Animal Farm

Animal Farm

File:Animalfarm2.jpg
Author	George Orwell
Cover artist	Christopher Corr
Language	English
Genre	Satire
Publisher	Secker and Warburg (London)
Publication date	17 August 1945
Publication place	United Kingdom
Media type	Print (Hardcover & Paperback)
Pages	112 pp (UK paperback edition)
ISBN	0-395-79677-6

Animal Farm is a novel by George Orwell, and is regarded in the literary field as one of the most famous satirical allegories of Soviet totalitarianism. Orwell based major events in the book on ones from the Soviet Union during the Stalin era. Orwell, a democratic socialist, and a member of the Independent Labour Party for many years, was a critic of Stalin, and was suspicious of Moscow-directed Stalinism after his experiences in the Spanish Civil War.

Synopsis

Template:Spoiler When the farm's prize-winning pig, Old Major, calls a meeting of all the animals of Manor Farm, he tells them that he has had a dream in which mankind is gone and animals are free to live in peace and harmony; his ideals can be compared to Anarchist Communism or even some aspects of Leninism. He compares the humans to parasites, and then proceeds to teach the animals a revolutionary song, "Beasts of England."

When Old Major dies a mere three days later, two young boars - Snowball and Napoleon - assume command, and turn his dream into a full-fledged philosophy. The starved animals suddenly revolt one night and drive the farmer, Mr. Jones, his wife, and his pet raven, Moses, from the farm. The farm is then renamed "Animal Farm."

The Seven Commandments of the new philosophy of Animalism are written on the wall of a barn for all to read. The seventh and most important is "all animals are equal." All animals work, but the workhorse, Boxer, does more than his fair share and adopts a maxim of his own — "I will work harder."

Animal Farm begins well: Snowball teaches the other animals to read and write (though few animals besides the pigs learn to read well), food is plentiful due to a good harvest, and the entire farm is organized and running smoothly. Meanwhile, Napoleon secretively takes the pups from the farm dogs and trains them privately. When Mr. Jones tries to retake the farm, the animals defeat him at what they later call the "Battle of the Cowshed." However, Napoleon and Snowball begin a power struggle for leadership of the farm. When Snowball announces his idea for a windmill, Napoleon quickly opposes it. Just after Snowball makes a passionate and articulate speech in favour of the windmill, Napoleon summons his nine attack dogs, which burst in and chase Snowball off the farm. In Snowball's absence, Napoleon declares himself the leader of the farm and makes instant changes. He announces that meetings will no longer be held as before; a committee of pigs alone will decide what happens with the farm.

Screenshot from Animal Farm (1954 film)

Napoleon then changes his mind about the windmill, claiming (through Squealer, Napoleon's mouthpiece) that Snowball stole the idea from him all along. The animals begin to work harder with the promise of easier lives with the windmill. After a violent storm, the animals wake to find the fruit of their months of labour utterly annihilated. Though neighboring farmers scoff at the thin walls, Napoleon and Squealer convince everyone that Snowball destroyed it. Only after did Snowball become the scapegoat of the story did Napoleon begin to purge the farm, killing many animals he accuses of consorting with Snowball. In the meantime, Boxer takes a second mantra, "Napoleon is always right."

Napoleon begins to abuse his powers even more, and life on the farm becomes harder and harder for the rest of the animals; the pigs impose more and more controls on them while reserving privileges for themselves. The pigs rewrite history in a way that villainizes Snowball and glorifies Napoleon even further. Each step of this development is justified by the pig Squealer, who on several occasions alters the Seven Commandments on the barn in the dead of night to justify actions of the pigs — for example, "No animal shall drink alcohol" becomes "No animal shall drink alcohol to excess." The song "Beasts of England" is banned as inappropriate (as the dream of Animal Farm has been realized), and is replaced by an anthem glorifying Napoleon, who begins to live more and more like a human. The animals, though cold, starving, and overworked, remain convinced that they are still better off than when they were ruled by Mr. Jones, the previous (human) owner of Manor Farm. Squealer abuses the animals' poor memories and invents numbers to show their improvement.

