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{{cite book|author=Edmund Gosse|title=The Life of Philip Henry Gosse, F.R.S.|url=https://archive.org/details/cihm_13155|year=1890}}</ref>
{{cite book|author=Edmund Gosse|title=The Life of Philip Henry Gosse, F.R.S.|url=https://archive.org/details/cihm_13155|year=1890}}</ref>
appeared under Edmund's name in 1890.
appeared under Edmund's name in 1890.
The book describes Edmund's early years in an exceptionally devout [[Plymouth Brethren]] home. His mother, [[Emily Bowes|Emily Gosse]], who died at the age of 50 of breast cancer, was a writer of Christian [[tract (literature)|tracts]]. His father, [[Philip Henry Gosse]], was an influential, largely self-taught, [[invertebrate zoology|invertebrate zoologist]] and student of [[marine biology]] who, after his wife's death, took Edmund to live in [[Devon]]. The book focuses on the relationship between a sternly religious father who rejects the new evolutionary theories of his scientific colleague [[Charles Darwin]] and the son's gradual coming of age and rejection of his father's [[Christian fundamentalism|fundamentalist]] religion. To "avoid any appearance of offence," Edmund used pseudonyms throughout the book, but the identity of many of those depicted has been uncovered.<ref>Douglas Wertheimer, "The Identification of some Characters and Incidents in Gosse's 'Father and Son'," ''[[Notes and Queries]]'' n.s. 23 (Jan. 1976), 4-11.</ref>
The book describes Edmund's early years in an exceptionally devout [[Plymouth Brethren]] home. His mother, [[Emily Bowes|Emily Gosse]], who died at the age of 50 of breast cancer, was a writer of Christian [[tract (literature)|tracts]]. His father, [[Philip Henry Gosse]], was an influential, largely self-taught, [[invertebrate zoology|invertebrate zoologist]] and student of [[marine biology]] who, after his wife's death, took Edmund to live in [[Devon]]. The book focuses on the relationship between a sternly-depicted religious father who rejects the new evolutionary theories of [[Charles Darwin]] and the son's gradual coming of age and rejection of his father's [[Christian fundamentalism|fundamentalist]] religion. To "avoid any appearance of offence," Edmund used pseudonyms throughout the book, but the identity of many of those depicted has been uncovered.<ref>Douglas Wertheimer, "The Identification of some Characters and Incidents in Gosse's 'Father and Son'," ''[[Notes and Queries]]'' n.s. 23 (Jan. 1976), 4-11.</ref>


As Michael Newton, Lecturer in English, [[University College London]], has written, the book is "a brilliant, and often comic, record of the small diplomacies of home: those indirections, omissions, insincerities, and secrecies that underlie family relationships." "[B]rilliantly written, and full of gentle wit," the book is "an unmatched social document, preserving for us whole the experience of childhood in a Protestant sect in the Victorian period....Above all, it is one of our best accounts of adolescence, particularly for those who endured...a religious upbringing."<ref>Edmund Gosse, ''Father and Son'', ed. Michael Newton (New York: Oxford University Press, 2004), x-xi.</ref>
Literary critic [[Vivian Gornick]] has described the book as an early example of the modern memoir of "becoming", in which "What happened to the writer is not what matters; what matters is the large sense that the writer is able to ''make'' of what happened."<ref>Vivian Gornick, ''The Situation and the Story: The Art of Personal Narrative.'' New York: Farrar, Straus and Giroux, 2001, p. 91.</ref> Michael Newton, Lecturer in English, [[University College London]], has called the book "a brilliant, and often comic, record of the small diplomacies of home: those indirections, omissions, insincerities, and secrecies that underlie family relationships." "[B]rilliantly written, and full of gentle wit," the book is "an unmatched social document, preserving for us whole the experience of childhood in a Protestant sect in the Victorian period....Above all, it is one of our best accounts of adolescence, particularly for those who endured...a religious upbringing."<ref>Edmund Gosse, ''Father and Son'', ed. Michael Newton (New York: Oxford University Press, 2004), x-xi.</ref>


