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==Plot==
==Plot==
[[Image:Bob Hope and Paulette Goddard in The Ghost Breakers trailer.JPG|left|200px]]
[[Image:Bob Hope and Paulette Goddard in The Ghost Breakers trailer.JPG|left|200px]]
New York City, 1940. Radio broadcaster Larry Lawrence ([[Bob Hope]]) exposes the crimes of underworld boss Frenchy Duvall. In her hotel suite, while listening to Lawrence on the radio, Mary Carter ([[Paulette Goddard]]) is visited by Mr. Parada ([[Paul Lukas]]), a sinister Cuban solicitor, who delivers the deed to her inherited plantation and mansion. Despite Parada's objections, she decides to travel to Cuba by ship to inspect her property. Not even a phone call from the mysterious Mr. Mederos ([[Anthony Quinn]]) can convince her to stay put. Cut to the radio station, where Larry Lawrence has finished his broadcast. He receives a telephone call from Frenchy Duval ([[Paul Fix]]), who invites Larry to his hotel. Coincidentally, Frenchy is living in the same hotel as Mary Carter. And when Mederos and Lawrence arrive on the same hotel floor, a comedy of errors ensues, resulting in Larry hiding in Mary's suite, where she is packing for her journey. Believing that he is being pursued by Frenchy's men, Larry hides in Mary's large open trunk. Unaware of Larry's presence, Mary locks the trunk and arranges for its transport to the harbor.
New York City, 1940. From his Manhattan studio, radio broadcaster Larry Lawrence ([[Bob Hope]]) exposes the crimes of underworld boss Frenchy Duval. In her hotel suite, while listening to Lawrence on the radio, Mary Carter ([[Paulette Goddard]]) is visited by Mr. Parada ([[Paul Lukas]]), a sinister Cuban solicitor, who delivers the deed to her inherited plantation and mansion. Despite Parada's objections, she decides to travel to Cuba by ship to inspect her property. Not even a phone call from the mysterious Mr. Mederos ([[Anthony Quinn]]) can convince her to stay put. Cut to the radio station, where Larry Lawrence has finished his broadcast. He receives a telephone call from Frenchy Duval ([[Paul Fix]]), who invites Larry to his hotel. Coincidentally, Frenchy is living in the same hotel as Mary Carter. And when Mederos and Lawrence arrive on the same hotel floor, a comedy of errors ensues, resulting in Larry hiding in Mary's suite, where she is packing for her journey. Believing that he is being pursued by Frenchy's men, Larry hides in Mary's large open trunk. Unaware of Larry's presence, Mary locks the trunk and arranges for its transport to the harbor.


Later at the dock, Larry's [[valet]] Alex ([[Willie Best]]) searches among the luggage bound for loading and finds Larry among them. Although not in time to prevent the trunk's transfer to the ship's hold, Alex manages to get on board in order to extricate his employer before the ship sails. During the trip, as Larry and Mary strike up a flirtation, they meet an acquaintance of Mary's, Geoff Montgomery ([[Richard Carlson (actor)|Richard Carlson]]), a young professorial type who regales them with tales of Caribbean superstitions, particularly [[Haitian Vodou|voodoo]], ghosts and zombies. Upon reaching [[Havana]], Mary, Larry, Alex go to the small island locale of her new estate. En route they find a shack occupied by an old woman ([[Virginia Brissac]]) and her [[catatonic]] son ([[Noble Johnson]]), whom they believe is a [[zombie]]. The imposing plantation manor proves to be a spooky edifice indeed. They begin to explore the long-abandoned, cobweb-ridden mansion, and discover a large portrait of a woman who is nearly an exact likeness of Mary—most certainly an ancestor. Soon they are terrorized by the appearance of a ghost, and the reappearance of the zombie. Are these real, or are they a ruse to frighten Mary away from her inheritance?
Later at the dock, Larry's [[valet]] Alex ([[Willie Best]]) searches among the luggage bound for loading and finds Larry among them. Although not in time to prevent the trunk's transfer to the ship's hold, Alex manages to get on board in order to extricate his employer before the ship sails. During the trip, as Larry and Mary strike up a flirtation, they meet an acquaintance of Mary's, Geoff Montgomery ([[Richard Carlson (actor)|Richard Carlson]]), a young professorial type who regales them with tales of Caribbean superstitions, particularly [[Haitian Vodou|voodoo]], ghosts and zombies. Upon reaching [[Havana]], Mary, Larry, Alex go to the small island locale of her new estate. En route they find a shack occupied by an old woman ([[Virginia Brissac]]) and her [[catatonic]] son ([[Noble Johnson]]), whom they believe is a [[zombie]]. The imposing plantation manor proves to be a spooky edifice indeed. They begin to explore the long-abandoned, cobweb-ridden mansion, and discover a large portrait of a woman who is nearly an exact likeness of Mary—most certainly an ancestor. Soon they are terrorized by the appearance of a ghost, and the reappearance of the zombie. Are these real, or are they a ruse to frighten Mary away from her inheritance?

