The Human League: Difference between revisions
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{{Infobox musical artist |
{{Infobox musical artist |
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| Name = |
| Name = THE HUMAN LEAGUE |
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| Img = 2004_The_Human_League.JPG |
| Img = 2004_The_Human_League.JPG |
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| Img_capt = The Human League 2004. From left: Joanne Catherall, Susanne Sulley, Philip Oakey. |
| Img_capt = The Human League 2004. From left: Joanne Catherall, Susanne Sulley, Philip Oakey. |
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The name "Human League" derived from the [[game]] Starforce: Alpha Centauri, which was the second professionally published [[science fiction]] [[wargame]], by [[Simulations Publications|SPI]]. In the game, the Human League arose in 2415 A.D., and was a frontier-oriented society that desired more independence from Earth and the terraforming of systems not naturally habitable. |
The name "Human League" derived from the [[game]] Starforce: Alpha Centauri, which was the second professionally published [[science fiction]] [[wargame]], by [[Simulations Publications|SPI]]. In the game, the Human League arose in 2415 A.D., and was a frontier-oriented society that desired more independence from Earth and the terraforming of systems not naturally habitable. |
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| ⚫ | Following the split of the original line-up, Wright and Oakey released another flop single, "Boys and Girls". In order to fulfil their European tour commitments, they recruited bass player Ian Burden, and fronted the band with two singers, [[Susanne Sulley]] |
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| ⚫ | In 1981, Virgin records paired them with former [[The Stranglers|Stranglers]] producer [[Martin Rushent]], and the first result was the single "The Sound of the Crowd", which saw them at last achieve success in the singles chart. Guitarist Jo Callis (formerly of [[Rezillos|The Rezillos]]) was now recruited to the band, and with Rushent at the helm, The Human League recorded their most successful album to date, ''[[Dare (album)|Dare]]''. It achieved huge success, fuelled by its further hit singles, "Open Your Heart", "Love Action |
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| ⚫ | In November 1982, the [[Motown Records|Motown]] influenced [[electro pop]] single "Mirror Man" reached |
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| ⚫ | The band spent many expensive months agonizing over each and every sound recorded as the band tried to follow up |
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[[Image:4483h.jpg]] |
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| ⚫ | However,later that year, success outside of the Human League came for Oakey in the shape of the huge hit single "Together |
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| ⚫ | Following the split of the original line-up, Wright and Oakey released another flop single, "Boys and Girls". In order to fulfil their European tour commitments, they recruited bass player Ian Burden, and fronted the band with two singers, [[Susanne Sulley]][http://www.bbc.co.uk/radio1/johnpeel/artists/t/thehumanleague/#] and [[Joanne Catherall]], schoolgirls whom they had met in a Sheffield nightclub, and managed to complete the tour. |
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| ⚫ | In 1986, the group found themselves in creative stagnation, struggling to record material to follow up on their previous success. Key songwriter Jo Callis departed, replaced by drummer Jim Russell, and Virgin paired the |
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| ⚫ | In 1981, Virgin records paired them with former [[The Stranglers|Stranglers]] producer [[Martin Rushent]], and the first result was the single "The Sound of the Crowd", which saw them at last achieve success in the singles chart. Guitarist Jo Callis (formerly of [[Rezillos|The Rezillos]]) was now recruited to the band, and with Rushent at the helm, The Human League recorded their most successful album to date, ''[[Dare (album)|Dare]]''. It achieved huge success, fuelled by its further hit singles, "Open Your Heart", "Love Action/Hard Times" and most famously "[[Don't You Want Me]]", which reached #1 in the UK charts during the Christmas of [[1981]] and was one of the biggest selling singles of that year, and it also charted at number one in the US during the summer of [[1982]]. These three releases were accompanied by striking promo [[videos]] ("Love Action" based on the movie ''[[The Graduate]]''). In the summer of 1982, a remix album of "Dare" entitled "Love And Dancing" was released, reaching #3 on the UK album chart. |
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During their ''Dare'' phase, the Human League were often associated with [[New Romantic]] movement. |
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| ⚫ | In 1990, the band released their last album for Virgin Records, '' |
