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'''Pierre Alechinsky''' (born 19 October 1927) is a [[Belgians|Belgian]] artist. He has lived and worked in France since 1951. His work is related to [[tachisme]], [[abstract expressionism]], and [[lyrical abstraction]].
'''Pierre Alechinsky''' (born 19 October 1927) is a Belgian artist. He has lived and worked in France since 1951. His work is related to [[tachisme]], [[abstract expressionism]], and [[lyrical abstraction]].


==Life==
==Life==
Alechinsky was born in [[Schaerbeek]]. In 1944 he attended the [[La Cambre|l'École nationale supérieure d'Architecture et des Arts décoratifs de La Cambre]], [[Brussels]] where he studied illustration techniques, printing and photography. In 1945 he discovered the work of [[Henri Michaux]], [[Jean Dubuffet]] and developed a friendship with the art critic [[Jacques Putman]].
Alechinsky was born in [[Schaerbeek]]. In 1944 he attended the [[La Cambre|l'École nationale supérieure d'Architecture et des Arts décoratifs de La Cambre]], Brussels where he studied illustration techniques, printing and photography. In 1945 he discovered the work of [[Henri Michaux]], [[Jean Dubuffet]] and developed a friendship with the art critic [[Jacques Putman]].


==Art career==
==Art career==
In 1949 he joined [[Christian Dotremont]], [[Karel Appel]], [[Constant (artist)|Constant]], [[Jan Nieuwenhuys]] and [[Asger Jorn]] to form the art group [[COBRA (avant-garde movement)|COBRA]]. He participated both with the COBRA exhibitions and went to Paris to study engraving at [[Atelier 17]] under the guidance of [[Stanley William Hayter]] in 1951.
In 1949 he joined [[Christian Dotremont]], [[Karel Appel]], [[Constant (artist)|Constant]], [[Jan Nieuwenhuys]] and [[Asger Jorn]] to form the art group [[COBRA (avant-garde movement)|COBRA]]. He participated both with the COBRA exhibitions and went to Paris to study engraving at [[Atelier 17]] under the guidance of [[Stanley William Hayter]] in 1951.


In 1954 he had his first exhibition in [[Paris]] and started to become interested in Chinese and Japanese calligraphy. In the early 1950s he was the Paris correspondent for the Japanese journal [[Bokubi]] (the Beauty of Ink) published by [[Morita Shiryū|Morita Shiryu]] of the [[Bokujinkai]] group. In 1955, encouraged by [[Henri Storck]] and [[Luc de Heusch]], he left for Japan with his wife. He exhibited Night, 1952 ([[Ohara Museum of Art]], Kurashiki) and made a film: Japanese Calligraphy – Christian Dotremont would write the commentary with music by [[André Souris]].
In 1954 he had his first exhibition in Paris and started to become interested in Chinese and Japanese calligraphy. In the early 1950s he was the Paris correspondent for the Japanese journal [[Bokubi]] (the Beauty of Ink) published by [[Morita Shiryū|Morita Shiryu]] of the [[Bokujinkai]] group. In 1955, encouraged by [[Henri Storck]] and [[Luc de Heusch]], he left for Japan with his wife. He exhibited Night, 1952 ([[Ohara Museum of Art]], Kurashiki) and made a film: Japanese Calligraphy – Christian Dotremont would write the commentary with music by [[André Souris]].


[[File:Pierre Alechinsky Le Bruit de la Chute 1974-75.jpg|thumb|left|200px|Le Bruit de la Chute, 1974–75]]
[[File:Pierre Alechinsky Le Bruit de la Chute 1974-75.jpg|thumb|left|200px|Le Bruit de la Chute, 1974–75]]


By 1960 he had exhibited in [[London]], [[Bern]] and at the [[Venice Biennial]], and then in [[Pittsburgh, Pennsylvania|Pittsburgh]], [[New York City]], [[Amsterdam]] and [[Silkeborg]] as his international reputation grew.
By 1960 he had exhibited in London, [[Bern]] and at the [[Venice Biennial]], and then in [[Pittsburgh, Pennsylvania|Pittsburgh]], New York City, Amsterdam and [[Silkeborg]] as his international reputation grew.


