Jean Miner Coburn: Difference between revisions
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== Work == |
== Work == |
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Her statue ''Hope'' was among the first that met with recognition and was placed in the McCowen Oral School, in [[Englewood, Chicago]]. The woman's art club (also known as The Palette Club) recognized her work and conferred upon her the honor of active membership and her figure ''Wisconsin'' was locally celebrated. Her prepared a group especially for the[[1893 World's Columbian Exposition]], called ''Leave-Taking''.{{sfn|Willard|Livermore|1896|p=509}} |
Her statue ''Hope'' was among the first that met with recognition and was placed in the McCowen Oral School, in [[Englewood, Chicago]]. The woman's art club (also known as The Palette Club) recognized her work and conferred upon her the honor of active membership, and her figure ''Wisconsin'' was locally celebrated. Her prepared a group especially for the[[1893 World's Columbian Exposition]], called ''Leave-Taking''.{{sfn|Willard|Livermore|1896|p=509}} |
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During the Exposition, Miner and [[Helen Farnsworth Mears]] were both named artists-in-residence at the Wisconsin Building. At that time, Miner was commissioned to create a work of art representing the state. The result was her most famous work, ''[[Forward (statue)|Forward]]'', which was later given the honor of a prominent position at the [[Wisconsin State Capitol]].<ref>{{cite web |title='Forward' Statue |url=https://www.wisconsinhistory.org/Records/Article/CS2752 |website=Wisconsin Historical Society |access-date=14 January 2022 |language=en |date=2 March 2006}}</ref> |
During the Exposition, Miner and [[Helen Farnsworth Mears]] were both named artists-in-residence at the Wisconsin Building. At that time, Miner was commissioned to create a work of art representing the state. The result was her most famous work, ''[[Forward (statue)|Forward]]'', which was later given the honor of a prominent position at the [[Wisconsin State Capitol]].<ref>{{cite web |title='Forward' Statue |url=https://www.wisconsinhistory.org/Records/Article/CS2752 |website=Wisconsin Historical Society |access-date=14 January 2022 |language=en |date=2 March 2006}}</ref> |
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Revision as of 23:13, 14 January 2022
Jean Pond Miner Coburn | |
|---|---|
_(cropped).jpg) | |
| Born | 8 July 1866 |
| Died | 1967 |
| Nationality | American |
| Education | Lorado Taft, Art Institute of Chicago |
| Known for | sculptor |
| Notable work | Forward, bronze statue in front of the Wisconsin State Capitol |
Jean Pond Miner Coburn (1866–1967) was born in Menasha, Wisconsin. She studied at the Art Institute of Chicago, and is most notable for her word Forward[1]
Early Life
Jean Pond Miner was born in Menasha, Wisconsin on the 8th July 1866. Her parents were Rev. H. A. Miner, a Congregationalist clergyman and Harriet Pond Rice. In her early life the family moved to Madison, Wisconsin. During her education she was known among her classmates as a strong artist.[2] After two years as a special student in Downer College, she went to Chicago and began her art studies at the Art Institute of Chicago with Lorado Taft, where she found particular interest in sculpture.[1] After working only three months she took the second honors of the institution. Soon after, she was sought as an instructor, and at the end of the year accepted a position as student teacher.[2]
Work
Her statue Hope was among the first that met with recognition and was placed in the McCowen Oral School, in Englewood, Chicago. The woman's art club (also known as The Palette Club) recognized her work and conferred upon her the honor of active membership, and her figure Wisconsin was locally celebrated. Her prepared a group especially for the1893 World's Columbian Exposition, called Leave-Taking.[2]
During the Exposition, Miner and Helen Farnsworth Mears were both named artists-in-residence at the Wisconsin Building. At that time, Miner was commissioned to create a work of art representing the state. The result was her most famous work, Forward, which was later given the honor of a prominent position at the Wisconsin State Capitol.[3]
References
Citations
- ^ a b Rubenstein 1990, p. 123.
- ^ a b c Willard & Livermore 1896, p. 509.
- ^ "'Forward' Statue". Wisconsin Historical Society. 2 March 2006. Retrieved 14 January 2022.
Bibliography
- Rubinstein, Charlotte Streifer (1990). American Women Sculptors: A History of Women Working in Three Dimensions. G.K. Hall. ISBN 978-0-8161-8732-4. Retrieved 14 January 2022.
This article incorporates text from this source, which is in the public domain: Willard, Frances Elizabeth; Livermore, Mary Ashton Rice (1893). A Woman of the Century: Fourteen Hundred-seventy Biographical Sketches Accompanied by Portraits of Leading American Women in All Walks of Life (Public domain ed.). Charles Wells Moulton.