Bokuyō Katayama: Difference between revisions
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[[File:Katayama Bokuyo - Mori (Forest) - Google Art Project.jpg|thumb|The Forest (1928)]] |
[[File:Katayama Bokuyo - Mori (Forest) - Google Art Project.jpg|thumb|The Forest (1928)]] |
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{{Nihongo|'''Bokuyō Katayama'''|片山牧羊|Katayama Bokuyō|born 1900, died 26 August 1937|lead=yes}} was a Japanese painter of the [[nihonga]] style active in the [[Shōwa (1926–1989)|Shōwa era]]. Bokuyō claimed [[Yugen]] as the keyword of his art, and used traditional materials such as silk, ink and mineral pigments to draw traditional subjects of Japanese art with influence of Western painting.<ref name="onomichi" /><ref name="mia" /> |
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== Life == |
== Life == |
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Bokuyō Katayama was born in Nagae Town in [[Onomichi]] in 1900 (Meiji 33) as Kenzō Katayama (Bokuyō was his [[art name]]).<ref name="fukuyama">{{cite web|title=コレクションII：瀬戸内圏関連 - 福山市ホームページ|url=https://www.city.fukuyama.hiroshima.jp/site/fukuyama-museum/2903.html|url-status=live|language=ja}}</ref> His father, Tatsunosuke Katayama, was a scholar of Chinese language.<ref name="onomichi">{{Cite web|title=春宵臥猫図|url=https://www.onomichi-museum.jp/collection/nihonga/23.html|url-status=live|access-date=2021-08-10|website=www.onomichi-museum.jp|language=ja}}</ref> Starting from 1915, he studied [[Nanga (Japanese painting)|nanga]] in Osaka and calligraphy under Sunzu Aikawa. Since 1917, he studied Japanese painting under Tsurutomo Shoda in Kyoto. He also learned calligraphy from Toyama Yamamoto. Around this time, he created a tanka collection 曼珠華沙. Bokuyō moved to Tokyo in 1921, where he began to study Japanese painting in earnest under Tsutaya Ryuko.<ref name="onomichi" /> |
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In 1927, his "Oboro" (currently in collection of [[Hiroshima Prefectural Art Museum]])<ref>{{Cite web|title=広島県立美術館 on Twitter|url=http://twitter.com/h_pref/status/1397858786421874689|url-status=live|access-date=2021-08-10|website=Twitter|language=ja}}</ref> was awarded the grand prize (''tokusen'') at Japan's 8th annual Imperial Juried Exhibition ({{ill|日展|lt=Teiten|ja}}), ran by [[Japan Art Academy|Imperial Fine Arts Academy]]. The next year, at 9th Exhibition, he showcased "The Forest" (currently in collection of [[Minneapolis Institute of Art]]), which awarded him the status of ''mukansa'', (literally "non-vetted"), meaning that any work he would submit to the next exhibitions would be automatically included.<ref name="mia">{{Cite web|title=Forest, Katayama Bokuyō ^ Minneapolis Institute of Art|url=http://collections.artsmia.org/art/102774/forest-katayama-bokuyo|access-date=2021-08-10|website=collections.artsmia.org}}</ref> In 1929, he showcased ''Gyoson Shunrai'' (漁村春懶, currently in collection of [[Fukuyama, Hiroshima|Fukuyama]] Museum of Art).<ref name="fukuyama" /> In this year, {{ill|柳悦孝|lt= |
In 1927, his "Oboro" (currently in collection of [[Hiroshima Prefectural Art Museum]])<ref>{{Cite web|title=広島県立美術館 on Twitter|url=http://twitter.com/h_pref/status/1397858786421874689|url-status=live|access-date=2021-08-10|website=Twitter|language=ja}}</ref> was awarded the grand prize (''tokusen'') at Japan's 8th annual Imperial Juried Exhibition ({{ill|日展|lt=Teiten|ja}}), ran by [[Japan Art Academy|Imperial Fine Arts Academy]]. The next year, at 9th Exhibition, he showcased "The Forest" (currently in collection of [[Minneapolis Institute of Art]]), which awarded him the status of ''mukansa'', (literally "non-vetted"), meaning that any work he would submit to the next exhibitions would be automatically included.<ref name="mia">{{Cite web|title=Forest, Katayama Bokuyō ^ Minneapolis Institute of Art|url=http://collections.artsmia.org/art/102774/forest-katayama-bokuyo|access-date=2021-08-10|website=collections.artsmia.org}}</ref> In 1929, he showcased ''Gyoson Shunrai'' (漁村春懶, currently in collection of [[Fukuyama, Hiroshima|Fukuyama]] Museum of Art).