Mr. Frederick, one of the two neighboring farmers, swindles Napoleon by buying lumber with forged banknotes, and then attacks the farm, using blasting powder to blow up the recently restored windmill. Though the animals of Animal Farm eventually win the battle, they do so at a great cost, as many of the animals, including Boxer, are wounded. (Squealer, however, was mysteriously absent from the fight). However, Boxer continues to work harder and harder, until he finally collapses while working on the windmill. Napoleon sends for a van to take Boxer to the veterinarian, explaining to the worried animals that better care can be given there. However, Benjamin notices as Boxer is loaded up that the van really belongs to "Alfred Simmonds, Horse Slaughterer and Glue Boiler", but the animals' last desperate attempts are futile. Squealer quickly reports that the van with the old writing had been purchased by the hospital and had simply not been repainted yet. He then recounts a dramatic and tear-felt tale of Boxer's death in the hands of the best medical care. In reality, the pigs sent Boxer to his death in exchange for more whiskey.

Many years pass, and the pigs learn to walk upright, carry whips, and wear clothes. The Seven Commandments are reduced to a single phrase: "All Animals Are Equal, But Some Animals Are More Equal Than Others." Napoleon holds a dinner party for the pigs and the humans of the area (in the adjacent Foxwood Farm, run by Mr. Pilkington), who congratulate Napoleon on having the hardest-working animals in the country on the least feed. Napoleon announces his alliance with the humans, against the labouring classes of both "worlds". He then abolishes practices and traditions related to the Revolution, and renames the farm back to "The Manor Farm".

The animals, overhearing the conversation, notice a change has come over the ruling pigs. During a poker match, an argument breaks out between Napoleon and Mr. Pilkington when they both play the Ace of Spades, and the animals realize that they cannot tell the difference between the pigs and the humans.

Animals

The events and characters in Animal Farm are all carefully drawn to represent the history of the Soviet Union; Orwell makes this explicit in the case of Napoleon, whom he directly connects to Stalin in a letter of 17 March 1945 to the publisher.

...when the windmill is blown up, I wrote 'none the animals including Napoleon flung themselves on their faces." I would like to alter it to 'all the animals except Napoleon." If that has been printed it's not worth bothering about, but I just thought the alteration would be fair to JS [Joseph Stalin], as he did stay in Moscow during the German advance.

The other characters have their parallels in the real world, but care should be taken with these comparisons as they do not always match history exactly and often simply represent generalised concepts.

Pigs

Napoleon is the leader of Animal Farm after the rebellion. Based on Joseph Stalin, he uses his military/secret police (of nine attack dogs) to cement his power. Napoleon uses force to drive out his opponent, Snowball, and instill fear in the other animals. He takes the role of a dictator over the farm and changes the original intent of the animal society.

Snowball is a rival of Napoleon who contends for control of the farm after the rebellion. Inspired by Leon Trotsky, Snowball is a passionate intellectual and is far more honest about his motives than Napoleon. While he is not immune to the corrupting effects of unchecked power (illustrated in his willingness to support a sophist argument that windfall apples belong primarily to pigs), Snowball does seem to at least have the integrity to prioritize the farm's well-being in general over the pigs in particular, and his dedication wins the loyalty of most of the farm's animals. This dedication does not suffice to save him from later being driven out by Napoleon's attack dogs (much as Trotsky was driven into exile in Mexico, where he was eventually assassinated). After his departure he is used as a scapegoat and blamed for everything that has gone wrong. Snowball fought bravely at the Battle of the Cowshed. However, after his departure, Squealer manages to convince the forgetful animals that Snowball was censured for cowardice. Later on, he convinces them that Snowball was the leader or double agent of the human forces in the battle and makes him a scapegoat for all the misfits on the farm.

