Death of the Liberal Class

Death of the Liberal Class

First edition
Author	Chris Hedges
Publisher	Nation Books
Publication date	2010
Media type	Print
Pages	256
ISBN	978-1-56858-644-1

Death of the Liberal Class is a 2010 book by the American journalist Chris Hedges. Hedges writes on left-wing politics in the United States, and asserts the decline of a privileged and increasingly ineffectual "liberal class" due to corporate political dominance.

Summary

Death of the Liberal Class begins with a sympathetic profile of an impoverished Libertarian Party activist, Ernest Logan Bell. Bell articulates a plethora of injustices related to widespread corporate dominance of American life, and mixes left- and right-wing positions in his criticism of liberal politicians. Hedges then discusses how Bell and the interests of many working Americans like him have been abandoned by a liberal class that championed deindustrialization, financial deregulation, and unmitigated outsourcing. The liberal class is described as a body of people employed in privileged, largely managerial positions in liberal institutions; including churches, media, the Democratic Party, labor unions, and academia. Hedges argues that political theater and moral posturing has replaced meaningful agitation for reform, and charges that the liberal class has turned into a class of apologists for the corporate interests that killed them.

The second chapter, titled "Permanent War," posits that one of the core weaknesses in the power of the liberal class is its history of supporting war efforts in the United States. Nationalist narratives in wartime tend to dominate public discourse and mute interest in social reform. This pervasive war footing creates a near-totalitarian influence in media to service national myth. This complacency concedes power to an aggressive right wing. Hedges praises the authorship, political activism, and media criticism of Noam Chomsky. Hedges then contrasts the acceptance of pro-war liberal figures following the 2003 United States invasion of Iraq with the widespread denunciations of Michael Moore for criticizing the war while accepting an Oscar in 2003. The use of mercenary forces such as Blackwater is discussed, along with other forms of war profiteering in the United States defense industry. Hedges then outlines the ignored grievances of members in the armed forces that foretold American defeat in the War in Afghanistan. Hedges alleges that the American efforts in Afghanistan were primed for failure due to the neglect of resolving Afghan poverty, food shortages, and social issues that combined to form popular sympathy for the Taliban. Hedges concludes the chapter covering the social abandonment of wounded veterans and other people destroyed by violent conflict.

The third chapter, titled "Dismantling the Liberal Class," places the beginning of widespread institutional decay of the liberal class near its inception during World War I with the founding of the Committee on Public Information headed by George Creel, which effectively killed the populist pacifism movement through war propaganda. The CPI's state-sanctioned propaganda demonized peace activists and social radicals. The liberal class was broadly complicit in furthering the war frenzy, and CPI propaganda was published in thousands of newspapers across the United States. Former employees and volunteers in the CPI went on to employ similar propaganda tactics in the private sector, effectively spurring the rise of corporate marketing. Hedges then discusses the Federal Theatre Project and the radical messaging of plays such as The Cradle Will Rock. The FTP was eventually ended, despite its popular support, due to mounting pressures from business interests and a successful defunding effort from House Un-American Activities Committee members. Hedges argues that this attack by corporate interests on the radical theater led to self-censorship within the arts, and that the liberal class further betrayed the voices of American workers by supporting anti-union legislation like the Taft-Hartley Act.

The fourth chapter, titled "Politics as Spectacle," criticizes the counterculture of the 1960s for failing to engage with the interests of the American working class. Hedges accuses the New Left of that era of being morally vacuous for preferring hedonism over solidarity, and disparages the rise of abstract art that avoided class-conscious political messaging. This move towards abstraction and spectacle is alleged to be part of a corporate seizure of the arts that coincides with corporate domination of other public-facing media. Hedges briefly discusses his own conflict with his former employer, The New York Times, for his public opposition to the 2003 United States invasion of Iraq. He then furthers that American journalism, despite its merits, is a corrupted pillar of the liberal class that has been repurposed to serve the narrow interests of corporations under the guise of objectivity.

The fifth chapter, titled "Liberal Defectors," serves as an acknowledgement of the many prominent individuals who have pushed for liberal reforms despite abandonment by institutional liberal forces. Hedges alleges many in the liberal class have sacrificed their moral conscious in their pursuit of careerism through placating the economic elite. Hedges praises the reporter Sydney Schanberg, who was celebrated in his coverage of the Cambodian genocide. When Schanberg returned to the United States to report on New York City metropolitan issues for The New York Times, he was vehemently disparaged and eventually demoted by then executive editor A. M. Rosenthal for his reporting on corruption and abuses by prominent New York City real estate developers. Hedges additionally profiles the personal and career attacks made against Richard Goldstone and Norman Finkelstein for their public recognition of Israeli war crimes. Hedges contrasts the treatment of disparaged critics within the liberal class against the general acceptance of damaging liberal failures like Alan Greenspan, who neglected to adequately identify and respond to the subprime mortgage crisis.

Reception

The book received positive reviews in NPR, Publishers Weekly, and Socialist Worker, and a mixed review in The New Yorker.

See also

• Notes from Underground