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Jackson exhibited continuously from 1907 until the early 1970’s, principally in Sydney,  Melbourne, and Brisbane, but also in London and Paris. His landscapes were finalists in the Wynne Prize many times. Below is a list of prizes<ref>{{Cite web|last=Jamieson Family|date=5 July 2021|title=Curriculum Vitae of James Ranalph Jackson (1882 - 1975)|url=http://www.jamesrjacksonanddoratoovey.org/james_r_jackson_cv_1.html|url-status=live|website=James R. Jackson & Dora Toovey: Two Twentieth Century Australian Artists.}}</ref> won by Jackson during his lengthy career.
Jackson exhibited continuously from 1907 until the early 1970’s, principally in Sydney,  Melbourne, and Brisbane, but also in London and Paris. His landscapes were finalists in the Wynne Prize many times. Below is a list of prizes<ref>{{Cite web|last=Jamieson Family|date=5 July 2021|title=Curriculum Vitae of James Ranalph Jackson (1882 - 1975)|url=http://www.jamesrjacksonanddoratoovey.org/james_r_jackson_cv_1.html|url-status=live|website=James R. Jackson & Dora Toovey: Two Twentieth Century Australian Artists.}}</ref> won by Jackson during his lengthy career.


1924 Manly Art Prize
1924 Manly Art Prize.


1929 Prize in State Theatre Art Quest
1929 Prize in State Theatre Art Quest.


1942 George MacKay Prize
1942 George MacKay Prize.


1960 Prize in Royal Agricultural Society Easter Show, Sydney
1960 Prize in Royal Agricultural Society Easter Show, Sydney.


1960 Prize in Royal Agricultural Society Easter Show, Sydney
1960 Prize in Royal Agricultural Society Easter Show, Sydney.


1961 Winner of the W.D. & H.O. Wills Art Competition with 'Luna Park'
1961 Winner of the W.D. & H.O. Wills Art Competition with 'Luna Park'.


1962 Manly Art Prize
1962 Manly Art Prize.


1962 Grafton Art Prize
1962 Grafton Art Prize.

== Gallery holdings ==
National, State, and regional galleries across Australia hold works by Jackson. The National Gallery of Australia hold [https://searchthecollection.nga.gov.au/object?uniqueId=42499 Morning in the Studio], c1917.

The Art Gallery of New South Wales hold 16 works, including the landscape [https://www.artgallery.nsw.gov.au/collection/works/830/ The old road, South Coast], 1934.

The State Library of New South Wales hold 3 works including [https://search.sl.nsw.gov.au/permalink/f/1ocrdrt/ADLIB110336505 Milsons Point], ca. 1960.

The National Gallery of Victoria hold 4 works, including [https://www.ngv.vic.gov.au/explore/collection/work/5758/ Bridge at Chioggia, Venice], 1907.

Castlemaine Art Museum (Vic.) hold 1 work, [https://collection.castlemaineartmuseum.org.au/objects/15/reflections Reflections], 1916.

Mosman Art Gallery, Sydney hold 4 works, including [http://mosmanartgallery.org.au/collection/james-r-jackson-0 Sydney Harbour], 1965.

The New England Regional Art Museum hold 2 works from a trip to Spain in 1907. [https://www.neram.com.au/artwork-details/483993 Spanish Patio], and [https://www.neram.com.au/artwork-details/483996 Passeo Pollenza], Spain.


==Citations and references==
==Citations and references==

Revision as of 05:38, 6 July 2021

James Ranalph Jackson (1882-1975) was an Australian painter, perhaps best known for painting views of Sydney harbour. Today, his work hangs in public galleries in both Australia and New Zealand. The Art Gallery of New South Wales has 16 of his paintings, however none are currently on display.

James Ranalph Jackson
Born(1882-07-03)3 July 1882
Bunnythorpe, New Zealand
Died9 September 1975(1975-09-09) (aged 93)
Sydney, Australia
NationalityAustralian
EducationRoyal Art Society of New South Wales
Notable work'Morning in the Studio'
StyleImpressionism

Background

Jackson was born on 3 July 1882 at Bunnythorpe, some ten kilometers north of Palmerston North, New Zealand. His father was George Albert Jackson and his mother was Mary Ann Julia Leach. George Jackson was a farmer from England and Mary Ann Leach was born in India. They had eleven children, including James. After Mary died in 1890, in 1894 the family moved to Darlinghurst, an eastern suburb of Sydney. Sydney Harbour made such an impression on James that it would remain a major motif in his work for the rest of his life.

James left school at an early age to take up an apprenticeship with a decorator. In the evenings James studied drawing at the Royal Art Society of New South Wales. He also briefly attended J. S. Watkins's art school.