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| ⚫ | In November 1982, the [[Motown Records|Motown]] influenced [[electro pop]] single "Mirror Man" reached #2 in the UK chart. The follow-up single released during April 1983, "[[(Keep Feeling) Fascination]]" similarly peaked at number 2. The following months proved to be difficult ones for the band as they struggled to record a follow up to Dare. A six song [[Extended Play|EP]] called [[Fascination!]] compiled the singles "Mirror Man" and "Fascination" together with the new track "I Love You Too Much" from the original recording sessions of the [[Hysteria]] album was released in America as a stop gap and also became a strong seller on import in the UK. |
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| ⚫ | The Human League made a surprise comeback in [[1995]], now signed to [[EastWest]], with the single "Tell Me When" giving them their first major hit since 1986's "Human", and the accompanying album '' |
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| ⚫ | The band spent many expensive months agonizing over each and every sound recorded as the band tried to follow up "Dare", and as things became ever more stressful the producer Martin Rushent left the project, at which point the band ditched much of the material recorded so far and started over again with new producers Hugh Padgham and Chris Thomas (though some of Rushent's contributions to certain tracks from the earlier sessions were included on the released album). Finally in May 1984 the band released the politically charged single, The Lebanon. Its rock guitar driven harder edge was a considerable and surprising departure from their previous material, and the single peaked at #11 in the UK. This was followed shortly after by the album "Hysteria", so called because of the difficult and tense recording process, it entered the UK charts at #3 however it climbed no further and critics and fans were divided by the new direction the band had taken.The second single was the rather downbeat "Life On Your Own", with its opening line of "winter is approaching, there is snow upon the ground" making it a strange choice of single to be released in the middle of summer. Again the single missed the UK top ten reaching #16, and with the parent album [[Hysteria]] failing to live up to expected sales thoughts of a third single were put on hold. |
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| ⚫ | |||
| ⚫ | The band did not release their next album, |
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| ⚫ | However,later that year, success outside of the Human League came for Oakey in the shape of the huge hit single "Together In Electric Dreams", a collaboration with one of his idols, synth pioneer [[Giorgio Moroder]]. The track was taken from the film soundtrack to [[Electric Dreams]] and was to prove a massive hit. The pair then recorded an album for Virgin, ''Philip Oakey & Giorgio Moroder'', but this met with rather less success and the following two singles failed to make the UK Top 40. However the success of the Oakey & Moroder track encouraged the League's record label to release one final single from "Hysteria" in November 1984, the ballad "Louise" (UK #13). |
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| ⚫ | In 1986, the group found themselves in creative stagnation, struggling to record material to follow up on their previous success. Key songwriter Jo Callis departed, replaced by drummer Jim Russell, and Virgin paired the League up with cutting-edge American [[R&B]] producers [[Jimmy Jam and Terry Lewis]] who had just scored a huge worldwide hit earlier that year with [[Janet Jackson]]'s "Control" album. The result was the ''[[Crash (Human League album)|Crash]]'' album. The album featured much material written by Jam and Lewis' team, and showcased their distinctive [[DX7]]-led sound, making it quite a departure from previous Human League material. It did provide an American number one single, "Human", but other singles made smaller chart impact. |
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---- |
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[[Image:Image70.jpg]] |
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| ⚫ | In 1990, the band released their last album for Virgin Records, ''Romantic?''. Longstanding members Adrian Wright and Ian Burden, together with newer recruit Jim Russell, had by now left the band (although Jo Callis did return to play on some of the sessions and co-wrote two songs, including the minor hit single "Heart Like a Wheel"). New to the line-up were keyboardist Neil Sutton (who co-wrote over half the album's songs), and guitarist/keyboardist [[Russell Dennett]], who (along with Oakey) made a cameo appearance in [[Vic and Bob|Reeves & Mortimer]]'s 1992 comedy TV pilot ''The Weekenders'', playing in a club as "Electric Russell". The ''Romantic?'' album did not re-capture the group's huge commercial success of 1981 (with its second single "Soundtrack for a Generation" flopping), and Virgin chose not to renew their recording contract. |