Revision as of 16:12, 26 April 2022

Not to be confused with The Ghost Breaker (1914 film) or The Ghost Breaker (1922 film).
The Ghost Breakers
Directed byGeorge Marshall
Screenplay byWalter DeLeon
Based onThe Ghost Breaker
(1909 play)
by Paul Dickey and Charles W. Goddard
Produced byArthur Hornblow Jr.
Starring
CinematographyCharles Lang
Edited byEllsworth Hoagland
Music byErnst Toch
Distributed byParamount Pictures
Release dates
  • June 7, 1940 (1940-06-07)
(Detroit)[1]
  • June 21, 1940 (1940-06-21)
(USA)
Running time
83 minutes
CountryUnited States
LanguageEnglish

The Ghost Breakers is a 1940 American mystery/horror comedy film directed by George Marshall and starring Bob Hope and Paulette Goddard. It was adapted by screenwriter Walter DeLeon as the third film version of the 1909 play The Ghost Breaker by Paul Dickey and Charles W. Goddard.[2]

Along with the Abbott and Costello films Hold That Ghost and Abbott and Costello Meet Frankenstein and Hope and Goddard's own The Cat and the Canary, it is cited as a prime example of the classic Hollywood horror-comedy.[2][3]

Plot

New York City, 1940. From his Manhattan studio, radio broadcaster Larry Lawrence (Bob Hope) exposes the crimes of underworld boss Frenchy Duval. In her hotel suite, while listening to Lawrence on the radio, Mary Carter (Paulette Goddard) is visited by Mr. Parada (Paul Lukas), a sinister Cuban solicitor, who delivers the deed to her inherited plantation and mansion. Despite Parada's objections, she decides to travel to Cuba by ship to inspect her property. Not even a phone call from the mysterious Mr. Mederos (Anthony Quinn) can convince her to stay put. Cut to the radio station, where Larry Lawrence has finished his broadcast. He receives a telephone call from Frenchy Duval (Paul Fix), who invites Larry to his hotel. Coincidentally, Frenchy is living in the same hotel as Mary Carter. And when Mederos and Lawrence arrive on the same hotel floor, a comedy of errors ensues, resulting in Larry hiding in Mary's suite, where she is packing for her journey. Believing that he is being pursued by Frenchy's men, Larry hides in Mary's large open trunk. Unaware of Larry's presence, Mary locks the trunk and arranges for its transport to the harbor.

Later at the dock, Larry's valet Alex (Willie Best) searches among the luggage bound for loading and finds Larry among them. Although not in time to prevent the trunk's transfer to the ship's hold, Alex manages to get on board in order to extricate his employer before the ship sails. During the trip, as Larry and Mary strike up a flirtation, they meet an acquaintance of Mary's, Geoff Montgomery (Richard Carlson), a young professorial type who regales them with tales of Caribbean superstitions, particularly voodoo, ghosts and zombies. Upon reaching Havana, Mary, Larry, Alex go to the small island locale of her new estate. En route they find a shack occupied by an old woman (Virginia Brissac) and her catatonic son (Noble Johnson), whom they believe is a zombie. The imposing plantation manor proves to be a spooky edifice indeed. They begin to explore the long-abandoned, cobweb-ridden mansion, and discover a large portrait of a woman who is nearly an exact likeness of Mary—most certainly an ancestor. Soon they are terrorized by the appearance of a ghost, and the reappearance of the zombie. Are these real, or are they a ruse to frighten Mary away from her inheritance?