Squealer serves as Napoleon's public speaker. Inspired by Vyacheslav Molotov and the Russian paper Pravda, Squealer twists and abuses the language to excuse, justify, and extol all of Napoleon's actions. He represents all the propaganda Stalin used to justify his actions. In all of his work, George Orwell made it a point to show how politicians used language. Squealer limits debate by complicating it, and he confuses and disorients, making claims that the pigs need the extra luxury they are taking in order to function properly, for example. However, when questions persist, he usually uses the threat of Mr. Jones's return as justification for the pigs' privileges. "If this doesn't happen Jones will come back etc. etc.". Squealer uses statistics to convince the animals that life is getting better and better. Most of the animals have only dim memories of life before the revolution so they are convinced.

Minimus is a poetical pig who writes a song about Napoleon, representing admirers of Stalin both inside and outside the USSR such as Maxim Gorky.

Old Major is based upon both Lenin and Marx — Old Major is the inspiration which fuels the rest of the book. Though it is a positive image, Orwell does slip some flaws in Old Major, such as his admission that he has largely been free of the abuse the rest of the animals have suffered. As a socialist, Orwell agreed with some of Karl Marx's politics, and respected Vladimir Lenin. However, the satire in Animal Farm is not of Marxism, or Lenin's revolution, but of the corruption that occurred later. Old Major not only represents Karl Marx in the allegory, but also the power of speech and how it can and was used to evoke and inspire people. Old Major also represents the generation who were not content with the old regime and therefore inspired the younger generations to rebel against the regime under which they were living.

Pinkeye is a small piglet who tastes Napoleon's food for poisoning.

Piglets are hinted to be the children of Napoleon (albeit not truly noted in the novel), and are the first generation of animals to actually be subjugated to his idea of animal inequality.

Rebel Pigs are pigs who complain about Napoleon's takeover of the farm but are quickly silenced and later executed. This is based on the Great Purge during Stalin's regime.

Humans

Mr. Jones is the owner of Manor Farm. He is based on Czar Nicholas II. There are also several implications that he represents an incompetent and autocratic capitalist.

Mr. Frederick is the tough owner of Pinchfield, a well-kept neighbouring farm. He represents Nazi Germany and Adolf Hitler.

Mr. Pilkington is the easy-going but crafty owner of Foxwood, a neighboring farm. He represents the western powers, such as Britain and the U.S. The card game at the very end of the novel is a metaphor for the Tehran Conference, where the parties flatter each other, all the while cheating at the game. The irony in this last scene is present because of all of the Pigs being civil and kind to the humans, defying all they had fought for. This was present in the Tehran Conference with the Alliance that the Soviet Union formed with the United States and Britain, capitalist countries that the Soviet Union had fought so hard against in the early years of the revolution.

Mr. Whymper is a man hired by Napoleon to represent Animal Farm in human society. He is loosely based on George Bernard Shaw who visited the U.S.S.R. in 1931 and praised what he found.

Other animals

The three horses, Boxer, Clover and Mollie represent the three social classes. Boxer represents the lower class, Clover the middle and Mollie the upper. In the end, Boxer, or the lower class, is the one that gets the most exploited by the pigs.

Boxer is one of the most popular characters. He is a Shire horse. Boxer is the tragic avatar of the working class, or proletariat: loyal, kind, dedicated, and strong. He is not very clever and never progresses beyond the fourth letter of the alphabet. His major flaw, however, is his blind trust in the leaders, and his inability to see corruption.

Clover is Boxer's mate and a fellow draft horse. She helped and cared for Boxer when he split his hoof. She blames herself for forgetting the original Seven Commandments when Squealer revises them. She represents the educated, but essentially naive lower middle class people who acquiesce to the subversion of principles by the powerful. Clover is kind and good as is shown when she protects the baby ducklings during Major's speech. She is also upset when animals are executed by the dogs, and is held in great respect by three younger horses who ultimately replace Boxer.

Mollie is a white mare who likes wearing ribbons and sugar cubes (which represent luxury) and being pampered by humans. She represents upper-class people, the Bourgeoisie who fled from the U.S.S.R. after the Russian Revolution. Likewise, she quickly leaves for another farm and is rarely mentioned for the rest of the story.

