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== Significant works ==
== Significant works ==
{| class="wikitable"

|+
* ''Bumming in Beijing: The Last Dreamers'' ([[Wu Wenguang]], 1990)
!Year
* ''[[Tie Xi Qu: West of the Tracks]]'' ([[Wang Bing (director)|Wang Bing]], 2002)
!English title
!Chinese title
!Director(s)
!Notes
|-
|1990
|''Bumming in Beijing: The Last Dreamers''
|流浪北京
|[[Wu Wenguang]]
|
|-
|1994
|''[[The Square (1994 film)|The Square]]''
|广场
|[[Zhang Yuan (director)|Zhang Yuan]], Duan Jinchuan
|
|-
|1995
|''The Other Bank''
|彼岸
|Jiang Yue
|
|-
|2001
|''The Box''
|盒子
|Ying Weiwei
|
|-
|2002
|''[[Tie Xi Qu: West of the Tracks]]''
|铁西区
|[[Wang Bing (director)|Wang Bing]]
|
|}


== References ==
== References ==

Revision as of 00:59, 11 October 2022

Article Draft

Lead

China's New Documentary Movement is a film and television movement beginning in the early 1990s that aimed to portray Chinese citizens using "on-the-spot realism" (Chinese: 纪实主义; pinyin: jishi zhuyi) in contrast to the state-sponsored socialist realism xianshi zhuyi (现实主义).[1]

History

The New Documentary Movement began forming around the same time as the 1989 Tiananmen Democracy Movement in response to the country's market reforms.[1] The movement provided an alternative to the national documentaries and newsreels with voiceover approved by the state, taking interest in letting subjects speak more spontaneously. It is considered a part of the Sixth Generation of Chinese cinema. The term was coined in 1992 at a small meeting of directors in Zhang Yuan's home.

The rise of digital video cameras also accompanied the movement, increasing access to filmmaking.

Significant works

Year English title Chinese title Director(s) Notes
1990 Bumming in Beijing: The Last Dreamers 流浪北京 Wu Wenguang
1994 The Square 广场 Zhang Yuan, Duan Jinchuan
1995 The Other Bank 彼岸 Jiang Yue
2001 The Box 盒子 Ying Weiwei
2002 Tie Xi Qu: West of the Tracks 铁西区 Wang Bing

References

  1. ^ a b Berry, Chris; Xinyu, Lu; Rofel, Lisa, eds. (2010). The New Chinese Documentary Movement: For the Public Record. Hong Kong University Press.