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<!-- Unsourced image removed: [[Image:LeagueAtSuikkerrock2006.jpg|thumb|right|250px|The Human League at Suikerrock 2006, Belgium]] --> |
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| ⚫ | The Human League made a surprise comeback in [[1995]], now signed to [[EastWest]], with the single "Tell Me When" giving them their first major hit since 1986's "Human", and the accompanying album ''Octopus'' going silver. On the album credits, cover artwork and in videos, the group was now presented simply as a trio of Oakey/Catherall/Sulley. In reality however, half a dozen other musicians had input to the record, including producer [[Ian Stanley]] (former [[Tears For Fears]] keyboard player), continued playing and songwriting contributions from Neil Sutton and "Electric Russell" Dennett, and Oakey co-writing one track with Jo Callis. The next single from the album, "One Man in my Heart" (sung by Sulley), and a remix of "Don't You Want Me", were also UK hits, however the subsequent "Filling up with Heaven" and the non-album "Stay with me tonight" (from the greatest hits compilation in [[1996]]) barely made the UK Top 40. A follow up to ''Octopus'' was slow to materialise and a subsequent change in management at [[EastWest]] saw the cancellation of the band's contract. |
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| ⚫ | |||
---- |
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[[Image:4484h.jpg]] |
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| ⚫ | The band did not release their next album, [[Secrets (Human League album)|Secrets]], until 2001. The band was still presented as the "Phil & the girls" trio, however Neil Sutton was credited with keyboards, and co-wrote most of the material with Oakey. Despite being extremely well received by critics (the music climate at the time seeing a new interest in electronic pop music with the [[electroclash]] movement), the band's new record label, Papillion (a subsidiary of [[Chrysalis Records]]), went [[bankrupt]] shortly after the album's release, leading to poor promotion and sales. [[Secrets (Human League album)|Secrets]] hit #46 on the UK album chart in it's first week but was absent from it the following week. |
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Throughout the years following, the band have continued to tour, enjoying success as a live act, and releasing a DVD of [[Brighton]] show in 2003. In the last few years they have participated in a couple of [[1980s|'80s]] revival tours, whilst more often going out on the road on their own, playing their many top-ten hits to packed houses throughout the UK and frequently further afield. |
Throughout the years following, the band have continued to tour, enjoying success as a live act, and releasing a DVD of [[Brighton]] show in 2003. In the last few years they have participated in a couple of [[1980s|'80s]] revival tours, whilst more often going out on the road on their own, playing their many top-ten hits to packed houses throughout the UK and frequently further afield. |
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Revision as of 16:40, 25 January 2007
The Human League |
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The Human League are an English synthpop band formed in 1977, who, after several changes in line up, achieved great popularity in the 1980s and a limited comeback in the mid-1990s. Originally a synthesizer-based group from Sheffield, England, the only constant band member since the Human League formed in 1977 is vocalist and songwriter Phil Oakey.
Original line-up
Martyn Ware and Ian Craig Marsh were both working as computer programmers in 1977, and combined a love of pop music (such as glam rock and Tamla Motown) with avant garde electronic music. They acquired a Roland System 100 synthesizer and began to create music in their own rehearsal facility. Initially they formed a group called The Future with Adi Newton. Newton left to form the outfit Clock DVA. Ware and Marsh searched for a vocalist, but their first choice, Glenn Gregory (who would be the lead singer of their later band, Heaven 17), was unavailable. Ware instead decided to invite Philip Oakey, an old school friend, and a hospital porter at the time to join the band, "apparently by leaving a note stuck to his door". Oakey accepted the invitation, despite never having been in a band before. Shortly after, they decided to call themselves The Human League. A collection of demos from this period was released on CD in 2002, title The Golden Hour of The Future, compiled by Richard X.
The original line-up released two LPs that were mildly successful: Reproduction in 1979 and Travelogue in 1980. Both reached the Top 40 of the UK Album Charts. They were then perceived as an arty post punk band, whilst Oakey saw them as a modern commercial pop.
The name "Human League" derived from the game Starforce: Alpha Centauri, which was the second professionally published science fiction wargame, by SPI. In the game, the Human League arose in 2415 A.D., and was a frontier-oriented society that desired more independence from Earth and the terraforming of systems not naturally habitable.