Benjamin is a donkey who is cynical about the revolution — and just about everything else. More specifically, he represents the Jewish population, (as well as authors and poets, due to his cynical and cryptical nature) in Russia who were there before the Revolution and fully expected to be there after the Soviet Union fell (which they were). Though he is wiser than any of the animals he doesn't make an attempt to change anything, replying to questions only with the cryptical response of 'None of you have ever seen a dead donkey'.

Moses is a tame raven who spreads stories of Sugarcandy Mountain, the "animal heaven." These beliefs are denounced by the pigs. Moses represents religion (specifically the Russian Orthodox Church), which has always been in conflict with Communism. It is interesting to note that, while Moses initially leaves the farm after the rebellion, he later returns and is supported by the pigs. This represents the cynical use of religion by the state to anaesthetise the minds of the masses. Moses also shows some characteristics of Grigori Rasputin. The acceptance of Moses by the pigs could be seen to represent Stalin's relaxed attitude towards the Russian Orthodox Church during WWII, as the Church was a way to raise funds for the Russian war effort.

Muriel is a goat who reads the edited commandments. She may represent intelligent labour. It is also possible she serves as a Deus Ex Machina, because she is the only non-pig (excluding Benjamin) that will read. The fact that she dies near the end of the book may imply that her generation of intelligent labour was ultimately extinct.

Jessie and Bluebell are two dogs who give birth in Chapter III. Their puppies are nurtured by Napoleon to inspire fear, representing the formation of the NKVD.

The Hens represent the Kulaks, landed peasants persecuted by Stalin. They had refused to give up their eggs, the way the Kulaks had strongly resisted surrendering their lands in the Soviet Union of the 1930s. Napoleon promptly starved the hens to death — the exact same punishment Stalin had inflicted upon the Kulaks.

The Dogs are Napoleon's secret police and bodyguards (inspired by Cheka, NKVD, OGPU, MVD).

The Sheep show the dumb animal following of the proletariat in the midst of the Russian Civil War, and the masses during Stalin's reign. (“Four legs good, two legs bad!” eventually becomes "Four legs good, two legs better!").

The Cat shows the unethical, silent rejections of the new order — unwilling to work, yet encouraging others to do so, and acting bravely in the face of threats, but disappearing when there is danger. Some say the cat represents the flaws in Animalism or Communism. The fact that she attends Old Major's meeting at the beginning "without listening to a word he is saying" also implies that she is unwilling, or ignorant, of how else to live.

Significance

The allegory that the book employs allows it to be read on a variety of different levels.

Orwell wrote the book following his experiences during the Spanish Civil War, which are described in another of his books, Homage to Catalonia. He intended it to be a strong condemnation of what he saw as the Stalinist corruption of the original socialist ideals. For the preface of a Ukrainian edition he prepared in 1947, Orwell described what gave him the idea of setting the book on a farm.

..I saw a little boy, perhaps ten years old, driving a huge carthorse along a narrow path, whipping it whenever it tried to turn. It struck me that if only such animals became aware of their strength we should have no power over them, and that men exploit animals in much the same way as the rich exploit the proletariat.

This Ukrainian edition was an early propaganda use of the book. It was printed to be distributed among the Soviet citizens of Ukraine who were just some of the many millions of displaced persons throughout Europe at the end of the Second World War. The American occupation forces considered the edition to be propaganda printed on illegal presses, and handed 1,500 confiscated copies of Animal Farm over to the Soviet authorities. The politics in the book also affected Britain, with Orwell reporting that Ernest Bevin was "terrified" that it may cause embarrassment if published before the 1945 general election.

In recent years the book has been used to compare new movements that overthrow heads of a corrupt and undemocratic government or organization, only to eventually become corrupt and oppressive themselves as they succumb to the trappings of power and begin using violent and dictatorial methods to keep it. Such analogies have been used for many former African colonies such as Zimbabwe and the Democratic Republic of Congo, whose succeeding African-born rulers were accused of being as corrupt as, or worse than, the European colonists they supplanted.

The book also clearly ponders whether a focus of power in one person is healthy for a society. The book leaves the ending slightly ambiguous in this regard.

