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At his father's death he inherited a fortune estimated at 33,000,000 ''livres''.<ref>F. J. B. Watson, "A French Eighteenth-Century Room for Jerusalem", ''The Burlington Magazine'' '''111''' No. 801, (December 1969:758-761) p. 768.</ref> His sensational bankruptcy in 1751, which involved [[Voltaire]] in a loss of 80,000 ''livres'' representing 8,000 ''livres'' of income,<ref>V[ictor]. de S[warte], "Samuel Bernard" in ''Réunion des sociétés des beaux-arts des départements'' '''17''' (1893:293-300); includes rancorous quotes from Voltaire's correspondence.
At his father's death he inherited a fortune estimated at 33,000,000 ''livres''.<ref>F. J. B. Watson, "A French Eighteenth-Century Room for Jerusalem", ''The Burlington Magazine'' '''111''' No. 801, (December 1969:758-761) p. 768.</ref> His sensational bankruptcy in 1751, which involved [[Voltaire]] in a loss of 80,000 ''livres'' representing 8,000 ''livres'' of income,<ref>V[ictor]. de S[warte], "Samuel Bernard" in ''Réunion des sociétés des beaux-arts des départements'' '''17''' (1893:293-300); includes rancorous quotes from Voltaire's correspondence.
</ref> did not interrupt his career as a ''grand seigneur'',<ref>Jal 1867.</ref> though the estate at his death remained deeply in debt. His richly furnished ''[[hôtel particulier]]'' was designed by [[Germain Boffrand]] and built in 1741-45 at 46, [[rue du Bac]], backing onto the Paris.<ref>The entrance alone survives in rue du Bac; the ''[[corps de logis]]'' was demolished in the extension of [[Boulevard Saint-Germain]] (Pierre Verlet , ''The Eighteenth century in France: society, decoration, furniture,'' 1967:14); see Bruno Pons, "Hôtel de Samuel Jacques Bernard," in ''Le faubourg Saint- Germain: la rue du Bac'', exhibition catalogue, Paris 1991; Charles Duplomb, ''La rue du Bac'' 1894:39-42</ref> He filled it with works of art. For the dining-room, panelled in oak left its natural color (''à la capucine''), [[Jean-Baptiste Oudry]] painted in 1742 two large canvases with hunting dogs, which rank among Oudry's most splendid decorations.<ref>According to Hal N. Opperman, ''J.-B. Oudry, 1686-1755'' 1983:174.</ref> They now hang in the [[Palais Rohan, Strasbourg|Palais Rohan]] in [[Strasbourg]]. The white-and-gold ''[[boiserie]]s'' of the grand salon, with their [[overdoor]]s of the [[Four Continents]] painted by four painters who were providing [[Cartoon|tapestry cartoons]] for the looms at [[Aubusson tapestry|Aubusson]]: [[Jacques Dumont le Romain]], [[Charles-Joseph Natoire]], [[Charles Restout]] and [[Carle Van Loo]],<ref>For the Aubusson connection, see George Leland Hunter, ''Tapestries; Their Origin, History And Renaissance'', "French Looms, The Gobelins: Beauvais: Aubusson. Part 6" ([http://chestofbooks.com/crafts/needlework/Tapestries-History/French-Looms-The-Gobelins-Beauvais-Aubusson-Part-6.html on-line text]).</ref> are now installed in the [[Israel Museum]], Jerusalem.<ref>The ''hôtel'' in the rue du Bac was demolished in 1887 for completion of the [[Boulevard Saint-Germain]] (1893:297; the ''boiserie'' was the gift of baron Edmond de Rothschild (Watson 1969:758-761).</ref> Books and manuscripts from his extensive library, dispersed at auction in 1754 and 1756,<ref>François Moureau, "Encore ces maessieurs de Rieu," in ''La lettre clandestine no. 3'' (Paris:Sorbonne) 1999:296 and note 2.</ref> are recognizable from the arms surrounded by the collar of the Order of Saint-Louis and the motto ''Bellicae vitutis praemium'' stamped on their rich bindings.<ref>Ernest Coyecque, "Manuscrits du [[Tribunal de Commerce]] de la Seine", in ''Revue des bibliothèques'' '''3''' 1893:98 and notes,</ref>
</ref> did not interrupt his career as a ''grand seigneur'',<ref>Jal 1867.</ref> though the estate at his death remained deeply in debt. His richly furnished ''[[hôtel particulier]]'' was designed by [[Germain Boffrand]] and built in 1741-45 at 46, [[rue du Bac]], backing onto the Paris.<ref>The entrance alone survives in rue du Bac; the ''[[corps de logis]]'' was demolished in the extension of [[Boulevard Saint-Germain]] (Pierre Verlet , ''The Eighteenth century in France: society, decoration, furniture,'' 1967:14); see Bruno Pons, "Hôtel de Samuel Jacques Bernard," in ''Le faubourg Saint- Germain: la rue du Bac'', exhibition catalogue, Paris 1991; Charles Duplomb, ''La rue du Bac'' 1894:39-42</ref> He filled it with works of art. For the dining-room, panelled in oak left its natural color (''à la capucine''), [[Jean-Baptiste Oudry]] painted in 1742 two large canvases with hunting dogs, which rank among Oudry's most splendid decorations.<ref>According to Hal N. Opperman, ''J.-B. Oudry, 1686-1755'' 1983:174.</ref> They now hang in the [[Palais Rohan, Strasbourg|Palais Rohan]] in [[Strasbourg]]. The white-and-gold ''[[boiserie]]s'' of the grand salon, with their [[overdoor]]s of the [[Four Continents]] painted by four painters who were providing [[Cartoon|tapestry cartoons]] for the looms at [[Aubusson tapestry|Aubusson]]: [[Jacques Dumont le Romain]], [[Charles-Joseph Natoire]], [[Charles Restout]] and [[Carle Van Loo]],<ref>For the Aubusson connection, see George Leland Hunter, ''Tapestries; Their Origin, History And Renaissance'', "French Looms, The Gobelins: Beauvais: Aubusson. Part 6" ([http://chestofbooks.com/crafts/needlework/Tapestries-History/French-Looms-The-Gobelins-Beauvais-Aubusson-Part-6.html on-line text]).</ref> are now installed in the [[Israel Museum]], Jerusalem.<ref>The ''hôtel'' in the rue du Bac was demolished in 1887 for completion of the [[Boulevard Saint-Germain]] (1893:297; the ''boiserie'' was the gift of baron Edmond de Rothschild (Watson 1969:758-761).</ref> Books and manuscripts from his extensive library, dispersed at auction in 1754 and 1756,<ref>François Moureau, "Encore ces messieurs de Rieu," in ''La lettre clandestine no. 3'' (Paris:Sorbonne) 1999:296 and note 2.</ref> are recognizable from the arms surrounded by the collar of the Order of Saint-Louis and the motto ''Bellicae vitutis praemium'' stamped on their rich bindings.<ref>Ernest Coyecque, "Manuscrits du [[Tribunal de Commerce]] de la Seine", in ''Revue des bibliothèques'' '''3''' 1893:98 and notes,</ref>


