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| alias =
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| birth_date = {{birth date|mf=yes|1928|12|18}}
| birth_date = {{birth date|mf=yes|1928|12|18}}
| birth_place = [[Houston, Texas]], U.S.
| birth_place = [[Houston]], [[Texas]], U.S.
| origin =
| origin =
| death_date = {{death date and age|mf=yes|2001|7|27|1928|12|18}}
| death_date = {{death date and age|mf=yes|2001|7|27|1928|12|18}}
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'''Harold de Vance Land''' (December 18, 1928 &ndash; July 27, 2001)<ref name="Dead"/> was an American [[hard bop]] and [[post-bop]] [[tenor saxophonist]]. Land developed his hard bop playing with the [[Max Roach]]/[[Clifford Brown]] band into a personal, modern style; often rivalling Clifford Brown's instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility.<ref name=ALLMUSIC>[{{Allmusic|class=artist|id=p6937/biography|pure_url=yes}} Allmusic Biography]</ref>
'''Harold de Vance Land''' (December 18, 1928 – July 27, 2001)<ref name="Dead"/> was an American [[hard bop]] and [[post-bop]] [[tenor saxophonist]]. Land developed his hard bop playing with the [[Max Roach]]/[[Clifford Brown]] band into a personal, modern style; often rivalling Clifford Brown's instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility.<ref name=ALLMUSIC>https://www.allmusic.com/artist/harold-land-mn0000665944/biography</ref>


==Biography==
==Biography==
Land was born in [[Houston]] and grew up in [[San Diego]]. He started playing at the age of 16. He made his first recording as the leader of the Harold Land All-Stars, for [[Savoy Records]] in 1949. In 1954 he joined the [[Clifford Brown]]/[[Max Roach]] Quintet, with whom he was at the forefront of the hard-bop/bebop movement.<ref name="latimes.com">[http://articles.latimes.com/1994-10-11/entertainment/ca-49056_1_harold-land-jr latimes.com] - accessed July 2017</ref> The Land family moved from San Diego to Los Angeles in 1955. There he played with [[Curtis Counce]], led his own groups, and co-led groups with [[Bobby Hutcherson]], [[Blue Mitchell]], and [[Red Mitchell]]. From the 1970s onwards his style showed the influence of [[John Coltrane]].
Land was born in [[Houston]], [[Texas]], United States and grew up in [[San Diego]], [[California]].<ref name="LarkinJazz">{{cite book|title=[[Encyclopedia of Popular Music|The Guinness Who's Who of Jazz]]|editor=[[Colin Larkin (writer)|Colin Larkin]]|publisher=[[Guinness Publishing]]|date=1992|edition=First|isbn=0-85112-580-8|page=251/2}}</ref> He started playing at the age of 16. He made his first recording as the leader of the Harold Land All-Stars, for [[Savoy Records]] in 1949. In 1954, he joined the [[Clifford Brown]]/[[Max Roach]] Quintet, with whom he was at the forefront of the hard-bop/bebop movement.<ref name="latimes.com">http://articles.latimes.com/1994-10-11/entertainment/ca-49056_1_harold-land-jr</ref> The Land family moved from San Diego to [[Los Angeles]], in 1955. There he played with [[Curtis Counce]], led his own groups, and co-led groups with [[Bobby Hutcherson]], [[Blue Mitchell]], and [[Red Mitchell]].<ref name="LarkinJazz"/> From the 1970s onwards, his style showed the influence of [[John Coltrane]].


In the early 1980s through to the early 1990s he worked regularly with the Timeless All Stars, a group sponsored by the [[Timeless Records|Timeless]] jazz record label. The group consisted of Land on tenor, [[Cedar Walton]] on piano, [[Buster Williams]] on bass, [[Billy Higgins]] on drums, [[Curtis Fuller]] on trombone and [[Bobby Hutcherson]] on vibes. Land also toured with his own band during this time, often including his son, Harold Land Jr., on piano and usually featuring Bobby Hutcherson and Billy Higgins as well. During these years he played regularly at Hop Singh's in Marina Del Rey in the L.A. area and the [[Keystone Korner]] in San Francisco.<ref name="latimes.com"/>
In the early 1980s through to the early 1990s he worked regularly with the Timeless All Stars, a group sponsored by the [[Timeless Records|Timeless]] jazz record label. The group consisted of Land on tenor, [[Cedar Walton]] on piano, [[Buster Williams]] on bass, [[Billy Higgins]] on drums, [[Curtis Fuller]] on trombone and [[Bobby Hutcherson]] on vibes. Land also toured with his own band during this time, often including his son, Harold Land Jr., on piano and usually featuring Bobby Hutcherson and Billy Higgins as well. During these years he played regularly at Hop Singh's in Marina Del Rey in the L.A. area and the [[Keystone Korner]] in San Francisco.<ref name="latimes.com"/>
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Land was a professor at the [[University of California, Los Angeles]]. He joined the [[UCLA]] Jazz Studies Program as a lecturer in 1996 to teach instrumental jazz combo. "Harold Land was one of the major contributors in the history of the jazz saxophone," said jazz guitarist [[Kenny Burrell]], founder and director of the UCLA Jazz Studies Program.
Land was a professor at the [[University of California, Los Angeles]]. He joined the [[UCLA]] Jazz Studies Program as a lecturer in 1996 to teach instrumental jazz combo. "Harold Land was one of the major contributors in the history of the jazz saxophone," said jazz guitarist [[Kenny Burrell]], founder and director of the UCLA Jazz Studies Program.


