Aisha Musa Ahmad (musician): Difference between revisions
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Aisha began to sing professionally at the age of fourteen, and soon achieved a degree of fame as a wedding singer. Her father disapproved of her activities, as female singers were stigmatised in Sudanese society at the time. He attempted to end her career by arranging her marriage, but she subsequently divorced her husband and continued working as a singer. Aisha's career only progressed in the late 1930s, when she was discovered by a representative of an Egyptian record company. She recorded several songs for the company in [[Cairo]], and her music subsequently became popular in Sudanese [[coffeehouse]]s.<ref name="dab"/> Her recordings were done under the name "Aisha al-Falatiya", a reference to her Fulani ancestry.{{Efn|Aisha's father's ethnic group, the Hausa, are known as the Fallata in Sudan. Her stage name consequently translates as "Aisha the Fulani".<ref name="dab"/>}} |
Aisha began to sing professionally at the age of fourteen, and soon achieved a degree of fame as a wedding singer. Her father disapproved of her activities, as female singers were stigmatised in Sudanese society at the time. He attempted to end her career by arranging her marriage, but she subsequently divorced her husband and continued working as a singer. Aisha's career only progressed in the late 1930s, when she was discovered by a representative of an Egyptian record company. She recorded several songs for the company in [[Cairo]], and her music subsequently became popular in Sudanese [[coffeehouse]]s.<ref name="dab"/> Her recordings were done under the name "Aisha al-Falatiya", a reference to her Fulani ancestry.{{Efn|Aisha's father's ethnic group, the Hausa, are known as the Fallata in Sudan. Her stage name consequently translates as "Aisha the Fulani".<ref name="dab"/>}} |
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During World War II, Aisha worked as a troop entertainer, singing for Sudanese soldiers active in the [[East African Campaign (World War II)|East African]] and [[North African Campaign]]s. In 1942, she became the first female Sudanese singer to perform on radio, singing a selection of her songs for Omdurman Radio (established by the British the previous year).<ref name="dab"/><ref>{{cite thesis |last=Malik|first=Saadia I.|date=2003|title=Exploring ''Aghani al-Banat'': a postcolonial ethnographic approach to Sudanese women's songs, culture, and performance|type=Ph.D.|publisher=University of Ohio|url=https://etd.ohiolink.edu/rws_etd/document/get/ohiou1053018989/inline|page=54|access-date=4 November 2016}}</ref> She performed alongside her sister, Jidawwiya, who played the [[oud]] and had her own orchestra. The sisters' performance was well received by the station's listeners, but |
During [[World War II]], Aisha worked as a troop entertainer, singing for Sudanese soldiers active in the [[East African Campaign (World War II)|East African]] and [[North African Campaign]]s. In 1942, she became the first female Sudanese singer to perform on radio, singing a selection of her songs for [[Omdurman]] Radio (established by the British the previous year).<ref name="dab"/><ref>{{cite thesis |last=Malik|first=Saadia I.|date=2003|title=Exploring ''Aghani al-Banat'': a postcolonial ethnographic approach to Sudanese women's songs, culture, and performance|type=Ph.D.|publisher=University of Ohio|url=https://etd.ohiolink.edu/rws_etd/document/get/ohiou1053018989/inline|page=54|access-date=4 November 2016}}</ref> She performed alongside her sister, Jidawwiya, who played the [[oud]] and had her own orchestra. The sisters' performance was well received by the station's listeners, but ثwas condemned by conservative commentators, and several male singers subsequently boycotted the station in protest.<ref name="dab"/> At one point, the enduring hostility she faced (both due to her gender and her ethnicity) led her to contemplate moving to Nigeria.<ref>Malik, p. 55.</ref> |
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Aisha's continued popularity eventually legitimised the presence of women on public radio, and in her later years she even performed duets with male singers.<ref name="dab"/> In total, she recorded over 150 songs during her career, mainly for Omdurman Radio, and remained active into the 1960s. She was best known for her love songs (referred to as ''tom-tom'' songs, and generally written by male poets),<ref>Malik, p. 140.</ref> but some of her music was political in nature, and she was known as an advocate of [[women's rights]], [[Labor rights|workers' rights]], [[anti-colonialism]], and Sudanese independence. Aisha lived in Omdurman until her death in 1974, but was also a frequent visitor to Egypt. She was married twice in her life: She got divorced from her first husband, Ibrahim Adbarawi, after two years without having a child. Subsequently, she married Jiddu Kabli with whom she had all her children. |