Although Edmund Gosse prefaces the book with the claim that the incidents described are sober reality,<ref>"At the present hour, when fiction takes forms so ingenious and so specious, it is perhaps necessary to say that the following narrative, in all its parts, and so far as the punctilious attention of the writer has been able to keep it so, is scrupulously true. "Preface"</ref> a modern biography of Philip Henry Gosse by [[Ann Thwaite]]<ref>Ann Thwaite, ''Glimpses of the Wonderful: The Life of Philip Henry Gosse, 1810-1888'' (London: Faber and Faber, 2002).</ref> presents him not as a repressive tyrant who cruelly scrutinized the state of his son's soul but as a gentle and thoughtful person of "delicacy and inner warmth," much unlike his son's portrait. Biographer and critic [[D. J. Taylor]] described Gosse's own portrayal of his father as "horribly partial" and noted that, in Thwaite's work, "the supposedly sequestered, melancholic pattern of [Edmund] Gosse's London and Devonshire childhood is repeatedly proved to have contained great affection, friends, fun and even light reading."<ref>[http://books.guardian.co.uk/review/story/0,12084,799588,00.html Review of Thwaite] by D. J. Taylor in [[The Guardian]]</ref>
Although Edmund Gosse prefaces the book with the claim that the incidents described are sober reality,<ref>"At the present hour, when fiction takes forms so ingenious and so specious, it is perhaps necessary to say that the following narrative, in all its parts, and so far as the punctilious attention of the writer has been able to keep it so, is scrupulously true. "Preface"</ref> a modern biography of Philip Henry Gosse by [[Ann Thwaite]]<ref>Ann Thwaite, ''Glimpses of the Wonderful: The Life of Philip Henry Gosse, 1810-1888'' (London: Faber and Faber, 2002).</ref> presents him not as a repressive tyrant who cruelly scrutinized the state of his son's soul but as a gentle and thoughtful person of "delicacy and inner warmth," much unlike his son's portrait. Biographer and critic [[D. J. Taylor]] described Gosse's own portrayal of his father as "horribly partial" and noted that, in Thwaite's work, "the supposedly sequestered, melancholic pattern of [Edmund] Gosse's London and Devonshire childhood is repeatedly proved to have contained great affection, friends, fun and even light reading."<ref>[http://books.guardian.co.uk/review/story/0,12084,799588,00.html Review of Thwaite] by D. J. Taylor in [[The Guardian]]</ref>

Revision as of 23:45, 9 February 2022

This article is about the book by Edmund Gosse. For the song by Cat Stevens, see Father and Son (song). For the novel by Ivan Turgenev, see Fathers and Sons (novel).
Father and Son
AuthorEdmund Gosse
LanguageEnglish
Genrememoir
Set inLondon and Devon, 1848–70
PublisherHeinemann
Publication date
1907
Publication placeUnited Kingdom
Media typePrint: hardback
828.809
Philip Henry Gosse with his son Edmund Gosse, 1857. Frontispiece to the first edition of Father and Son.

Father and Son (1907) is a memoir, initially published anonymously in both England and America, by poet and critic Edmund Gosse, subtitled "a study of two temperaments." A biography of his father[1] appeared under Edmund's name in 1890. The book describes Edmund's early years in an exceptionally devout Plymouth Brethren home. His mother, Emily Gosse, who died at the age of 50 of breast cancer, was a writer of Christian tracts. His father, Philip Henry Gosse, was an influential, largely self-taught, invertebrate zoologist and student of marine biology who, after his wife's death, took Edmund to live in Devon. The book focuses on the relationship between a sternly-depicted religious father who rejects the new evolutionary theories of Charles Darwin and the son's gradual coming of age and rejection of his father's fundamentalist religion. To "avoid any appearance of offence," Edmund used pseudonyms throughout the book, but the identity of many of those depicted has been uncovered.[2]

