for the Halo 2 soundtrack. The songs "Subway To Venus", "Pretty Little Ditty", and "Taste the Pain" on the Chili Peppers album Mother's Milk, "Apache Rose Peacock" on Blood Sugar Sex Magik, and "Tear" on By the Way also feature Flea on trumpet. Flea also plays trumpet in some of the songs on Stadium Arcadium, namely "Torture Me", "Slow Cheetah", and "Hump De Bump". On occasion, Flea will play trumpet during Peppers' live performances.

Independent work

Session

In 1982 Flea was the bassist for Fear before choosing to stick with the Red Hot Chili Peppers. He played bass on the hit 1989 single Bust a Move by Young MC. He played with Gibby & Andrew Weiss (Butthole Surfers) and Johnny Depp in 1995 in a band called P on the 'Michael Stipe' 7". He played trumpet on Jane's Addiction's Nothing's Shocking, and filled in for Eric Avery during their reunion tour in 1997. While Flea was not a founding member of Jane's Addiction, he certainly played an important part in their musical history. He co-wrote, produced and continues to this day to perform as the bass player for Jane's Addiction, when his schedule permits. He played bass for The Mars Volta on 2003's De-Loused in the Comatorium and trumpet for 2005's Frances the Mute. He also played bass for Alanis Morissette on the acclaimed song 'You Oughta Know', as well as guest appearances on countless albums by other artists. Flea has also played in support of the activist group Axis of Justice.

Acting

Flea made his acting debut in the 1984 cult classic punk drama Suburbia where he was credited as "Mike B. The Flea." His filmography also includes My Own Private Idaho, Motorama, Dudes, Son in Law, The Chase, The Big Lebowski, The Blue Iguana, Fear and Loathing in Las Vegas, Liar's Poker, Mr. 3000, and the 1998 remake of the Hitchcock classic Psycho. More notably, Flea played the character "Needles" in Back to the Future Part II and Back to the Future Part III, and provided the voice of the feral boy Donnie in the animated television series and film The Wild Thornberrys.

References

^ http://www.ultimate-guitar.com/columns/the_history_of/the_history_of_flea_part_1.html History of the Flea (Accessed on January 21, 2007)
^ Calhoun, Kenneth (2003). Revealing Jewel: An Intimate Portrait from Family and Friends. New York, NY: Atria. 978-0743475402. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)

Other Collaborations/Guest Appearances

External links

[1] ttp://www.ultimate-guitar.com/columns/the_history_of/the_history_of_flea_part_1.html History of the Flea (Accessed on January 21, 2007)

[2] Calhoun, Kenneth (2003). Revealing Jewel: An Intimate Portrait from Family and Friends. New York, NY: Atria. 978-0743475402. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)

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@@ Line 57: / Line 57: @@
 ===Flea's style and influence===
-Flea's unique bass-slapping technique influenced several musicians even before the [[Red Hot Chili Peppers]] broke into the mainstream. On their breakthrough album ''[[Blood Sugar Sex Magik]]'', he refused to use the technique, fearling it would be imitated (as stated personally by Flea in the documentary of ''Blood Sugar'', "Funky Monks").
+Flea's unique bass-slapping technique influenced several musicians even before the [[Red Hot Chili Peppers]] broke into the mainstream. On their breakthrough album ''[[Blood Sugar Sex Magik]]'', he refused to use the technique, fearing it would be imitated (as stated personally by Flea in the documentary of ''Blood Sugar'', "Funky Monks").
 Flea's style is influenced by [[Bootsy Collins]], funk music and by the energy of early [[punk rock]] bands such as [[Black Flag (band)|Black Flag]].  Flea's slap funk technique is similar to that of [[Les Claypool]] of [[Primus]].