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'''Julia Ducournau''' ({{IPA-fr|ʒylja dykuʁno|lang}}; born 18 November 1983) is a French film director and screenwriter. She made her feature film debut in 2016 with ''[[Raw (film)|Raw]]''. At the [[2021 Cannes Film Festival|2021 Cannes Film Festival]], she won the [[Palme d'Or]] for her film ''[[Titane (film)|Titane]]''. Her films typically fall under the [[body horror]] genre.<ref name=":0">{{Cite news|url=https://www.theguardian.com/film/2017/mar/30/raw-director-julia-ducournau-cannibalism-is-part-of-humanity|title=Raw director Julia Ducournau: 'Cannibalism is part of humanity'|last=Godfrey|first=Alex|date=2017-03-30|work=The Guardian|access-date=2019-10-27|language=en-GB|issn=0261-3077}}</ref>
'''Julia Ducournau''' ({{IPA-fr|ʒylja dykuʁno|lang}}; born 18 November 1983) is a French film director and screenwriter. She made her feature film debut in 2016 with ''[[Raw (film)|Raw]]''. At the [[2021 Cannes Film Festival]], she won the [[Palme d'Or]] for her film ''[[Titane (film)|Titane]]''. Her films typically fall under the [[body horror]] genre.<ref name=":0">{{Cite news|url=https://www.theguardian.com/film/2017/mar/30/raw-director-julia-ducournau-cannibalism-is-part-of-humanity|title=Raw director Julia Ducournau: 'Cannibalism is part of humanity'|last=Godfrey|first=Alex|date=2017-03-30|work=The Guardian|access-date=2019-10-27|language=en-GB|issn=0261-3077}}</ref>


