Hanky Panky (The The album): Difference between revisions
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==Production== |
==Production== |
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[[Matt Johnson (singer)|Matt Johnson]] originally planned to record an EP, and then a standard tribute album, with many musicians interpreting songs, before settling on a the The album of covers.<ref>{{cite news |last1=Davidson |first1=Neil |title=Hanky Panky dark tribute to Williams |work=Ottawa Citizen |date=23 Feb 1995 |page=D9}}</ref> |
[[Matt Johnson (singer)|Matt Johnson]] originally planned to record an EP, and then a standard tribute album, with many musicians interpreting songs, before settling on a the The album of covers.<ref>{{cite news |last1=Davidson |first1=Neil |title=Hanky Panky dark tribute to Williams |work=Ottawa Citizen |date=23 Feb 1995 |page=D9}}</ref> Some songs contain only voice and [[harmonium]].<ref name=IS/> |
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==Critical reception== |
==Critical reception== |
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|rev3 = ''[[Entertainment Weekly]]'' |
|rev3 = ''[[Entertainment Weekly]]'' |
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|rev3score = B+<ref name="auto">{{Cite web|url=https://ew.com/article/1995/02/17/hanky-panky/|title=Hanky Panky|website=EW.com}}</ref> |
|rev3score = B+<ref name="auto">{{Cite web|url=https://ew.com/article/1995/02/17/hanky-panky/|title=Hanky Panky|website=EW.com}}</ref> |
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|rev4 = ''[[The Indianapolis Star]]'' |
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|rev4score = {{rating|3.5|4}}<ref name=IS>{{cite news |last1=Miley |first1=Scott L. |title=When The The meets Hank, good good stuff happens |work=The Indianapolis Star |date=24 Feb 1995 |page=D5}}</ref> |
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''[[Entertainment Weekly]]'' wrote that "Johnson internalizes Williams' '50s despair and coughs it up as modernist melancholy."<ref name="auto"/> ''[[Trouser Press]]'' called the album "a tour de force tribute," writing that it "might have sunk to self-conscious gimmickry in less perceptive hands, but Johnson makes it work beautifully."<ref>{{cite web |title=The The |url=https://trouserpress.com/reviews/the-the/ |website=Trouser Press |access-date=18 May 2022}}</ref> The ''[[Chicago Tribune]]'' stated that it "drones with the overmiked rasp, sometime monotonous echo, and bluesy guitars that are The The's trademark."<ref name=CT/> |
''[[Entertainment Weekly]]'' wrote that "Johnson internalizes Williams' '50s despair and coughs it up as modernist melancholy."<ref name="auto"/> ''[[Trouser Press]]'' called the album "a tour de force tribute," writing that it "might have sunk to self-conscious gimmickry in less perceptive hands, but Johnson makes it work beautifully."<ref>{{cite web |title=The The |url=https://trouserpress.com/reviews/the-the/ |website=Trouser Press |access-date=18 May 2022}}</ref> The ''[[Chicago Tribune]]'' stated that it "drones with the overmiked rasp, sometime monotonous echo, and bluesy guitars that are The The's trademark."<ref name=CT/> |
Revision as of 21:39, 18 May 2022
Hanky Panky | ||||
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Studio album by | ||||
Released | 1995 | |||
Recorded | The War Room, Pittsburgh | |||
Genre | Alternative country | |||
Label | 550 Music/Epic | |||
Producer | Matt Johnson, Bruce Lampcov | |||
The The chronology | ||||
|
Hanky Panky is an album by the English band the The, released in 1995.[1][2] It consists of cover versions of country singer Hank Williams' songs.[3][4] It reached No. 28 on the UK Albums Chart.[5]
Production
Matt Johnson originally planned to record an EP, and then a standard tribute album, with many musicians interpreting songs, before settling on a the The album of covers.[6] Some songs contain only voice and harmonium.[7]
Critical reception
Review scores | |
---|---|
Source | Rating |
AllMusic | [8] |
Chicago Tribune | [9] |
Entertainment Weekly | B+[10] |
The Indianapolis Star | [7] |
Entertainment Weekly wrote that "Johnson internalizes Williams' '50s despair and coughs it up as modernist melancholy."[10] Trouser Press called the album "a tour de force tribute," writing that it "might have sunk to self-conscious gimmickry in less perceptive hands, but Johnson makes it work beautifully."[11] The Chicago Tribune stated that it "drones with the overmiked rasp, sometime monotonous echo, and bluesy guitars that are The The's trademark."[9]
The Independent determined that, "mostly, Hanky Panky demonstrates a misapprehension of Williams's art, the greatness of which lies, in part, in his ability to disguise darkness and loneliness in redemptively light settings."[12] The Guardian noted that "gloomy rock replaces the original relaxed melodies, and Johnson's baritone evokes only one colour from Hank's mixed palette of emotions."[13]
Track listing
All tracks by Hank Williams; arrangements/re-arrangements by Matt Johnson and D. C. Collard
- "Honky Tonkin'"
- "Six More Miles"
- "My Heart Would Know"
- "If You'll Be A Baby To Me"
- "I'm A Long Gone Daddy"
- "Weary Blues From Waitin'"
- "I Saw the Light"
- "Your Cheatin' Heart"
- "I Can't Get You Off of my Mind"
- "There's a Tear in My Beer"
- "I Can't Escape from You"
Personnel
- Matt Johnson - vocals, guitar, bass
- Eric Schermerhorn - electric & slide guitar
- Gail Ann Dorsey - bass
- Reverend Brian McLeod - drums
- Gentleman Jim Fitting - harmonica
- D.C. Collard - treated melodica, arrangements
References
- ^ "The The Biography, Songs, & Albums". AllMusic.
- ^ Dafoe, Chris (28 January 1995). "Hank Williams and The The make strange disc mates". The Globe and Mail. p. C11.
- ^ "The The's Matt Johnson". MTV News.
- ^ Morse, Steve (7 October 1994). "MATT DOES HANK". Living. The Boston Globe. p. 66.
- ^ "THE THE | full Official Chart History | Official Charts Company". www.officialcharts.com.
- ^ Davidson, Neil (23 February 1995). "Hanky Panky dark tribute to Williams". Ottawa Citizen. p. D9.
- ^ a b Miley, Scott L. (24 February 1995). "When The The meets Hank, good good stuff happens". The Indianapolis Star. p. D5.
- ^ AllMusic review
- ^ a b Webber, Brad (16 February 1995). "Recordings". Tempo. Chicago Tribune. p. 7.
- ^ a b "Hanky Panky". EW.com.
- ^ "The The". Trouser Press. Retrieved 18 May 2022.
- ^ Gill, Andy (10 February 1995). "Tribute albums and tribulations". MUSIC/POP. The Independent. p. 26.
- ^ Spencer, Neil (12 February 1995). "THE THE Hanky Panky". The Observer Review Page. The Guardian. p. 16.