Cast

Uncredited (in order of appearance)

Various versions

The Dickey and Goddard play The Ghost Breaker was filmed twice previously by Paramount, first in 1914 by Cecil B. DeMille, with stars H. B. Warner and Rita Stanwood. It was filmed again in 1922 by director Alfred E. Green, starring Wallace Reid and Lila Lee.[2] Both these silent film versions are now considered to be lost films.[4]

The film was adapted for radio on Screen Directors Playhouse on April 4, 1949. Bob Hope re-created his film role, and Shirley Mitchell starred as Mary. Hope appeared again on the program for an hour-long version on June 14, 1951.

George Marshall, director of the 1940 version, remade The Ghost Breakers as Scared Stiff (1953), featuring Martin and Lewis (Dean Martin and Jerry Lewis). The remake featured cameos not only from Hope, but also from Bing Crosby. A year before Scared Stiff, Martin and Lewis appeared in the Crosby/Hope film Road to Bali. Marshall also directed the not-dissimilar Murder, He Says (1945), in which Fred MacMurray compares the situation to "that Bob Hope movie The Ghost Breakers."

Scenes from the film were used in the 1972 pilot episode of The Snoop Sisters (aka The Female Instinct).[5]

The Ghost Breakers was one of the inspirations for the Ghostbusters series of films, whereby Dan Ackroyd wanted to combine the latest research with The Ghost Breakers style of comedy.[6][7]

Reception

Reviews from critics were positive. Bosley Crowther of The New York Times wrote, "It looks as though Paramount has really discovered something: it has found the fabled formula for making an audience shriek with laughter and fright at one and (as the barkers say) the simultaneous time."[8] Variety declared it "solid comedy entertainment that will generate plenty of laughs and roll up some hefty b.o. figures along the way."[9] Harrison's Reports called it, "One of the finest ghost stories that have been produced for some time."[10] "Corking comedy has laughs and thrills aplenty," Film Daily reported.[11] John Mosher of The New Yorker wrote, "The amalgam of farce and horror is very successful."[12]

Writing in The Zombie Movie Encyclopedia, Peter Dendle said, "This is considered to be among Bob Hope's finest pictures, and the direction is smooth and the lines delivered flawlessly, but black actor Willie Best's jokes about fried chicken are no longer funny, and smarmy Hope isn't funny to begin with."[13] Glenn Kay, who wrote Zombie Movies: The Ultimate Guide, called it "entertaining and hugely successful", though he said some scenes are uncomfortable due to their political incorrectness.[14]


See also

References

  1. ^ Hanson, Patricia King, ed. (1993). The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1931-1940. Berkeley and Los Angeles: University of California Press. p. 750. ISBN 0-520-07908-6.
  2. ^ a b c Miller, John M. "The Ghost Breakers". Turner Classic Movies. Retrieved February 2, 2015.
  3. ^ King, Susan (June 2, 2010). "Classic Hollywood: When Bob Hope, Joe E. Brown and Red Skelton ruled big-screen comedies". Los Angeles Times. Retrieved February 2, 2015.
  4. ^ "SilentEra.com lost films index". SilentEra.com. Retrieved February 2, 2015.
  5. ^ Archived at Ghostarchive and the Wayback Machine: "SNOOP SISTERS 1972 / Helen Hayes & Mildred Natwick / Complete Episode". YouTube.
  6. ^ "20 Things You Might Not Know About Ghostbusters".
  7. ^ "Dan Aykroyd Explains Spooky Way He Came up with Original 'Ghostbusters' Idea".
  8. ^ Crowther, Bosley (July 4, 1940). "The Ghost Breakers (1940)". The New York Times. Retrieved February 2, 2015.
  9. ^ "The Ghost Breakers". Variety. New York: Variety, Inc. June 12, 1940. p. 14.
  10. ^ "'The Ghost Breakers' with Bob Hope and Paulette Goddard". Harrison's Reports: 98. June 22, 1940.
  11. ^ "Reviews of the New Films". Film Daily. New York: Wid's Films and Film Folk, Inc.: 5 June 13, 1940.
  12. ^ Mosher, John (July 6, 1940). "The Current Cinema". The New Yorker. New York: F-R Publishing Corp. p. 46.
  13. ^ Dendle, Peter (2001). The Zombie Movie Encyclopedia. McFarland & Company. pp. 73–74. ISBN 978-0-7864-9288-6.
  14. ^ Kay, Glenn (2008). Zombie Movies: The Ultimate Guide. Chicago Review Press. pp. 14–15. ISBN 978-1-55652-770-8.
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