== Early life and career ==
== Early life and career ==
Julia Ducournau was born in Paris to a gynaecologist mother and dermatologist father.<ref>{{Cite web|date=2021-11-21|title=Film-maker Julia Ducournau: ‘Women kicked serious ass this year’|url=https://www.theguardian.com/film/2021/nov/21/julia-ducournau-titane-interview-raw|access-date=2021-11-21|website=the Guardian|language=en}}</ref> She attended [[La Fémis]] and studied [[screenwriting]]. Her first film, ''Junio''r, is a short film about a girl who “after contracting a stomach bug” began to “shed her skin” like a snake.<ref name=":0" /> In 2011, ''Junior'' won the Petit Rail d'Or at the [[2011 Cannes Film Festival]].<ref>{{cite web|url=http://www.femis.fr/index.php?page=fiche_ancien&id_ancien=6560|title=Julia Ducournau |work=La Fémis}}</ref> In 2012, Ducournau released a TV-film titled ''Mange.'' The film follows a recovering bulimic who is seeking “revenge on her college tormentor.”<ref name=":0" /> Her first feature film is 2016's [[Raw (film)|''Raw'']].<ref>{{Cite web|url=https://www.rollingstone.com/movies/movie-reviews/raw-review-cannibal-coming-of-age-movie-is-a-modern-horror-masterpiece-126800/|title='Raw' Review: Cannibal Coming-of-Age Film Is a Modern Horror Masterpiece|last=Fear|first=David|date=2017-03-13|website=Rolling Stone|language=en-US|access-date=2019-10-30}}</ref><ref name=":0" /> The project had been developed through the [[TorinoFilmLab]] Framework programme in 2013. ''[[Raw (film)|Raw]]''<ref>{{cite news|last=Debruge|first=Peter|title=10 Directors to Watch: Julia Ducournau Reveals 'Raw' Side of French Cinema|url=https://variety.com/2017/film/features/10-directors-to-watch-julia-ducournau-raw-1201951390/|access-date=13 January 2017|work=[[Variety (magazine)|Variety]]|date=3 January 2017}}</ref><ref>{{cite news|last=Brown|first=Todd|title=RAW: Watch The Hypnotic And Grotesque Red Band Trailer For Julia Ducournau's Acclaimed Debut|url=http://screenanarchy.com/2017/01/raw-watch-the-hypnotic-and-grotesque-red-band-trailer-for-julia-ducournaus-acclaimed-debut.html|access-date=13 January 2017|work=[[Screen Anarchy]]|date=12 January 2017}}</ref><ref>{{cite news|title=Red Band Trailer Revealed For Julia Ducournau's Directorial Debut RAW|url=http://horrorcultfilms.co.uk/2017/01/red-band-trailer-revealed-for-julia-ducournaus-directorial-debut-raw/|access-date=14 January 2017|work=Horror Cult Films|date=13 January 2017}}</ref><ref>{{cite news|last=Berger|first=Laura|title=A Vegetarian Transforms into a Cannibal in Julia Ducournau's "Raw"|url=https://blog.womenandhollywood.com/trailer-watch-a-vegetarian-transforms-into-a-cannibal-in-julia-ducournaus-raw-72ec6fdba629?gi=654029d9a4a1|access-date=27 January 2017|work=Women and Hollywood|date=16 January 2017}}</ref> was screened in the [[International Critics' Week]] section at the [[2016 Cannes Film Festival]].<ref>{{cite web |url=http://www.semainedelacritique.com/EN/films/2016/2016_comp_Grave.php |title=Grave |work=Semaine de la Critique |url-status=dead |archive-url=https://web.archive.org/web/20160916160706/http://www.semainedelacritique.com/EN/films/2016/2016_comp_Grave.php |archive-date=16 September 2016 |df=dmy-all }}</ref> In October 2016, ''Raw'' won the [[Sutherland Award]] for Best First Feature at the [[London Film Festival]].<ref>{{cite web |url=http://whatsworthseeing.com/diversity-reigns-at-lff-awards/ |title=Diversity Reigns at the London Film Festival Awards |access-date=16 October 2016 |work=What's Worth Seeing}}</ref> Per David Fear of the Rolling Stones, ''[[Raw (film)|Raw]]'' is a contender for the "best horror movie of the decade."<ref>{{Cite journal|date=2013|title=The Second Act: Modulating Fear, Terror and Horror|journal=Writing the Horror Movie|doi=10.5040/9781501340581.ch-007|isbn=9781501340581}}</ref> In 2021, Ducournau's newest film ''[[Titane (film)|Titane]]'' was bought by Neon.<ref name=":1">{{Cite web|url=https://variety.com/2019/film/news/neon-nabs-titane-follow-up-feature-from-raw-director-julia-ducournau-1203330342/|title=Neon Nabs 'Titane,' Follow-Up Feature From 'Raw' Director Julia Ducournau|last=Rubin|first=Rebecca|date=2019-09-10|website=Variety|language=en|access-date=2019-10-27}}</ref>
Julia Ducournau was born in Paris to a gynaecologist mother and dermatologist father.<ref>{{Cite web|date=2021-11-21|title=Film-maker Julia Ducournau: ‘Women kicked serious ass this year’|url=https://www.theguardian.com/film/2021/nov/21/julia-ducournau-titane-interview-raw|access-date=2021-11-21|website=the Guardian|language=en}}</ref> She attended [[La Fémis]] and studied [[screenwriting]]. Her first film, ''Junio''r, is a short film about a girl who “after contracting a stomach bug” began to “shed her skin” like a snake.<ref name=":0" /> In 2011, ''Junior'' won the Petit Rail d'Or at the [[2011 Cannes Film Festival]].<ref>{{cite web|url=http://www.femis.fr/index.php?page=fiche_ancien&id_ancien=6560|title=Julia Ducournau |work=La Fémis}}</ref> In 2012, Ducournau released a TV-film titled ''Mange.'' The film follows a recovering bulimic who is seeking “revenge on her college tormentor.”<ref name=":0" /> Her first feature film is 2016's [[Raw (film)|''Raw'']].<ref>{{Cite web|url=https://www.rollingstone.com/movies/movie-reviews/raw-review-cannibal-coming-of-age-movie-is-a-modern-horror-masterpiece-126800/|title='Raw' Review: Cannibal Coming-of-Age Film Is a Modern Horror Masterpiece|last=Fear|first=David|date=2017-03-13|website=Rolling Stone|language=en-US|access-date=2019-10-30}}</ref><ref name=":0" /> The project had been developed through the [[TorinoFilmLab]] Framework programme in 2013. ''[[Raw (film)|Raw]]''<ref>{{cite news|last=Debruge|first=Peter|title=10 Directors to Watch: Julia Ducournau Reveals 'Raw' Side of French Cinema|url=https://variety.com/2017/film/features/10-directors-to-watch-julia-ducournau-raw-1201951390/|access-date=13 January 2017|work=[[Variety (magazine)|Variety]]|date=3 January 2017}}</ref><ref>{{cite news|last=Brown|first=Todd|title=RAW: Watch The Hypnotic And Grotesque Red Band Trailer For Julia Ducournau's Acclaimed Debut|url=http://screenanarchy.com/2017/01/raw-watch-the-hypnotic-and-grotesque-red-band-trailer-for-julia-ducournaus-acclaimed-debut.html|access-date=13 January 2017|work=[[Screen Anarchy]]|date=12 January 2017}}</ref><ref>{{cite news|title=Red Band Trailer Revealed For Julia Ducournau's Directorial Debut RAW|url=http://horrorcultfilms.co.uk/2017/01/red-band-trailer-revealed-for-julia-ducournaus-directorial-debut-raw/|access-date=14 January 2017|work=Horror Cult Films|date=13 January 2017}}</ref><ref>{{cite news|last=Berger|first=Laura|title=A Vegetarian Transforms into a Cannibal in Julia Ducournau's "Raw"|url=https://blog.womenandhollywood.com/trailer-watch-a-vegetarian-transforms-into-a-cannibal-in-julia-ducournaus-raw-72ec6fdba629?gi=654029d9a4a1|access-date=27 January 2017|work=Women and Hollywood|date=16 January 2017}}</ref> was screened in the [[International Critics' Week]] section at the [[2016 Cannes Film Festival]].<ref>{{cite web |url=http://www.semainedelacritique.com/EN/films/2016/2016_comp_Grave.php |title=Grave |work=Semaine de la Critique |url-status=dead |archive-url=https://web.archive.org/web/20160916160706/http://www.semainedelacritique.com/EN/films/2016/2016_comp_Grave.php |archive-date=16 September 2016 |df=dmy-all }}</ref> In October 2016, ''Raw'' won the [[Sutherland Award]] for Best First Feature at the [[London Film Festival]].<ref>{{cite web |url=http://whatsworthseeing.com/diversity-reigns-at-lff-awards/ |title=Diversity Reigns at the London Film Festival Awards |access-date=16 October 2016 |work=What's Worth Seeing}}</ref> Per David Fear of the Rolling Stones, ''[[Raw (film)|Raw]]'' is a contender for the "best horror movie of the decade."<ref>{{Cite journal|date=2013|title=The Second Act: Modulating Fear, Terror and Horror|journal=Writing the Horror Movie|doi=10.5040/9781501340581.ch-007|isbn=9781501340581}}</ref> In 2021, Ducournau's newest film ''[[Titane (film)|Titane]]'' was bought by Neon.<ref name=":1">{{Cite web|url=https://variety.com/2019/film/news/neon-nabs-titane-follow-up-feature-from-raw-director-julia-ducournau-1203330342/|title=Neon Nabs 'Titane,' Follow-Up Feature From 'Raw' Director Julia Ducournau|last=Rubin|first=Rebecca|date=2019-09-10|website=Variety|language=en|access-date=2019-10-27}}</ref>


