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Line 8: Line 8:
|[[Johnathon Aaron]] || "The Voice from Paxos" || ''[[The New York Review of Books]]''
|[[Johnathon Aaron]] || "The Voice from Paxos" || ''[[The New York Review of Books]]''
|-
|-
|[[Ai]] || "Evidence: From a Reporter's Notebook" || '' Pequod
|[[Ai]] || "Evidence: From a Reporter's Notebook" || '' Pequod''
|-
|-
|[[Dick Allen]] || "Talking with Poets" || ''The Hudson Review
|[[Dick Allen]] || "Talking with Poets" || ''The Hudson Review''
|-
|-
|[[Julia Alvarez]] || "Bookmaking" || ''Green Mountains Review
|[[Julia Alvarez]] || "Bookmaking" || ''Green Mountains Review''
|-
|-
|[[John Ash]] || "Cigarettes" || ''Mudfish
|[[John Ash]] || "Cigarettes" || ''Mudfish''
|-
|-
|[[John Ashbery]] || "Of Dreams and Dreaming" || ''Grand Street
|[[John Ashbery]] || "Of Dreams and Dreaming" || ''Grand Street''
|-
|-
|[[George Bradley]] || "Great Stone Face" || ''Partisan Review
|[[George Bradley]] || "Great Stone Face" || ''[[Partisan Review]]''
|-
|-
|[[Joseph Brodsky]] || "In Memory of My Father: Australia" || ''[[The New Yorker]]''
|[[Joseph Brodsky]] || "In Memory of My Father: Australia" || ''[[The New Yorker]]''
Line 24: Line 24:
|[[Gerald Burns]] || "Double Sonnet for Mickey" || ''Temblor''
|[[Gerald Burns]] || "Double Sonnet for Mickey" || ''Temblor''
|-
|-
|[[Amy Clampitt]] || "A Whippoorwill in the Woods" || ''Boulevard
|[[Amy Clampitt]] || "A Whippoorwill in the Woods" || ''Boulevard''
|-
|-
|[[Marc Cohen]] || "Blue Lonely Dreams" || ''[[The Paris Review]]''
|[[Marc Cohen]] || "Blue Lonely Dreams" || ''[[The Paris Review]]''
Line 30: Line 30:
|[[Alfred Corn]] || "Infernal Regions and the Invisible Girl" || ''Poetry''
|[[Alfred Corn]] || "Infernal Regions and the Invisible Girl" || ''Poetry''
|-
|-
|[[Stephen Dobyns]] || "Desire" || ''Antaeus
|[[Stephen Dobyns]] || "Desire" || ''Antaeus''
|-
|-
|[[Stephen Dunn]] || "Bringing It Down" || ''The Georgia Review''
|[[Stephen Dunn]] || "Bringing It Down" || ''The Georgia Review''
|-
|-
|[[Carolyn Forche]] || "The Recording Angel" || ''Antaeus
|[[Carolyn Forche]] || "The Recording Angel" || ''Antaeus''
|-
|-
|[[Alice Fulton]] || "The Fractal Lanes" || ''[[Yale Review|The Yale Review]]''
|[[Alice Fulton]] || "The Fractal Lanes" || ''[[Yale Review|The Yale Review]]''
|-
|-
|[[Louise Glück]] || "Celestial Music" || ''New Letters
|[[Louise Glück]] || "Celestial Music" || ''New Letters''
|-
|-
|[[Jorie Graham]] || "The Phase After History" || ''The Paris Review
|[[Jorie Graham]] || "The Phase After History" || ''[[The Paris Review]]''
|-
|-
|[[Melissa Green]] || "The Consolation of Boethius" || ''The Paris Review
