John Surman: Difference between revisions
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He initially gained recognition playing [[baritone saxophone]] in the [[Mike Westbrook]] Band in the mid-1960s. He was soon heard regularly playing [[soprano saxophone]] and [[bass clarinet]] as well. His first playing issued on a record was with the [[Peter Lemer]] Quintet in 1966. After further recordings and performances with jazz bandleaders [[Mike Westbrook]] and [[Graham Collier]] and blues-rock musician [[Alexis Korner]], he made the first record under his own name in 1968. |
He initially gained recognition playing [[baritone saxophone]] in the [[Mike Westbrook]] Band in the mid-1960s. He was soon heard regularly playing [[soprano saxophone]] and [[bass clarinet]] as well. His first playing issued on a record was with the [[Peter Lemer]] Quintet in 1966. After further recordings and performances with jazz bandleaders [[Mike Westbrook]] and [[Graham Collier]] and blues-rock musician [[Alexis Korner]], he made the first record under his own name in 1968. |
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In 1969 he founded the well-regarded and influential group The Trio along with two expatriate American musicians, bassist [[Barre Phillips]] and drummer [[Stu Martin]]. In the mid-1970s he founded one of the earliest all-saxophone jazz groups, S.O.S., along with alto saxophonist [[Mike Osborne]] and tenor saxophonist [[Alan Skidmore]]. During this early period he also recorded with (among others) saxophonist [[Ronnie Scott]], guitarist [[John McLaughlin (musician)|John McLaughlin]], bandleader [[Michael Gibbs (jazz composer)|Michael Gibbs]], trombonist [[Albert Mangelsdorff]], and pianist [[Chris McGregor]]'s [[Brotherhood of Breath]]. |
In 1969 he founded the well-regarded and influential group The Trio along with two expatriate American musicians, bassist [[Barre Phillips]] and drummer [[Stu Martin (drummer)|Stu Martin]]. In the mid-1970s he founded one of the earliest all-saxophone jazz groups, S.O.S., along with alto saxophonist [[Mike Osborne]] and tenor saxophonist [[Alan Skidmore]]. During this early period he also recorded with (among others) saxophonist [[Ronnie Scott]], guitarist [[John McLaughlin (musician)|John McLaughlin]], bandleader [[Michael Gibbs (jazz composer)|Michael Gibbs]], trombonist [[Albert Mangelsdorff]], and pianist [[Chris McGregor]]'s [[Brotherhood of Breath]]. |
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By 1972 he had begun experimenting with synthesizers. That year he recorded ''Westering Home'', the first of several solo projects on which he played all parts himself via [[overdubbing]]. He recorded his final album with Mike Westbrook, 'Citadel/Room 315' in 1975. The album features Surman playing powerful solos on baritone & soprano sax as well as bass clarinet and many critics believe it to be his finest work with Westbrook. |
By 1972 he had begun experimenting with synthesizers. That year he recorded ''Westering Home'', the first of several solo projects on which he played all parts himself via [[overdubbing]]. He recorded his final album with Mike Westbrook, 'Citadel/Room 315' in 1975. The album features Surman playing powerful solos on baritone & soprano sax as well as bass clarinet and many critics believe it to be his finest work with Westbrook. |
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Revision as of 17:22, 15 February 2007
John Douglas Surman (born 30 August 1944 in Tavistock, England) is a jazz saxophone, bass clarinet and synthesizer player and composer. He has also composed and performed much music for dance performances and film soundtracks.
He initially gained recognition playing baritone saxophone in the Mike Westbrook Band in the mid-1960s. He was soon heard regularly playing soprano saxophone and bass clarinet as well. His first playing issued on a record was with the Peter Lemer Quintet in 1966. After further recordings and performances with jazz bandleaders Mike Westbrook and Graham Collier and blues-rock musician Alexis Korner, he made the first record under his own name in 1968.
In 1969 he founded the well-regarded and influential group The Trio along with two expatriate American musicians, bassist Barre Phillips and drummer Stu Martin. In the mid-1970s he founded one of the earliest all-saxophone jazz groups, S.O.S., along with alto saxophonist Mike Osborne and tenor saxophonist Alan Skidmore. During this early period he also recorded with (among others) saxophonist Ronnie Scott, guitarist John McLaughlin, bandleader Michael Gibbs, trombonist Albert Mangelsdorff, and pianist Chris McGregor's Brotherhood of Breath.
By 1972 he had begun experimenting with synthesizers. That year he recorded Westering Home, the first of several solo projects on which he played all parts himself via overdubbing. He recorded his final album with Mike Westbrook, 'Citadel/Room 315' in 1975. The album features Surman playing powerful solos on baritone & soprano sax as well as bass clarinet and many critics believe it to be his finest work with Westbrook.
Many of the musical relationships he established during the 1970s have continued to the present. These include a quartet with pianist John Taylor, bassist Chris Laurence, and drummer John Marshall; duets and other projects with Norwegian singer Karin Krog; and duets and other projects with American drummer/pianist Jack DeJohnette. His relationship with ECM Records has also been continuous from the late 1970s to the present.
In recent years he has composed several suites of music that feature his playing in unusual contexts, including with church organ and chorus (Proverbs and Songs, 1996); with a string quintet (Coruscating, 1999); and with the London Brass and Jack DeJohnette (Free and Equal, 2001). He has also played in a unique trio with Tunisian oud-player Anouar Brahem and bassist Dave Holland (Thimar, 1997), and has performed the songs of John Dowland with singer John Potter (In Darkness Let Me Dwell, 1999).
Other musicians he has worked with include bassist Miroslav Vitous, bandleader Gil Evans, pianist Paul Bley, guitarists Terje Rypdal and John Abercrombie, and trumpeter Tomasz Stanko.