In addition, the book encourages the reader to ponder whether rebellion will eventually resort to a sort of dictatorship — whether that particular power in society is merely part of human nature. This is shown in the way that the pigs, through their own power, lack of equality, and their domination become indistinguishable from the old regime in creating layers of power and concentrating power at the top.

Allusions to history, geography and current science

• The ousting of the humans after the farmers forget to feed the animals is an allusion to the Russian Revolution of 1917 that led to the removal of Czar Nicholas II and his family after a series of social upheavals and wars and ultimately resulted in famine and poverty.
• The refusal of the Humans to refer to Animal Farm by its new name (still calling it Manor Farm) may be indicative of the diplomatic limbo in which the Soviets existed following their early history.
• Mr. Jones' last ditch effort to re-take the farm (The Battle of the Cowshed) is analogous to the Russian Civil War in which the western capitalist governments sent soldiers to try to remove the Bolsheviks from power.
• Napoleon's removal of Snowball is like Stalin’s removal of Leon Trotsky from power in 1927 and his subsequent expulsion and murder.
• Squealer constantly changing the commandments may refer to the constant line of adjustments to the Communist theory by the people in power. Also, his lies to animals of past events they cannot remember refers to the revision of history texts to glorify Stalin during his regime.
• After Old Major dies, his skull is placed on display on a tree stump. Similarly, Lenin's embalmed body was put on display in Lenin's Tomb in Red Square post-mortem, where it still remains. It should also be noted that the tomb of Karl Marx is adorned by an extremely huge bust of his likeness which lends more credibility to Old Major being a closer reference to Karl Marx than to Lenin. Marx's tomb is located in Highgate Cemetery, London.
• When Napoleon steals Snowball’s idea for a windmill, the windmill can be considered a symbol of the Soviet Five-Year Plans, a concept developed by Trotsky and adopted by Stalin, who, after banning Trotsky from the Soviet Union, claimed them to be his idea. The failure of the windmill to generate the expected creature comforts and subsequent search for saboteurs is probably a reference to accusations and a show trial against British engineers who were working on electrification projects in the USSR.
• Moses the raven leaving the farm for a while and then returning is similar to the Russian Orthodox Church going underground and then being brought back to give the workers hope.
• Boxer's motto, "Napoleon is always right" is strikingly similar to «Il Duce ha sempre ragione» ("Mussolini is always right"), a chant used to hail Benito Mussolini during his rule of Italy from 1922 to 1943.
• During the rise of Napoleon, he ordered the collection of all the hens' eggs. In an act of defiance, the hens destroyed their eggs rather than give them to Napoleon. During Stalin's collectivization period in the early 1930s, many Ukrainian peasants burned their crops and farms rather than handing them over to the government.
• Napoleon's mass executions, of which many were unfair for the alleged crimes, is similar to Stalin executing his political enemies for various crimes after they were tortured and forced to falsify confessions.
• The four pigs that defy Napoleon's will are comparable with the purged party members during the Great Purge — Bukharin, Rykov, Zinoviev, Kamenev and many others.
• Napoleon replaces the farm anthem "Beasts of England" with an inane composition by the pig poet Minimus ("Animal Farm, Animal Farm / Never through me / Shall thou come to harm"). In 1943, Stalin replaced the old national anthem "the Internationale" with "the Hymn of the Soviet Union." The old Internationale glorified the revolution and "the people." The original version of the Hymn of the Soviet Union glorified Stalin so heavily that after his death in 1953, entire sections of the anthem had to be replaced or removed. Orwell could have also been referring to Napoleon Bonaparte's banning of the French national hymn, La Marseillaise in 1799.
• Napoleon works with Mr. Frederick, who eventually betrays Animal Farm and destroys the windmill. Though Animal Farm repels the human attack, many animals are wounded and killed. This is similar to Stalin’s Molotov-Ribbentrop Pact with Nazi Germany in 1939, which was later betrayed in 1941 when Hitler invaded the Soviet Union. Though the Soviet Union won the war, it came at a tremendous price of roughly 8.5-15 million Soviet soldiers (unconfirmed) and many civilians, resulting in an incredible estimated 20 million dead, as well as the utter destruction of the Western Soviet Union and its prized collective farms that Stalin had created in the 1930s. The detonation of the windmill and the battle that ensued there could also be a reference to the Battle of Stalingrad. The selling of the farm's excess timber supply could represent the offering of raw materials to the United States in exchange for weapons of war under the Lend-Lease.
• Napoleon changing Animal Farm back to Manor echoes the Red Army’s name change from the "Workers' and Peasants' Red Army" to the "Soviet Army" to appear as a more appealing and professional organization rather than an army of the common people.
• Squealer may be an allegory of the Soviet Newspaper in which Stalin often wrote many of the articles anonymously to give the impression the country was far better off than it was.
• The dogs may be an allegory to the NKVD (KGB), the elite police force who ruled by terror under Stalin's hand.
• Boxer, in the allegory of the novel, directly relates to the working class who laboured under strenuous and exceedingly difficult conditions throughout the Communist regime with the hope that their work would result in a more prosperous life. Boxer represents this clearly at points when he utters such quotes as "I will work harder" in response to any sort of difficulty. In the context of the story, this also allows Boxer to become a tool of propaganda to be used by Napoleon and his regime later on once Boxer has been murdered to pay for a crate of whisky for the pigs.
• When Napoleon and Snowball argue about how Animal Farm should be ruled--Napoleon favored the harvest, Snowball favored getting other farms (countries) to rebel. This is similar to Stalin wanting "Socialism in one country" and Trotsky's theory of "Permanent Revolution."
• The term "four legs good, two legs bad" could be symbolic for the simplification of the April Theses, for workers to understand it better.