Ducournau was awarded the coveted [[Palme d'Or]] at the [[Cannes Film Festival]] in 2021, an honor that has only been given to one other female filmmaker, [[Jane Campion]], in 1993 for ''[[The Piano]]''.<ref name=":4">{{Cite web|last=Kohn|first=Eric|last2=Kohn|first2=Eric|date=2021-07-17|title=Palme d’Or Winner Julia Ducournau on Groundbreaking ‘Titane’: ‘I Don’t Want My Gender to Define Me’|url=https://www.indiewire.com/2021/07/julia-ducournau-interview-palme-dor-titane-1234652010/|access-date=2021-12-06|website=IndieWire|language=en}}</ref> ''[[Vogue (magazine)|Vogue]]''<nowiki/>'s Liam Hess recounts the historical night Ducournau won the prize, which was presented to her accidentally at the beginning of the awards ceremony by [[Spike Lee]], but it was intended to be the final award of the evening.<ref name=":5">{{Cite web|last=Nast|first=Condé|date=2021-07-17|title=Julia Ducournau Becomes the Second Female Director Ever to Win the Palme d’Or|url=https://www.vogue.com/article/julia-ducournau-titane-cannes-palme-dor-winner|access-date=2021-12-06|website=Vogue|language=en-US}}</ref>
Ducournau was awarded the coveted [[Palme d'Or]] at the [[Cannes Film Festival]] in 2021, an honor that has only been given to one other female filmmaker, [[Jane Campion]], in 1993 for ''[[The Piano]]''.<ref name=":4">{{Cite web|last=Kohn|first=Eric|date=2021-07-17|title=Palme d’Or Winner Julia Ducournau on Groundbreaking ‘Titane’: ‘I Don’t Want My Gender to Define Me’|url=https://www.indiewire.com/2021/07/julia-ducournau-interview-palme-dor-titane-1234652010/|access-date=2021-12-06|website=IndieWire|language=en}}</ref> ''[[Vogue (magazine)|Vogue]]''<nowiki/>'s Liam Hess recounts the historical night Ducournau won the prize, which was presented to her accidentally at the beginning of the awards ceremony by [[Spike Lee]], but it was intended to be the final award of the evening.<ref name=":5">{{Cite web|last=Nast|first=Condé|date=2021-07-17|title=Julia Ducournau Becomes the Second Female Director Ever to Win the Palme d’Or|url=https://www.vogue.com/article/julia-ducournau-titane-cannes-palme-dor-winner|access-date=2021-12-06|website=Vogue|language=en-US}}</ref>