1980s
Following the split of the original line-up, Wright and Oakey released another flop single, "Boys and Girls". In order to fulfil their European tour commitments, they recruited bass player Ian Burden, and fronted the band with two singers, Susanne Sulley[1] and Joanne Catherall, schoolgirls whom they had met in a Sheffield nightclub, and managed to complete the tour.
In 1981, Virgin records paired them with former Stranglers producer Martin Rushent, and the first result was the single "The Sound of the Crowd", which saw them at last achieve success in the singles chart. Guitarist Jo Callis (formerly of The Rezillos) was now recruited to the band, and with Rushent at the helm, The Human League recorded their most successful album to date, Dare. It achieved huge success, fuelled by its further hit singles, "Open Your Heart", "Love Action/Hard Times" and most famously "Don't You Want Me", which reached #1 in the UK charts during the Christmas of 1981 and was one of the biggest selling singles of that year, and it also charted at number one in the US during the summer of 1982. These three releases were accompanied by striking promo videos ("Love Action" based on the movie The Graduate). In the summer of 1982, a remix album of "Dare" entitled "Love And Dancing" was released, reaching #3 on the UK album chart. During their Dare phase, the Human League were often associated with New Romantic movement.
In November 1982, the Motown influenced electro pop single "Mirror Man" reached #2 in the UK chart. The follow-up single released during April 1983, "(Keep Feeling) Fascination" similarly peaked at number 2. The following months proved to be difficult ones for the band as they struggled to record a follow up to Dare. A six song EP called Fascination! compiled the singles "Mirror Man" and "Fascination" together with the new track "I Love You Too Much" from the original recording sessions of the Hysteria album was released in America as a stop gap and also became a strong seller on import in the UK.
The band spent many expensive months agonizing over each and every sound recorded as the band tried to follow up "Dare", and as things became ever more stressful the producer Martin Rushent left the project, at which point the band ditched much of the material recorded so far and started over again with new producers Hugh Padgham and Chris Thomas (though some of Rushent's contributions to certain tracks from the earlier sessions were included on the released album). Finally in May 1984 the band released the politically charged single, The Lebanon. Its rock guitar driven harder edge was a considerable and surprising departure from their previous material, and the single peaked at #11 in the UK. This was followed shortly after by the album "Hysteria", so called because of the difficult and tense recording process, it entered the UK charts at #3 however it climbed no further and critics and fans were divided by the new direction the band had taken.The second single was the rather downbeat "Life On Your Own", with its opening line of "winter is approaching, there is snow upon the ground" making it a strange choice of single to be released in the middle of summer. Again the single missed the UK top ten reaching #16, and with the parent album Hysteria failing to live up to expected sales thoughts of a third single were put on hold.
However,later that year, success outside of the Human League came for Oakey in the shape of the huge hit single "Together In Electric Dreams", a collaboration with one of his idols, synth pioneer Giorgio Moroder. The track was taken from the film soundtrack to Electric Dreams and was to prove a massive hit. The pair then recorded an album for Virgin, Philip Oakey & Giorgio Moroder, but this met with rather less success and the following two singles failed to make the UK Top 40. However the success of the Oakey & Moroder track encouraged the League's record label to release one final single from "Hysteria" in November 1984, the ballad "Louise" (UK #13).
In 1986, the group found themselves in creative stagnation, struggling to record material to follow up on their previous success. Key songwriter Jo Callis departed, replaced by drummer Jim Russell, and Virgin paired the League up with cutting-edge American R&B producers Jimmy Jam and Terry Lewis who had just scored a huge worldwide hit earlier that year with Janet Jackson's "Control" album. The result was the Crash album. The album featured much material written by Jam and Lewis' team, and showcased their distinctive DX7-led sound, making it quite a departure from previous Human League material. It did provide an American number one single, "Human", but other singles made smaller chart impact.
