Puriya: Difference between revisions
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m Improves notation by using svaraH. {r'} is not working in svaraH, so i don't add ' to upper R komal. |
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| time = Just after sunset |
| time = Just after sunset |
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| season = |
| season = |
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| arohana = N |
| arohana = {{svaraH|N|r|G|M|D|N|r|S'}} |
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| avarohana = {{ubl|S |
| avarohana = {{ubl|{{svaraH|S|N|D|M|G|r|S|'N}}|{{svaraH|r|N|D|M|G}},{{svaraH|M|G|r|S}}}} |
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| vadi = G |
| vadi = G |
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| samavadi = N |
| samavadi = N |
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Revision as of 16:29, 15 September 2022
 |
| Thaat | Marva |
|---|---|
| Time of day | Just after sunset |
| Arohana | N Ṟ G M̄ D N Ṟ Ṡ |
| Avarohana |
|
| Vadi | G |
| Samavadi | N |
Puriya is a major hexatonic raga of Hindustani classical music.
Note emphasis: Ni, Ga, (Ma is an important pivot note.)
Pakad or Chalan
Ni Ni Ni Ma, Ni Dha Ni
re Sa
Ma, (Ni) D (Sa) Ni (re) Sa () = grace note
Ni re Ga
Ni re Ga, Ga re Sa
Ni re Ma Ma Ga
Ma Dha Ni, Ma Dha, Ga Ma G
Details
| Property | Value |
|---|---|
| Thaat | Marwa |
| Ascending | N r G M D N r S |
| Descending | S N D M G r S N or
r N D M Gg, M G r S |
| Samar (time of day) | Sunset or just after |
| Rasa | Shanti (equanimity/peace)
Gambhir (seriousness) |
| Related ragas | Kanada, Hindol, Kalyan (Iman) |
Sources
Bor, Joep (c. 1997), The Raga Guide, Charlottesville,Virginia: Nimbus Records, archived from the original on 15 July 2009
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