== Theme and style ==
== Theme and style ==
Xavier Aldana Reyes categorizes Ducournau's films as "Gothic Horror Heroinism."<ref name=":2">{{Cite journal|last=Xavier|first=Aldana Reyes|date=2019|title=Introduction: Gothic and Horror Heroinism in the Age of Postfeminism.|url=http://e-space.mmu.ac.uk/622577/|journal=Revenant: Critical and Creative Studies of the Supernatural|volume=4|pages=8–21|via=Google Scholar}}</ref> This is illustrated by "graphic body horror" shown in all of her films.<ref name=":0" /><ref name=":2" /> According to Ducournau, her "flesh fascination stems from her childhood" since both her parents are doctors.<ref name=":0" /> Per Ducournau, the way in which her parents spoke about the human body growing up informed her artistic expression within her films. For instance, she outlines in an interview with ''[[The Guardian]]'' that "doctors have this very upfront yet distant way of talking about bodies and death."<ref name=":0" /> Alex Godfrey, ''Guardian'' journalist, illustrates this "flesh fascination" can be seen through her "unflinching" use of the camera in ''[[Raw (film)|Raw]],'' with "unforgiving" closeups and "atrocities un-glorified."<ref name=":0" />
Xavier Aldana Reyes categorizes Ducournau's films as "Gothic Horror Heroinism."<ref name=":2">{{Cite journal|last=Xavier|first=Aldana Reyes|date=2019|title=Introduction: Gothic and Horror Heroinism in the Age of Postfeminism.|url=http://e-space.mmu.ac.uk/622577/|journal=Revenant: Critical and Creative Studies of the Supernatural|volume=4|pages=8–21|via=Google Scholar}}</ref> This is illustrated by "graphic body horror" shown in all of her films.<ref name=":0" /><ref name=":2" /> According to Ducournau, her "flesh fascination stems from her childhood" since both her parents are doctors.<ref name=":0" /> Per Ducournau, the way in which her parents spoke about the human body growing up informed her artistic expression within her films. For instance, she outlines in an interview with ''[[The Guardian]]'' that "doctors have this very upfront yet distant way of talking about bodies and death."<ref name=":0" /> Alex Godfrey, ''Guardian'' journalist, illustrates this "flesh fascination" can be seen through her "unflinching" use of the camera in ''[[Raw (film)|Raw]],'' with "unforgiving" closeups and "atrocities un-glorified."<ref name=":0" />