|[[Melissa Green]] || "The Consolation of Boethius" || ''[[The Paris Review]]''
|-
|-
|[[Debora Greger]] || "The Afterlife" || ''[[The New Yorker]]''
|[[Debora Greger]] || "The Afterlife" || ''[[The New Yorker]]''
Line 48: Line 48:
|[[Linda Gregerson]] || "Safe" || ''[[The Atlantic Monthly]]''
|[[Linda Gregerson]] || "Safe" || ''[[The Atlantic Monthly]]''
|-
|-
|[[Allen Grossman]] || "The Ether Dome (An Entertainment)" || ''Western Humanities Review
|[[Allen Grossman]] || "The Ether Dome (An Entertainment)" || ''Western Humanities Review''
|-
|-
|[[Thom Gunn]] || "The Beautician" || ''[[Ploughshares]]''
|[[Thom Gunn]] || "The Beautician" || ''[[Ploughshares]]''
|-
|-
|[[Donald Hall]] || "Tubes" || ''Boulevard
|[[Donald Hall]] || "Tubes" || ''Boulevard''
|-
|-
|[[Brooks Haxton]] || "Garden" || ''[[The Atlantic Monthly]]''
|[[Brooks Haxton]] || "Garden" || ''[[The Atlantic Monthly]]''
Line 62: Line 62:
|[[Paul Hoover]] || "Desire" || ''O.blek''
|[[Paul Hoover]] || "Desire" || ''O.blek''
|-
|-
|[[Ron Horning]] || "Second Nature" || ''The New Yorker''
|[[Ron Horning]] || "Second Nature" || ''[[The New Yorker]]''
|-
|-
|[[Richard Howard]] || "What Word Did the Greeks Have for It?" || ''The Threepenny Review''
|[[Richard Howard]] || "What Word Did the Greeks Have for It?" || ''The Threepenny Review''
Line 88: Line 88:
|[[Laurence Lieberman]] || "Dark Songs: Slave House and Synagogue" || ''Pequod''
|[[Laurence Lieberman]] || "Dark Songs: Slave House and Synagogue" || ''Pequod''
|-
|-
|[[Elizabeth Macklin]] || "At the Classics Teacher's" || ''[[The New Yorker]]
|[[Elizabeth Macklin]] || "At the Classics Teacher's" || ''[[The New Yorker]]''
|-
|-
|[[J. D. McClatchy]] || "An Essay on Friendship" || ''Poetry''
|[[J. D. McClatchy]] || "An Essay on Friendship" || ''Poetry''
Line 98: Line 98:
|[[Susan Mitchell]] || "Sky of Clouds" || ''Provincetown Arts''
|[[Susan Mitchell]] || "Sky of Clouds" || ''Provincetown Arts''
|-
|-
|[[Gary Mitchner]] || "Benedick's Complaints:<br/> Ado About Nothing" || ''Western Humanities Review
|[[Gary Mitchner]] || "Benedick's Complaints:<br/> Ado About Nothing" || ''Western Humanities Review''
|-
|-
|[[A. F. Moritz]] || "Protracted Episode" || ''Southwest Review
|[[A. F. Moritz]] || "Protracted Episode" || ''Southwest Review''
|-
|-
|[[Thylias Moss]] || "Lunchcounter Freedom" || ''Gargoyle
|[[Thylias Moss]] || "Lunchcounter Freedom" || ''Gargoyle''
|-
|-
|[[Joyce Carol Oates]] || "Edward Hopper's Nighthawks, 1942" || ''[[Yale Review|The Yale Review]]''
|[[Joyce Carol Oates]] || "Edward Hopper's Nighthawks, 1942" || ''[[Yale Review|The Yale Review]]''