==Notes==
==Notes==

Revision as of 18:55, 26 August 2021

Samuel-Jacques Bernard (19 May 1686 — 22 November 1753), comte de Coubert after the death of his father in 1739, was the son of the financier Samuel Bernard, a rich noble in France and his first wife, née (Anne)-Magdeleine Clergeau; he was superintendent of finance for Queen Maria Leszczyńska from 1725, a maître des requêtes, conseiller du roi and Grand Croix and Master of Ceremonies of the Order of Saint-Louis.[1]

Like his father he converted from Calvinism, but some believe he and his father were Jewish.[2] In 1715[3] Bernard married Elisabeth-Olive-Louise Frot[t]ier, daughter of the marquis de La Coste-Messelière.

At his father's death he inherited a fortune estimated at 33,000,000 livres.[4] His sensational bankruptcy in 1751, which involved Voltaire in a loss of 80,000 livres representing 8,000 livres of income,[5] did not interrupt his career as a grand seigneur,[6] though the estate at his death remained deeply in debt. His richly furnished hôtel particulier was designed by Germain Boffrand and built in 1741-45 at 46, rue du Bac, backing onto the Paris.[7] He filled it with works of art. For the dining-room, panelled in oak left its natural color (à la capucine), Jean-Baptiste Oudry painted in 1742 two large canvases with hunting dogs, which rank among Oudry's most splendid decorations.[8] They now hang in the Palais Rohan in Strasbourg. The white-and-gold boiseries of the grand salon, with their overdoors of the Four Continents painted by four painters who were providing tapestry cartoons for the looms at Aubusson: Jacques Dumont le Romain, Charles-Joseph Natoire, Charles Restout and Carle Van Loo,[9] are now installed in the Israel Museum, Jerusalem.[10] Books and manuscripts from his extensive library, dispersed at auction in 1754 and 1756,[11] are recognizable from the arms surrounded by the collar of the Order of Saint-Louis and the motto Bellicae vitutis praemium stamped on their rich bindings.[12]

Notes

  1. ^ Full titles and honours in de La Chenaye, Desbois and Badier, Dictionnaire de la noblesse, 1873.
  2. ^ "Aristocracy, Degeneracy, and Swarms of Jews". National Vanguard. Retrieved 2016-12-13.
  3. ^ 29 September, at Saint-Sulpice, Paris, according to Augustin Jal, ed. Dictionnaire critique de biographie et d'histoire: errata et supplément, 1867, s.v. "Bernard", pp 203 col. a ff
  4. ^ F. J. B. Watson, "A French Eighteenth-Century Room for Jerusalem", The Burlington Magazine 111 No. 801, (December 1969:758-761) p. 768.
  5. ^ V[ictor]. de S[warte], "Samuel Bernard" in Réunion des sociétés des beaux-arts des départements 17 (1893:293-300); includes rancorous quotes from Voltaire's correspondence.
  6. ^ Jal 1867.
  7. ^ The entrance alone survives in rue du Bac; the corps de logis was demolished in the extension of Boulevard Saint-Germain (Pierre Verlet , The Eighteenth century in France: society, decoration, furniture, 1967:14); see Bruno Pons, "Hôtel de Samuel Jacques Bernard," in Le faubourg Saint- Germain: la rue du Bac, exhibition catalogue, Paris 1991; Charles Duplomb, La rue du Bac 1894:39-42
  8. ^ According to Hal N. Opperman, J.-B. Oudry, 1686-1755 1983:174.
  9. ^ For the Aubusson connection, see George Leland Hunter, Tapestries; Their Origin, History And Renaissance, "French Looms, The Gobelins: Beauvais: Aubusson. Part 6" (on-line text).
  10. ^ The hôtel in the rue du Bac was demolished in 1887 for completion of the Boulevard Saint-Germain (1893:297; the boiserie was the gift of baron Edmond de Rothschild (Watson 1969:758-761).
  11. ^ François Moureau, "Encore ces messieurs de Rieu," in La lettre clandestine no. 3 (Paris:Sorbonne) 1999:296 and note 2.
  12. ^ Ernest Coyecque, "Manuscrits du Tribunal de Commerce de la Seine", in Revue des bibliothèques 3 1893:98 and notes,
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