Ducournau's work has become known for being brutal and disturbing. In a screening of her film [[Raw (film)|Raw]] at the 2016 [[Toronto International Film Festival]], two audience members reportedly fainted and were taken to the hospital.<ref name=":3">{{Cite web|date=2017-03-31|title=Meet Julia Ducournau, director of the cannibal film making audiences faint|url=https://www.independent.co.uk/arts-entertainment/films/features/julia-ducournau-interview-raw-director-cannibalism-humanity-fainting-sick-a7658651.html|access-date=2021-12-06|website=The Independent|language=en}}</ref> Though her film generated a surprising response from these viewers, Ducournau remains assured in her representations of humanity through her filmmaking. [[The Independent|''The Independent'']]'s Jack Shepherd writes, "the director would rightly much rather the discussion around ''Raw'' centre on the question of what it means to be human".<ref name=":3" /> In their interview, Ducournau herself states, “You have to accept some parts of us that are hard to watch, hard to acknowledge because it’s in us, because it’s scary."<ref name=":3" /> Ducournau considers the title character of [[David Lynch]]'s ''[[The Elephant Man (film)|The Elephant Man]]'' as "the essence of humanity," which she takes inspiration from in her filmography.<ref name=":3" /> In an interview with Vulture's Rachel Handler, Ducournau discusses her thematic interest in relating monstrosity to coming-of-age, suggesting that "the element of monstrosity in teenage years is incredibly enduring and real."<ref name=":6">{{Cite web|last=Handler|first=Rachel|date=2021-10-05|title=Under Her Skin|url=https://www.vulture.com/2021/10/julia-ducournau-on-writing-titane-2021s-boldest-film.html|access-date=2021-12-06|website=Vulture|language=en-us}}</ref> She takes inspiration from artists whose work centers around monstrosity: filmmakers like [[David Lynch]] and [[David Cronenberg]], and authors like [[Mary Shelley]] and [[Edgar Allan Poe|Edgar Allan Poe]].<ref name=":6" />
Ducournau's work has become known for being brutal and disturbing. In a screening of her film [[Raw (film)|Raw]] at the 2016 [[Toronto International Film Festival]], two audience members reportedly fainted and were taken to the hospital.<ref name=":3">{{Cite web|date=2017-03-31|title=Meet Julia Ducournau, director of the cannibal film making audiences faint|url=https://www.independent.co.uk/arts-entertainment/films/features/julia-ducournau-interview-raw-director-cannibalism-humanity-fainting-sick-a7658651.html|access-date=2021-12-06|website=The Independent|language=en}}</ref> Though her film generated a surprising response from these viewers, Ducournau remains assured in her representations of humanity through her filmmaking. [[The Independent|''The Independent'']]'s Jack Shepherd writes, "the director would rightly much rather the discussion around ''Raw'' centre on the question of what it means to be human".<ref name=":3" /> In their interview, Ducournau herself states, “You have to accept some parts of us that are hard to watch, hard to acknowledge because it’s in us, because it’s scary."<ref name=":3" /> Ducournau considers the title character of [[David Lynch]]'s ''[[The Elephant Man (film)|The Elephant Man]]'' as "the essence of humanity," which she takes inspiration from in her filmography.<ref name=":3" /> In an interview with Vulture's Rachel Handler, Ducournau discusses her thematic interest in relating monstrosity to coming-of-age, suggesting that "the element of monstrosity in teenage years is incredibly enduring and real."<ref name=":6">{{Cite web|last=Handler|first=Rachel|date=2021-10-05|title=Under Her Skin|url=https://www.vulture.com/2021/10/julia-ducournau-on-writing-titane-2021s-boldest-film.html|access-date=2021-12-06|website=Vulture|language=en-us}}</ref> She takes inspiration from artists whose work centers around monstrosity: filmmakers like [[David Lynch]] and [[David Cronenberg]], and authors like [[Mary Shelley]] and [[Edgar Allan Poe]].<ref name=":6" />


Ducournau is also very passionate about separating her gender from her craft and from her recognition in the film industry. In a conversation with [[IndieWire|''Indiewire'']]'s Eric Kohn, she states, "When people say I’m a woman director—I mean, that’s always a bit annoying, because I’m a person."<ref name=":4" /> On her historic Palme d'Or win at Cannes, Ducournau tells ''[[ABC News]]''<nowiki/>' Jake Coyle: "Maybe we were entering an era where things would be more equal in acknowledging of the work of people beyond their gender."<ref>{{Cite web|last=News|first=A. B. C.|title=Q&A: Julia Ducournau on bodies, cars and love in 'Titane'|url=https://abcnews.go.com/Entertainment/wireStory/qa-julia-ducournau-bodies-cars-love-titane-80332507|access-date=2021-12-06|website=ABC News|language=en}}</ref>
Ducournau is also very passionate about separating her gender from her craft and from her recognition in the film industry. In a conversation with [[IndieWire|''Indiewire'']]'s Eric Kohn, she states, "When people say I’m a woman director—I mean, that’s always a bit annoying, because I’m a person."<ref name=":4" /> On her historic Palme d'Or win at Cannes, Ducournau tells ''[[ABC News]]''<nowiki/>' Jake Coyle: "Maybe we were entering an era where things would be more equal in acknowledging of the work of people beyond their gender."<ref>{{Cite web|title=Q&A: Julia Ducournau on bodies, cars and love in 'Titane'|url=https://abcnews.go.com/Entertainment/wireStory/qa-julia-ducournau-bodies-cars-love-titane-80332507|access-date=2021-12-06|website=ABC News|language=en}}</ref>