Literary critic Vivian Gornick has described the book as an early example of the modern memoir of "becoming", in which "What happened to the writer is not what matters; what matters is the large sense that the writer is able to make of what happened."[3] Michael Newton, Lecturer in English, University College London, has called the book "a brilliant, and often comic, record of the small diplomacies of home: those indirections, omissions, insincerities, and secrecies that underlie family relationships." "[B]rilliantly written, and full of gentle wit," the book is "an unmatched social document, preserving for us whole the experience of childhood in a Protestant sect in the Victorian period....Above all, it is one of our best accounts of adolescence, particularly for those who endured...a religious upbringing."[4]

Although Edmund Gosse prefaces the book with the claim that the incidents described are sober reality,[5] a modern biography of Philip Henry Gosse by Ann Thwaite[6] presents him not as a repressive tyrant who cruelly scrutinized the state of his son's soul but as a gentle and thoughtful person of "delicacy and inner warmth," much unlike his son's portrait. Biographer and critic D. J. Taylor described Gosse's own portrayal of his father as "horribly partial" and noted that, in Thwaite's work, "the supposedly sequestered, melancholic pattern of [Edmund] Gosse's London and Devonshire childhood is repeatedly proved to have contained great affection, friends, fun and even light reading."[7]

Editions

Gosse made fifty changes to the text of Father and Son, most of which were minor but some corrected errors of fact.[8] A bibliographical description of the editions and issues of the book (sixty-two in all) includes information on translations into Arabic, French, German, Italian, Japanese (partial), Spanish and Swedish.[9]

Source: Library of Congress

  • New York, C. Scribner's sons, 1907
  • London, W. Heinemann, 1907
  • New York, Oxford University Press [1934]
  • London : Heinemann, 1958
  • Boston, Houghton Mifflin, [1965, c1907]
  • London, Heinemann Educational, 1970, ISBN 0-435-13350-0
  • London ; New York : Oxford University Press, 1974, ISBN 0-19-255401-8
  • Oxford [England] ; New York : Oxford University Press, 2004, ISBN 0-19-284066-5

Father and Son partially inspired the 1988 novel Oscar and Lucinda by Peter Carey, that won the Booker Prize the same year, and the 1989 Miles Franklin Award.

The book was the inspiration for Dennis Potter's 1976 television drama Where Adam Stood, starring Alan Badel as Philip Gosse.

References

  1. ^ Edmund Gosse (1890). The Life of Philip Henry Gosse, F.R.S.
  2. ^ Douglas Wertheimer, "The Identification of some Characters and Incidents in Gosse's 'Father and Son'," Notes and Queries n.s. 23 (Jan. 1976), 4-11.
  3. ^ Vivian Gornick, The Situation and the Story: The Art of Personal Narrative. New York: Farrar, Straus and Giroux, 2001, p. 91.
  4. ^ Edmund Gosse, Father and Son, ed. Michael Newton (New York: Oxford University Press, 2004), x-xi.
  5. ^ "At the present hour, when fiction takes forms so ingenious and so specious, it is perhaps necessary to say that the following narrative, in all its parts, and so far as the punctilious attention of the writer has been able to keep it so, is scrupulously true. "Preface"
  6. ^ Ann Thwaite, Glimpses of the Wonderful: The Life of Philip Henry Gosse, 1810-1888 (London: Faber and Faber, 2002).
  7. ^ Review of Thwaite by D. J. Taylor in The Guardian
  8. ^ Douglas Wertheimer, "Gosse's Corrections to 'Father and Son', 1907-1928," Notes and Queries n.s. 25 (Aug. 1978), 327-332.
  9. ^ R. B. Freeman and Douglas Wertheimer, Philip Henry Gosse: A Bibliography. Folkestone, Kent: Dawson, 1980, 132-137.
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