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Katayama Bokuyo (片山牧羊, 1900 - 26 August 1937) was a Japanese painter of the nihonga style in the Meiji era.

Life

Katayama Bokuyo was born in Nagae Town in Onomichi in 1900 (Meiji 33) as Katayama Kenzo (健三, Bokuyo being the art name).^[1] His father, Katayama Tatsunosuke (片山辰之助), was a scholar of Chinese language.^[2] In 1915, he studied nanga in Osaka and calligraphy under Aikawa Sunzu (合川澄水). In 1917, studied Japanese painting under Tsurutomo Shoda (庄田鶴友) in Kyoto. He also learns calligraphy from Yamamoto Toyama(山本竟山). Around this time, he created a tanka collection 曼珠華沙. Tokyo in 1921 and entered the Tsutaya Ryusaki Juku / Tetsusuzusha, where he began to study Japanese painting in earnest under Tsutaya Ryuko. In 1927, his "Oboro" was awarded the grand prize (tokusen) at Japan's 8th annual Imperial Juried Exhibition (Teiten), ran by Imperial Fine Arts Academy. The next year, at 9th Exhibition, he showed The Forest, which awarded him the status of mukansa, literally "non-vetted," meaning that henceforth any painting he submitted to the annual exhibition would be automatically included.^[3] In 1929, he submitted Gyoson Shunrai (漁村春懶, literally "Fishing Village Spring Laziness). In this year, Yanagi Yoshitaka became his student. In 1930, he submitted Loneliness (破寂) to the 11th Teiten. In 1931, Yanagi changed his field to textile art and left Katayama's tutelage. Hideo Shiode moved to tokyo from Fukuyama and became Katayama's student. In 1931 he submitted Kagerou (かげろう, lit. Dragonfly) to the 12th Teiten, which was his last. In 1932, he returned to his wife's parents' home, Matsunaga-cho, Fukuyama. In 1935, he traveled to Saipan Island. (Returned to Japan in the same year) He passed away on August 26, 1937.^[4]

Gallery

Oboro (1927)
Gyoson Shunrai (1929)
Loneliness (1930)
Kagerou (1931年)

References

^ [1]
^ "春宵臥猫図". www.onomichi-museum.jp. Retrieved 2021-08-10.
^ "Forest, Katayama Bokuyō ^ Minneapolis Institute of Art". collections.artsmia.org. Retrieved 2021-08-10.
^ "片山牧羊 :: 東文研アーカイブデータベース". www.tobunken.go.jp. Retrieved 2021-08-10.

[:0-1] [1]

[:1-2] "春宵臥猫図". www.onomichi-museum.jp. Retrieved 2021-08-10.

[3] "Forest, Katayama Bokuyō ^ Minneapolis Institute of Art". collections.artsmia.org. Retrieved 2021-08-10.

[4] "片山牧羊 :: 東文研アーカイブデータベース". www.tobunken.go.jp. Retrieved 2021-08-10.