== Filmography ==
== Filmography ==

Revision as of 06:27, 28 December 2021

Julia Ducournau
Born (1983-11-18) 18 November 1983 (age 41)
Paris, France
EducationLa Fémis
Occupation(s)Film director, screenwriter
Years active2011–present

Julia Ducournau (French: [ʒylja dykuʁno]; born 18 November 1983) is a French film director and screenwriter. She made her feature film debut in 2016 with Raw. At the 2021 Cannes Film Festival, she won the Palme d'Or for her film Titane. Her films typically fall under the body horror genre.[1]

Early life and career

Julia Ducournau was born in Paris to a gynaecologist mother and dermatologist father.[2] She attended La Fémis and studied screenwriting. Her first film, Junior, is a short film about a girl who “after contracting a stomach bug” began to “shed her skin” like a snake.[1] In 2011, Junior won the Petit Rail d'Or at the 2011 Cannes Film Festival.[3] In 2012, Ducournau released a TV-film titled Mange. The film follows a recovering bulimic who is seeking “revenge on her college tormentor.”[1] Her first feature film is 2016's Raw.[4][1] The project had been developed through the TorinoFilmLab Framework programme in 2013. Raw[5][6][7][8] was screened in the International Critics' Week section at the 2016 Cannes Film Festival.[9] In October 2016, Raw won the Sutherland Award for Best First Feature at the London Film Festival.[10] Per David Fear of the Rolling Stones, Raw is a contender for the "best horror movie of the decade."[11] In 2021, Ducournau's newest film Titane was bought by Neon.[12]

Ducournau was awarded the coveted Palme d'Or at the Cannes Film Festival in 2021, an honor that has only been given to one other female filmmaker, Jane Campion, in 1993 for The Piano.[13] Vogue's Liam Hess recounts the historical night Ducournau won the prize, which was presented to her accidentally at the beginning of the awards ceremony by Spike Lee, but it was intended to be the final award of the evening.[14]

Theme and style

Xavier Aldana Reyes categorizes Ducournau's films as "Gothic Horror Heroinism."[15] This is illustrated by "graphic body horror" shown in all of her films.[1][15] According to Ducournau, her "flesh fascination stems from her childhood" since both her parents are doctors.[1] Per Ducournau, the way in which her parents spoke about the human body growing up informed her artistic expression within her films. For instance, she outlines in an interview with The Guardian that "doctors have this very upfront yet distant way of talking about bodies and death."[1] Alex Godfrey, Guardian journalist, illustrates this "flesh fascination" can be seen through her "unflinching" use of the camera in Raw, with "unforgiving" closeups and "atrocities un-glorified."[1]

Ducournau's work has become known for being brutal and disturbing. In a screening of her film Raw at the 2016 Toronto International Film Festival, two audience members reportedly fainted and were taken to the hospital.[16] Though her film generated a surprising response from these viewers, Ducournau remains assured in her representations of humanity through her filmmaking. The Independent's Jack Shepherd writes, "the director would rightly much rather the discussion around Raw centre on the question of what it means to be human".[16] In their interview, Ducournau herself states, “You have to accept some parts of us that are hard to watch, hard to acknowledge because it’s in us, because it’s scary."[16] Ducournau considers the title character of David Lynch's The Elephant Man as "the essence of humanity," which she takes inspiration from in her filmography.[16] In an interview with Vulture's Rachel Handler, Ducournau discusses her thematic interest in relating monstrosity to coming-of-age, suggesting that "the element of monstrosity in teenage years is incredibly enduring and real."[17] She takes inspiration from artists whose work centers around monstrosity: filmmakers like David Lynch and David Cronenberg, and authors like Mary Shelley and Edgar Allan Poe.[17]

