Hanky Panky (The The album): Difference between revisions
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|rev6score = {{rating|4|5}}<ref name="OS">{{cite news |last1=Gettelman |first1=Parry |title=THE THE |work=Orlando Sentinel |date=17 Mar 1995 |department=Calendar |page=11}}</ref> |
|rev6score = {{rating|4|5}}<ref name="OS">{{cite news |last1=Gettelman |first1=Parry |title=THE THE |work=Orlando Sentinel |date=17 Mar 1995 |department=Calendar |page=11}}</ref> |
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''[[Entertainment Weekly]]'' wrote that "Johnson internalizes Williams' '50s despair and coughs it up as modernist melancholy."<ref name="auto"/> ''[[Trouser Press]]'' called the album "a tour de force tribute," writing that it "might have sunk to self-conscious gimmickry in less perceptive hands, but Johnson makes it work beautifully."<ref>{{cite web |title=The The |url=https://trouserpress.com/reviews/the-the/ |website=Trouser Press |access-date=18 May 2022}}</ref> The ''[[Chicago Tribune]]'' stated that it "drones with the overmiked rasp, sometime monotonous echo, and bluesy guitars that are The The's trademark."<ref name=CT/> |
''[[Entertainment Weekly]]'' wrote that "Johnson internalizes Williams' '50s despair and coughs it up as modernist melancholy."<ref name="auto"/> ''[[Trouser Press]]'' called the album "a tour de force tribute," writing that it "might have sunk to self-conscious gimmickry in less perceptive hands, but Johnson makes it work beautifully."<ref>{{cite web |title=The The |url=https://trouserpress.com/reviews/the-the/ |website=Trouser Press |access-date=18 May 2022}}</ref> The ''[[Chicago Tribune]]'' stated that it "drones with the overmiked rasp, sometime monotonous echo, and bluesy guitars that are The The's trademark."<ref name=CT/> |
Revision as of 23:12, 18 May 2022
Hanky Panky | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1995 | |||
Recorded | The War Room, Pittsburgh | |||
Genre | Alternative country | |||
Label | 550 Music/Epic[1] | |||
Producer | Matt Johnson, Bruce Lampcov | |||
The The chronology | ||||
|
Hanky Panky is an album by the English band the The, released in 1995.[2][3] It consists of cover versions of country singer Hank Williams' songs.[4][5] It reached No. 28 on the UK Albums Chart.[6] Matt Johnson intended Hanky Panky to be the first of many albums he would record covering the work of iconic musicians.[7]
Production
Johnson originally planned to record an EP, and then a standard tribute album, with many musicians interpreting songs, before settling on a the The album of covers.[8] Eric Schermerhorn played guitar on the album.[9] Some songs contain only voice and harmonium.[10] "Your Cheatin' Heart" was performed in a rockabilly style.[11]
Critical reception
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
Calgary Herald | A[13] |
Chicago Tribune | [14] |
Entertainment Weekly | B+[15] |
The Indianapolis Star | [10] |
Orlando Sentinel | [9] |
USA Today | [16] |
Entertainment Weekly wrote that "Johnson internalizes Williams' '50s despair and coughs it up as modernist melancholy."[15] Trouser Press called the album "a tour de force tribute," writing that it "might have sunk to self-conscious gimmickry in less perceptive hands, but Johnson makes it work beautifully."[17] The Chicago Tribune stated that it "drones with the overmiked rasp, sometime monotonous echo, and bluesy guitars that are The The's trademark."[14]
The Independent determined that, "mostly, Hanky Panky demonstrates a misapprehension of Williams's art, the greatness of which lies, in part, in his ability to disguise darkness and loneliness in redemptively light settings."[18] The Guardian noted that "gloomy rock replaces the original relaxed melodies, and Johnson's baritone evokes only one colour from Hank's mixed palette of emotions."[19] The Calgary Herald concluded that "as has happened with the blues and rock in the '60s, it's taken a Brit to unearth the spirit, the soul, the songs of Hank Williams."[13]
Track listing
All tracks by Hank Williams; arrangements/re-arrangements by Matt Johnson and D. C. Collard
- "Honky Tonkin'"
- "Six More Miles"
- "My Heart Would Know"
- "If You'll Be A Baby To Me"
- "I'm A Long Gone Daddy"
- "Weary Blues From Waitin'"
- "I Saw the Light"
- "Your Cheatin' Heart"
- "I Can't Get You Off of my Mind"
- "There's a Tear in My Beer"
- "I Can't Escape from You"
Personnel
- Matt Johnson - vocals, guitar, bass
- Eric Schermerhorn - electric & slide guitar
- Gail Ann Dorsey - bass
- Reverend Brian McLeod - drums
- Gentleman Jim Fitting - harmonica
- D.C. Collard - treated melodica, arrangements
References
- ^ Campbell, Chuck (3 March 1995). "Band resurrects Hank Williams with a twist". Detours. Knoxville News Sentinel. p. 6.
- ^ "The The Biography, Songs, & Albums". AllMusic.
- ^ Dafoe, Chris (28 January 1995). "Hank Williams and The The make strange disc mates". The Globe and Mail. p. C11.
- ^ "The The's Matt Johnson". MTV News.
- ^ Morse, Steve (7 October 1994). "MATT DOES HANK". Living. The Boston Globe. p. 66.
- ^ "THE THE | full Official Chart History | Official Charts Company". www.officialcharts.com.
- ^ Niester, Alan (March 1995). "One of the more bizarre and surprising tribute albums...". Saturday Night. 110 (2): 66.
- ^ Davidson, Neil (23 February 1995). "Hanky Panky dark tribute to Williams". Ottawa Citizen. p. D9.
- ^ a b Gettelman, Parry (17 March 1995). "THE THE". Calendar. Orlando Sentinel. p. 11.
- ^ a b Miley, Scott L. (24 February 1995). "When The The meets Hank, good good stuff happens". The Indianapolis Star. p. D5.
- ^ Nash, Alanna (March 1995). "Popular music — Hanky Panky by The The". Stereo Review. 60 (3): 90.
- ^ AllMusic review
- ^ a b Muretich, James (5 March 1995). "RECENT RELEASES". Calgary Herald. p. C2.
- ^ a b Webber, Brad (16 February 1995). "Recordings". Tempo. Chicago Tribune. p. 7.
- ^ a b "Hanky Panky". EW.com.
- ^ Zimmerman, David (17 March 1995). "COUNTRY". USA Today. p. 10D.
- ^ "The The". Trouser Press. Retrieved 18 May 2022.
- ^ Gill, Andy (10 February 1995). "Tribute albums and tribulations". MUSIC/POP. The Independent. p. 26.
- ^ Spencer, Neil (12 February 1995). "THE THE Hanky Panky". The Observer Review Page. The Guardian. p. 16.