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 [[File:Katayama Bokuyo - Mori (Forest) - Google Art Project.jpg|thumb|The Forest (1928)]]
 '''Katayama Bokuyo''' (片山牧羊, [[1900]] - 26 August [[1937]]) was a Japanese painter of the [[nihonga]] style in the [[Meiji (era)|Meiji era]].
-庄田鶴友、蔦谷龍岬、[[荒木十畝]]に師事し、旧帝展特選1回入選3回に及んでゐた。
 == Life ==
-Katayama Bokuyo was born in Onomichi in Meiji 33. He studied painting under Tsutaya Ryuko. 1900年、[[尾道市]]長江町に生まれる。本名健三。<ref name=":0">[https://www.city.fukuyama.hiroshima.jp/site/fukuyama-museum/2903.html]</ref>父は漢学者の片山辰之助。<ref name=":1">{{Cite web|title=春宵臥猫図|url=https://www.onomichi-museum.jp/collection/nihonga/23.html|access-date=2021-08-10|website=www.onomichi-museum.jp}}</ref>1915年、大阪で南画を学ぶ。また、合川澄水に書道を学ぶ。1917年、京都で、庄田鶴友に師事し日本画を学ぶ。また、山本竟山に書道を学ぶ。この頃、[[短歌]]集『曼珠華沙』を作る。1921年上京し、蔦谷龍岬塾・鐸鈴社に入門、本格的に日本画を学びはじめる。In 1927, his "Oboro" was awarded the grand prize ''(tokusen'') at Japan's 8th annual Imperial Juried Exhibition (Teiten), ran by [[Japan Art Academy|Imperial Fine Arts Academy]]'''.''' The next year, at 9th Exhibition, he showed The Forest, which awarded him the status of mukansa, literally "non-vetted," meaning that henceforth any painting he submitted to the annual exhibition would be automatically included.<ref>{{Cite web|title=Forest, Katayama Bokuyō ^ Minneapolis Institute of Art|url=http://collections.artsmia.org/art/102774/forest-katayama-bokuyo|access-date=2021-08-10|website=collections.artsmia.org}}</ref> 久邇宮家の格天井に「曼珠沙華」を描く。In 1929, he submitted Gyoson Shunrai (漁村春懶, literally "Fishing Village Spring Laziness). [[柳悦孝]]が書生として入門。In 1930, he submitted Loneliness (破寂) to the 11th Teiten. 1931年、柳悦孝が日本画から工芸に転じ、書生をやめる。[[塩出英雄]]が福山から上京し門下生となる。In 1931 he submitted Kagerou (かげろう, lit. Dragonfly)  to the 12th Teiten, which was his last. 再び帝展に姿をみせることはなかった。1932年、妻の実家、福山市松永町に帰郷する。1935年、[[サイパン島]]に旅行する。（同年帰国）1937年8月26日、逝去。<ref>{{Cite web|title=片山牧羊 :: 東文研アーカイブデータベース|url=https://www.tobunken.go.jp/materials/bukko/8463.html|access-date=2021-08-10|website=www.tobunken.go.jp}}</ref>
+Katayama Bokuyo was born in Nagae Town in [[Onomichi]] in 1900 (Meiji 33) as Katayama Kenzo (健三, Bokuyo being the [[art name]]).<ref name=":0">[https://www.city.fukuyama.hiroshima.jp/site/fukuyama-museum/2903.html]</ref> His father, Katayama Tatsunosuke (片山辰之助), was a scholar of Chinese language.<ref name=":1">{{Cite web|title=春宵臥猫図|url=https://www.onomichi-museum.jp/collection/nihonga/23.html|access-date=2021-08-10|website=www.onomichi-museum.jp}}</ref> In 1915, he studied [[Nanga (Japanese painting)|nanga]] in Osaka and calligraphy under Aikawa Sunzu (合川澄水). In 1917, studied Japanese painting under Tsurutomo Shoda (庄田鶴友) in Kyoto. He also learns calligraphy from Yamamoto Toyama(山本竟山). Around this time, he created a tanka collection 曼珠華沙. Tokyo in 1921 and entered the Tsutaya Ryusaki Juku / Tetsusuzusha, where he began to study Japanese painting in earnest under Tsutaya Ryuko. In 1927, his "Oboro" was awarded the grand prize ''(tokusen'') at Japan's 8th annual Imperial Juried Exhibition (Teiten), ran by [[Japan Art Academy|Imperial Fine Arts Academy]]'''.''' The next year, at 9th Exhibition, he showed The Forest, which awarded him the status of mukansa, literally "non-vetted," meaning that henceforth any painting he submitted to the annual exhibition would be automatically included.<ref>{{Cite web|title=Forest, Katayama Bokuyō ^ Minneapolis Institute of Art|url=http://collections.artsmia.org/art/102774/forest-katayama-bokuyo|access-date=2021-08-10|website=collections.artsmia.org}}</ref> In 1929, he submitted Gyoson Shunrai (漁村春懶, literally "Fishing Village Spring Laziness). In this year, [[:ja:柳悦孝|Yanagi Yoshitaka]] became his student. In 1930, he submitted Loneliness (破寂) to the 11th Teiten. In 1931, Yanagi changed his field to textile art and left Katayama's tutelage. [[:ja:塩出英雄|Hideo Shiode]] moved to tokyo from Fukuyama and became Katayama's student. In 1931 he submitted Kagerou (かげろう, lit. Dragonfly)  to the 12th Teiten, which was his last. In 1932, he returned to his wife's parents' home, Matsunaga-cho, Fukuyama. In 1935, he traveled to Saipan Island. (Returned to Japan in the same year) He passed away on August 26, 1937.<ref>{{Cite web|title=片山牧羊 :: 東文研アーカイブデータベース|url=https://www.tobunken.go.jp/materials/bukko/8463.html|access-date=2021-08-10|website=www.tobunken.go.jp}}</ref>
-牧羊は「[[幽玄]]」をキーワードに作品の構想を練り、能の世界観のようなものを表出しようと苦心した画家でした。片山牧羊の画壇での実質的な活躍は、昭和2年から6年までの5年間と短いものでした。病のため志半ばで絶たれた悲運の画家といえます。そのため、遺された作品は非常に少なく、優品となるとさらに希少となります。
 == Gallery ==
 <gallery>