Ducournau is also very passionate about separating her gender from her craft and from her recognition in the film industry. In a conversation with Indiewire's Eric Kohn, she states, "When people say I’m a woman director—I mean, that’s always a bit annoying, because I’m a person."[13] On her historic Palme d'Or win at Cannes, Ducournau tells ABC News' Jake Coyle: "Maybe we were entering an era where things would be more equal in acknowledging of the work of people beyond their gender."[18]

Filmography

Year Title Credited as Notes
Director Writer
2011 Junior Yes Yes Short film
Cannes Film Festival – Petit Rail d'Or
2012 Mange Yes Yes Television film; co-director
2016 Raw Yes Yes Austin Fantastic Fest - Best Director (Next Wave Features)
Cannes Film Festival – FIPRESCI Prize
Film Fest Gent - Explore Award
London Film Festival – Sutherland Trophy
Sitges Film Festival - Citizen Kane Award for Best Directorial Revelation
Sitges Film Festival - Carnet Jove Jury Award for Best Feature Length Film
Sitges Film Festival - Méliès d'Argent for Best Feature Length European Film
Prix Louis Delluc 2017
2021 Servant Yes No TV series; 2 episodes
2021 Titane Yes Yes Cannes Film Festival – Palme d'Or
Toronto International Film Festival - People's Choice Award: Midnight Madness

Other work

References

  1. ^ a b c d e f g h Godfrey, Alex (30 March 2017). "Raw director Julia Ducournau: 'Cannibalism is part of humanity'". The Guardian. ISSN 0261-3077. Retrieved 27 October 2019.
  2. ^ "Film-maker Julia Ducournau: 'Women kicked serious ass this year'". the Guardian. 21 November 2021. Retrieved 21 November 2021.
  3. ^ "Julia Ducournau". La Fémis.
  4. ^ Fear, David (13 March 2017). "'Raw' Review: Cannibal Coming-of-Age Film Is a Modern Horror Masterpiece". Rolling Stone. Retrieved 30 October 2019.
  5. ^ Debruge, Peter (3 January 2017). "10 Directors to Watch: Julia Ducournau Reveals 'Raw' Side of French Cinema". Variety. Retrieved 13 January 2017.
  6. ^ Brown, Todd (12 January 2017). "RAW: Watch The Hypnotic And Grotesque Red Band Trailer For Julia Ducournau's Acclaimed Debut". Screen Anarchy. Retrieved 13 January 2017.
  7. ^ "Red Band Trailer Revealed For Julia Ducournau's Directorial Debut RAW". Horror Cult Films. 13 January 2017. Retrieved 14 January 2017.
  8. ^ Berger, Laura (16 January 2017). "A Vegetarian Transforms into a Cannibal in Julia Ducournau's "Raw"". Women and Hollywood. Retrieved 27 January 2017.
  9. ^ "Grave". Semaine de la Critique. Archived from the original on 16 September 2016.
  10. ^ "Diversity Reigns at the London Film Festival Awards". What's Worth Seeing. Retrieved 16 October 2016.
  11. ^ "The Second Act: Modulating Fear, Terror and Horror". Writing the Horror Movie. 2013. doi:10.5040/9781501340581.ch-007. ISBN 9781501340581.
  12. ^ Rubin, Rebecca (10 September 2019). "Neon Nabs 'Titane,' Follow-Up Feature From 'Raw' Director Julia Ducournau". Variety. Retrieved 27 October 2019.
  13. ^ a b Kohn, Eric (17 July 2021). "Palme d'Or Winner Julia Ducournau on Groundbreaking 'Titane': 'I Don't Want My Gender to Define Me'". IndieWire. Retrieved 6 December 2021.
  14. ^ Nast, Condé (17 July 2021). "Julia Ducournau Becomes the Second Female Director Ever to Win the Palme d'Or". Vogue. Retrieved 6 December 2021.
  15. ^ a b Xavier, Aldana Reyes (2019). "Introduction: Gothic and Horror Heroinism in the Age of Postfeminism". Revenant: Critical and Creative Studies of the Supernatural. 4: 8–21 – via Google Scholar.
  16. ^ a b c d "Meet Julia Ducournau, director of the cannibal film making audiences faint". The Independent. 31 March 2017. Retrieved 6 December 2021.
  17. ^ a b Handler, Rachel (5 October 2021). "Under Her Skin". Vulture. Retrieved 6 December 2021.
  18. ^ "Q&A: Julia Ducournau on bodies, cars and love in 'Titane'". ABC News. Retrieved 6 December 2021.

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