User:Brownie29/Marie-Victoire Lemoine: Difference between revisions
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* She set up a studio in Paris in 1774<ref name=":0">{{Cite book|last=Vigué|first=Jordi|title=Great Women Masters of Art|publisher=Watson-Guptill|year=2003|location=New York, New York|pages=159-162|language=English}}</ref> |
* She set up a studio in Paris in 1774<ref name=":0">{{Cite book|last=Vigué|first=Jordi|title=Great Women Masters of Art|publisher=Watson-Guptill|year=2003|location=New York, New York|pages=159-162|language=English}}</ref> |
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* first solo exhibition is held at the Salon de la Correspondence <ref name=":0" /> |
* first solo exhibition is held at the Salon de la Correspondence in Paris in 1779 <ref name=":0" /> |
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*5 years after the Parisian salon allows women to participate, Marie-Victoire Lemoine exhibits there for the first time..<ref name=":0" /> |
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*most active in the art community during the late 1780's and the early 1790's.<ref name=":1">{{Cite book|last=Oppenheimer|first=Margaret|title=Women Artists in Paris|publisher=UMI Company|year=1996|location=Ann Arbor, Michigan|pages=222-224|language=English}}</ref> |
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*she signed her paintings "M. Vic Lemoine"<ref name=":1" /> |
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* |
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=== Bibliography === |
=== Bibliography === |
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Piland, Sherry. “Marie-Victoire Lemoine.” Essay. In ''Women Artists: An Historical, Contemporary and Feminist Bibliography''. Lanham, Md: Scarecrow Press, 1994. |
Piland, Sherry. “Marie-Victoire Lemoine.” Essay. In ''Women Artists: An Historical, Contemporary and Feminist Bibliography''. Lanham, Md: Scarecrow Press, 1994. |
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Commire, Anne, and Deborah Klezmer. Essay. In ''Women in World History: A Biographical Encyclopedia'', 353–54. |
Commire, Anne, and Deborah Klezmer. “Marie-Victoire Lemoine.” Essay. In ''Women in World History: A Biographical Encyclopedia'', 353–54. Waterford, Conn: Yorkin Publ, 2002. |
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Author, About the. “Royalists to Romantics: Spotlight on Marie Victoire Lemoine: Broad Strokes Blog.” NMWA, June 8, 2012. <nowiki>https://nmwa.org/blog/artist-spotlight/royalists-to-romantics-spotlight-on-marie-victoire-lemoine/</nowiki>. |
Author, About the. “Royalists to Romantics: Spotlight on Marie Victoire Lemoine: Broad Strokes Blog.” NMWA, June 8, 2012. <nowiki>https://nmwa.org/blog/artist-spotlight/royalists-to-romantics-spotlight-on-marie-victoire-lemoine/</nowiki>. |
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Article Draft
Lead
Career
- She set up a studio in Paris in 1774[1]
- first solo exhibition is held at the Salon de la Correspondence in Paris in 1779 [1]
- 5 years after the Parisian salon allows women to participate, Marie-Victoire Lemoine exhibits there for the first time..[1]
- most active in the art community during the late 1780's and the early 1790's.[2]
- she signed her paintings "M. Vic Lemoine"[2]
Bibliography
Stafford, Barbara Maria. Essay. In Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education, 109. MIT Press, 1999. (https://books.google.com/books?id=I3EWhTQFvaEC&lpg=PR4&ots=3sGbgbK6Ni&dq=In%20Artful%20Science%3A%20Enlightenment%20Entertainment%20and%20the%20Eclipse%20of%20Visual%20Education%2C%20%201999.&pg=PA109#v=onepage&q=marie%20&f=false)
BAILLIO, Joseph. “Vie et oeuvre de Marie Victoire Lemoine (1754-1820).” Gazette des beaux-arts 127 (1996): 125–.
Himelfarb, Hélène. “Joseph Baillio : Vie et œuvre de Marie-Victoire Lemoine (1754-1820), suivi de Margaret A. Oppenheimer : Nisa Villers, née Lemoine (1774-1821). Gazette des Beaux-Arts, n° spécial, avril 1996.” Dix-huitième siècle 30, no. 1 (1998): 688–688.
Tuchman, Gaye. “The Obstacle Race: The Fortunes of Women Painters and Their Work. Germaine Greer.” Signs: Journal of Women in Culture and Society. Chicago: University of Chicago Press, 1980.
Garrard, Mary D. “‘Women Artists’ in Los Angeles.” The Burlington Magazine 119, no. 892 (1977): 531–530. http://www.jstor.org/stable/878926.
Quinn, Bridget, and Lisa Congdon. “Marie Denise Villers.” Essay. In Broad Strokes: 15 Women Who Made Art and Made History (in That Order), 56–57. San Francisco: Chronicle Books, 2017.
Gonzalez, Angela. “Cummer Resources.” To engage and inspire through the arts, gardens, and education., 2021. https://blog.cummermuseum.org/in-the-gallery-marie-victoire-lemoine-louis-benoit-zamor/.
Baetjer, Katharine. “Marie-Victoire Lemoine.” Essay. In French Paintings in the Metropolitan Museum of Art: From the Early Eighteenth Century through the Revolution, 347–350. New York, New York: Metropolitan Museum of Art, 2019.
Vigué, Jordi (2003). Great Women Masters of Art. New York, New York: Watson-Guptill. pp.159–162.
Rauser, Amelia F. The Age of Undress: Art, Fashion, and the Classical Ideal in the 1790s. New Haven: Yale University Press, 2020.
Young, Justine de. Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925. London: Bloomsbury Publishing, 2019.\
May, Gita, and Louise-Elisabeth Vigée-Lebrun. “The Russian Experience .” Essay. In Elisabeth Vigée Le Brun: The Odyssey of an Artist in an Age of Revolution, 140–41. New Haven, New York: Yale Univ. Press, 2005.
Piland, Sherry. “Marie-Victoire Lemoine.” Essay. In Women Artists: An Historical, Contemporary and Feminist Bibliography. Lanham, Md: Scarecrow Press, 1994.
Commire, Anne, and Deborah Klezmer. “Marie-Victoire Lemoine.” Essay. In Women in World History: A Biographical Encyclopedia, 353–54. Waterford, Conn: Yorkin Publ, 2002.
Author, About the. “Royalists to Romantics: Spotlight on Marie Victoire Lemoine: Broad Strokes Blog.” NMWA, June 8, 2012. https://nmwa.org/blog/artist-spotlight/royalists-to-romantics-spotlight-on-marie-victoire-lemoine/.
“Marie Victoire Lemoine – the Interior of an Atelier of a Woman Painter, 1789.” Arthur. Accessed October 22, 2021. https://arthur.io/art/marie-victoire-lemoine/the-interior-of-an-atelier-of-a-woman-painter.
“ Self Portrait by Marie-Victoire Lemoine (Detail), Ca. 1796.” Women at the easel / marie-victoire lemoine (detail), ca. 1796. Accessed October 22, 2021. https://www.earlywomenmasters.net/women_at_the_easel/slides/1796_ca_Marie-Victoire_Lemoine_detail.html.
Oppenheimer, Margaret Ann. “ Lemoine, Marie-Victoire.” Essay. In Women Artists in Paris: 1791-1814, 222–24. UMI Company, 1996.