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Ortiz de Zarate, Manuel - Ret de la pintora Chela Aranis -c1927-29 ost 45.8x32.3 MAC fRF02.jpg
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[[File:Ortiz de Zarate, Manuel - Ret de la pintora Chela Aranis -c1927-29 ost 45.8x32.3 MAC fRF02.jpg|thumb|Portrait painting of Graciela Aranis by [[Manuel Ortiz de Zárate]].]]
'''Graciela Aranis''', artistically known as '''Chela Aranís''' (October 6, 1908 - December 12, 1996), was a Chilean painter and cartoonist assigned to the generation of 28<ref name="1-">Biblioteca del Museo Nacional de Bellas Artes. "Graciela Aranis (1908-1996)" (ASPX). www.artistasplasticoschilenos.cl.</ref><ref name="2-">Cruz de Amenábar, Isabel (1977). "Pintura chilena". Santiago de Chile: Museo Nacional de Bellas Artes de Chile. p. 86.</ref> and the Montparnasse group.<ref name="3-">Guzmán Schiappacasse, Fernando; Cortés Aliaga, Gloria; Martínez Silva, Juan Manuel (2004). ''Arte y crisis en Iberoamérica: segundas Jornadas de Historia del Arte''. RIL Editores. p. 442. ISBN 978-956-284-387-4.</ref>
'''Graciela Aranis''', artistically known as '''Chela Aranís''' (October 6, 1908 - December 12, 1996), was a Chilean painter and cartoonist assigned to the generation of 28<ref name="1-">Biblioteca del Museo Nacional de Bellas Artes. "Graciela Aranis (1908-1996)" (ASPX). www.artistasplasticoschilenos.cl.</ref><ref name="2-">Cruz de Amenábar, Isabel (1977). "Pintura chilena". Santiago de Chile: Museo Nacional de Bellas Artes de Chile. p. 86.</ref> and the Montparnasse group.<ref name="3-">Guzmán Schiappacasse, Fernando; Cortés Aliaga, Gloria; Martínez Silva, Juan Manuel (2004). ''Arte y crisis en Iberoamérica: segundas Jornadas de Historia del Arte''. RIL Editores. p. 442. ISBN 978-956-284-387-4.</ref>


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She studied at the School of Fine Arts of the [[University of Chile]], <ref name="4-">Oyarzún, Luis (2005). "Exposición de Graciela Aranís. Taken for a Ride: Escritura de Paso". RIL Editores. p. 454. ISBN 978-956-284-477-2.</ref> where she was a student of Ricardo Richon Brunet, María Aranis and Juan Francisco González,<ref name="1-" /><ref name="5-">Museo de Arte Contemporáneo de Santiago. "Graciela Aranis". www.mac.uchile.cl.</ref> and at the Scandinavian Academy, where she studied under the tutelage of André Lhote and Marcel-Lenoir.1 At the beginning of her career, her work was characterized "by an opaque and dark color, influenced by the dramatic spirits of the time, then in Paris, the artist was able to release her plastic vision towards the spontaneous expression of form and color".<ref name="1-" />
She studied at the School of Fine Arts of the [[University of Chile]], <ref name="4-">Oyarzún, Luis (2005). "Exposición de Graciela Aranís. Taken for a Ride: Escritura de Paso". RIL Editores. p. 454. ISBN 978-956-284-477-2.</ref> where she was a student of Ricardo Richon Brunet, María Aranis and Juan Francisco González,<ref name="1-" /><ref name="5-">Museo de Arte Contemporáneo de Santiago. "Graciela Aranis". www.mac.uchile.cl.</ref> and at the Scandinavian Academy, where she studied under the tutelage of André Lhote and Marcel-Lenoir.1 At the beginning of her career, her work was characterized "by an opaque and dark color, influenced by the dramatic spirits of the time, then in Paris, the artist was able to release her plastic vision towards the spontaneous expression of form and color".<ref name="1-" />


Shee participated in several individual and group exhibitions during her career, including those held at the Official Hall of Santiago in 1922, 1923, 1924, 1927, 1928, 1929 and 1939; at the Ibero-American Exhibition of Seville (1929); at the II Biennial, International Art of Sao Paulo (1953); the exhibition ''La mujer en el arte'' at the National Museum of Fine Arts (1975); among several others in Chile, Switzerland, the United States and Brazil.<ref name="1-" /> She died in Bern, December 12, 1996.
Aranis participated in several individual and group exhibitions during her career, including those held at the Official Hall of Santiago in 1922, 1923, 1924, 1927, 1928, 1929 and 1939; at the Ibero-American Exhibition of Seville (1929); at the II Biennial, International Art of Sao Paulo (1953); the exhibition ''La mujer en el arte'' at the National Museum of Fine Arts (1975); among several others in Chile, Switzerland, the United States and Brazil.<ref name="1-" /> She died in Bern, December 12, 1996.


==References==
==References==
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Revision as of 21:29, 31 August 2021

Portrait painting of Graciela Aranis by Manuel Ortiz de Zárate.

Graciela Aranis, artistically known as Chela Aranís (October 6, 1908 - December 12, 1996), was a Chilean painter and cartoonist assigned to the generation of 28[1][2] and the Montparnasse group.[3]

Biography

Graciela Aranis was born in Santiago, October 6, 1908. She was the daughter of Pedro Aranís and Eduvigis Valdivia.

She studied at the School of Fine Arts of the University of Chile, [4] where she was a student of Ricardo Richon Brunet, María Aranis and Juan Francisco González,[1][5] and at the Scandinavian Academy, where she studied under the tutelage of André Lhote and Marcel-Lenoir.1 At the beginning of her career, her work was characterized "by an opaque and dark color, influenced by the dramatic spirits of the time, then in Paris, the artist was able to release her plastic vision towards the spontaneous expression of form and color".[1]

Aranis participated in several individual and group exhibitions during her career, including those held at the Official Hall of Santiago in 1922, 1923, 1924, 1927, 1928, 1929 and 1939; at the Ibero-American Exhibition of Seville (1929); at the II Biennial, International Art of Sao Paulo (1953); the exhibition La mujer en el arte at the National Museum of Fine Arts (1975); among several others in Chile, Switzerland, the United States and Brazil.[1] She died in Bern, December 12, 1996.

References

  1. ^ a b c d Biblioteca del Museo Nacional de Bellas Artes. "Graciela Aranis (1908-1996)" (ASPX). www.artistasplasticoschilenos.cl.
  2. ^ Cruz de Amenábar, Isabel (1977). "Pintura chilena". Santiago de Chile: Museo Nacional de Bellas Artes de Chile. p. 86.
  3. ^ Guzmán Schiappacasse, Fernando; Cortés Aliaga, Gloria; Martínez Silva, Juan Manuel (2004). Arte y crisis en Iberoamérica: segundas Jornadas de Historia del Arte. RIL Editores. p. 442. ISBN 978-956-284-387-4.
  4. ^ Oyarzún, Luis (2005). "Exposición de Graciela Aranís. Taken for a Ride: Escritura de Paso". RIL Editores. p. 454. ISBN 978-956-284-477-2.
  5. ^ Museo de Arte Contemporáneo de Santiago. "Graciela Aranis". www.mac.uchile.cl.
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