1990s
In 1990, the band released their last album for Virgin Records, Romantic?. Longstanding members Adrian Wright and Ian Burden, together with newer recruit Jim Russell, had by now left the band (although Jo Callis did return to play on some of the sessions and co-wrote two songs, including the minor hit single "Heart Like a Wheel"). New to the line-up were keyboardist Neil Sutton (who co-wrote over half the album's songs), and guitarist/keyboardist Russell Dennett, who (along with Oakey) made a cameo appearance in Reeves & Mortimer's 1992 comedy TV pilot The Weekenders, playing in a club as "Electric Russell". The Romantic? album did not re-capture the group's huge commercial success of 1981 (with its second single "Soundtrack for a Generation" flopping), and Virgin chose not to renew their recording contract.
The Human League made a surprise comeback in 1995, now signed to EastWest, with the single "Tell Me When" giving them their first major hit since 1986's "Human", and the accompanying album Octopus going silver. On the album credits, cover artwork and in videos, the group was now presented simply as a trio of Oakey/Catherall/Sulley. In reality however, half a dozen other musicians had input to the record, including producer Ian Stanley (former Tears For Fears keyboard player), continued playing and songwriting contributions from Neil Sutton and "Electric Russell" Dennett, and Oakey co-writing one track with Jo Callis. The next single from the album, "One Man in my Heart" (sung by Sulley), and a remix of "Don't You Want Me", were also UK hits, however the subsequent "Filling up with Heaven" and the non-album "Stay with me tonight" (from the greatest hits compilation in 1996) barely made the UK Top 40. A follow up to Octopus was slow to materialise and a subsequent change in management at EastWest saw the cancellation of the band's contract.
2000s
The band did not release their next album, Secrets, until 2001. The band was still presented as the "Phil & the girls" trio, however Neil Sutton was credited with keyboards, and co-wrote most of the material with Oakey. Despite being extremely well received by critics (the music climate at the time seeing a new interest in electronic pop music with the electroclash movement), the band's new record label, Papillion (a subsidiary of Chrysalis Records), went bankrupt shortly after the album's release, leading to poor promotion and sales. Secrets hit #46 on the UK album chart in it's first week but was absent from it the following week.
Throughout the years following, the band have continued to tour, enjoying success as a live act, and releasing a DVD of Brighton show in 2003. In the last few years they have participated in a couple of '80s revival tours, whilst more often going out on the road on their own, playing their many top-ten hits to packed houses throughout the UK and frequently further afield.
On September 22, 2006, the band performed on the ABC television show, Jimmy Kimmel Live.
In the free UK newspaper Metro in December 2006, Phil Oakey stated the band's project for 2007 would be to record a new album.
Discography
Albums and EPs
| Year | Album | UK | U.S. | Additional information |
|---|---|---|---|---|
| 1979 | The Dignity of Labour | - | - | EP, 12" vinyl only, instrumental |
| 1979 | Reproduction | 34 | - | Later re-released with The Dignity Of Labour Pts 1-4 EP, the B-side of the "Empire State Human" single (called "Introducing"), the Fast Product label "Being Boiled" single and an in-studio conversation titled "Flexi Disc". Charted in the UK in 1981. |
| 1980 | Holiday '80 | - | - | Double EP, later reissued as two single EPs, includes new version of "Being Boiled". |
| 1980 | Travelogue | 16 | - | Later reissued with the "Only After Dark" single, Holiday '80 EP, "I Don't Depend on You" and other tracks including "Tom Baker" and "Boys and Girls" |
