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* She was the eldest of four sisters<ref name=":1" />
* She was the eldest of four sisters<ref name=":1" />
*At the time of her death, she left only 10 Frances in cash and personal clothing and linen valued at 181 Frances and 50 centimes<ref name=":1" />. Which amounts to only $40.66 U.S dollars cash and $4,290.68 for the clothing and linen in today's currency.
*At the time of her death, she left only 10 Francs in cash and personal clothing and linen valued at 181 Frances and 50 centimes<ref name=":1" />. Which amounts to only $40.66 U.S dollars cash and $4,290.68 for the clothing and linen in today's currency.<ref>{{Cite web|title=$1.72 in 1820 → 2021 {{!}} Inflation Calculator|url=https://www.officialdata.org/us/inflation/1820?amount=1.72|access-date=2021-11-30|website=www.officialdata.org|language=en}}</ref>
*Her first cousin was painter [[Jeanne-Elisabeth Chaudet]] through her mothers side<ref name=":1" />
*Her first cousin was painter [[Jeanne-Elisabeth Chaudet]] through her mothers side<ref name=":1" />



Revision as of 22:06, 30 November 2021

Article Draft

Work

  • Lemoine's most famous painting Interior of the Atelier of a Woman Painter was originally identified to be Elisabeth Vigée-Le Brun however there is no evidence that Vigée-Le Brun was ever Lemoine's Teacher, the painting is most likely some sort of tribute to her.[1]

Personal Life

  • She was the eldest of four sisters[2]
  • At the time of her death, she left only 10 Francs in cash and personal clothing and linen valued at 181 Frances and 50 centimes[2]. Which amounts to only $40.66 U.S dollars cash and $4,290.68 for the clothing and linen in today's currency.[3]
  • Her first cousin was painter Jeanne-Elisabeth Chaudet through her mothers side[2]

Career

  • She set up a studio in Paris in 1774[4]
  • first solo exhibition is held at the Salon de la Correspondence in Paris in 1779 [4]
  • 5 years after the Parisian salon allows women to participate, Marie-Victoire Lemoine exhibits there for the first time..[4]
  • most active in the art community during the late 1780's and the early 1790's.[2]
  • she signed her paintings "M. Vic Lemoine"[2]
  • exhibited somewhat 20 paintings in the salon de la Correspondence in 1779 and 1785[1]
  • Her work consisted primarily of miniatures and genre and portrait oils.[5]
  • The first painting Lemoine exhibited was a portrait (Untraced) of the princesse de Lamballe[6]

Bibliography

Vigué, Jordi (2003). Great Women Masters of Art. New York, New York: Watson-Guptill. pp.159–162.

Oppenheimer, Margaret Ann. “ Lemoine, Marie-Victoire.” Essay. In Women Artists in Paris: 1791-1814, 222–24. UMI Company, 1996.

Commire, Anne, and Deborah Klezmer. “Marie-Victoire Lemoine.” Essay. In Women in World History: A Biographical Encyclopedia, 353–54. Waterford, Conn: Yorkin Publ, 2002.

Bachmann, Donna G., and Sherry Piland. “Marie-Victoire Lemoine .” Essay. In Women Artists: An Historical, Contemporary and Feminist Bibliography, 158–59. Scarecrow Press, 1994.

Bobko, Jane. “Marie Victoire Lemoine.” Essay. In Royalists to Romantics: Women Artists from the Louvre, Versailles, and Other French National Collections, 95. Washington, DC: National Museum of Women in the Arts, 2012.

Stafford, Barbara Maria. Essay. In Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education, 109. MIT Press, 1999. (https://books.google.com/books?id=I3EWhTQFvaEC&lpg=PR4&ots=3sGbgbK6Ni&dq=In%20Artful%20Science%3A%20Enlightenment%20Entertainment%20and%20the%20Eclipse%20of%20Visual%20Education%2C%20%201999.&pg=PA109#v=onepage&q=marie%20&f=false)

BAILLIO, Joseph. “Vie et oeuvre de Marie Victoire Lemoine (1754-1820).” Gazette des beaux-arts 127 (1996): 125–.