Aisha's continued popularity eventually legitimised the presence of women on public radio, and in her later years she even performed duets with male singers.<ref name="dab"/> In total, she recorded over 150 songs during her career, mainly for Omdurman Radio, and remained active into the 1960s. She was best known for her love songs (referred to as ''tom-tom'' songs, and generally written by male poets),<ref>Malik, p. 140.</ref> but some of her music was political in nature, and she was known as an advocate of [[women's rights]], [[Labor rights|workers' rights]], [[anti-colonialism]], and Sudanese independence. Aisha lived in Omdurman until her death in 1974, but was also a frequent visitor to Egypt. She was married twice in her life: She got divorced from her first husband, Ibrahim Adbarawi, after two years without having a child. Subsequently, she married Jiddu Kabli with whom she had all her children. |
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Revision as of 08:23, 4 July 2022
Aisha al-Falatiya عائشة الفلاتية | |
|---|---|
 Portrait of Sudanese singer Aisha al Falatiya | |
| Background information | |
| Birth name | Aisha Musa Ahmad |
| Born | 1905 Kassala, Sudan |
| Died | 24 February 1974 (aged 69) Omdurman, Sudan |
| Genres | |
| Occupation | singer |
| Years active | 1942–1960s |
Aisha Musa Ahmad (Template:Lang-ar, b. 1905 – 24 February 1974), better known as Aisha al-Falatiya (also transliterated as Aisha El Falatia (Template:Lang-ar), was a Sudanese singer. Her early career was hindered by prejudice against female performers, but in 1942 she became the first woman to sing on Sudanese radio. Aisha's career continued into the 1960s, and she recorded over 150 songs in total, achieving popularity in both Sudan and Egypt.[1]
Early life
Aisha was born in present-day Kassala, close to the present-day border with Eritrea. Both her parents were immigrants to Sudan from Sokoto, Nigeria, having initially passed through the area as pilgrims and then later decided to settle there. Her mother, Hujra, belonged to the Hausa people, while her father, Musa Ahmad Yahiyya, was a faqīh (religious scholar) of Fulani origin. The oldest of seven children, Aisha was schooled at her father's khalwa (religious school) in Omdurman, where she learned to memorise and recite the Quran. Her later skill in singing has been attributed to her lessons in recitation.[2]
Singing career and later life
Aisha began to sing professionally at the age of fourteen, and soon achieved a degree of fame as a wedding singer. Her father disapproved of her activities, as female singers were stigmatised in Sudanese society at the time. He attempted to end her career by arranging her marriage, but she subsequently divorced her husband and continued working as a singer. Aisha's career only progressed in the late 1930s, when she was discovered by a representative of an Egyptian record company. She recorded several songs for the company in Cairo, and her music subsequently became popular in Sudanese coffeehouses.[2] Her recordings were done under the name "Aisha al-Falatiya", a reference to her Fulani ancestry.[a]
During World War II, Aisha worked as a troop entertainer, singing for Sudanese soldiers active in the East African and North African Campaigns. In 1942, she became the first female Sudanese singer to perform on radio, singing a selection of her songs for Omdurman Radio (established by the British the previous year).[2][3] She performed alongside her sister, Jidawwiya, who played the oud and had her own orchestra. The sisters' performance was well received by the station's listeners, but ثwas condemned by conservative commentators, and several male singers subsequently boycotted the station in protest.[2] At one point, the enduring hostility she faced (both due to her gender and her ethnicity) led her to contemplate moving to Nigeria.[4]
Aisha's continued popularity eventually legitimised the presence of women on public radio, and in her later years she even performed duets with male singers.[2] In total, she recorded over 150 songs during her career, mainly for Omdurman Radio, and remained active into the 1960s. She was best known for her love songs (referred to as tom-tom songs, and generally written by male poets),[5] but some of her music was political in nature, and she was known as an advocate of women's rights, workers' rights, anti-colonialism, and Sudanese independence. Aisha lived in Omdurman until her death in 1974, but was also a frequent visitor to Egypt. She was married twice in her life: She got divorced from her first husband, Ibrahim Adbarawi, after two years without having a child. Subsequently, she married Jiddu Kabli with whom she had all her children.
See also
Notes
External links
- "Balaal" ("بلال تزورني مرة") by Aisha al-Falatiya with English translation
- 46 songs by Aisha al-Falatiya
- Song From the Radio Station (من دار الاذاعة) with English subtitles on YouTube
References
- ^ Abbas, Reem (2019-10-07). The Artist Aisha Fallatiya: A Pioneer of Modernity in Sudan. SIHA Journal: Women in Islam (Issue Two). Strategic Initiative for Women in the Horn of Africa. pp. 6–9. ISBN 978-9970-9290-0-9.
- ^ a b c d e f Akyeampong, Emmanuel Kwaku; Gates, Henry Louis (2012). Dictionary of African Biography, Volume 6. Oxford University Press. p. 122. ISBN 978-0195382075.
- ^ Malik, Saadia I. (2003). Exploring Aghani al-Banat: a postcolonial ethnographic approach to Sudanese women's songs, culture, and performance (Ph.D.). University of Ohio. p. 54. Retrieved 4 November 2016.
- ^ Malik, p. 55.
- ^ Malik, p. 140.