| 1981 | Dare! | 1 | 3 | Reissued in 2002 with the Love and Dancing EP on a single CD. |
| 1982 | Love and Dancing | 3 | 135 | EP, Dub music mixes of tracks from Dare!, credited to "League Unlimited Orchestra". |
| 1983 | Fascination! | - | 22 | Six-song EP |
| 1984 | Hysteria | 3 | 62 | Reissued on CD in 2005 with extended versions of singles. |
| 1986 | Crash | 7 | 24 | Reissued on CD in 2005 with extended versions of singles |
| 1988 | Greatest Hits | 3 | - | Hits package with one new track. |
| 1990 | Romantic? | 24 | - | |
| 1995 | Octopus | 6 | - | |
| 1995 | Greatest Hits | 28 | - | Re-issue of 1988 Greatest Hits with three extra tracks and new cover art. |
| 1996 | The Very Best of the Human League | - | - | Issued by Ark 21, not EMI. Compilation from 1981-1985 tracks. |
| 1998 | Soundtrack to a Generation | - | - | Compilation with mostly album tracks and a few singles. |
| 2001 | Secrets | 44 | - | Japanese version has three bonus tracks. |
| 2002 | The Golden Hour of the Future | - | - | Compilation of early recordings, credited to "The Future + The Human League". |
| 2002 | Dance Like a Star | - | - | EP of early recordings |
| 2003 | The Very Best of the Human League | 24 | - | Two disc hits package issued by EMI, CD2 is all remixes, also released on DVD. |
| 2005 | Live at the Dome | - | - | CD containing tracks from same concert as DVD; contains three video clips. |
| 2005 | Original Remixes and Rarities | 24 | - | CD with extended versions from 12" singles and CD singles, and some B-sides. |
Unofficial releases
- Human League Cassette (1978)
- Taverner Tape (1978)
- In Darkness (a bootleg demo album)
- The Future Tapes (unreleased)
- The Human League Promo Mix CD (not available)
- The Human League Interview
Singles
| Year | Song | UK singles | U.S. Hot 100 | U.S. Dance | Album |
|---|---|---|---|---|---|
| 1978 | "Being Boiled" | - | - | - | Reproduction |
| 1979 | "I Don't Depend on You" (as "The Men") | - | - | - | Reproduction |
| 1979 | "Empire State Human" | 62 | - | - | Reproduction |
| 1980 | "Holiday '80 E.P." | 56 | - | - | Travelogue |
| 1980 | "Only After Dark" | - | - | - | Travelogue |
| 1981 | "Boys and Girls" | 48 | - | - | - |
| 1981 | "The Sound of the Crowd" | 12 | - | 27 | Dare! |
| 1981 | "Love Action (I Believe in Love)/Hard Times" | 3 | - | 37 | Dare! |
| 1981 | "Open Your Heart" | 6 | - | - | Dare! |
| 1981 | "Don't You Want Me" | 1 | 1 | 3 | Dare! |
| 1982 | "Being Boiled" (Re-boiled) ¹ | 6 | - | - | Travelogue |
| 1982 | "Holiday '80 E.P." (Re-issue) | 46 | - | - | Travelogue |
| 1982 | "Mirror Man" | 2 | 30 | - | Fascination! |
| 1983 | "(Keep Feeling) Fascination" | 2 | 8 | 1 | Fascination! |
| 1984 | "The Lebanon" | 11 | 64 | 19 | Hysteria |
| 1984 | "Life on Your Own" | 16 | - | - | Hysteria |
| 1984 | "Louise" | 13 | - | - | Hysteria |
| 1985 | "The Sign" | - | - | - | Hysteria |
| 1986 | "Human" | 8 | 1 | 1 | Crash |
| 1986 | "I Need Your Loving" | 72 | 44 | - | Crash |
| 1987 | "Love Is All That Matters" | 41 | - | - | Crash |
| 1990 | "Heart Like a Wheel" | 29 | 32 | - | Romantic? |
| 1990 | "Soundtrack for a Generation" | 77 | - | - | Romantic? |
| 1995 | "Tell Me When" | 6 | 31 | - | Octopus |
| 1995 | "One Man in My Heart" | 13 | - | - | Octopus |
| 1995 | "Filling up with Heaven" | 36 | - | - | Octopus |
| 1995 | "Don't You Want Me" (remix) | 16 | - | - | The Very Best of the Human League |
| 1996 | "Stay With Me Tonight" | 40 | - | - | The Very Best of the Human League |
| 2001 | "All I Ever Wanted" | 47 | - | - | Secrets |
| 2001 | "Love Me Madly?" | - | - | - | Secrets |
- 1 Cash-in reissue released by EMI, not Virgin. Same version as the 1978 single, but runs for an extra 35 seconds and fades out rather than cutting out abruptly as on the original release.