Himelfarb, Hélène. “Joseph Baillio : Vie et œuvre de Marie-Victoire Lemoine (1754-1820), suivi de Margaret A. Oppenheimer : Nisa Villers, née Lemoine (1774-1821). Gazette des Beaux-Arts, n° spécial, avril 1996.” Dix-huitième siècle 30, no. 1 (1998): 688–688.

Tuchman, Gaye. “The Obstacle Race: The Fortunes of Women Painters and Their Work. Germaine Greer.” Signs: Journal of Women in Culture and Society. Chicago: University of Chicago Press, 1980.

Garrard, Mary D. “‘Women Artists’ in Los Angeles.” The Burlington Magazine 119, no. 892 (1977): 531–530. http://www.jstor.org/stable/878926.

Quinn, Bridget. “Marie Denise Villers.” Essay. In Broad Strokes: 15 Women Who Made Art and Made History ( in That Order ), 51–59. San Francisco, CA: Chronicle Books, 2017.

Gonzalez, Angela. “Cummer Resources.” To engage and inspire through the arts, gardens, and education., 2021. https://blog.cummermuseum.org/in-the-gallery-marie-victoire-lemoine-louis-benoit-zamor/.

Baetjer, Katharine. “Marie-Victoire Lemoine.” Essay. In French Paintings in the Metropolitan Museum of Art: From the Early Eighteenth Century through the Revolution, 347–350. New York, New York: Metropolitan Museum of Art, 2019.

Rauser, Amelia F. The Age of Undress: Art, Fashion, and the Classical Ideal in the 1790s. New Haven: Yale University Press, 2020.

Young, Justine de. Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925. London: Bloomsbury Publishing, 2019.\

May, Gita, and Louise-Elisabeth Vigée-Lebrun. “The Russian Experience .” Essay. In Elisabeth Vigée Le Brun: The Odyssey of an Artist in an Age of Revolution, 140–41. New Haven, New York: Yale Univ. Press, 2005.

Author, About the. “Royalists to Romantics: Spotlight on Marie Victoire Lemoine: Broad Strokes Blog.” NMWA, June 8, 2012. https://nmwa.org/blog/artist-spotlight/royalists-to-romantics-spotlight-on-marie-victoire-lemoine/.

“Marie Victoire Lemoine – the Interior of an Atelier of a Woman Painter, 1789.” Arthur. Accessed October 22, 2021. https://arthur.io/art/marie-victoire-lemoine/the-interior-of-an-atelier-of-a-woman-painter.

“ Self Portrait by Marie-Victoire Lemoine (Detail), Ca. 1796.” Women at the easel / marie-victoire lemoine (detail), ca. 1796. Accessed October 22, 2021. https://www.earlywomenmasters.net/women_at_the_easel/slides/1796_ca_Marie-Victoire_Lemoine_detail.html.

  1. ^ a b Commire and Klezmer, Anne and Deborah (2002). Women in World History: A Biographical Encyclopedia. Waterford, CT: Yorkin Publishing. pp. 353–354.
  2. ^ a b c d e Oppenheimer, Margaret (1996). Women Artists in Paris. Ann Arbor, Michigan: UMI Company. pp. 143–144, 222–224.
  3. ^ "$1.72 in 1820 → 2021 | Inflation Calculator". www.officialdata.org. Retrieved 2021-11-30.
  4. ^ a b c Vigué, Jordi (2003). Great Women Masters of Art. New York, New York: Watson-Guptill. pp. 159–162.
  5. ^ Bachmann, Donna G., and Sherry Piland (1994). Women artists: an historical, contemporary, and feminist bibliography. Scarecrow Press. pp. 158–159.
  6. ^ Bobko, Jane (2012). Royalists to Romantics: Women Artists from the Louvre, Versailles, and Other French National Collections. Washington, DC: National Museum of Women in the Arts. pp. 143–144.