Study abroad

In 1906 he wanted to work with Bernard Hall at the National Gallery schools in Melbourne but did not gain admission. Instead Jackson sailed to London. There (Sir) Frank Brangwyn encouraged Jackson to paint thickly and taught him the basic technology. Jackson next spent a year in the Latin Quarter in Paris, studying at the Académie Colarossi and then touring Europe during the summer. He went as far as Venice, where he painted the Rialto Bridge. In Paris he was exposed to Impressionism before he returned to Australia in 1908.

Australian career

After his return to Sydney, Jackson settled on the North Shore of the harbour. There, at the Art Society, he taught drawing and painting from 1917 to 1926. During this period he had his first solo exhibition and got married. The solo exhibition took place in 1920 at the Gayfield Shaw Art Salon. Four years later, on 10 December 1924, he married Dorathea Elizabeth Toovey, one of his students, who later became a noted artist in her own right.

In December 1926 the couple left Sydney to visit Paris and London, and then travel through the Pyrenees to Spain. They returned to Sydney in spring of 1928.

The Great Depression in the early 1930s crimped the family's income. This forced James and Dora to rent out the house they had built at Seaforth, a suburb of northern Sydney, and to move to the country where the cost of living was lower. Still, by 1936 James had a studio at Mosman.

From 1916 to 1933 Jackson was a member of the Australian Art Association, Melbourne. He was one of the first Fellows (1922) of the Royal Art Society of New South Wales, and he became life vice-president in 1965. In 1937 Jackson helped found the Australian Academy of Art and exhibited there until 1946.

In 1942 Jackson joined the camouflage section of the Department of Defence. He remained there until the authorities discovered his true age and dismissed him for being over-age.[1]

In 1947 he and Dora divorced. At the time, they had two children, a son and a daughter. In 1991, his daughter Jacqueline, published a biography of her father.

After his divorce James lived alone and continued to paint. He finally died in Sydney on 9 September 1975.

Art

While living on the North Shore, Jackson painted many landscapes and seascapes of Sydney harbour, both in oils and watercolour. An example of this is The Harbour, Neutral Bay, Sydney; a view of Sydney Harbour from Kurraba Point, Neutral Bay, depicting the beginnings of high-rise development in the suburb in the early 20th century. Sydney Harbour and surrounds provided Jackson with many scenes for his canvas and were popular with collectors. A year after his death, Christie's in London auctioned two pictures by J.R. Jackson of Sydney Harbour. “A London dealer paid $1,794 for a painting of Clontarf, and a private buyer paid $1,617 for a painting of old Cremorne.”[2] His early work showed the influence of Impressionism. Then when he lived in the countryside during the Great Depression, he painted landscapes, mostly in oils.

Prizes awarded

Jackson exhibited continuously from 1907 until the early 1970’s, principally in Sydney,  Melbourne, and Brisbane, but also in London and Paris. His landscapes were finalists in the Wynne Prize many times. Below is a list of prizes[3] won by Jackson during his lengthy career.

1924 Manly Art Prize.

1929 Prize in State Theatre Art Quest.

1942 George MacKay Prize.

1960 Prize in Royal Agricultural Society Easter Show, Sydney.

1960 Prize in Royal Agricultural Society Easter Show, Sydney.

1961 Winner of the W.D. & H.O. Wills Art Competition with 'Luna Park'.

1962 Manly Art Prize.

1962 Grafton Art Prize.

National, State, and regional galleries across Australia hold works by Jackson. The National Gallery of Australia hold Morning in the Studio, c1917.

The Art Gallery of New South Wales hold 16 works, including the landscape The old road, South Coast, 1934.

The State Library of New South Wales hold 3 works including Milsons Point, ca. 1960.

The National Gallery of Victoria hold 4 works, including Bridge at Chioggia, Venice, 1907.

Castlemaine Art Museum (Vic.) hold 1 work, Reflections, 1916.

Mosman Art Gallery, Sydney hold 4 works, including Sydney Harbour, 1965.

The New England Regional Art Museum hold 2 works from a trip to Spain in 1907. Spanish Patio, and Passeo Pollenza, Spain.

Citations and references

Citations

  1. ^ Pearce, cited in Behrens (2009), p.156.
  2. ^ "Two Pictures by James Ranalph Jackson". Canberra Times. 25 October 1976. p. 9.
  3. ^ Jamieson Family (5 July 2021). "Curriculum Vitae of James Ranalph Jackson (1882 - 1975)". James R. Jackson & Dora Toovey: Two Twentieth Century Australian Artists.{{cite web}}: CS1 maint: url-status (link)

References

  • Behrens, Roy R. (2009) Camoupedia: a compendium of research on art, architecture and camouflage. (Dysart, Iowa: Bobolink Books). ISBN 978-0-9713244-6-6
  • Jackson, Jacqueline (1991) James R. Jackson: art was his life. (Bay Books). ISBN 1863780246
  • Pearce, Barry, 'Jackson, James Ranalph (1882–1975)', Australian Dictionary of Biography, National Centre of Biography, Australian National University.[1] - accessed 9 October 2012.