Video and DVD releases
| Year | Title | Format/s | Additional information |
|---|---|---|---|
| 1983 | The Human League Video Single | VHS/Beta | Contains videos for Mirror Man, Love Action and Don't You Want Me |
| 1991 | Human League Greatest Hits | VHS/LD | Tie-in with 1988 Greatest Hits, containing videos for all tracks on that album except Being Boiled and Love is All That Matters, plus Circus of Death |
| 1995 | The Human League Video Greatest Hits | VHS | Tie-in with 1995 Greatest Hits, containing videos for all tracks on that album except Stay With Me Tonight, Being Boiled Together in Electric Dreams and the Don't You Want Me Snap 7" Remix. Track listing includes Love is All That Matters, but video actually used is Heart Like a Wheel |
| 2003 | The Human League The Very Best Of | DVD | Tie-in with 2003 The Very Best Of, including TV performances on Top of the Pops and Later With Jools Holland |
| 2004 | The Human League Live at The Dome | DVD | Tie-in with album of the same name |
Additional releases
- "Together in Electric Dreams" was a "solo" single for Philip Oakey (though credited jointly to Oakey and producer Giorgio Moroder) rather than the Human League. It has been included on Human League albums as if it were by the whole band, as it is popularly associated with the band, broadly mimics their traditional sound, and was in fact a bigger hit than many of the League's own singles of the period. It was originally recorded for the movie Electric Dreams, and eventually included on a joint album from Oakey and Moroder recorded much later.
- "1st Man in Space" (1999) was a single by fellow Sheffielders The All Seeing I and featured Oakey on guest vocals.
- Reproductions: Songs of the Human League (2001) was a tribute album by various artists.
- "L.A. Today" (2003) was a single from Alex Gold, also featuring Oakey on vocals.
- "Rock And Roll is Dead" (2003) was a single from fellow Sheffield band Kings Have Long Arms that paid tribute to Oakey and eventually was re-released with Oakey doing some guest vocals.
Trivia
- George Michael adapted "Love Action" in his 2002 single "Shoot the Dog", using the song's synthesizer track as the base of the song, as well as including the speech-only portion of the song (from "I believe, I believe what the old man said...").
- Lester Bangs, the infamous music journalist and critic overdosed and died in 1981 while listening to Human League's album Dare.
- Robbie Williams adapted the Human League hit "Louise" on his 2006 album Rudebox.
- "(Keep Feeling) Fascination" featured in the video game, Grand Theft Auto: Vice City. Rockstar's later PSP game Grand Theft Auto: Vice City Stories featured "Love Action" on radio station Wave 103.
- Comic duo "The Mighty Boosh" make many references to The Human League, regarding them as the peak of electro music.
- The Virtual band Gorillaz's first Song, "Ghost Train," contains a sound sample of The Human League's "The Sound of the Crowd."
- "Don't You Want Me" is featured in a Chips Ahoy! commercial.
See also
- List of number-one hits (United States)
- List of artists who reached number one on the Hot 100 (U.S.)
- List of number-one dance hits (United States)
- List of artists who reached number one on the U.S. Dance chart
- List of New Wave bands and artists
References
- Guinness Book of British Hit Singles - 16th Edition - ISBN 0-85112-190-X
- The Guinness Book of 500 Number One Hits - ISBN 0-85112-250-7
- Guinness Book of British Hit Albums - 7th Edition - ISBN 0-85112-619-7
- Guinness Rockopedia - ISBN 0-85112-072-5
- The Great Rock Discography - 5th Edition - ISBN 1-84195-017-3
External links
The Human League does not have an official Website but there are a number of good unofficial sites online:
- Love and Dancing - A fan site with an extensive pictorial history
- Blind Youth, a site dedicated to the early post-punk works of Human League.
- Secrets Online, fan site with in-depth Human League coverage both past and present.
- Susan Ann Gayle's Unofficial Website
- A fan site devoted to pictures of the Human League in concert during 2004.
- Nukove Records, producer of the "Love Me Madly?" single
- Secret Records, producer of live DVD and CD
- Human League Lyrics
- Fan site
- The Human League
- English musical groups
- English dance musicians
- British electronic music groups
- New Wave groups
- Post-punk
- Synthpop
- Rhythmic contemporary musicians
- Dance musical groups
- Techno music groups
- House music groups
- 1970s music groups
- 1980s music groups
- 1990s music groups
- 2000s music groups
- Music from Sheffield