<ref name="fukuyama" /> In this year, {{ill|柳悦孝|lt=Yoshitaka Yanagi|ja|}} became his student. In 1930, he submitted Loneliness (破寂) to the 11th Teiten. In 1931, Yanagi changed his field to textile art and left Bokuyō's tutelage. His place was taken by {{ill|塩出英雄|lt=Hideo Shiode|ja|}} who moved to Tokyo from Fukuyama to study painting. In 1931, Bokuyō submitted Kagerou (かげろう) to the 12th Teiten. It was his last exhibition, with his career being cut short there by an illness.<ref name="onomichi" /> In 1932, he returned to his wife's parents' home in [[Fukuyama, Hiroshima]].<ref name="onomichi" /> In 1935, he traveled to [[Saipan]], and returned to Japan in the same year. He passed away because of his illness on August 26, 1937.<ref name="tobunken">{{Cite web|title=片山牧羊 :: 東文研アーカイブデータベース|url=https://www.tobunken.go.jp/materials/bukko/8463.html|url-status=live|access-date=2021-08-10|website=www.tobunken.go.jp|language=ja}}</ref> |
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== Gallery == |
== Gallery == |
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Revision as of 23:37, 15 August 2021
_-_Google_Art_Project.jpg)
Bokuyō Katayama (Japanese: 片山牧羊, Hepburn: Katayama Bokuyō, born 1900, died 26 August 1937) was a Japanese painter of the nihonga style active in the Shōwa era. Bokuyō claimed Yugen as the keyword of his art, and used traditional materials such as silk, ink and mineral pigments to draw traditional subjects of Japanese art with influence of Western painting.[1][2]
Life
Bokuyō Katayama was born in Nagae Town in Onomichi in 1900 (Meiji 33) as Kenzō Katayama (Bokuyō was his art name).[3] His father, Tatsunosuke Katayama, was a scholar of Chinese language.[1] Starting from 1915, he studied nanga in Osaka and calligraphy under Sunzu Aikawa. Since 1917, he studied Japanese painting under Tsurutomo Shoda in Kyoto. He also learned calligraphy from Toyama Yamamoto. Around this time, he created a tanka collection 曼珠華沙. Bokuyō moved to Tokyo in 1921, where he began to study Japanese painting in earnest under Tsutaya Ryuko.[1]
In 1927, his "Oboro" (currently in collection of Hiroshima Prefectural Art Museum)[4] was awarded the grand prize (tokusen) at Japan's 8th annual Imperial Juried Exhibition (Teiten), ran by Imperial Fine Arts Academy. The next year, at 9th Exhibition, he showcased "The Forest" (currently in collection of Minneapolis Institute of Art), which awarded him the status of mukansa, (literally "non-vetted"), meaning that any work he would submit to the next exhibitions would be automatically included.[2] In 1929, he showcased Gyoson Shunrai (漁村春懶, currently in collection of Fukuyama Museum of Art).[3] In this year, Yoshitaka Yanagi became his student. In 1930, he submitted Loneliness (破寂) to the 11th Teiten. In 1931, Yanagi changed his field to textile art and left Bokuyō's tutelage. His place was taken by Hideo Shiode who moved to Tokyo from Fukuyama to study painting. In 1931, Bokuyō submitted Kagerou (かげろう) to the 12th Teiten. It was his last exhibition, with his career being cut short there by an illness.[1] In 1932, he returned to his wife's parents' home in Fukuyama, Hiroshima.[1] In 1935, he traveled to Saipan, and returned to Japan in the same year. He passed away because of his illness on August 26, 1937.[5]
Gallery
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Oboro (1927) -
Gyoson Shunrai (1929) -
Loneliness (1930) -
Kagerou (1931年)
References
- ^ a b c d e "春宵臥猫図". www.onomichi-museum.jp (in Japanese). Retrieved 2021-08-10.
{{cite web}}: CS1 maint: url-status (link) - ^ a b "Forest, Katayama Bokuyō ^ Minneapolis Institute of Art". collections.artsmia.org. Retrieved 2021-08-10.
- ^ a b "コレクションII：瀬戸内圏関連 - 福山市ホームページ" (in Japanese).
{{cite web}}: CS1 maint: url-status (link) - ^ "広島県立美術館 on Twitter". Twitter (in Japanese). Retrieved 2021-08-10.
{{cite web}}: CS1 maint: url-status (link) - ^ "片山牧羊 :: 東文研アーカイブデータベース". www.tobunken.go.jp (in Japanese). Retrieved 2021-08-10.
{{cite web}}: CS1 maint: url-status (link)