Land died in July 2001, from a stroke, at the age of 72.<ref name="Dead">[http://thedeadrockstarsclub.com/2001.html Thedeadrockstarsclub.com] - accessed September 2010</ref>
Land died in July 2001, from a stroke, at the age of 72.<ref name="Dead">http://thedeadrockstarsclub.com/2001.html</ref>


The [[progressive rock]] band [[Yes (Band)|Yes]] included a song "Harold Land" on their eponymous [[Yes (Yes album)|debut album]] in 1969. In a news/blog post on 20 September 2010, [[Bill Bruford]] commented about the song - "Harold Land was a hard-bop tenor saxophone player, dead now, but quite why we named a song after him I can’t remember."<ref>[http://www.billbruford.com/news/archive.php Bill Bruford's official website] {{Webarchive|url=https://web.archive.org/web/20170704144221/http://www.billbruford.com/news/archive.php |date=2017-07-04 }} Retrieved 11 May 2013.</ref>
The [[progressive rock]] band [[Yes (Band)|Yes]] included a song "Harold Land" on their eponymous [[Yes (Yes album)|debut album]] in 1969. In a news/blog post on 20 September 2010, [[Bill Bruford]] commented about the song - "Harold Land was a hard-bop tenor saxophone player, dead now, but quite why we named a song after him I can't remember."<ref>https://web.archive.org/web/20170704144221/http://www.billbruford.com/news/archive.php</ref>


==Playing Style==
==Playing style==
⚫
Land had an inimitably dark tone within the hard-bop and [[modal jazz]] paradigms. Over time this would contrast more and more with the brighter tonalities of more Coltrane-influenced saxophonists, although Land started to implement Coltrane's musical innovations. Land's "dire, brooding [tenor saxophone] sound began somewhere between [[rhythm and blues]] and [[Coleman Hawkins]], and after the early 1960s owed more and more to John Coltrane's harmonies, phrasing and experiments with modalism."<ref name="Sound">https://www.nytimes.com/2001/07/30/arts/harold-land-73-saxophonist-who-made-a-splash-in-the-bop-era.html</ref>

⚫
Land had an inimitably dark tone within the hard-bop and [[modal jazz]] paradigms. Over time this would contrast more and more with the brighter tonalities of more Coltrane-influenced saxophonists, although Land started to implement Coltrane's musical innovations. Land's "dire, brooding [tenor saxophone] sound began somewhere between [[rhythm and blues]] and [[Coleman Hawkins]], and after the early 1960s owed more and more to John Coltrane's harmonies, phrasing and experiments with modalism."<ref name="Sound">[https://www.nytimes.com/2001/07/30/arts/harold-land-73-saxophonist-who-made-a-splash-in-the-bop-era.html nytimes.com] - accessed July 2017</ref>


==Discography==
==Discography==

===As leader===
===As leader===
* 1958: ''[[Harold in the Land of Jazz]]'' ([[Contemporary Records|Contemporary]])
* 1958: ''[[Harold in the Land of Jazz]]'' ([[Contemporary Records|Contemporary]])
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*[https://web.archive.org/web/20160303183335/http://www.music-city.org/Harold-Land/discography/ Harold Land discography]
*[https://web.archive.org/web/20160303183335/http://www.music-city.org/Harold-Land/discography/ Harold Land discography]
* {{Find a Grave|5860978}}
* {{Find a Grave|5860978}}

{{Harold Land|state=autocollapse}}
{{Harold Land|state=autocollapse}}
{{Authority control}}
{{Authority control}}

Revision as of 16:36, 29 July 2021

Harold Land
Harold Land at Bach Dancing & Dynamite Society, Half Moon Bay CA 1982
Background information
Born(1928-12-18)December 18, 1928
Houston, Texas, U.S.
DiedJuly 27, 2001(2001-07-27) (aged 72)
Los Angeles, U.S.
GenresJazz, Hard Bop, Post-Bop
InstrumentTenor Saxophone
Years active1954-2001

Harold de Vance Land (December 18, 1928 – July 27, 2001)[1] was an American hard bop and post-bop tenor saxophonist. Land developed his hard bop playing with the Max Roach/Clifford Brown band into a personal, modern style; often rivalling Clifford Brown's instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility.[2]

Biography

Land was born in Houston, Texas, United States and grew up in San Diego, California.[3] He started playing at the age of 16. He made his first recording as the leader of the Harold Land All-Stars, for Savoy Records in 1949. In 1954, he joined the Clifford Brown/Max Roach Quintet, with whom he was at the forefront of the hard-bop/bebop movement.[4] The Land family moved from San Diego to Los Angeles, in 1955. There he played with Curtis Counce, led his own groups, and co-led groups with Bobby Hutcherson, Blue Mitchell, and Red Mitchell.[3] From the 1970s onwards, his style showed the influence of John Coltrane.