He worked with [[Walasse Ting]] and continued to be close to [[Christian Dotremont]]. He also developed links with [[André Breton]].
He worked with [[Walasse Ting]] and continued to be close to [[Christian Dotremont]]. He also developed links with [[André Breton]].

Revision as of 00:45, 25 October 2021

Pierre Alechinsky
Pierre Alechinsky (1965)
Born (1927-10-19) 19 October 1927 (age 97)
Schaerbeek, Belgium
Known forPainting, Printmaking, Drawing

Pierre Alechinsky (born 19 October 1927) is a Belgian artist. He has lived and worked in France since 1951. His work is related to tachisme, abstract expressionism, and lyrical abstraction.

Life

Alechinsky was born in Schaerbeek. In 1944 he attended the l'École nationale supérieure d'Architecture et des Arts décoratifs de La Cambre, Brussels where he studied illustration techniques, printing and photography. In 1945 he discovered the work of Henri Michaux, Jean Dubuffet and developed a friendship with the art critic Jacques Putman.

Art career

In 1949 he joined Christian Dotremont, Karel Appel, Constant, Jan Nieuwenhuys and Asger Jorn to form the art group COBRA. He participated both with the COBRA exhibitions and went to Paris to study engraving at Atelier 17 under the guidance of Stanley William Hayter in 1951.

In 1954 he had his first exhibition in Paris and started to become interested in Chinese and Japanese calligraphy. In the early 1950s he was the Paris correspondent for the Japanese journal Bokubi (the Beauty of Ink) published by Morita Shiryu of the Bokujinkai group. In 1955, encouraged by Henri Storck and Luc de Heusch, he left for Japan with his wife. He exhibited Night, 1952 (Ohara Museum of Art, Kurashiki) and made a film: Japanese Calligraphy – Christian Dotremont would write the commentary with music by André Souris.

Le Bruit de la Chute, 1974–75

By 1960 he had exhibited in London, Bern and at the Venice Biennial, and then in Pittsburgh, New York City, Amsterdam and Silkeborg as his international reputation grew.

He worked with Walasse Ting and continued to be close to Christian Dotremont. He also developed links with André Breton.

His international career continued throughout the seventies and by 1983 he became Professor of painting at the École nationale supérieure des Beaux-Arts, Paris. For the season 2018/2019 at the Vienna State Opera Pierre Alechinsky designed the large-scale picture (176 sqm) Loin d'ici as part of the exhibition series Safety Curtain, conceived by museum in progress.[1]

Awards

In 1994 he was awarded an honorary doctorate by the Free University of Brussels, and in 1995 one of his designs was used on a Belgian stamp.

Collections

His works are held in the collections of the Royal Museums of Fine Arts of Belgium, the Tate,[2] Museum Ludwig in Cologne, the New York Museum of Modern Art,[3] the Walker Art Center in Minneapolis,[4] the Art Museum of Southeast Texas in Beaumont, Texas, the Museum of Art Fort Lauderdale, Nova Southeastern University in Fort Lauderdale, Florida.[5] The main-belt asteroid 14832 Alechinsky was named in his honour in October 2000.[6]

References

  1. ^ "Safety Curtain 2018/2019", museum in progress, Vienna.
  2. ^ tate.org.uk
  3. ^ moma.org
  4. ^ "Archived copy". Archived from the original on 2 December 2008. Retrieved 20 July 2008.{{cite web}}: CS1 maint: archived copy as title (link) collections.walkerart.org
  5. ^ http://www.moafl.org Archived 24 April 2013 at the Wayback Machine
  6. ^ Schmadel, Lutz D. (2007). "(14832) Alechinsky". Dictionary of Minor Planet Names – (14832) Alechinsky. Springer Berlin Heidelberg. p. 817. doi:10.1007/978-3-540-29925-7_9052. ISBN 978-3-540-00238-3.
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