Revision as of 22:23, 25 January 2007

The Best American Poetry 1991 was edited by David Lehman and by guest editor Mark Strand.

Poets and poems included

Poet Poem Where poem previously appeared
Johnathon Aaron "The Voice from Paxos" The New York Review of Books
Ai "Evidence: From a Reporter's Notebook" Pequod
Dick Allen "Talking with Poets" The Hudson Review
Julia Alvarez "Bookmaking" Green Mountains Review
John Ash "Cigarettes" Mudfish
John Ashbery "Of Dreams and Dreaming" Grand Street
George Bradley "Great Stone Face" Partisan Review
Joseph Brodsky "In Memory of My Father: Australia" The New Yorker
Gerald Burns "Double Sonnet for Mickey" Temblor
Amy Clampitt "A Whippoorwill in the Woods" Boulevard
Marc Cohen "Blue Lonely Dreams" The Paris Review
Alfred Corn "Infernal Regions and the Invisible Girl" Poetry
Stephen Dobyns "Desire" Antaeus
Stephen Dunn "Bringing It Down" The Georgia Review
Carolyn Forche "The Recording Angel" Antaeus
Alice Fulton "The Fractal Lanes" The Yale Review
Louise Glück "Celestial Music" New Letters
Jorie Graham "The Phase After History" The Paris Review
Melissa Green "The Consolation of Boethius" The Paris Review
Debora Greger "The Afterlife" The New Yorker
Linda Gregerson "Safe" The Atlantic Monthly
Allen Grossman "The Ether Dome (An Entertainment)" Western Humanities Review
Thom Gunn "The Beautician" Ploughshares
Donald Hall "Tubes" Boulevard
Brooks Haxton "Garden" The Atlantic Monthly
Daniel Hoffman "Who We Are" Grand Street
John Hollander "The See-Saw" The New Republic
Paul Hoover "Desire" O.blek
Ron Horning "Second Nature" The New Yorker
Richard Howard "What Word Did the Greeks Have for It?" The Threepenny Review
Josephine Jacobsen "The Woods" Ploughshares
Donald Justice "Body and Soul" Antaeus
Vickie Karp "Elegy" The New Yorker
Robert Kelly "A Flower for the New Year" O.blek
Jane Kenyon "Let Evening Come" Harvard Magazine
Karl Kirchwey "The Diva's First Song
(White's Hotel, London)"		 Partisan Review
Carolyn Kizer "Marriage Song" Antaeus
Kenneth Koch "A Time Zone" The Paris Review
John Koethe "Morning in America" American Poetry Review
Mark Levine "Work Song" The New Yorker
Laurence Lieberman "Dark Songs: Slave House and Synagogue" Pequod
Elizabeth Macklin "At the Classics Teacher's" The New Yorker
J. D. McClatchy "An Essay on Friendship" Poetry
James McManus "Smash and Scatteration" New American Writing
James Merrill "The 'Ring' Cycle" The New Yorker
Susan Mitchell "Sky of Clouds" Provincetown Arts
Gary Mitchner "Benedick's Complaints:
Ado About Nothing"		 Western Humanities Review
A. F. Moritz "Protracted Episode" Southwest Review
Thylias Moss "Lunchcounter Freedom" Gargoyle
Joyce Carol Oates "Edward Hopper's Nighthawks, 1942" The Yale Review
Bob Perelman "Chronic Meanings" Temblor
Robert Polito "Evidence" Pequod
Katha Pollitt "Night Subway" The New Republic
Susan Prospere "Into the Open" The New Yorker
Jack Roberts "The New Reforms" Sites
Sherod Santos "Two Poems" The New Yorker
Lloyd Schwartz "Leaves" The New Republic
Robyn Selman "Past Lives" Ploughshares
David Shapiro "The Seasons" American Poetry Review
Laurie Sheck "Living Color" Ploughshares
Charles Simic "Country Fair" The New Yorker
David R. Slavitt "The Wound" Boulevard
Charlie Smith "The Woman as Figure" New American Writing
Elizabeth Spires "The Haiku Master" The New Criterion
David St. John "Merlin" Antaeus
Ruth Stone "For Seven Women" Boulevard
Patricia Storace "War Movie: Last Leave, 1944" Ploughshares
James Tate "I Am a Finn" Iowa Review
Molly Tenenbaum "Reminiscence Forward" Fine Madness
David Trinidad "Reruns" Brooklyn Review
Chase Twichell "Revenge" Antaeus
Derek Walcott "Omeros" Partisan Review
Rosanna Warren "Song" The Atlantic Monthly
Susan Wheeler "Lasting Influence" The Paris Review
Charles Wright "Reading Lao Tzu Again
in the New Year"		 Poetry

See also

Notes



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