British censorship and suppressed preface

During World War II it became apparent to Orwell that anti-Russian literature was not something which most major publishing houses would touch — including his regular publisher Gollancz. One publisher he sought to sell his book to rejected it on the grounds of government advice — although the assumed civil servant who gave the order was later found to be a Soviet spy.

Orwell originally prepared a preface which complains about British government suppression of his book, self-imposed British self-censorship and how the British people were suppressing criticism of the USSR, their World War II ally. "The sinister fact about literary censorship in England is that it is largely voluntary. ... [Things are] kept right out of the British press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact." Somewhat ironically, the preface itself was censored and is not published with most copies of the book.

Cultural references

Main article: Animal Farm in popular culture

References to the novella are frequent in other works of popular culture, particularly in popular music and television series.

Editions

• ISBN 0-582-02173-1 (paper text, 1989)
• ISBN 0-15-107255-8 (hardcover, 1990)
• ISBN 0-582-06010-9 (paper text, 1991)
• ISBN 0-679-42039-8 (hardcover, 1993)
• ISBN 0-606-00102-6 (prebound, 1996)
• ISBN 0-15-100217-7 (hardcover, 1996, Anniversary Edition)
• ISBN 0-452-27750-7 (paperback, 1996, Anniversary Edition)
• ISBN 0-451-52634-1 (mass market paperback, 1996, Anniversary Edition)
• ISBN 0-582-53008-3 (1996)
• ISBN 1-56000-520-3 (cloth text, 1998, Large Type Edition)
• ISBN 0-7910-4774-1 (hardcover, 1999)
• ISBN 0-451-52536-1 (paperback, 1999)
• ISBN 0-7641-0819-0 (paperback, 1999)
• ISBN 0-8220-7009-X (e-book, 1999)
• ISBN 0-7587-7843-0 (hardcover, 2002)
• ISBN 0-15-101026-9 (hardcover, 2003, with Nineteen Eighty-Four)
• ISBN 0-452-28424-4 (paperback, 2003, Centennial Edition)
• ISBN 0-8488-0120-2 (hardcover)
• ISBN 0-03-055434-9 (hardcover) Animal Farm with Connections
• ISBN 0-395-79677-6 (hardcover) Animal Farm & Related Readings, 1997

External links

• (Project Gutenburg Australia e-text) Text is in the public domain in Australia.
• Extensive summary of Animal Farm and list of important quotes (author biography included)
• Animal Farm Summary and Analysis
• Excerpts from Orwell's letters to his agent concerning Animal Farm