In the early 1980s through to the early 1990s he worked regularly with the Timeless All Stars, a group sponsored by the Timeless jazz record label. The group consisted of Land on tenor, Cedar Walton on piano, Buster Williams on bass, Billy Higgins on drums, Curtis Fuller on trombone and Bobby Hutcherson on vibes. Land also toured with his own band during this time, often including his son, Harold Land Jr., on piano and usually featuring Bobby Hutcherson and Billy Higgins as well. During these years he played regularly at Hop Singh's in Marina Del Rey in the L.A. area and the Keystone Korner in San Francisco.[4]

Land was a professor at the University of California, Los Angeles. He joined the UCLA Jazz Studies Program as a lecturer in 1996 to teach instrumental jazz combo. "Harold Land was one of the major contributors in the history of the jazz saxophone," said jazz guitarist Kenny Burrell, founder and director of the UCLA Jazz Studies Program.

Land died in July 2001, from a stroke, at the age of 72.[1]

The progressive rock band Yes included a song "Harold Land" on their eponymous debut album in 1969. In a news/blog post on 20 September 2010, Bill Bruford commented about the song - "Harold Land was a hard-bop tenor saxophone player, dead now, but quite why we named a song after him I can't remember."[5]

Playing style

Land had an inimitably dark tone within the hard-bop and modal jazz paradigms. Over time this would contrast more and more with the brighter tonalities of more Coltrane-influenced saxophonists, although Land started to implement Coltrane's musical innovations. Land's "dire, brooding [tenor saxophone] sound began somewhere between rhythm and blues and Coleman Hawkins, and after the early 1960s owed more and more to John Coltrane's harmonies, phrasing and experiments with modalism."[6]

Discography

As leader

With the Timeless All Stars

As sideman

With Jimmy Bond

  • James Bond Songbook (Mirwood, 1966)

With Roy Ayers

With Clifford Brown and Max Roach

With Dolo Coker

With Curtis Counce

With Bill Evans

With Victor Feldman

With Ella Fitzgerald

With Red Garland

With Herb Geller

  • Fire in the West (Jubilee, 1957)

With Chico Hamilton

With Hampton Hawes

With Al Hibbler

  • Sings The Blues - Monday Every Day (Reprise, 1961)

With Billy Higgins

With Elmo Hope

With Freddie Hubbard

With Bobby Hutcherson

With Carmell Jones

  • The Remarkable Carmell Jones (Pacific Jazz 1961)
  • Business Meeting (Pacific Jazz 1962)

With Philly Joe Jones

With Les McCann

With Thelonious Monk

With Wes Montgomery

  • Montgomeryland (Pacific Jazz, 1958)
  • Wes, Buddy and Monk Montgomery (Pacific Jazz, 1959)
  • Easy Groove (Pacific Jazz, 1966)

With Blue Mitchell

With Donald Byrd

With Hampton Hawes

  • For Real! (Contemporary, 1958)

With Timeless All Stars (Cedar Walton, Curtis Fuller, Bobby Hutcherson, Buster Williams, Billy Higgins)

  • It's Timeless (Timeless, 1982)
  • Timeless Heart (Timeless, 1983)
  • Essence: The Timeless All Stars (Delos, 1986)
  • Time For the Timeless All Stars (Early Bird Records, 1991)

With Shorty Rogers

With Jack Sheldon

With Dinah Washington

With Gerald Wiggins

  • Wiggin' Out (HiFi Jazz, 1960)

With Gerald Wilson

With Jimmy Woods

References

  1. ^ a b http://thedeadrockstarsclub.com/2001.html
  2. ^ https://www.allmusic.com/artist/harold-land-mn0000665944/biography
  3. ^ a b Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. p. 251/2. ISBN 0-85112-580-8.
  4. ^ a b http://articles.latimes.com/1994-10-11/entertainment/ca-49056_1_harold-land-jr
  5. ^ https://web.archive.org/web/20170704144221/http://www.billbruford.com/news/archive.php
  6. ^ https://www.nytimes.com/2001/07/30/arts/harold-land-73-saxophonist-who-made-a-splash-in-the-bop-era.html
  7. ^ "Damisi, by Harold Land". Harold Land. Retrieved 2021-03-13.
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